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Entrance to the Avenue from Clare Hall Piece (the New Building of Kings), Cambridge, from 'The History of Cambridge', engraved by Joseph Constantine Stadler (fl.1780-1812), pub. by R. Ackermann, 1815 (colour aquatint)
Entrance to the Avenue from Clare Hall Piece (the New Building of Kings), Cambridge, from 'The History of Cambridge', engraved by Joseph Constantine Stadler (fl.1780-1812), pub. by R. Ackermann, 1815 (colour aquatint)

STC132787: Entrance to the Avenue from Clare Hall Piece (the New Building of Kings), Cambridge, from 'The History of Cambridge', engraved by Joseph Constantine Stadler (fl.1780-1812), pub. by R. Ackermann, 1815 (colour aquatint), Westall, William (1781-1850) (after) / Bridgeman Images

Church of the Holy Sepulchre, Cambridge, from 'The History of Cambridge', engraved by J. Hill, pub. by R. Ackermann, 1815 (colour aquatint)
Church of the Holy Sepulchre, Cambridge, from 'The History of Cambridge', engraved by J. Hill, pub. by R. Ackermann, 1815 (colour aquatint)

STC132788: Church of the Holy Sepulchre, Cambridge, from 'The History of Cambridge', engraved by J. Hill, pub. by R. Ackermann, 1815 (colour aquatint), Pugin, Augustus Charles (1762-1832) (after) / Bridgeman Images

The Hall of Sidney College, Cambridge, from 'The History of Cambridge', engraved by Daniel Havell (1785-1826), pub. by R. Ackermann, 1815 (colour aquatint)
The Hall of Sidney College, Cambridge, from 'The History of Cambridge', engraved by Daniel Havell (1785-1826), pub. by R. Ackermann, 1815 (colour aquatint)

STC132798: The Hall of Sidney College, Cambridge, from 'The History of Cambridge', engraved by Daniel Havell (1785-1826), pub. by R. Ackermann, 1815 (colour aquatint), Pugin, Augustus Charles (1762-1832) (after) / Bridgeman Images

Islamic and Moorish door, wall and window ornamentation, from 'Art and Industry', published by Delatre, Paris, 1857 (engraving)
Islamic and Moorish door, wall and window ornamentation, from 'Art and Industry', published by Delatre, Paris, 1857 (engraving)

STC132818: Islamic and Moorish door, wall and window ornamentation, from 'Art and Industry', published by Delatre, Paris, 1857 (engraving), Collinot, A. (19th century) / Bridgeman Images

Entrance to the Mosque of Bayazid II, in Constantinople, from 'Art and Industry', published by Delatre, Paris, 1857 (engraving)
Entrance to the Mosque of Bayazid II, in Constantinople, from 'Art and Industry', published by Delatre, Paris, 1857 (engraving)

STC132825: Entrance to the Mosque of Bayazid II, in Constantinople, from 'Art and Industry', published by Delatre, Paris, 1857 (engraving), Albanis de Beaumont, Jean Francois (1753-1811) (after) / Bridgeman Images

Islamic designs for cornice, balcony and mashrabiyah decoration, from 'Art and Industry', published by Delatre, Paris, 1857 (engraving)
Islamic designs for cornice, balcony and mashrabiyah decoration, from 'Art and Industry', published by Delatre, Paris, 1857 (engraving)

STC132838: Islamic designs for cornice, balcony and mashrabiyah decoration, from 'Art and Industry', published by Delatre, Paris, 1857 (engraving), Albanis de Beaumont, Jean Francois (1753-1811) (after) / Bridgeman Images

View of the Spain and Portugal sections of the Great Exhibition of 1851, from Dickinson's Comprehensive Pictures (colour litho)
View of the Spain and Portugal sections of the Great Exhibition of 1851, from Dickinson's Comprehensive Pictures (colour litho)

STC132848: View of the Spain and Portugal sections of the Great Exhibition of 1851, from Dickinson's Comprehensive Pictures (colour litho), English School, (19th century) / Bridgeman Images

