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Joseph Alexandre Colonna (1810-1868), Count Walewski, son of Napoleon I and Marie Walewska, French politician
Joseph Alexandre Colonna (1810-1868), Count Walewski, son of Napoleon I and Marie Walewska, French politician

XEE4405480: Joseph Alexandre Colonna (1810-1868), Count Walewski, son of Napoleon I and Marie Walewska, French politician, Unknown Artist, (19th century) / Bridgeman Images

The little poucet sows rocks in his way. Illustration for “” Le Pepetit poucet””, tale by Charles Perrault (1628-1703), French writer. Anonymous illustration. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century).
The little poucet sows rocks in his way. Illustration for “” Le Pepetit poucet””, tale by Charles Perrault (1628-1703), French writer. Anonymous illustration. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century).

XEE4404332: The little poucet sows rocks in his way. Illustration for “” Le Pepetit poucet””, tale by Charles Perrault (1628-1703), French writer. Anonymous illustration. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century)., Unknown Artist, (19th century) / Bridgeman Images

Portrait of George Shelley English calligrapher of the 18th century engraving by George Bickham.
Portrait of George Shelley English calligrapher of the 18th century engraving by George Bickham.

XEE4404360: Portrait of George Shelley English calligrapher of the 18th century engraving by George Bickham., Bickham, George (the Younger) (c.1706–71) / Bridgeman Images

Aspect of the department store “” Au Corner de la rue””” (corner streets Montesquieu and Bons Enfants). Paris, September 1864.
Aspect of the department store “” Au Corner de la rue””” (corner streets Montesquieu and Bons Enfants). Paris, September 1864.

XEE4404368: Aspect of the department store “” Au Corner de la rue””” (corner streets Montesquieu and Bons Enfants). Paris, September 1864., Unknown Artist, (19th century) / Bridgeman Images

Reading method suitable for the age and intelligence of the child, 1934 French school book to learn to read.
Reading method suitable for the age and intelligence of the child, 1934 French school book to learn to read.

XEE4404411: Reading method suitable for the age and intelligence of the child, 1934 French school book to learn to read., French School, (20th century) / Bridgeman Images

Les cartes Chanson de Beranger in “” Oeuvres completes”” (1834) by Pierre Jean de Beranger (1780-1857), French poet and songwriter.
Les cartes Chanson de Beranger in “” Oeuvres completes”” (1834) by Pierre Jean de Beranger (1780-1857), French poet and songwriter.

XEE4404424: Les cartes Chanson de Beranger in “” Oeuvres completes”” (1834) by Pierre Jean de Beranger (1780-1857), French poet and songwriter., French School, (19th century) / Bridgeman Images

le bon vieillard Chanson de Beranger in “” Oeuvres completes”” (1834) by Pierre Jean de Beranger (1780-1857), French poet and songwriter.
le bon vieillard Chanson de Beranger in “” Oeuvres completes”” (1834) by Pierre Jean de Beranger (1780-1857), French poet and songwriter.

XEE4404425: le bon vieillard Chanson de Beranger in “” Oeuvres completes”” (1834) by Pierre Jean de Beranger (1780-1857), French poet and songwriter., French School, (19th century) / Bridgeman Images

l'Orage Chanson de Beranger in “” Works Completes”” (1834) by Pierre Jean de Beranger (1780-1857), French poet and songwriter.
l'Orage Chanson de Beranger in “” Works Completes”” (1834) by Pierre Jean de Beranger (1780-1857), French poet and songwriter.

XEE4404445: l'Orage Chanson de Beranger in “” Works Completes”” (1834) by Pierre Jean de Beranger (1780-1857), French poet and songwriter., French School, (19th century) / Bridgeman Images

L'ombre d'Anacreon Chanson de Beranger in “” Oeuvres completes”” (1834) by Pierre Jean de Beranger (1780-1857), French poet and songwriter.
L'ombre d'Anacreon Chanson de Beranger in “” Oeuvres completes”” (1834) by Pierre Jean de Beranger (1780-1857), French poet and songwriter.

XEE4404454: L'ombre d'Anacreon Chanson de Beranger in “” Oeuvres completes”” (1834) by Pierre Jean de Beranger (1780-1857), French poet and songwriter., French School, (19th century) / Bridgeman Images

The exile Chanson de Beranger in “” Works Completes”” (1834) by Pierre Jean de Beranger (1780-1857), French poet and songwriter.
The exile Chanson de Beranger in “” Works Completes”” (1834) by Pierre Jean de Beranger (1780-1857), French poet and songwriter.

