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Members of the Academy Francaise in 1895: portrait of Ernest Legouve (1807-1903), French novelist, poet, playwright and essayist.
Members of the Academy Francaise in 1895: portrait of Ernest Legouve (1807-1903), French novelist, poet, playwright and essayist.

XEE4136404: Members of the Academy Francaise in 1895: portrait of Ernest Legouve (1807-1903), French novelist, poet, playwright and essayist., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4136404

Members of the Academy Francaise in 1895: portrait of Ernest Legouve (1807-1903), French novelist, poet, playwright and essayist.

Unknown Artist, (19th century)

Members of the Academy Francaise in 1895: portrait of Paul Thureau Dangin (Thureau-Dangin), French historian.
Members of the Academy Francaise in 1895: portrait of Paul Thureau Dangin (Thureau-Dangin), French historian.

XEE4136413: Members of the Academy Francaise in 1895: portrait of Paul Thureau Dangin (Thureau-Dangin), French historian., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4136413

Members of the Academy Francaise in 1895: portrait of Paul Thureau Dangin (Thureau-Dangin), French historian.

Unknown Artist, (19th century)

Members of the Academy Francaise in 1895: portrait of Marie Louis Antoine Gaston Boissier (1823-1908), French historian and philologist.
Members of the Academy Francaise in 1895: portrait of Marie Louis Antoine Gaston Boissier (1823-1908), French historian and philologist.

XEE4136430: Members of the Academy Francaise in 1895: portrait of Marie Louis Antoine Gaston Boissier (1823-1908), French historian and philologist., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4136430

Members of the Academy Francaise in 1895: portrait of Marie Louis Antoine Gaston Boissier (1823-1908), French historian and philologist.

Unknown Artist, (19th century)

An old woman holding a cup near a cage with birds. Anonymous chromolithography, late 19th century.
An old woman holding a cup near a cage with birds. Anonymous chromolithography, late 19th century.

XEE4136445: An old woman holding a cup near a cage with birds. Anonymous chromolithography, late 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4136445

An old woman holding a cup near a cage with birds. Anonymous chromolithography, late 19th century.

Unknown Artist, (19th century)

Anonymous chromolithography, late 19th century.
Anonymous chromolithography, late 19th century.

XEE4136456: Anonymous chromolithography, late 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4136456

Anonymous chromolithography, late 19th century.

Unknown Artist, (19th century)

A laundry machine carrying laundry in a basket. Anonymous chromolithography, late 19th century.
A laundry machine carrying laundry in a basket. Anonymous chromolithography, late 19th century.

XEE4136457: A laundry machine carrying laundry in a basket. Anonymous chromolithography, late 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4136457

A laundry machine carrying laundry in a basket. Anonymous chromolithography, late 19th century.

Unknown Artist, (19th century)

Anonymous chromolithography, late 19th century.
Anonymous chromolithography, late 19th century.

XEE4136467: Anonymous chromolithography, late 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4136467

Anonymous chromolithography, late 19th century.

Unknown Artist, (19th century)

Anonymous chromolithography, late 19th century.
Anonymous chromolithography, late 19th century.

XEE4136475: Anonymous chromolithography, late 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4136475

Anonymous chromolithography, late 19th century.

Unknown Artist, (19th century)

Anonymous chromolithography, late 19th century.
Anonymous chromolithography, late 19th century.

XEE4136480: Anonymous chromolithography, late 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4136480

Anonymous chromolithography, late 19th century.

Unknown Artist, (19th century)

Portrait of Carle Van Loo (1705-1765) French painter.
Portrait of Carle Van Loo (1705-1765) French painter.

XEE4136494: Portrait of Carle Van Loo (1705-1765) French painter., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4136494

Portrait of Carle Van Loo (1705-1765) French painter.

Unknown Artist, (19th century)

Un forest de banians, en India, 1857. Engraving in “Le Monde Illustré” n°29 of October 31, 1857.
Un forest de banians, en India, 1857. Engraving in “Le Monde Illustré” n°29 of October 31, 1857.