Cases of embroidered goods in the Turkish section of the Great Exhibition of 1851, from Dickinson's Comprehensive Pictures (colour litho)
Cases of embroidered goods in the Turkish section of the Great Exhibition of 1851, from Dickinson's Comprehensive Pictures (colour litho)

STC132853: Cases of embroidered goods in the Turkish section of the Great Exhibition of 1851, from Dickinson's Comprehensive Pictures (colour litho), English School, (19th century) / Bridgeman Images

View of the Switzerland section of the Great Exhibition of 1851, from Dickinson's Comprehensive Pictures (colour litho)
View of the Switzerland section of the Great Exhibition of 1851, from Dickinson's Comprehensive Pictures (colour litho)

STC132856: View of the Switzerland section of the Great Exhibition of 1851, from Dickinson's Comprehensive Pictures (colour litho), English School, (19th century) / Bridgeman Images

View of the India section of the Great Exhibition of 1851, from Dickinson's Comprehensive Pictures (colour litho)
View of the India section of the Great Exhibition of 1851, from Dickinson's Comprehensive Pictures (colour litho)

STC132862: View of the India section of the Great Exhibition of 1851, from Dickinson's Comprehensive Pictures (colour litho), English School, (19th century) / Bridgeman Images

Francis I, King of France (1494-1547) (engraving) (b/w photo)
Francis I, King of France (1494-1547) (engraving) (b/w photo)

XJF132950: Francis I, King of France (1494-1547) (engraving) (b/w photo), French School, (16th century) / Bridgeman Images

Portrait of William Wordsworth (1770-1850), engraved by J.Cochran (engraving) (b/w photo)
Portrait of William Wordsworth (1770-1850), engraved by J.Cochran (engraving) (b/w photo)

XJF132951: Portrait of William Wordsworth (1770-1850), engraved by J.Cochran (engraving) (b/w photo), Boxall, William (1800-1879) (after) / Bridgeman Images

A Pair of Early Rare, Experimental Shock Mount Prototype Walnut DCWs (Dining Chair Wood), designed by Eames, Charles (1907-70) and Ray (1912-88), 1946 (moulded plywood with walnut veneer)
A Pair of Early Rare, Experimental Shock Mount Prototype Walnut DCWs (Dining Chair Wood), designed by Eames, Charles (1907-70) and Ray (1912-88), 1946 (moulded plywood with walnut veneer)

BON133173: A Pair of Early Rare, Experimental Shock Mount Prototype Walnut DCWs (Dining Chair Wood), designed by Eames, Charles (1907-70) and Ray (1912-88), 1946 (moulded plywood with walnut veneer), Eames, Charles (1907-78) and Eames, Ray (1912-88) / Bridgeman Images

DTW-5 Coffee Table LCW (Lounge Chair Wood), both designed by Eames, Charles (1907-70) and Ray (1912-88), 1946 (wood) (see 133714)
DTW-5 Coffee Table LCW (Lounge Chair Wood), both designed by Eames, Charles (1907-70) and Ray (1912-88), 1946 (wood) (see 133714)

BON133175: DTW-5 Coffee Table LCW (Lounge Chair Wood), both designed by Eames, Charles (1907-70) and Ray (1912-88), 1946 (wood) (see 133714), Eames, Charles (1907-78) and Eames, Ray (1912-88) / Bridgeman Images

L-R: An LCW (Lounge Chair Wood); A DCW (Dining Chair Wood);An LCW (Lounge Chair Wood), all designed by Eames, Charles (1907-70) and Ray (1912-88), 1946 (wood)
L-R: An LCW (Lounge Chair Wood); A DCW (Dining Chair Wood);An LCW (Lounge Chair Wood), all designed by Eames, Charles (1907-70) and Ray (1912-88), 1946 (wood)

