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Twilight, Lake Tahoe, c.1870s (oil on canvas)
Twilight, Lake Tahoe, c.1870s (oil on canvas)

CH4075117: Twilight, Lake Tahoe, c.1870s (oil on canvas), Bierstadt, Albert (1830-1902) / Bridgeman Images

Sans Paroles (Portrait Murken- Scutenaire), 2005 (oil on canvas)
Sans Paroles (Portrait Murken- Scutenaire), 2005 (oil on canvas)

RDC4075174: Sans Paroles (Portrait Murken- Scutenaire), 2005 (oil on canvas), Delcol, Roland (b.1942) / Bridgeman Images

Mao's little red book
Mao's little red book

XEE4095513: Mao's little red book / Bridgeman Images

2 women and 1 girl - in “” Magazine des Demoiselles””, 1858.
2 women and 1 girl - in “” Magazine des Demoiselles””, 1858.

XEE4097982: 2 women and 1 girl - in “” Magazine des Demoiselles””, 1858., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Christ. Milanese school of the 16th century. Anonymous painting.
Portrait of Christ. Milanese school of the 16th century. Anonymous painting.

XEE4103816: Portrait of Christ. Milanese school of the 16th century. Anonymous painting., Italian School, (16th century) / Bridgeman Images

The Georges Richard stand at the Motor Show, 1901
The Georges Richard stand at the Motor Show, 1901

XEE4103835: The Georges Richard stand at the Motor Show, 1901, Unknown photographer, (20th century) / Bridgeman Images

General view of the Motor Show at the Grand Palais, 1932
General view of the Motor Show at the Grand Palais, 1932

XEE4103838: General view of the Motor Show at the Grand Palais, 1932, Unknown photographer, (20th century) / Bridgeman Images

I have good tobacco - J'ai du bon tabac (song), 19th century (Epinal print)
I have good tobacco - J'ai du bon tabac (song), 19th century (Epinal print)

XEE4103876: I have good tobacco - J'ai du bon tabac (song), 19th century (Epinal print), French School, (19th century) / Bridgeman Images

Picturesque costumes of France, 19th century (Epinal print)
Picturesque costumes of France, 19th century (Epinal print)

XEE4104102: Picturesque costumes of France, 19th century (Epinal print), French School, (19th century) / Bridgeman Images

Le Chat Bottté - in “Les Contes de Fées”” by Charles Perrault, illustrations by Adrien Marie, 1884.
Le Chat Bottté - in “Les Contes de Fées”” by Charles Perrault, illustrations by Adrien Marie, 1884.

XEE4104809: Le Chat Bottté - in “Les Contes de Fées”” by Charles Perrault, illustrations by Adrien Marie, 1884., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

Riquet a la Houppe - in “Les contes de fees”” by Charles Perrault, illustrations by Adrien Marie, 1884.
Riquet a la Houppe - in “Les contes de fees”” by Charles Perrault, illustrations by Adrien Marie, 1884.

XEE4104810: Riquet a la Houppe - in “Les contes de fees”” by Charles Perrault, illustrations by Adrien Marie, 1884., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

La Belle au Bois Dormant - in “Les Contes de Fées”” by Charles Perrault, illustrations by Adrien Marie, 1884.
La Belle au Bois Dormant - in “Les Contes de Fées”” by Charles Perrault, illustrations by Adrien Marie, 1884.

XEE4104835: La Belle au Bois Dormant - in “Les Contes de Fées”” by Charles Perrault, illustrations by Adrien Marie, 1884., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

Serie 'En l'An 2000' -  A Nineteenth Century Vision of the Year 2000 (chromo)
Serie 'En l'An 2000' -  A Nineteenth Century Vision of the Year 2000 (chromo)

XEE4105704: Serie 'En l'An 2000' - A Nineteenth Century Vision of the Year 2000 (chromo), French School, (19th century) / Bridgeman Images

Futuredays: A Nineteenth Century Vision of the Year 2000 - Series “” In the Year 2000””: The new game barber (automatic machine). Chromolithography by Villemard, 1910
Futuredays: A Nineteenth Century Vision of the Year 2000 - Series “” In the Year 2000””: The new game barber (automatic machine). Chromolithography by Villemard, 1910

XEE4105727: Futuredays: A Nineteenth Century Vision of the Year 2000 - Series “” In the Year 2000””: The new game barber (automatic machine). Chromolithography by Villemard, 1910, French School, (19th century) / Bridgeman Images

Serie 'En l'An 2000' -  A Nineteenth Century Vision of the Year 2000 (chromo)
Serie 'En l'An 2000' -  A Nineteenth Century Vision of the Year 2000 (chromo)

XEE4105730: Serie 'En l'An 2000' - A Nineteenth Century Vision of the Year 2000 (chromo), French School, (19th century) / Bridgeman Images