XEE4136495: Un forest de banians, en India, 1857. Engraving in “Le Monde Illustré” n°29 of October 31, 1857., French School, (19th century) / Bridgeman Images

ID: XEE4136495

Un forest de banians, en India, 1857. Engraving in “Le Monde Illustré” n°29 of October 31, 1857.

French School, (19th century)

Portrait of Archimede of Syracuse (287 BC-212 BC), Greek scientist, physicist, mathematician and engineer.
Portrait of Archimede of Syracuse (287 BC-212 BC), Greek scientist, physicist, mathematician and engineer.

XEE4136514: Portrait of Archimede of Syracuse (287 BC-212 BC), Greek scientist, physicist, mathematician and engineer., Unknown Artist, (20th century) / Bridgeman Images

ID: XEE4136514

Portrait of Archimede of Syracuse (287 BC-212 BC), Greek scientist, physicist, mathematician and engineer.

Unknown Artist, (20th century)

Productions around the world: Orange in Algeria. Chromolithography of 1933 in “” Joseph-Milliat Album””
Productions around the world: Orange in Algeria. Chromolithography of 1933 in “” Joseph-Milliat Album””

XEE4136537: Productions around the world: Orange in Algeria. Chromolithography of 1933 in “” Joseph-Milliat Album””, Anonymous / Bridgeman Images

ID: XEE4136537

Productions around the world: Orange in Algeria. Chromolithography of 1933 in “” Joseph-Milliat Album””

Anonymous

Portrait of Joseph Paul Gaimard, French naturalist (1796-1858) in “Portraits et histoire des hommes utile: hommes et femmes de tous pays et de tous conditions, qui ont acquis des droits à la reconaissance des hommes” published and propages by the Societe Montyon et Franklin in 1833. Private collection.
Portrait of Joseph Paul Gaimard, French naturalist (1796-1858) in “Portraits et histoire des hommes utile: hommes et femmes de tous pays et de tous conditions, qui ont acquis des droits à la reconaissance des hommes” published and propages by the Societe Montyon et Franklin in 1833. Private collection.

XEE4136570: Portrait of Joseph Paul Gaimard, French naturalist (1796-1858) in “Portraits et histoire des hommes utile: hommes et femmes de tous pays et de tous conditions, qui ont acquis des droits à la reconaissance des hommes” published and propages by the Societe Montyon et Franklin in 1833. Private collection., Anonymous / Bridgeman Images

ID: XEE4136570

Portrait of Joseph Paul Gaimard, French naturalist (1796-1858) in “Portraits et histoire des hommes utile: hommes et femmes de tous pays et de tous conditions, qui ont acquis des droits à la reconaissance des hommes” published and propages by the Societe Montyon et Franklin in 1833. Private collection.

Anonymous

Portrait of Francois Alexandre Frederic de La Rochefoucauld, Duke of Liancourt, then Duke of La Rochefoucauld (Rochefoucauld-Liancourt) (1747-1827) in “” Portraits et histoire des hommes utile: hommes et femmes de tous pays et de tous conditions, qui have acquired rights to the reconaissance of men”” published and propages by the Societe Montyon and Linen in 1833. Private collection.
Portrait of Francois Alexandre Frederic de La Rochefoucauld, Duke of Liancourt, then Duke of La Rochefoucauld (Rochefoucauld-Liancourt) (1747-1827) in “” Portraits et histoire des hommes utile: hommes et femmes de tous pays et de tous conditions, qui have acquired rights to the reconaissance of men”” published and propages by the Societe Montyon and Linen in 1833. Private collection.