BON133177: L-R: An LCW (Lounge Chair Wood); A DCW (Dining Chair Wood);An LCW (Lounge Chair Wood), all designed by Eames, Charles (1907-70) and Ray (1912-88), 1946 (wood), Eames, Charles (1907-78) and Eames, Ray (1912-88) / Bridgeman Images

An Early LTR (Low Table Wire, or Rod Base), designed by Charles Eames (1907-70), 1950 (plywood, birch and wire)
An Early LTR (Low Table Wire, or Rod Base), designed by Charles Eames (1907-70), 1950 (plywood, birch and wire)

BON133188: An Early LTR (Low Table Wire, or Rod Base), designed by Charles Eames (1907-70), 1950 (plywood, birch and wire), Eames, Charles (1907-78) / Bridgeman Images

The Shrimper (oil on panel)
The Shrimper (oil on panel)

PFA131674: The Shrimper (oil on panel), Hart, Solomon Alexander (1806-81) / Bridgeman Images

Home at Last, 1912 (tempera on canvas)
Home at Last, 1912 (tempera on canvas)

PFA131676: Home at Last, 1912 (tempera on canvas), Hemy, Charles Napier (1841-1917) / Bridgeman Images

Roman Coins, from 'L'Antica Roma', 1825 (colour litho)
Roman Coins, from 'L'Antica Roma', 1825 (colour litho)

STC131698: Roman Coins, from 'L'Antica Roma', 1825 (colour litho), Italian School, (19th century) / Bridgeman Images

Roman Archers, from 'L'Antica Roma', 1825 (colour litho)
Roman Archers, from 'L'Antica Roma', 1825 (colour litho)

STC131699: Roman Archers, from 'L'Antica Roma', 1825 (colour litho), Italian School, (19th century) / Bridgeman Images

Market Day, 1982 (oil on canvas)
Market Day, 1982 (oil on canvas)

BAL131909: Market Day, 1982 (oil on canvas), Kachalsky, Stanislav (b.1915) / Bridgeman Images

The Defender, 1969 (oil on canvas)
The Defender, 1969 (oil on canvas)

BAL131922: The Defender, 1969 (oil on canvas), Kovalenko, V. (fl.1969) / Bridgeman Images

Khorasan Bucket, Covered Bowl and Ewer, Persia, 10th-11th century (bronze)
Khorasan Bucket, Covered Bowl and Ewer, Persia, 10th-11th century (bronze)

BON131967: Khorasan Bucket, Covered Bowl and Ewer, Persia, 10th-11th century (bronze) / Bridgeman Images

Safavid Spittoon, Persia, 17th century (slip painted earthenware)
Safavid Spittoon, Persia, 17th century (slip painted earthenware)

BON131970: Safavid Spittoon, Persia, 17th century (slip painted earthenware) / Bridgeman Images

LtoR:Safavid Kubachi Dish, Persia, early 16th century (underglaze painted earthenware) Safavid Kubachi Dish, Persia, 17th century (black under turquoise glaze)
LtoR:Safavid Kubachi Dish, Persia, early 16th century (underglaze painted earthenware) Safavid Kubachi Dish, Persia, 17th century (black under turquoise glaze)

BON131975: LtoR:Safavid Kubachi Dish, Persia, early 16th century (underglaze painted earthenware) Safavid Kubachi Dish, Persia, 17th century (black under turquoise glaze) / Bridgeman Images

Kubachi Dish, Safavid, Persia, c.1600 (slip painted earthenware)
Kubachi Dish, Safavid, Persia, c.1600 (slip painted earthenware)

BON131976: Kubachi Dish, Safavid, Persia, c.1600 (slip painted earthenware) / Bridgeman Images

LtoR:Pair of Sarragumines Vases, France, late 19th century (porcelain); Pair of Mamluk Style Mosque Lamps, 20th century (gilt and enamel glass); Vase, Bohemia, late 19th century (gilt and enamel glass); Ghalian Bottle and Cup, Bohemia, 1884 (opaque cased glass)
LtoR:Pair of Sarragumines Vases, France, late 19th century (porcelain); Pair of Mamluk Style Mosque Lamps, 20th century (gilt and enamel glass); Vase, Bohemia, late 19th century (gilt and enamel glass); Ghalian Bottle and Cup, Bohemia, 1884 (opaque cased glass)