Serie 'En l'An 2000' -  A Nineteenth Century Vision of the Year 2000 (chromo)
Serie 'En l'An 2000' -  A Nineteenth Century Vision of the Year 2000 (chromo)

XEE4105752: Serie 'En l'An 2000' - A Nineteenth Century Vision of the Year 2000 (chromo), French School, (19th century) / Bridgeman Images

Serie 'En l'An 2000' -  A Nineteenth Century Vision of the Year 2000 (chromo)
Serie 'En l'An 2000' -  A Nineteenth Century Vision of the Year 2000 (chromo)

XEE4105754: Serie 'En l'An 2000' - A Nineteenth Century Vision of the Year 2000 (chromo), French School, (19th century) / Bridgeman Images

Serie 'En l'An 2000' -  A Nineteenth Century Vision of the Year 2000 (chromo)
Serie 'En l'An 2000' -  A Nineteenth Century Vision of the Year 2000 (chromo)

XEE4105758: Serie 'En l'An 2000' - A Nineteenth Century Vision of the Year 2000 (chromo), French School, (19th century) / Bridgeman Images

Serie 'En l'An 2000' -  A Nineteenth Century Vision of the Year 2000 (chromo)
Serie 'En l'An 2000' -  A Nineteenth Century Vision of the Year 2000 (chromo)

XEE4105782: Serie 'En l'An 2000' - A Nineteenth Century Vision of the Year 2000 (chromo), French School, (19th century) / Bridgeman Images

Serie 'En l'An 2000' -  A Nineteenth Century Vision of the Year 2000 (chromo)
Serie 'En l'An 2000' -  A Nineteenth Century Vision of the Year 2000 (chromo)

XEE4105836: Serie 'En l'An 2000' - A Nineteenth Century Vision of the Year 2000 (chromo), French School, (19th century) / Bridgeman Images

Serie 'En l'An 2000' -  A Nineteenth Century Vision of the Year 2000 (chromo)
Serie 'En l'An 2000' -  A Nineteenth Century Vision of the Year 2000 (chromo)

XEE4105837: Serie 'En l'An 2000' - A Nineteenth Century Vision of the Year 2000 (chromo), French School, (19th century) / Bridgeman Images

The Guardian of the Seals of Ali Pasha de Janina (1741-1822), in “” Voyage a Athenes and a Constantinople, or collection of Greek and Ottoman portraits, views and costumes, painted on places of nature, lithographs and colories by Louis Dupre (1789-1837) pupil of David.1825.
The Guardian of the Seals of Ali Pasha de Janina (1741-1822), in “” Voyage a Athenes and a Constantinople, or collection of Greek and Ottoman portraits, views and costumes, painted on places of nature, lithographs and colories by Louis Dupre (1789-1837) pupil of David.1825.

XEE4123923: The Guardian of the Seals of Ali Pasha de Janina (1741-1822), in “” Voyage a Athenes and a Constantinople, or collection of Greek and Ottoman portraits, views and costumes, painted on places of nature, lithographs and colories by Louis Dupre (1789-1837) pupil of David.1825., Dupre, Louis (1789-1837) / Bridgeman Images

Ali de Tebelen (1741-1822), pasha by Janina, on Lake Butrinto, (draws after nature on March 14). in “” Journey to Athenes and Constantinople, or collection of Greek and Ottoman portraits, views and costumes, painted on places of nature, lithographs and colories by Louis Dupre (1789-1837), pupil of David.1825.
Ali de Tebelen (1741-1822), pasha by Janina, on Lake Butrinto, (draws after nature on March 14). in “” Journey to Athenes and Constantinople, or collection of Greek and Ottoman portraits, views and costumes, painted on places of nature, lithographs and colories by Louis Dupre (1789-1837), pupil of David.1825.

XEE4123924: Ali de Tebelen (1741-1822), pasha by Janina, on Lake Butrinto, (draws after nature on March 14). in “” Journey to Athenes and Constantinople, or collection of Greek and Ottoman portraits, views and costumes, painted on places of nature, lithographs and colories by Louis Dupre (1789-1837), pupil of David.1825., Dupre, Louis (1789-1837) / Bridgeman Images

A Suliote in Corfu, Nicolo Pervoli, in “” Journey to Athenes and Constantinople, or collection of Greek and Ottoman portraits, views and costumes, painted on places after nature, lithographs and colories by Louis Dupre (1789-1837), pupil of David.1825.
A Suliote in Corfu, Nicolo Pervoli, in “” Journey to Athenes and Constantinople, or collection of Greek and Ottoman portraits, views and costumes, painted on places after nature, lithographs and colories by Louis Dupre (1789-1837), pupil of David.1825.