XEE4136572: Portrait of Francois Alexandre Frederic de La Rochefoucauld, Duke of Liancourt, then Duke of La Rochefoucauld (Rochefoucauld-Liancourt) (1747-1827) in “” Portraits et histoire des hommes utile: hommes et femmes de tous pays et de tous conditions, qui have acquired rights to the reconaissance of men”” published and propages by the Societe Montyon and Linen in 1833. Private collection., Anonymous / Bridgeman Images

ID: XEE4136572

Portrait of Francois Alexandre Frederic de La Rochefoucauld, Duke of Liancourt, then Duke of La Rochefoucauld (Rochefoucauld-Liancourt) (1747-1827) in “” Portraits et histoire des hommes utile: hommes et femmes de tous pays et de tous conditions, qui have acquired rights to the reconaissance of men”” published and propages by the Societe Montyon and Linen in 1833. Private collection.

Anonymous

Portrait of Henri Michel Buch - Bon Henri (1598-1666) Maitre Cordonnier in Paris in “Portraits et histoire des hommes utile: hommes et femmes de tous pays et de tous conditions, qui acquis des droits à la reconaissance des hommes” published and propages by Societe Montyon et Franklin in 1833. Private collection.
Portrait of Henri Michel Buch - Bon Henri (1598-1666) Maitre Cordonnier in Paris in “Portraits et histoire des hommes utile: hommes et femmes de tous pays et de tous conditions, qui acquis des droits à la reconaissance des hommes” published and propages by Societe Montyon et Franklin in 1833. Private collection.

XEE4136578: Portrait of Henri Michel Buch - Bon Henri (1598-1666) Maitre Cordonnier in Paris in “Portraits et histoire des hommes utile: hommes et femmes de tous pays et de tous conditions, qui acquis des droits à la reconaissance des hommes” published and propages by Societe Montyon et Franklin in 1833. Private collection., Anonymous / Bridgeman Images

ID: XEE4136578

Portrait of Henri Michel Buch - Bon Henri (1598-1666) Maitre Cordonnier in Paris in “Portraits et histoire des hommes utile: hommes et femmes de tous pays et de tous conditions, qui acquis des droits à la reconaissance des hommes” published and propages by Societe Montyon et Franklin in 1833. Private collection.

Anonymous

Portrait of Etienne Delessert (1735 -1816) banker and industrial francais in “Portraits et histoire des hommes utile: hommes et femmes de tous pays et de tous conditions, qui ont acquis des droits à la recognition des hommes” published and propages by the Societe Montyon et Franklin in 1833. Private collection.
Portrait of Etienne Delessert (1735 -1816) banker and industrial francais in “Portraits et histoire des hommes utile: hommes et femmes de tous pays et de tous conditions, qui ont acquis des droits à la recognition des hommes” published and propages by the Societe Montyon et Franklin in 1833. Private collection.

XEE4136582: Portrait of Etienne Delessert (1735 -1816) banker and industrial francais in “Portraits et histoire des hommes utile: hommes et femmes de tous pays et de tous conditions, qui ont acquis des droits à la recognition des hommes” published and propages by the Societe Montyon et Franklin in 1833. Private collection., Anonymous / Bridgeman Images

ID: XEE4136582

Portrait of Etienne Delessert (1735 -1816) banker and industrial francais in “Portraits et histoire des hommes utile: hommes et femmes de tous pays et de tous conditions, qui ont acquis des droits à la recognition des hommes” published and propages by the Societe Montyon et Franklin in 1833. Private collection.

Anonymous

Portrait de l'Abbe Jean Godinot (1661-1749) in “” Portraits et histoire des hommes utile: hommes et femmes de tous pays et de tous conditions, qui ont acquis des droits à la reconaissance des hommes” published and propages by Societe Montyon et Franklin in 1833. Private collection.
Portrait de l'Abbe Jean Godinot (1661-1749) in “” Portraits et histoire des hommes utile: hommes et femmes de tous pays et de tous conditions, qui ont acquis des droits à la reconaissance des hommes” published and propages by Societe Montyon et Franklin in 1833. Private collection.

XEE4136596: Portrait de l'Abbe Jean Godinot (1661-1749) in “” Portraits et histoire des hommes utile: hommes et femmes de tous pays et de tous conditions, qui ont acquis des droits à la reconaissance des hommes” published and propages by Societe Montyon et Franklin in 1833. Private collection., Anonymous / Bridgeman Images

ID: XEE4136596

Portrait de l'Abbe Jean Godinot (1661-1749) in “” Portraits et histoire des hommes utile: hommes et femmes de tous pays et de tous conditions, qui ont acquis des droits à la reconaissance des hommes” published and propages by Societe Montyon et Franklin in 1833. Private collection.

