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The Last Honours. Egypt, Engraving 1879
The Last Honours. Egypt, Engraving 1879

LZT1036048: The Last Honours. Egypt, Engraving 1879, Unknown Artist, (19th century) / Bridgeman Images

The South Pylon And Sacred Lake of Karnak. Egypt, Engraving 1879
The South Pylon And Sacred Lake of Karnak. Egypt, Engraving 1879

LZT1036054: The South Pylon And Sacred Lake of Karnak. Egypt, Engraving 1879 / Bridgeman Images

Dealer in Antiquities On the Road from Luxor to Karnak. Egypt, Engraving 1879
Dealer in Antiquities On the Road from Luxor to Karnak. Egypt, Engraving 1879

LZT1036057: Dealer in Antiquities On the Road from Luxor to Karnak. Egypt, Engraving 1879, Unknown Artist, (19th century) / Bridgeman Images

A Congress of Cats in the Sun. Egypt, Engraving 1879
A Congress of Cats in the Sun. Egypt, Engraving 1879

LZT1036058: A Congress of Cats in the Sun. Egypt, Engraving 1879 / Bridgeman Images

The French Quarter in the Temple of Luksor. Egypt, Engraving 1879
The French Quarter in the Temple of Luksor. Egypt, Engraving 1879

LZT1036059: The French Quarter in the Temple of Luksor. Egypt, Engraving 1879 / Bridgeman Images

Pylons And Obelisk of Rameses Ii. At Luksor. Egypt, Engraving 1879
Pylons And Obelisk of Rameses Ii. At Luksor. Egypt, Engraving 1879

LZT1036070: Pylons And Obelisk of Rameses Ii. At Luksor. Egypt, Engraving 1879 / Bridgeman Images

Entrance of a Ring's Tomb in Biban El-Mulook. Egypt, Engraving 1879
Entrance of a Ring's Tomb in Biban El-Mulook. Egypt, Engraving 1879

LZT1036078: Entrance of a Ring's Tomb in Biban El-Mulook. Egypt, Engraving 1879 / Bridgeman Images

Reading the Koran in An Ancient Temple. Egypt, Engraving 1879
Reading the Koran in An Ancient Temple. Egypt, Engraving 1879

LZT1036100: Reading the Koran in An Ancient Temple. Egypt, Engraving 1879 / Bridgeman Images

Village Near Assouan, Egypt, Engraving 1879
Village Near Assouan, Egypt, Engraving 1879

LZT1036109: Village Near Assouan, Egypt, Engraving 1879 / Bridgeman Images

Mosque-Tomb Near Assouan. Egypt, Engraving 1879
Mosque-Tomb Near Assouan. Egypt, Engraving 1879

LZT1036122: Mosque-Tomb Near Assouan. Egypt, Engraving 1879, Unknown Artist, (19th century) / Bridgeman Images

Philae. Egypt, Engraving 1879
Philae. Egypt, Engraving 1879

LZT1036128: Philae. Egypt, Engraving 1879 / Bridgeman Images

A Court at Kout. Egypt, Engraving 1879
A Court at Kout. Egypt, Engraving 1879

LZT1036142: A Court at Kout. Egypt, Engraving 1879 / Bridgeman Images

Old Egyptian Representation of a Party. Egypt, Engraving 1879
Old Egyptian Representation of a Party. Egypt, Engraving 1879

LZT1036145: Old Egyptian Representation of a Party. Egypt, Engraving 1879 / Bridgeman Images