XEE4404463: The exile Chanson de Beranger in “” Works Completes”” (1834) by Pierre Jean de Beranger (1780-1857), French poet and songwriter., French School, (19th century) / Bridgeman Images

Les Missionnaires Chanson de Beranger in “” Oeuvres completes”” (1834) by Pierre Jean de Beranger (1780-1857), French poet and songwriter.
Les Missionnaires Chanson de Beranger in “” Oeuvres completes”” (1834) by Pierre Jean de Beranger (1780-1857), French poet and songwriter.

XEE4404481: Les Missionnaires Chanson de Beranger in “” Oeuvres completes”” (1834) by Pierre Jean de Beranger (1780-1857), French poet and songwriter., French School, (19th century) / Bridgeman Images

View of the Church of St. Apollinar and the Germanic College (Collegio Germanico) in Rome at the end of the 18th century.
View of the Church of St. Apollinar and the Germanic College (Collegio Germanico) in Rome at the end of the 18th century.

XEE4404485: View of the Church of St. Apollinar and the Germanic College (Collegio Germanico) in Rome at the end of the 18th century., Unknown artist, (18th century) / Bridgeman Images

Hunting Nandou cover of 'Journal des Voyages', 1900 (print)
Hunting Nandou cover of 'Journal des Voyages', 1900 (print)

XEE4404487: Hunting Nandou cover of 'Journal des Voyages', 1900 (print), French School, (20th century) / Bridgeman Images

The day before the Rahmadan from 'Journal des Voyages', 1900 (print)
The day before the Rahmadan from 'Journal des Voyages', 1900 (print)

XEE4404488: The day before the Rahmadan from 'Journal des Voyages', 1900 (print), French School, (20th century) / Bridgeman Images

Cinderella dreams of a better life near the kitchen fireplace. Illustration of Charles Perrault's tale “Cinderella or La petite slipper de verre”, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
Cinderella dreams of a better life near the kitchen fireplace. Illustration of Charles Perrault's tale “Cinderella or La petite slipper de verre”, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404547: Cinderella dreams of a better life near the kitchen fireplace. Illustration of Charles Perrault's tale “Cinderella or La petite slipper de verre”, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

The godmother (the right fee) turns lezards into lackey. Illustration of Charles Perrault's tale “Cinderella or La petite slipper de verre”, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
The godmother (the right fee) turns lezards into lackey. Illustration of Charles Perrault's tale “Cinderella or La petite slipper de verre”, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404550: The godmother (the right fee) turns lezards into lackey. Illustration of Charles Perrault's tale “Cinderella or La petite slipper de verre”, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

The good fee of Cinderella and Cinderella. Illustration of Charles Perrault's tale “Cinderella or La petite slipper de verre”, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
The good fee of Cinderella and Cinderella. Illustration of Charles Perrault's tale “Cinderella or La petite slipper de verre”, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404551: The good fee of Cinderella and Cinderella. Illustration of Charles Perrault's tale “Cinderella or La petite slipper de verre”, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

Cinderella frees the mice that trash as horses and a rat as coachers. Illustration of Charles Perrault's tale “Cinderella or La petite slipper de verre”, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
Cinderella frees the mice that trash as horses and a rat as coachers. Illustration of Charles Perrault's tale “Cinderella or La petite slipper de verre”, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404559: Cinderella frees the mice that trash as horses and a rat as coachers. Illustration of Charles Perrault's tale “Cinderella or La petite slipper de verre”, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

The Marquis of Carrabas marries the princess of the Kingdom. Illustration of the tale “The cat botte” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
The Marquis of Carrabas marries the princess of the Kingdom. Illustration of the tale “The cat botte” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404561: The Marquis of Carrabas marries the princess of the Kingdom. Illustration of the tale “The cat botte” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

The boot cat meets the ogre. Illustration of the tale “The cat botte” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
The boot cat meets the ogre. Illustration of the tale “The cat botte” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404573: The boot cat meets the ogre. Illustration of the tale “The cat botte” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

The cat forces the peasants to say that the field in which they mow the wheat belongs to the Marquis de Carabas. Illustration of the tale “The cat botte” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
The cat forces the peasants to say that the field in which they mow the wheat belongs to the Marquis de Carabas. Illustration of the tale “The cat botte” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404574: The cat forces the peasants to say that the field in which they mow the wheat belongs to the Marquis de Carabas. Illustration of the tale “The cat botte” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

The Marquis of Carabas greets the king and the princess in their carriage. Illustration of the tale “The cat botte” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
The Marquis of Carabas greets the king and the princess in their carriage. Illustration of the tale “The cat botte” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404579: The Marquis of Carabas greets the king and the princess in their carriage. Illustration of the tale “The cat botte” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

The children of the handler, who just died, share his property: donkey, mill and cat. Illustration of the tale “The cat botte” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
The children of the handler, who just died, share his property: donkey, mill and cat. Illustration of the tale “The cat botte” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404582: The children of the handler, who just died, share his property: donkey, mill and cat. Illustration of the tale “The cat botte” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