Anonymous

Portrait of Theophile Malo Corret de La Tour (or Latour) d'Auvergne (Theophile-Malo de La Tour d'Auvergne-Corret) (1743-1800) in “” Portraits et histoire des hommes utile: hommes et femmes de tous pays et de tous conditions, qui acquis des droits à la reviaissance des hommes”” published and propages by Societe Montyon et Franklin in 1833. Private collection.
Portrait of Theophile Malo Corret de La Tour (or Latour) d'Auvergne (Theophile-Malo de La Tour d'Auvergne-Corret) (1743-1800) in “” Portraits et histoire des hommes utile: hommes et femmes de tous pays et de tous conditions, qui acquis des droits à la reviaissance des hommes”” published and propages by Societe Montyon et Franklin in 1833. Private collection.

XEE4136600: Portrait of Theophile Malo Corret de La Tour (or Latour) d'Auvergne (Theophile-Malo de La Tour d'Auvergne-Corret) (1743-1800) in “” Portraits et histoire des hommes utile: hommes et femmes de tous pays et de tous conditions, qui acquis des droits à la reviaissance des hommes”” published and propages by Societe Montyon et Franklin in 1833. Private collection., Anonymous / Bridgeman Images

ID: XEE4136600

Portrait of Theophile Malo Corret de La Tour (or Latour) d'Auvergne (Theophile-Malo de La Tour d'Auvergne-Corret) (1743-1800) in “” Portraits et histoire des hommes utile: hommes et femmes de tous pays et de tous conditions, qui acquis des droits à la reviaissance des hommes”” published and propages by Societe Montyon et Franklin in 1833. Private collection.

Anonymous

Portrait of Armand II Joseph Bethune, Duke of Charost, (1728 - 1800) in “” Portraits et histoire des hommes utile: hommes et femmes de tous pays et de tous conditions, qui acquis des droits à la recognition des hommes”” published and propages by the Societe Montyon et Franklin in 1833. Private collection.
Portrait of Armand II Joseph Bethune, Duke of Charost, (1728 - 1800) in “” Portraits et histoire des hommes utile: hommes et femmes de tous pays et de tous conditions, qui acquis des droits à la recognition des hommes”” published and propages by the Societe Montyon et Franklin in 1833. Private collection.

XEE4136603: Portrait of Armand II Joseph Bethune, Duke of Charost, (1728 - 1800) in “” Portraits et histoire des hommes utile: hommes et femmes de tous pays et de tous conditions, qui acquis des droits à la recognition des hommes”” published and propages by the Societe Montyon et Franklin in 1833. Private collection., Anonymous / Bridgeman Images

ID: XEE4136603

Portrait of Armand II Joseph Bethune, Duke of Charost, (1728 - 1800) in “” Portraits et histoire des hommes utile: hommes et femmes de tous pays et de tous conditions, qui acquis des droits à la recognition des hommes”” published and propages by the Societe Montyon et Franklin in 1833. Private collection.

Anonymous

Portrait of Jean Antoine BEAUVISE (1786-1836) Chemist and dry cleaner francais in “Portraits et histoire des hommes utile: hommes et femmes de tous pays et de tous conditions, qui have acquired rights to the rebirth of men” published and propages by the Societe Montyon et Franklin in 1833. Private collection.
Portrait of Jean Antoine BEAUVISE (1786-1836) Chemist and dry cleaner francais in “Portraits et histoire des hommes utile: hommes et femmes de tous pays et de tous conditions, qui have acquired rights to the rebirth of men” published and propages by the Societe Montyon et Franklin in 1833. Private collection.