XEE4123926: A Suliote in Corfu, Nicolo Pervoli, in “” Journey to Athenes and Constantinople, or collection of Greek and Ottoman portraits, views and costumes, painted on places after nature, lithographs and colories by Louis Dupre (1789-1837), pupil of David.1825., Dupre, Louis (1789-1837) / Bridgeman Images

Le Pinde, traversee de Janina a Tricala. in “” Journey to Athenes and Constantinople, or collection of Greek and Ottoman portraits, views and costumes, painted on places after nature, lithographs and colories by Louis Dupre (1789-1837), pupil of David.1825.
Le Pinde, traversee de Janina a Tricala. in “” Journey to Athenes and Constantinople, or collection of Greek and Ottoman portraits, views and costumes, painted on places after nature, lithographs and colories by Louis Dupre (1789-1837), pupil of David.1825.

XEE4123934: Le Pinde, traversee de Janina a Tricala. in “” Journey to Athenes and Constantinople, or collection of Greek and Ottoman portraits, views and costumes, painted on places after nature, lithographs and colories by Louis Dupre (1789-1837), pupil of David.1825., Dupre, Louis (1789-1837) / Bridgeman Images

An Albanian butcher in Athenes. in “” Journey to Athenes and Constantinople, or collection of Greek and Ottoman portraits, views and costumes, painted on places of nature, lithographs and colories by Louis Dupre (1789-1837), pupil of David.1825.
An Albanian butcher in Athenes. in “” Journey to Athenes and Constantinople, or collection of Greek and Ottoman portraits, views and costumes, painted on places of nature, lithographs and colories by Louis Dupre (1789-1837), pupil of David.1825.

XEE4123952: An Albanian butcher in Athenes. in “” Journey to Athenes and Constantinople, or collection of Greek and Ottoman portraits, views and costumes, painted on places of nature, lithographs and colories by Louis Dupre (1789-1837), pupil of David.1825., Dupre, Louis (1789-1837) / Bridgeman Images

Vasili Gouda, aide de camp to Marc Botzaris (1788-1823). in “” Journey to Athenes and Constantinople, or collection of Greek and Ottoman portraits, views and costumes, painted on places of after nature, lithographs and colories by Louis Dupre (1789-1837), pupil of David.1825.
Vasili Gouda, aide de camp to Marc Botzaris (1788-1823). in “” Journey to Athenes and Constantinople, or collection of Greek and Ottoman portraits, views and costumes, painted on places of after nature, lithographs and colories by Louis Dupre (1789-1837), pupil of David.1825.

XEE4123960: Vasili Gouda, aide de camp to Marc Botzaris (1788-1823). in “” Journey to Athenes and Constantinople, or collection of Greek and Ottoman portraits, views and costumes, painted on places of after nature, lithographs and colories by Louis Dupre (1789-1837), pupil of David.1825., Dupre, Louis (1789-1837) / Bridgeman Images

A Greek priest and a Turkish. in “” Journey to Athenes and Constantinople, or collection of Greek and Ottoman portraits, views and costumes, painted on places after nature, lithographs and colories by Louis Dupre (1789-1837), pupil of David.1825.
A Greek priest and a Turkish. in “” Journey to Athenes and Constantinople, or collection of Greek and Ottoman portraits, views and costumes, painted on places after nature, lithographs and colories by Louis Dupre (1789-1837), pupil of David.1825.

XEE4123970: A Greek priest and a Turkish. in “” Journey to Athenes and Constantinople, or collection of Greek and Ottoman portraits, views and costumes, painted on places after nature, lithographs and colories by Louis Dupre (1789-1837), pupil of David.1825., Dupre, Louis (1789-1837) / Bridgeman Images

Greek wedding in Athenes. While a Greek barber completes the bride's toilet, the bride waits at the door in the courtyard, she is surrounded by friends and curious a young Greek holds a mirror in front of her. in “” Journey to Athenes and Constantinople, or collection of Greek and Ottoman portraits, views and costumes, painted on places of after nature, lithographs and Colories by Louis Dupre (1789-1837), pupil of David.1825.
Greek wedding in Athenes. While a Greek barber completes the bride's toilet, the bride waits at the door in the courtyard, she is surrounded by friends and curious a young Greek holds a mirror in front of her. in “” Journey to Athenes and Constantinople, or collection of Greek and Ottoman portraits, views and costumes, painted on places of after nature, lithographs and Colories by Louis Dupre (1789-1837), pupil of David.1825.