Orobanche Rapum; Greater Broom-Rape
Orobanche Rapum; Greater Broom-Rape

LZT1036153: Orobanche Rapum; Greater Broom-Rape / Bridgeman Images

Orobanche Rubra; Red Broom-Rape
Orobanche Rubra; Red Broom-Rape

LZT1036154: Orobanche Rubra; Red Broom-Rape / Bridgeman Images

Orobanche Elatior; Tall Broom-Rape
Orobanche Elatior; Tall Broom-Rape

LZT1036156: Orobanche Elatior; Tall Broom-Rape / Bridgeman Images

Linaria Supina; Decumbent Toadflax
Linaria Supina; Decumbent Toadflax

LZT1036157: Linaria Supina; Decumbent Toadflax / Bridgeman Images

Hachidanme, Act Eight [of the Chushingura]. [Between 1799 and 1801], 1 Print : Woodcut, Color ; 34.2 X 23.1 ., Print Shows Two Women (One Probably Konami on Her Bridal Journey to Rikiya's Home) in a Landscape Setting with Mount Fuji in the Background.
Hachidanme, Act Eight [of the Chushingura]. [Between 1799 and 1801], 1 Print : Woodcut, Color ; 34.2 X 23.1 ., Print Shows Two Women (One Probably Konami on Her Bridal Journey to Rikiya's Home) in a Landscape Setting with Mount Fuji in the Background.

LZT1111802: Hachidanme, Act Eight [of the Chushingura]. [Between 1799 and 1801], 1 Print : Woodcut, Color ; 34.2 X 23.1 ., Print Shows Two Women (One Probably Konami on Her Bridal Journey to Rikiya's Home) in a Landscape Setting with Mount Fuji in the Background., Utamaro, Kitagawa (1753-1806) / Bridgeman Images

Nakamaru Matsue No Keisei Miyako, the Actor Nakamura Matsue in the Role of Keisei Miyako. Print Shows the Actor Nakamura Matsue in an Onnagata Role As the Keisei (Courtesan) Miyako, Standing at a Gate in the Wall Around a City, Beating a Small Drum.
Nakamaru Matsue No Keisei Miyako, the Actor Nakamura Matsue in the Role of Keisei Miyako. Print Shows the Actor Nakamura Matsue in an Onnagata Role As the Keisei (Courtesan) Miyako, Standing at a Gate in the Wall Around a City, Beating a Small Drum.

LZT1111808: Nakamaru Matsue No Keisei Miyako, the Actor Nakamura Matsue in the Role of Keisei Miyako. Print Shows the Actor Nakamura Matsue in an Onnagata Role As the Keisei (Courtesan) Miyako, Standing at a Gate in the Wall Around a City, Beating a Small Drum. / Bridgeman Images

Juichidanme, Act Eleven [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19.5 X 25.7 ., Print Shows Three Ronin Samurai Attacking the Entrance to Morono's (Kira Yoshinaka) Home.
Juichidanme, Act Eleven [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19.5 X 25.7 ., Print Shows Three Ronin Samurai Attacking the Entrance to Morono's (Kira Yoshinaka) Home.

LZT1111815: Juichidanme, Act Eleven [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19.5 X 25.7 ., Print Shows Three Ronin Samurai Attacking the Entrance to Morono's (Kira Yoshinaka) Home., Kuniyasu, Utagawa (1794-1832) / Bridgeman Images

Kudanme, Act Nine [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19.7 X 26 ., Print Shows a Man (Possibly Yuranosuke) and Two Women (Possibly Tonase and Her Step-Daughter Konami, or Oishi, Wife of Yuranosuke) in a Room with Doorway to the Outside in the Background.
Kudanme, Act Nine [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19.7 X 26 ., Print Shows a Man (Possibly Yuranosuke) and Two Women (Possibly Tonase and Her Step-Daughter Konami, or Oishi, Wife of Yuranosuke) in a Room with Doorway to the Outside in the Background.

LZT1111816: Kudanme, Act Nine [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19.7 X 26 ., Print Shows a Man (Possibly Yuranosuke) and Two Women (Possibly Tonase and Her Step-Daughter Konami, or Oishi, Wife of Yuranosuke) in a Room with Doorway to the Outside in the Background., Kuniyasu, Utagawa (1794-1832) / Bridgeman Images

Shodan, Act One [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19.8 X 25.7 ., Print Shows a Woman on the Left, Kaoyo, Wife of Enya (Asano Naganori), Who Has Received a Love Letter from Morono (Kira Yoshinaka), Who is Standing on the Right, and, in the Middle, Wakasanosuke About to Draw His Sword.
Shodan, Act One [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19.8 X 25.7 ., Print Shows a Woman on the Left, Kaoyo, Wife of Enya (Asano Naganori), Who Has Received a Love Letter from Morono (Kira Yoshinaka), Who is Standing on the Right, and, in the Middle, Wakasanosuke About to Draw His Sword.