XEE4136606: Portrait of Jean Antoine BEAUVISE (1786-1836) Chemist and dry cleaner francais in “Portraits et histoire des hommes utile: hommes et femmes de tous pays et de tous conditions, qui have acquired rights to the rebirth of men” published and propages by the Societe Montyon et Franklin in 1833. Private collection., Anonymous / Bridgeman Images

ID: XEE4136606

Portrait of Jean Antoine BEAUVISE (1786-1836) Chemist and dry cleaner francais in “Portraits et histoire des hommes utile: hommes et femmes de tous pays et de tous conditions, qui have acquired rights to the rebirth of men” published and propages by the Societe Montyon et Franklin in 1833. Private collection.

Anonymous

Portrait de la Vicomtesse Dumoulin Claudine Apolline Aubert-d'Aubigny (Aubert d'Aubigny) (1755-1831) in “Portraits et histoire des hommes utile: hommes et femmes de tous pays et de tous conditions, qui ont acquis des droits à la reconaissance des hommes” published and propages by Societe Montyon et Franklin in 1833. Private collection.
Portrait de la Vicomtesse Dumoulin Claudine Apolline Aubert-d'Aubigny (Aubert d'Aubigny) (1755-1831) in “Portraits et histoire des hommes utile: hommes et femmes de tous pays et de tous conditions, qui ont acquis des droits à la reconaissance des hommes” published and propages by Societe Montyon et Franklin in 1833. Private collection.

XEE4136627: Portrait de la Vicomtesse Dumoulin Claudine Apolline Aubert-d'Aubigny (Aubert d'Aubigny) (1755-1831) in “Portraits et histoire des hommes utile: hommes et femmes de tous pays et de tous conditions, qui ont acquis des droits à la reconaissance des hommes” published and propages by Societe Montyon et Franklin in 1833. Private collection., Anonymous / Bridgeman Images

ID: XEE4136627

Portrait de la Vicomtesse Dumoulin Claudine Apolline Aubert-d'Aubigny (Aubert d'Aubigny) (1755-1831) in “Portraits et histoire des hommes utile: hommes et femmes de tous pays et de tous conditions, qui ont acquis des droits à la reconaissance des hommes” published and propages by Societe Montyon et Franklin in 1833. Private collection.

Anonymous

Portrait of Jules Alphonse Rene Poret Baron de Blosseville, (1802-1833), navigator and explorer in “Portraits et histoire des hommes utile: hommes et femmes de tous pays et de tous conditions, qui acquis des droits à la recognition des hommes” published and propages par la Societe Montyon et Franklin in 1833. Private collection.
Portrait of Jules Alphonse Rene Poret Baron de Blosseville, (1802-1833), navigator and explorer in “Portraits et histoire des hommes utile: hommes et femmes de tous pays et de tous conditions, qui acquis des droits à la recognition des hommes” published and propages par la Societe Montyon et Franklin in 1833. Private collection.

XEE4136634: Portrait of Jules Alphonse Rene Poret Baron de Blosseville, (1802-1833), navigator and explorer in “Portraits et histoire des hommes utile: hommes et femmes de tous pays et de tous conditions, qui acquis des droits à la recognition des hommes” published and propages par la Societe Montyon et Franklin in 1833. Private collection., Anonymous / Bridgeman Images

ID: XEE4136634

Portrait of Jules Alphonse Rene Poret Baron de Blosseville, (1802-1833), navigator and explorer in “Portraits et histoire des hommes utile: hommes et femmes de tous pays et de tous conditions, qui acquis des droits à la recognition des hommes” published and propages par la Societe Montyon et Franklin in 1833. Private collection.

Anonymous

Saint Francois Xavier (or Francois-Xavier or Francisco de Javier, 1506-1552), Jesuit missionary, clashes with the practices of the Brahman (Brahmanic religion or Brahmanism) in India. Engraving from 1845 in “” The dramatic and picturesque history of the Jesuites from the foundation of the order to the present day”” by Adolphe Boucher, drawing by Theophile Fragonard (1806 - 1876). Private collection.
Saint Francois Xavier (or Francois-Xavier or Francisco de Javier, 1506-1552), Jesuit missionary, clashes with the practices of the Brahman (Brahmanic religion or Brahmanism) in India. Engraving from 1845 in “” The dramatic and picturesque history of the Jesuites from the foundation of the order to the present day”” by Adolphe Boucher, drawing by Theophile Fragonard (1806 - 1876). Private collection.