BON131983: LtoR:Pair of Sarragumines Vases, France, late 19th century (porcelain); Pair of Mamluk Style Mosque Lamps, 20th century (gilt and enamel glass); Vase, Bohemia, late 19th century (gilt and enamel glass); Ghalian Bottle and Cup, Bohemia, 1884 (opaque cased glass) / Bridgeman Images

Pair of Lobmeyer Vases, Austria, late 19th century (gilt and enamel glass)
Pair of Lobmeyer Vases, Austria, late 19th century (gilt and enamel glass)

BON131985: Pair of Lobmeyer Vases, Austria, late 19th century (gilt and enamel glass) / Bridgeman Images

Palmistry (woodcut) (b/w photo)
Palmistry (woodcut) (b/w photo)

XJF130602: Palmistry (woodcut) (b/w photo), English School, (17th century) / Bridgeman Images

View of a House, Manufactory, and Bazaar, in Calcutta, engraved by Francis Jukes, 1795 (aquatint)
View of a House, Manufactory, and Bazaar, in Calcutta, engraved by Francis Jukes, 1795 (aquatint)

XJF130620: View of a House, Manufactory, and Bazaar, in Calcutta, engraved by Francis Jukes, 1795 (aquatint), English School, (18th century) / Bridgeman Images

Kirkstall Abbey, the Nave and Choir, from 'The Monastic Ruins of Yorkshire', engraved by George Hawkins (1819-52), 1842 (colour litho)
Kirkstall Abbey, the Nave and Choir, from 'The Monastic Ruins of Yorkshire', engraved by George Hawkins (1819-52), 1842 (colour litho)

STC130631: Kirkstall Abbey, the Nave and Choir, from 'The Monastic Ruins of Yorkshire', engraved by George Hawkins (1819-52), 1842 (colour litho), Richardson, William (fl.1842-77) / Bridgeman Images

Guisborough Priory, Interior of the East End, from 'The Monastic Ruins of Yorkshire', engraved by George Hawkins (1819-52), 1842 (colour litho)
Guisborough Priory, Interior of the East End, from 'The Monastic Ruins of Yorkshire', engraved by George Hawkins (1819-52), 1842 (colour litho)

STC130639: Guisborough Priory, Interior of the East End, from 'The Monastic Ruins of Yorkshire', engraved by George Hawkins (1819-52), 1842 (colour litho), Richardson, William (fl.1842-77) (after) / Bridgeman Images

Epitaph of Margaret of Austria (engraving)
Epitaph of Margaret of Austria (engraving)

XJF130646: Epitaph of Margaret of Austria (engraving), Hogenberg, Nicholas (c.1500-1539) / Bridgeman Images

William Morris, photographed with the Staff at Kelmscott Press (b/w photo)
William Morris, photographed with the Staff at Kelmscott Press (b/w photo)

STC130686: William Morris, photographed with the Staff at Kelmscott Press (b/w photo), English Photographer, (19th century) / Bridgeman Images

Mr George Bennett as King Henry the Eighth, in the play by William Shakespeare (1564-1616) (engraving)
Mr George Bennett as King Henry the Eighth, in the play by William Shakespeare (1564-1616) (engraving)

STC130698: Mr George Bennett as King Henry the Eighth, in the play by William Shakespeare (1564-1616) (engraving), English School, (19th century) / Bridgeman Images

Portrait of Sir John Chardin (1643-1713), 1699 (oil on canvas)
Portrait of Sir John Chardin (1643-1713), 1699 (oil on canvas)

BON131996: Portrait of Sir John Chardin (1643-1713), 1699 (oil on canvas), Riviere, Francois (1653-1747) / Bridgeman Images


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