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STC134761: Ophelia, in Hamlet by William Shakespeare (1564-1616) (engraving), English School, (19th century) / Bridgeman Images
STC134765: Mr L. Murray as Orlando and Mrs Stirling as Rosalind, Act V Scene 4, in As You Like it by William Shakespeare (1564-1616) (engraving), English School, (19th century) / Bridgeman Images
STC134766: Mr J.P. Harley as Touchstone, Act V Scene 1, in As You Like it by William Shakespeare (1564-1616) engraved by George Hollis (1792-1842) from a daguerreotype by J.P. Mayall (1810-1901) (engraving), English School, (19th century) / Bridgeman Images
STC134769: Mr E.L. Davenport as Benedick, Act II Scene 3, in Much Ado About Nothing, by William Shakespeare (1564-1616) from a daguerreotype by Paine of Islington (engraving), English School, (19th century) / Bridgeman Images
STC134772: Miss Glyn as Queen Katherine, Act IV Scene 2, in Henry VIII or All is True, by William Shakespeare (1564-1616) (engraving), English School, (19th century) / Bridgeman Images
CH136633: The Bathers, 1886 (oil on canvas), Holder, Edward Henry (fl.1864-1917) / Bridgeman Images
CH136635: Evening Tales, 1866 (oil on canvas), Hicks, George Elgar (1824-1914) / Bridgeman Images
CH136648: The Offering (oil on panel), Masani, Pompeo (1850-1920) / Bridgeman Images
CH136654: Fishermen Mending Nets in Capri, 1892 (w/c on paper), Weller, Theodor Leopold (1802-80) / Bridgeman Images
XCF136716: Goodbye to Judge Clark, from 'St. Stephen's Review Presentation Cartoon', 8 Dec 1888 (colour litho), Merry, Tom (c.1852-1902) / Bridgeman Images
XCF136723: A Dream of Olympia, or the Daring Marquis and the Refractory Steed, from 'St. Stephen's Review Presentation Cartoon', 8 January 1887 (colour litho), Merry, Tom (c.1852-1902) / Bridgeman Images
XCF136725: St. Stephen's Pantomime, from 'St. Stephen's Review Presentation Cartoon', 1 January 1887 (colour litho), Merry, Tom (c.1852-1902) / Bridgeman Images
XCF136726: The New Year, from 'St. Stephen's Review Presentation Cartoon', 31 December 1887 (colour litho), Merry, Tom (c.1852-1902) / Bridgeman Images
XJF136734: The Battle of Courtrais Between the French and the Flemish in 1580 (engraving) (b/w photo), German School, (17th century) / Bridgeman Images
XJF136781: How Do We Stand in the World, from 'Bismarck: a Book of Mistakes', 1883 (engraving) (b/w photo), Spott, E (19th century) / Bridgeman Images
XJF136793: The General Plan of Mr Babbage's Great Calculating Engine, engraved by Bolton, printed by Lemercier Bernard & Co (engraving) (b/w photo), English School, (19th century) / Bridgeman Images
STC136905: Two Cross-Bow Men, 1425, from 'Ancient Armour', by Samuel Rush Meyrick, 1824 (colour litho), English School, (19th century) / Bridgeman Images
STC135415: Opera Costume, from the Menus Plaisirs Collection, facsimile by A. Guillaumot Fils (colour litho), Boucher, Francois (1703-70) (after) / Bridgeman Images
TOG135593: Queen Victoria Parades around Dublin, 1900 (w/c on paper), French, William Percy (1854-1920) / Bridgeman Images
XJF135611: Official Ancon, plate XXIV from 'The Panama Canal' by Joseph Pennell, 1912 (charcoal on paper) (b/w photo), Pennell, Joseph (1858-1926) / Bridgeman Images
XJF135618: The Cut Looking towards Ancon Hill, plate XVII from 'The Panama Canal' by Joseph Pennell, 1912 (charcoal on paper) (b/w photo), Pennell, Joseph (1858-1926) / Bridgeman Images
XJF135623: In the Cut at Las Cascades, plate XII from 'The Panama Canal' by Joseph Pennell, 1912 (charcoal on paper) (b/w photo), Pennell, Joseph (1858-1926) / Bridgeman Images
XJF135627: The Jungle: The Old Railway, plate VIII from 'The Panama Canal' by Joseph Pennell, 1912 (charcoal on paper) (b/w photo), Pennell, Joseph (1858-1926) / Bridgeman Images
XJF135632: Dinner Time at Gatun, plate III from 'The Panama Canal' by Joseph Pennell, 1912 (charcoal on paper) (b/w photo), Pennell, Joseph (1858-1926) / Bridgeman Images
XJF135634: The American Quarter, plate I from 'The Panama Canal' by Joseph Pennell, 1912 (charcoal on paper) (b/w photo), Pennell, Joseph (1858-1926) / Bridgeman Images
CHT135678: Hanging on by one Hand Between the Baggage Car, illustration from 'Around the World in Eighty Days' by Jules Verne (1828-1905) engraved by P. Louis, 1873 (engraving) (b/w photo), Benett, Hippolyte Leon (1839-1917) / Bridgeman Images
CHT135679: An Enormous Shadow, Preceded by a Bright Light, illustration from 'Around the World in Eighty Days' by Jules Verne (1828-1905) engraved by Pan, 1873 (engraving) (b/w photo), Benett, Hippolyte Leon (1839-1917) / Bridgeman Images
CHT135699: This Woman Was Young, illustration from 'Around the World in Eighty Days' by Jules Verne (1828-1905) engraved by Louis Dumont (b.1822) 1873 (engraving) (b/w photo), Benett, Hippolyte Leon (1839-1917) / Bridgeman Images
STC135704: 'Clothes and Poses: The Picture of Dorian Gray', by Oscar Wilde (1854-1900) at the Vaudeville Theatre, from 'The Sketch', 3 September 1913 (b/w photo), English School, (20th century) / Bridgeman Images
STC135712: Our Captious Critic: Lady Windermere's Fan, by Oscar Wilde (1854-1900) a page from The Illustrated Sporting and Dramatic News, 9 April 1892 (litho), English School, (20th century) / Bridgeman Images
XJF136362: The Battle of Austerlitz in Moravia, 2 December 1805, engraved by Antonio Verico (b. c.1775) (engraving) (b/w photo), Vernet, Antoine Charles Horace (Carle) (1758-1836) (after) / Bridgeman Images
XJF136364: Portrait of Sir Thomas Wyatt the Younger (c.1521-54) (pencil and charcoal on paper) (b/w photo), Holbein the Younger, Hans (1497/8-1543) / Bridgeman Images
XJF136365: Portrait of Sir Henry Bedingfeld (1511-83) engraved by William Camden Edwards (1777-1855) (engraving) (b/w photo), English School, (19th century) / Bridgeman Images
STC134139: Leucothoe Seduced by Apollo in the Shape of Eurynome, 1731 (engraving), Picart, Bernard (1673-1733) / Bridgeman Images
XJF134153: The Phoenix, an early aircraft (b/w photo) / Bridgeman Images
XJF134158: A Manually Operated Device to Generate Electricity, from 'Electric Illumination' by Dresde Vol.I (litho) (b/w photo), English School, (19th century) / Bridgeman Images