XEE4136639: Saint Francois Xavier (or Francois-Xavier or Francisco de Javier, 1506-1552), Jesuit missionary, clashes with the practices of the Brahman (Brahmanic religion or Brahmanism) in India. Engraving from 1845 in “” The dramatic and picturesque history of the Jesuites from the foundation of the order to the present day”” by Adolphe Boucher, drawing by Theophile Fragonard (1806 - 1876). Private collection., Fragonard, Theophile Evariste (1806-76) / Bridgeman Images

ID: XEE4136639

Saint Francois Xavier (or Francois-Xavier or Francisco de Javier, 1506-1552), Jesuit missionary, clashes with the practices of the Brahman (Brahmanic religion or Brahmanism) in India. Engraving from 1845 in “” The dramatic and picturesque history of the Jesuites from the foundation of the order to the present day”” by Adolphe Boucher, drawing by Theophile Fragonard (1806 - 1876). Private collection.

Fragonard, Theophile Evariste (1806-76)

Jesuite Nicolas Bobadilla (1511-1590) at the Battle of Muehlberg (Muhlberg) (April 24, 1547). Engraving from 1845 in “” The dramatic and picturesque history of the Jesuites from the foundation of the order to the present day”” by Adolphe Boucher, drawing by Theophile Fragonard (1806 - 1876). Private collection.
Jesuite Nicolas Bobadilla (1511-1590) at the Battle of Muehlberg (Muhlberg) (April 24, 1547). Engraving from 1845 in “” The dramatic and picturesque history of the Jesuites from the foundation of the order to the present day”” by Adolphe Boucher, drawing by Theophile Fragonard (1806 - 1876). Private collection.

XEE4136642: Jesuite Nicolas Bobadilla (1511-1590) at the Battle of Muehlberg (Muhlberg) (April 24, 1547). Engraving from 1845 in “” The dramatic and picturesque history of the Jesuites from the foundation of the order to the present day”” by Adolphe Boucher, drawing by Theophile Fragonard (1806 - 1876). Private collection., Fragonard, Theophile Evariste (1806-76) / Bridgeman Images

ID: XEE4136642

Jesuite Nicolas Bobadilla (1511-1590) at the Battle of Muehlberg (Muhlberg) (April 24, 1547). Engraving from 1845 in “” The dramatic and picturesque history of the Jesuites from the foundation of the order to the present day”” by Adolphe Boucher, drawing by Theophile Fragonard (1806 - 1876). Private collection.

Fragonard, Theophile Evariste (1806-76)

Exterior view of the Casino of Monte Carlo (Monte-Carlo), drawn by Charles Garnier (1825-1898). Photography around 1935.
Exterior view of the Casino of Monte Carlo (Monte-Carlo), drawn by Charles Garnier (1825-1898). Photography around 1935.

XEE4136651: Exterior view of the Casino of Monte Carlo (Monte-Carlo), drawn by Charles Garnier (1825-1898). Photography around 1935., French Photographer, (20th century) / Bridgeman Images

ID: XEE4136651

Exterior view of the Casino of Monte Carlo (Monte-Carlo), drawn by Charles Garnier (1825-1898). Photography around 1935.

French Photographer, (20th century)

View of the terraces of Monte Carlo (Monte-Carlo).
View of the terraces of Monte Carlo (Monte-Carlo).

XEE4136670: View of the terraces of Monte Carlo (Monte-Carlo)., French Photographer, (20th century) / Bridgeman Images

ID: XEE4136670

View of the terraces of Monte Carlo (Monte-Carlo).

French Photographer, (20th century)

View of the Casino of Monte Carlo (Monte-Carlo) at night.
View of the Casino of Monte Carlo (Monte-Carlo) at night.