LZT1111817: Shodan, Act One [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19.8 X 25.7 ., Print Shows a Woman on the Left, Kaoyo, Wife of Enya (Asano Naganori), Who Has Received a Love Letter from Morono (Kira Yoshinaka), Who is Standing on the Right, and, in the Middle, Wakasanosuke About to Draw His Sword., Kuniyasu, Utagawa (1794-1832) / Bridgeman Images

Judanme, Act Ten [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19 X 25.9 ., Print Shows a Masked Man, One of the Ronin, with a Sword Attacking Osono, the Estranged Wife of Gihei, in Order to Cut Her Hair to the Customary Length of a Nun Making It Impossible for Her Father to Marry Her Off to Someone Else. While This is Taking Place Gihei is Standing behind a Wooden Screen. Having Passed the Test of Loyalty to the Ronin's Plan, Gihei is About to Be Rewarded with His Wife's Hair and Receipt of the Divorce Letter He Wrote in Duress.
Judanme, Act Ten [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19 X 25.9 ., Print Shows a Masked Man, One of the Ronin, with a Sword Attacking Osono, the Estranged Wife of Gihei, in Order to Cut Her Hair to the Customary Length of a Nun Making It Impossible for Her Father to Marry Her Off to Someone Else. While This is Taking Place Gihei is Standing behind a Wooden Screen. Having Passed the Test of Loyalty to the Ronin's Plan, Gihei is About to Be Rewarded with His Wife's Hair and Receipt of the Divorce Letter He Wrote in Duress.

LZT1111820: Judanme, Act Ten [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19 X 25.9 ., Print Shows a Masked Man, One of the Ronin, with a Sword Attacking Osono, the Estranged Wife of Gihei, in Order to Cut Her Hair to the Customary Length of a Nun Making It Impossible for Her Father to Marry Her Off to Someone Else. While This is Taking Place Gihei is Standing behind a Wooden Screen. Having Passed the Test of Loyalty to the Ronin's Plan, Gihei is About to Be Rewarded with His Wife's Hair and Receipt of the Divorce Letter He Wrote in Duress., Kuniyasu, Utagawa (1794-1832) / Bridgeman Images

Sandanme, Act Three [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19.7 X 25.6 ., Print Shows, at the Entrance to a Foot-Bridge, a Man (Kampei) with Sword Raised Over His Head, Poised to Strike, and Standing Next to Him is a Woman (Okaru), and Lying on the Ground is a Man Who is Possibly One of Moronô's (Kira Yoshinaka) Ruffians.
Sandanme, Act Three [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19.7 X 25.6 ., Print Shows, at the Entrance to a Foot-Bridge, a Man (Kampei) with Sword Raised Over His Head, Poised to Strike, and Standing Next to Him is a Woman (Okaru), and Lying on the Ground is a Man Who is Possibly One of Moronô's (Kira Yoshinaka) Ruffians.

LZT1111821: Sandanme, Act Three [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19.7 X 25.6 ., Print Shows, at the Entrance to a Foot-Bridge, a Man (Kampei) with Sword Raised Over His Head, Poised to Strike, and Standing Next to Him is a Woman (Okaru), and Lying on the Ground is a Man Who is Possibly One of Moronô's (Kira Yoshinaka) Ruffians., Kuniyasu, Utagawa (1794-1832) / Bridgeman Images

Shishi, Lion. [Between 1797 and 1801], 1 Print : Woodcut, Color ; 29.8 X 21.1 ., Print Shows Four Actors Carrying a Lion Costume, Fans, and a Lantern.
Shishi, Lion. [Between 1797 and 1801], 1 Print : Woodcut, Color ; 29.8 X 21.1 ., Print Shows Four Actors Carrying a Lion Costume, Fans, and a Lantern.

LZT1111825: Shishi, Lion. [Between 1797 and 1801], 1 Print : Woodcut, Color ; 29.8 X 21.1 ., Print Shows Four Actors Carrying a Lion Costume, Fans, and a Lantern., Eishusai, Choki (fl.c.1789-1800) / Bridgeman Images

Niwatori, Hen and Chick. [Between 1804 and 1818], 1 Print : Woodcut, Color ; 22.1 X 17 .
Niwatori, Hen and Chick. [Between 1804 and 1818], 1 Print : Woodcut, Color ; 22.1 X 17 .