Cat traps a rabbit. Illustration of the tale “The cat botte” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
Cat traps a rabbit. Illustration of the tale “The cat botte” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404599: Cat traps a rabbit. Illustration of the tale “The cat botte” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

Illustration of the tale “Good Mom Sheep””. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
Illustration of the tale “Good Mom Sheep””. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404617: Illustration of the tale “Good Mom Sheep””. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

Illustration of the tale “Good Mom Sheep””. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
Illustration of the tale “Good Mom Sheep””. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404622: Illustration of the tale “Good Mom Sheep””. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

Judith et Holopherne. in “” El Culto de la Hermosura”” by Juan Justo Huguet, Molinas Hermanos editores, 1880 (volume 1) & 1881 (volume 2).
Judith et Holopherne. in “” El Culto de la Hermosura”” by Juan Justo Huguet, Molinas Hermanos editores, 1880 (volume 1) & 1881 (volume 2).

XEE4404633: Judith et Holopherne. in “” El Culto de la Hermosura”” by Juan Justo Huguet, Molinas Hermanos editores, 1880 (volume 1) & 1881 (volume 2)., Unknown Artist, (19th century) / Bridgeman Images

Illustration of the tale “The terrible Raminagrobis and the mice””” character draws fables by Jean de la Fontaine. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
Illustration of the tale “The terrible Raminagrobis and the mice””” character draws fables by Jean de la Fontaine. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404639: Illustration of the tale “The terrible Raminagrobis and the mice””” character draws fables by Jean de la Fontaine. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

Illustration of the tale “The terrible Raminagrobis and the mice””” character draws fables by Jean de la Fontaine. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
Illustration of the tale “The terrible Raminagrobis and the mice””” character draws fables by Jean de la Fontaine. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404644: Illustration of the tale “The terrible Raminagrobis and the mice””” character draws fables by Jean de la Fontaine. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

Napoleon I in Hire I Empire 1804 -1814. 54 mm high lead figure. Old manufacture VERTUNNI pre-war (1935)
Napoleon I in Hire I Empire 1804 -1814. 54 mm high lead figure. Old manufacture VERTUNNI pre-war (1935)

XEE4405508: Napoleon I in Hire I Empire 1804 -1814. 54 mm high lead figure. Old manufacture VERTUNNI pre-war (1935), Vertunni, Gustave (1884-1953) / Bridgeman Images

Hussard I Empire 1804 - 1814 54 mm high lead figure. Old manufacture VERTUNNI circa 1955.
Hussard I Empire 1804 - 1814 54 mm high lead figure. Old manufacture VERTUNNI circa 1955.

XEE4405530: Hussard I Empire 1804 - 1814 54 mm high lead figure. Old manufacture VERTUNNI circa 1955., Vertunni, Gustave (1884-1953) / Bridgeman Images

Portrait of Pythagoras (ca. 570 - around 480 BC), Greek mathematician and philosopher. Engraving of the 18th century
Portrait of Pythagoras (ca. 570 - around 480 BC), Greek mathematician and philosopher. Engraving of the 18th century

XEE4405543: Portrait of Pythagoras (ca. 570 - around 480 BC), Greek mathematician and philosopher. Engraving of the 18th century, Unknown artist, (18th century) / Bridgeman Images

Coverage of French newspapers. December 2004.
Coverage of French newspapers. December 2004.

XEE4405583: Coverage of French newspapers. December 2004. / Bridgeman Images

David Ricardo (1772 - 1823), British economist.
David Ricardo (1772 - 1823), British economist.

XEE4405600: David Ricardo (1772 - 1823), British economist., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Howard Robard Hughes in 1934. American industrialist and producer. 1905 - 1976.
Portrait of Howard Robard Hughes in 1934. American industrialist and producer. 1905 - 1976.

XEE4405629: Portrait of Howard Robard Hughes in 1934. American industrialist and producer. 1905 - 1976., Anonymous / Bridgeman Images

Cairo, departure from the Mahmal (palanquin covered with an embroidered silk veil symbolizing the authority of the Ottoman sultan), for the pilgrimage of Mecca, by the railway, in “The Illustrated Universe””, 13/06/1866.
Cairo, departure from the Mahmal (palanquin covered with an embroidered silk veil symbolizing the authority of the Ottoman sultan), for the pilgrimage of Mecca, by the railway, in “The Illustrated Universe””, 13/06/1866.

XEE4405657: Cairo, departure from the Mahmal (palanquin covered with an embroidered silk veil symbolizing the authority of the Ottoman sultan), for the pilgrimage of Mecca, by the railway, in “The Illustrated Universe””, 13/06/1866., Unknown Artist, (19th century) / Bridgeman Images


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