XEE4136674: View of the Casino of Monte Carlo (Monte-Carlo) at night., French Photographer, (20th century) / Bridgeman Images

ID: XEE4136674

View of the Casino of Monte Carlo (Monte-Carlo) at night.

French Photographer, (20th century)

View of the ferry bridge in the port of Marseille, Bouches du Rhone (13).
View of the ferry bridge in the port of Marseille, Bouches du Rhone (13).

XEE4136683: View of the ferry bridge in the port of Marseille, Bouches du Rhone (13)., French Photographer, (20th century) / Bridgeman Images

ID: XEE4136683

View of the ferry bridge in the port of Marseille, Bouches du Rhone (13).

French Photographer, (20th century)

The five orders of classical (ancient) architecture: Corinthian, Doric, Ionic, Tuscan and composite, each represented by a column. Engraving from 1857 in “” Le Musee Des Sciences””
The five orders of classical (ancient) architecture: Corinthian, Doric, Ionic, Tuscan and composite, each represented by a column. Engraving from 1857 in “” Le Musee Des Sciences””

XEE4136707: The five orders of classical (ancient) architecture: Corinthian, Doric, Ionic, Tuscan and composite, each represented by a column. Engraving from 1857 in “” Le Musee Des Sciences””, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4136707

The five orders of classical (ancient) architecture: Corinthian, Doric, Ionic, Tuscan and composite, each represented by a column. Engraving from 1857 in “” Le Musee Des Sciences””

Unknown Artist, (19th century)

Electric telegraphy: view of the central station of telegraphic lines at the French Ministry of Interior in Paris. Engraving from 1856 in “” Le Musee Des Sciences””
Electric telegraphy: view of the central station of telegraphic lines at the French Ministry of Interior in Paris. Engraving from 1856 in “” Le Musee Des Sciences””

XEE4136717: Electric telegraphy: view of the central station of telegraphic lines at the French Ministry of Interior in Paris. Engraving from 1856 in “” Le Musee Des Sciences””, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4136717

Electric telegraphy: view of the central station of telegraphic lines at the French Ministry of Interior in Paris. Engraving from 1856 in “” Le Musee Des Sciences””

Unknown Artist, (19th century)

Sebastopol's seat during the Crimee War, General Patrice de Mac-Mahon (Mac Mahon) (1808-1893) answered “J'suis, je y reste” to General Adolphe Niel (1802-1869) September 8, 1855 Illustration of Job (Jacques Marie Gaston Onfray and Breville) (Jacques-Marie) (1858-1931) for the book “The great historical words of the country of France”” 1915. Privee Collection.
Sebastopol's seat during the Crimee War, General Patrice de Mac-Mahon (Mac Mahon) (1808-1893) answered “J'suis, je y reste” to General Adolphe Niel (1802-1869) September 8, 1855 Illustration of Job (Jacques Marie Gaston Onfray and Breville) (Jacques-Marie) (1858-1931) for the book “The great historical words of the country of France”” 1915. Privee Collection.

XEE4136751: Sebastopol's seat during the Crimee War, General Patrice de Mac-Mahon (Mac Mahon) (1808-1893) answered “J'suis, je y reste” to General Adolphe Niel (1802-1869) September 8, 1855 Illustration of Job (Jacques Marie Gaston Onfray and Breville) (Jacques-Marie) (1858-1931) for the book “The great historical words of the country of France”” 1915. Privee Collection., Job, pseudonym for Onfray de Breville, Jacques (1858-1931) / Bridgeman Images

ID: XEE4136751

Sebastopol's seat during the Crimee War, General Patrice de Mac-Mahon (Mac Mahon) (1808-1893) answered “J'suis, je y reste” to General Adolphe Niel (1802-1869) September 8, 1855 Illustration of Job (Jacques Marie Gaston Onfray and Breville) (Jacques-Marie) (1858-1931) for the book “The great historical words of the country of France”” 1915. Privee Collection.

