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XEE4134324: The “Mediterraneen II” and his helice in the hangar of Palavas, Herault (34). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 13 August 1904., Unknown Artist, (20th century) / Bridgeman Images
XEE4134350: Return of the fishermen on the strike at Belle Isle (Belle-Isle) in Brittany. Engraving in “” Le Journal de la jeunesse””, 1889., Unknown Artist, (19th century) / Bridgeman Images
XEE4134372: The bay of Rio de Janeiro in Brazil. In the background, “Sugar Bread”. Engraving in “” Le Journal de la jeunesse””, 1890., Unknown Artist, (19th century) / Bridgeman Images
XEE4134379: View of the Louvre in the 14th century. Engraving in “Le Journal de la jeunesse””, 1890., Unknown Artist, (19th century) / Bridgeman Images
XEE4134382: Portrait of Sir Henry Morton Stanley, pseudonym of John Rowlands (1841-1904), British explorer and journalist. Engraving in “” Le Journal de la jeunesse””, 1890., Unknown Artist, (19th century) / Bridgeman Images
XEE4134388: Manufacture of kirsch: distillation, castle of Isenberg in Alsace. Engraving in “” Le Journal de la jeunesse””, 1890., Unknown Artist, (19th century) / Bridgeman Images
XEE4134408: The Chinese Empire: the Yunnan and Tonkin border route. Engraving in “” Le Journal de la jeunesse””, 1884., French School, (19th century) / Bridgeman Images
XEE4134429: L'ecumage de la Seine. Engraving in “Le Journal de la jeunesse””, 1885., French School, (19th century) / Bridgeman Images
XEE4134461: The king. (After Pierre Belon, 1517-1564). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 11 February 1888., Unknown Artist, (19th century) / Bridgeman Images
XEE4134476: Velocipedic exercises by American Dan Canary. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 21 July 1888., Unknown Artist, (19th century) / Bridgeman Images
XEE4134478: Silk and Silkworm in China: Separation of the worm that wants to spin. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 11 August 1888., Unknown Artist, (19th century) / Bridgeman Images
XEE4134481: Silk and silk worm in China: thanks to the goddess of silk. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 22 September 1888., Unknown Artist, (19th century) / Bridgeman Images
XEE4134496: The measure of the degree of Ecuador in the 18th century: pyramid of Carabourou, Peru, raised by La Condamine in 1736. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 28 February 1891., Unknown Artist, (19th century) / Bridgeman Images
XEE4134503: Metallurgy in the 18th century: a foundry train. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of August 8, 1891., Unknown Artist, (19th century) / Bridgeman Images
XEE4134506: Manufacture of gruyere: a modern cheese factory. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 19 September 1891., Unknown Artist, (19th century) / Bridgeman Images
XEE4134521: Skeleton of the Jurassic 'Stegosaurus.' (engraving), Unknown Artist, (19th century) / Bridgeman Images
XEE4134555: Central African Pygmees has been joined by English and Sudanese officers. (From a photograph). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of July 5, 1890., Unknown Artist, (19th century) / Bridgeman Images
XEE4134565: The rustic pharmacy or exact representation of the room or Michel Schuppach (right), known as “” Medicine of the Mountain””, holds his consultations. Drawing by nature by G. Locher in 1774. Grave a Basle by Barthelemy Hubner in 1775. Reproduction reduced. (From an engraving from the collection of Gaston Tissandier.) Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie””, January 16, 1892., Hubner, Bartholomeus (1727-95) / Bridgeman Images
XEE4134571: Hunting the wolf: the lookout. Fac simile (Fac-simile) of a 16th century wood engraving. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 9 April 1892., Unknown Artist, (19th century) / Bridgeman Images
XEE4134584: National Library in Paris: Office of the Catalogue. Upstairs are the boxes of the plays. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of July 1, 1893., Unknown Artist, (19th century) / Bridgeman Images
XEE4134586: Portrait of Charles Marie Etienne Champion Dubois de Nansouty (1815-1895), French general, in mountain dress. (From a photograph taken in Bagneres de Bigorre in 1879). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of March 23, 1895., Unknown Artist, (19th century) / Bridgeman Images
XEE4134613: Art of photography: manufacture of photographic plates at M. Lumiere, in Lyon: preparation of sensitive emulsion. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 16 November 1895., Unknown Artist, (19th century) / Bridgeman Images
XEE4134620: Brooklyn Bridge. Begins in 1869, under construction at the time of engraving, it will be completed in 1883. New York (New York), United States (United States). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 5 April 1879., Unknown Artist, (19th century) / Bridgeman Images
XEE4134624: Egyptian garden in the time of the pharaohs. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 16 August 1879., Unknown Artist, (19th century) / Bridgeman Images
XEE4134627: Endless rails adapted to a train of cars pulled by goats in the Tuileries Garden in Paris (by nature). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 15 November 1879., Unknown Artist, (19th century) / Bridgeman Images
XEE4134634: Falconry: falcon hunting. Reproduction of an engraving in 'Della Caccie' by Eugenio Raimondi, 1630. In “” La Nature: revue des sciences et de ses applications aux arts et a l'industrie”” of 25 December 1886., Unknown Artist / Bridgeman Images
XEE4134645: The mechanical installation of Mr. Marguery, restaurateur, in Paris: automatic machine for washing plates. The operator places a dirty plate in the machine with the right hand and removes the plate that has been cleaned with the left hand. Engraving in “La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 21 March 1885., Unknown Artist, (19th century) / Bridgeman Images
XEE4134649: The mechanical installation of M. Marguery, restaurateur, in Paris: automatic bottle washing machine, represented as operated by a small dynamoelectric machine of Gram (Zenobe Theophile Gram 1826-1901). Engraving in “La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 21 March 1885., Unknown Artist, (19th century) / Bridgeman Images
XEE4134653: Portrait of Jean Francois Pilatre de Rosier (1757-1785), French physicist and aeronaute (first balloon traveler). (From an engraving of time). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of July 25, 1885., Unknown Artist, (19th century) / Bridgeman Images
XEE4134697: Portrait of Francois Arago (1786-1853), French astronomer, physicist and politician. (From Henri Scheffer's painting). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 6 March 1886., Scheffer, Henry (1798-1862) / Bridgeman Images
XEE4134698: Tricycles at the Stanley Club Exhibition in London, England, 1883: the Caroche, an example of a gear system. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 5 May 1883., Unknown Artist, (19th century) / Bridgeman Images
XEE4134702: Transport of the obelisque known as “Aiguille de Cleopatre”” from Egypt to England, 1877-1878: moving the obelisque to arrange it parallel to the shore. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 20 April 1878., Unknown Artist, (19th century) / Bridgeman Images
XEE4134724: One of the newspaper “Les debauches de Paris””, late 19th century., Unknown Artist, (19th century) / Bridgeman Images
XEE4134730: Celebration of July 14, Paris, 1898: Arrival of Abyssin ambassadors at the official gallery. Illustration of Damblans in “” Le Pelerin”” of July 24, 1898., Damblans, Eugene (1865-1945) / Bridgeman Images
XEE4134756: Le morbihan (56), Brittany, France. Peacher, cider, butter, sardines and herring. Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection., Unknown Artist, (20th century) / Bridgeman Images
XEE4134758: La Lozere (48), Languedoc-Roussillon (Languedoc Roussillon), France. Pont de Montvert, portrait of Jean-Antoine Chaptal, count of Chanteloup (1756-1832), French chemist and politician. Lead, wheat, garance, rye and paper. Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection., Unknown Artist, (20th century) / Bridgeman Images