XEE4123976: Greek wedding in Athenes. While a Greek barber completes the bride's toilet, the bride waits at the door in the courtyard, she is surrounded by friends and curious a young Greek holds a mirror in front of her. in “” Journey to Athenes and Constantinople, or collection of Greek and Ottoman portraits, views and costumes, painted on places of after nature, lithographs and Colories by Louis Dupre (1789-1837), pupil of David.1825., Dupre, Louis (1789-1837) / Bridgeman Images

An Armenian. in “” Journey to Athenes and Constantinople, or collection of Greek and Ottoman portraits, views and costumes, painted on places after nature, lithographs and colories by Louis Dupre (1789-1837), pupil of David.1825.
An Armenian. in “” Journey to Athenes and Constantinople, or collection of Greek and Ottoman portraits, views and costumes, painted on places after nature, lithographs and colories by Louis Dupre (1789-1837), pupil of David.1825.

XEE4123979: An Armenian. in “” Journey to Athenes and Constantinople, or collection of Greek and Ottoman portraits, views and costumes, painted on places after nature, lithographs and colories by Louis Dupre (1789-1837), pupil of David.1825., Dupre, Louis (1789-1837) / Bridgeman Images

An Armenian prince and his wife, Duzoglous. in “” Journey to Athenes and Constantinople, or collection of Greek and Ottoman portraits, views and costumes, painted on places after nature, lithographs and colories by Louis Dupre (1789-1837), pupil of David.1825.
An Armenian prince and his wife, Duzoglous. in “” Journey to Athenes and Constantinople, or collection of Greek and Ottoman portraits, views and costumes, painted on places after nature, lithographs and colories by Louis Dupre (1789-1837), pupil of David.1825.

XEE4123985: An Armenian prince and his wife, Duzoglous. in “” Journey to Athenes and Constantinople, or collection of Greek and Ottoman portraits, views and costumes, painted on places after nature, lithographs and colories by Louis Dupre (1789-1837), pupil of David.1825., Dupre, Louis (1789-1837) / Bridgeman Images

Princess Helene Soutzo. in “” Journey to Athenes and Constantinople, or collection of Greek and Ottoman portraits, views and costumes, painted on places of after nature, lithographs and colories by Louis Dupre (1789-1837), pupil of David.1825.
Princess Helene Soutzo. in “” Journey to Athenes and Constantinople, or collection of Greek and Ottoman portraits, views and costumes, painted on places of after nature, lithographs and colories by Louis Dupre (1789-1837), pupil of David.1825.

XEE4123993: Princess Helene Soutzo. in “” Journey to Athenes and Constantinople, or collection of Greek and Ottoman portraits, views and costumes, painted on places of after nature, lithographs and colories by Louis Dupre (1789-1837), pupil of David.1825., Dupre, Louis (1789-1837) / Bridgeman Images

Zoological chart (ornithology): the water rale (rallus aquaticus). Illustration in “The History of the Birds, Painted in Their Appearing and Sensitive Aspects” by Francois Nicolas Martinet (1731-1800). Private collection.
Zoological chart (ornithology): the water rale (rallus aquaticus). Illustration in “The History of the Birds, Painted in Their Appearing and Sensitive Aspects” by Francois Nicolas Martinet (1731-1800). Private collection.

XEE4124417: Zoological chart (ornithology): the water rale (rallus aquaticus). Illustration in “The History of the Birds, Painted in Their Appearing and Sensitive Aspects” by Francois Nicolas Martinet (1731-1800). Private collection., Martinet, Francois Nicolas (1731-1800) / Bridgeman Images

First page of the “Little Journal” of Sunday, August 17, 1913: The French military mission in Russia: reception by Tsar Nicholas II of General Joseph Joffre and French officers in 1913.
First page of the “Little Journal” of Sunday, August 17, 1913: The French military mission in Russia: reception by Tsar Nicholas II of General Joseph Joffre and French officers in 1913.

XEE4168810: First page of the “Little Journal” of Sunday, August 17, 1913: The French military mission in Russia: reception by Tsar Nicholas II of General Joseph Joffre and French officers in 1913., Unknown Artist / Bridgeman Images

First page of the “Little Journal” of Sunday, August 3, 1913: In what state the Serbian troops find the villages abandoned by the Bulgarians.
First page of the “Little Journal” of Sunday, August 3, 1913: In what state the Serbian troops find the villages abandoned by the Bulgarians.

XEE4168812: First page of the “Little Journal” of Sunday, August 3, 1913: In what state the Serbian troops find the villages abandoned by the Bulgarians., Unknown Artist / Bridgeman Images

First page of the “Little Journal” of Sunday, September 7, 1913 The exodus of a people: Turkish inhabitants of Melnik (Bulgaria) burn their city before fleeing to the Bulgarians.
First page of the “Little Journal” of Sunday, September 7, 1913 The exodus of a people: Turkish inhabitants of Melnik (Bulgaria) burn their city before fleeing to the Bulgarians.

XEE4168813: First page of the “Little Journal” of Sunday, September 7, 1913 The exodus of a people: Turkish inhabitants of Melnik (Bulgaria) burn their city before fleeing to the Bulgarians., Unknown Artist / Bridgeman Images


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