Job, pseudonym for Onfray de Breville, Jacques (1858-1931)

The eve of arms: Ignatius of Loyola (Sant Ignazio or Saint Ignatius, 1491-1556), Spanish religious, founder of the Jesuites Order or company of Jesus in the chapel of Our Lady of Mount Serrat (Mount Serrat), engraving of 1845 in “” Dramatic and picturesque history of Jesuites from the founding of the Order to the present day by Adolphe Boucher, Drawing by Theophile Fragonard (1806-1876). Private collection.
The eve of arms: Ignatius of Loyola (Sant Ignazio or Saint Ignatius, 1491-1556), Spanish religious, founder of the Jesuites Order or company of Jesus in the chapel of Our Lady of Mount Serrat (Mount Serrat), engraving of 1845 in “” Dramatic and picturesque history of Jesuites from the founding of the Order to the present day by Adolphe Boucher, Drawing by Theophile Fragonard (1806-1876). Private collection.

XEE4136777: The eve of arms: Ignatius of Loyola (Sant Ignazio or Saint Ignatius, 1491-1556), Spanish religious, founder of the Jesuites Order or company of Jesus in the chapel of Our Lady of Mount Serrat (Mount Serrat), engraving of 1845 in “” Dramatic and picturesque history of Jesuites from the founding of the Order to the present day by Adolphe Boucher, Drawing by Theophile Fragonard (1806-1876). Private collection., Fragonard, Theophile Evariste (1806-76) / Bridgeman Images

ID: XEE4136777

The eve of arms: Ignatius of Loyola (Sant Ignazio or Saint Ignatius, 1491-1556), Spanish religious, founder of the Jesuites Order or company of Jesus in the chapel of Our Lady of Mount Serrat (Mount Serrat), engraving of 1845 in “” Dramatic and picturesque history of Jesuites from the founding of the Order to the present day by Adolphe Boucher, Drawing by Theophile Fragonard (1806-1876). Private collection.

Fragonard, Theophile Evariste (1806-76)

Portrait of Tamerlan (1336-1405) (or Timur Lang, “Timur the lame””). Chromolithography, late 19th century.
Portrait of Tamerlan (1336-1405) (or Timur Lang, “Timur the lame””). Chromolithography, late 19th century.

XEE4136791: Portrait of Tamerlan (1336-1405) (or Timur Lang, “Timur the lame””). Chromolithography, late 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4136791

Portrait of Tamerlan (1336-1405) (or Timur Lang, “Timur the lame””). Chromolithography, late 19th century.

Unknown Artist, (19th century)

Representation of a Lansquenet (Lanzknecht), a German mercenary, in the service of a lord. 16th century. Chromolithography around 1910
Representation of a Lansquenet (Lanzknecht), a German mercenary, in the service of a lord. 16th century. Chromolithography around 1910

XEE4136843: Representation of a Lansquenet (Lanzknecht), a German mercenary, in the service of a lord. 16th century. Chromolithography around 1910, Unknown Artist, (20th century) / Bridgeman Images

ID: XEE4136843

Representation of a Lansquenet (Lanzknecht), a German mercenary, in the service of a lord. 16th century. Chromolithography around 1910

Unknown Artist, (20th century)

Remembrance of the visit to France of Russian rulers Nicholas II (1868-1918) and Tsarina Alexandra (Alice of Hesse) Feodorovna in 1896. Chromolithography of the late 19th century.
Remembrance of the visit to France of Russian rulers Nicholas II (1868-1918) and Tsarina Alexandra (Alice of Hesse) Feodorovna in 1896. Chromolithography of the late 19th century.

XEE4136846: Remembrance of the visit to France of Russian rulers Nicholas II (1868-1918) and Tsarina Alexandra (Alice of Hesse) Feodorovna in 1896. Chromolithography of the late 19th century., French School, (19th century) / Bridgeman Images

ID: XEE4136846

Remembrance of the visit to France of Russian rulers Nicholas II (1868-1918) and Tsarina Alexandra (Alice of Hesse) Feodorovna in 1896. Chromolithography of the late 19th century.

French School, (19th century)


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