LZT1111829: Niwatori, Hen and Chick. [Between 1804 and 1818], 1 Print : Woodcut, Color ; 22.1 X 17 ., Toyohiro, Utagawa (1773-1828) / Bridgeman Images

Tekkai Sennin, Parody of the Chinese Sage Tieqiao. [Between 1711 and 1716], 1 Print : Woodcut ; 26.8 X 39 ., Print Shows a Woman Holding Her Hands Over a Man's Eyes and Blowing a Puff of Air Upon which a Small Male Figure Ascends; Another Woman is Waving to the Man on the Puff of Air and Appears to Be Offering Him a Small Package.
Tekkai Sennin, Parody of the Chinese Sage Tieqiao. [Between 1711 and 1716], 1 Print : Woodcut ; 26.8 X 39 ., Print Shows a Woman Holding Her Hands Over a Man's Eyes and Blowing a Puff of Air Upon which a Small Male Figure Ascends; Another Woman is Waving to the Man on the Puff of Air and Appears to Be Offering Him a Small Package.

LZT1111836: Tekkai Sennin, Parody of the Chinese Sage Tieqiao. [Between 1711 and 1716], 1 Print : Woodcut ; 26.8 X 39 ., Print Shows a Woman Holding Her Hands Over a Man's Eyes and Blowing a Puff of Air Upon which a Small Male Figure Ascends; Another Woman is Waving to the Man on the Puff of Air and Appears to Be Offering Him a Small Package., Masanobu, Okumura (1686-1764) / Bridgeman Images

Ichimura Uzaemon No Kidomaru, the Actor Ichimura Uzaemon As Kidomaru. [Between 1764 and 1772], 1 Print : Woodcut, Color ; 30.6 X 13.3 ., Print Shows Ichimura Uzaemon As the Bandit Kidomaru Riding a Hobby Horse.
Ichimura Uzaemon No Kidomaru, the Actor Ichimura Uzaemon As Kidomaru. [Between 1764 and 1772], 1 Print : Woodcut, Color ; 30.6 X 13.3 ., Print Shows Ichimura Uzaemon As the Bandit Kidomaru Riding a Hobby Horse.

LZT1111840: Ichimura Uzaemon No Kidomaru, the Actor Ichimura Uzaemon As Kidomaru. [Between 1764 and 1772], 1 Print : Woodcut, Color ; 30.6 X 13.3 ., Print Shows Ichimura Uzaemon As the Bandit Kidomaru Riding a Hobby Horse., Shigemasa, Kitao (1739-1820) / Bridgeman Images

Seta No Sekisho, Evening Glow at Seta. [Between 1776 and 1785], 1 Print : Woodcut, Color ; 19.1 X 25.8 ., Print Shows Bird's-Eye View of Bridge Spanning Inlet.
Seta No Sekisho, Evening Glow at Seta. [Between 1776 and 1785], 1 Print : Woodcut, Color ; 19.1 X 25.8 ., Print Shows Bird's-Eye View of Bridge Spanning Inlet.

LZT1111846: Seta No Sekisho, Evening Glow at Seta. [Between 1776 and 1785], 1 Print : Woodcut, Color ; 19.1 X 25.8 ., Print Shows Bird's-Eye View of Bridge Spanning Inlet., Shunsho, Katsukawa (1726-92) / Bridgeman Images

Suma, Utagawa 1853., 1 Print : Woodcut, Color ; 24.9 X 17.8 ., Print Shows a Musician Playing the Koto, While a Warrior Sneaks Up behind the Musician, Drawing His Sword from Its Scabbard.
Suma, Utagawa 1853., 1 Print : Woodcut, Color ; 24.9 X 17.8 ., Print Shows a Musician Playing the Koto, While a Warrior Sneaks Up behind the Musician, Drawing His Sword from Its Scabbard.

LZT1111852: Suma, Utagawa 1853., 1 Print : Woodcut, Color ; 24.9 X 17.8 ., Print Shows a Musician Playing the Koto, While a Warrior Sneaks Up behind the Musician, Drawing His Sword from Its Scabbard., Toyokuni, Utagawa (1769-1825) / Bridgeman Images

Yoru No Fukagawa Geisha, a Geisha on an Evening Stroll in Fukagawa. [Between 1828 and 1833], 1 Print : Woodcut, Color ; 21.2 X 18 .
Yoru No Fukagawa Geisha, a Geisha on an Evening Stroll in Fukagawa. [Between 1828 and 1833], 1 Print : Woodcut, Color ; 21.2 X 18 .

LZT1111853: Yoru No Fukagawa Geisha, a Geisha on an Evening Stroll in Fukagawa. [Between 1828 and 1833], 1 Print : Woodcut, Color ; 21.2 X 18 ., Toyokuni, Utagawa (1769-1825) / Bridgeman Images

Kiseru O Motsu Onna, Beauty Holding a Pipe. [Between 1830 and 1834], 1 Print : Woodcut, Color ; 38.2 X 25.5 ., Print Shows a Woman Holding a Pipe (Kiseru).
Kiseru O Motsu Onna, Beauty Holding a Pipe. [Between 1830 and 1834], 1 Print : Woodcut, Color ; 38.2 X 25.5 ., Print Shows a Woman Holding a Pipe (Kiseru).

LZT1111857: Kiseru O Motsu Onna, Beauty Holding a Pipe. [Between 1830 and 1834], 1 Print : Woodcut, Color ; 38.2 X 25.5 ., Print Shows a Woman Holding a Pipe (Kiseru)., Toyokuni, Utagawa (1769-1825) / Bridgeman Images

Wakamurasaki No Hanashi, Tale of the Courtesan Wakamurasaki. 1860., 1 Print : Woodcut, Color ; 36.8 X 24.8 .
Wakamurasaki No Hanashi, Tale of the Courtesan Wakamurasaki. 1860., 1 Print : Woodcut, Color ; 36.8 X 24.8 .

LZT1111860: Wakamurasaki No Hanashi, Tale of the Courtesan Wakamurasaki. 1860., 1 Print : Woodcut, Color ; 36.8 X 24.8 ., Toyokuni, Utagawa (1769-1825) / Bridgeman Images

Kokonoe No Hanashi, Tale of the Courtesan Kokonoe. 1860., 1 Print : Woodcut, Color ; 36.8 X 24.9 .
Kokonoe No Hanashi, Tale of the Courtesan Kokonoe. 1860., 1 Print : Woodcut, Color ; 36.8 X 24.9 .

LZT1111861: Kokonoe No Hanashi, Tale of the Courtesan Kokonoe. 1860., 1 Print : Woodcut, Color ; 36.8 X 24.9 ., Toyokuni, Utagawa (1769-1825) / Bridgeman Images

Kyoto No Zu, View of Kyoto, 1835-38 (woodcut)
Kyoto No Zu, View of Kyoto, 1835-38 (woodcut)

LZT1111863: Kyoto No Zu, View of Kyoto, 1835-38 (woodcut), Kunisada, Utagawa (Toyokuni III) (1786-1865) / Bridgeman Images

Higashi No Kata Arakuma, the Wrestler Arakuma of the East Side. [Ca. 1847], 1 Print : Woodcut, Color ; 38.3 X 25.9 ., Print Shows the Sumo Wrestler Arakuma, Full-Length Portrait, Standing, Facing Left.
Higashi No Kata Arakuma, the Wrestler Arakuma of the East Side. [Ca. 1847], 1 Print : Woodcut, Color ; 38.3 X 25.9 ., Print Shows the Sumo Wrestler Arakuma, Full-Length Portrait, Standing, Facing Left.

LZT1111881: Higashi No Kata Arakuma, the Wrestler Arakuma of the East Side. [Ca. 1847], 1 Print : Woodcut, Color ; 38.3 X 25.9 ., Print Shows the Sumo Wrestler Arakuma, Full-Length Portrait, Standing, Facing Left., Toyokuni, Utagawa (1769-1825) / Bridgeman Images


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