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A lawyer and his client by Daumier - in “” Charivari”” of 21/09/1845
A lawyer and his client by Daumier - in “” Charivari”” of 21/09/1845

LSE5009789: A lawyer and his client by Daumier - in “” Charivari”” of 21/09/1845, Daumier, Honore (1808-79) / Bridgeman Images

The scholarship by Daumier - in “” Charivari”” of 27/08/1853
The scholarship by Daumier - in “” Charivari”” of 27/08/1853

LSE5009793: The scholarship by Daumier - in “” Charivari”” of 27/08/1853, Daumier, Honore (1808-79) / Bridgeman Images

Hairstyle à l'échelle de l'époque Louis XV - Caricature sur les coiffures excessiées du XVIII siècle - in “Paris à travers les siècles”, de Grenouillac, 1881.
Hairstyle à l'échelle de l'époque Louis XV - Caricature sur les coiffures excessiées du XVIII siècle - in “Paris à travers les siècles”, de Grenouillac, 1881.

LSE5010348: Hairstyle à l'échelle de l'époque Louis XV - Caricature sur les coiffures excessiées du XVIII siècle - in “Paris à travers les siècles”, de Grenouillac, 1881., French School, (19th century) / Bridgeman Images

Titleplate to the Nibelungenlied, engraved by Samuel Amsler (1791-1849) &  Carl Barth (1787-1853), 1821 (engraving)
Titleplate to the Nibelungenlied, engraved by Samuel Amsler (1791-1849) &  Carl Barth (1787-1853), 1821 (engraving)

BLB5026010: Titleplate to the Nibelungenlied, engraved by Samuel Amsler (1791-1849) & Carl Barth (1787-1853), 1821 (engraving), Cornelius, Peter von (1783-1867) (after) / Bridgeman Images

Head of a woman looking upwards, c.1800-10 (pen and brown ink with coloured wash, and white heightening over black chalk)
Head of a woman looking upwards, c.1800-10 (pen and brown ink with coloured wash, and white heightening over black chalk)

BLB5026019: Head of a woman looking upwards, c.1800-10 (pen and brown ink with coloured wash, and white heightening over black chalk), Tischbein, Johann Heinrich Wilhelm (1751-1829) / Bridgeman Images

Schloss Predjama in Crein, 12 hours from Trieste, 1816 (litho)
Schloss Predjama in Crein, 12 hours from Trieste, 1816 (litho)

BLB5026030: Schloss Predjama in Crein, 12 hours from Trieste, 1816 (litho), Schinkel, Karl Friedrich (1781-1841) / Bridgeman Images

The division of the promised land, study for the 'Picture Bible', 1851 (pen and black and brown ink with grey wash over graphite)
The division of the promised land, study for the 'Picture Bible', 1851 (pen and black and brown ink with grey wash over graphite)

BLB5026041: The division of the promised land, study for the 'Picture Bible', 1851 (pen and black and brown ink with grey wash over graphite), Schnorr von Carolsfeld, Julius (1794-1872) / Bridgeman Images

Holy Family with Saint John the Baptist, 1847 (pen and red-brown ink over traces of graphite)
Holy Family with Saint John the Baptist, 1847 (pen and red-brown ink over traces of graphite)

BLB5026043: Holy Family with Saint John the Baptist, 1847 (pen and red-brown ink over traces of graphite), Schnorr von Carolsfeld, Julius (1794-1872) / Bridgeman Images

Double portrait of the painter Konrad Eberhard and his brother Franz, 1822 (litho with a tint stone)
Double portrait of the painter Konrad Eberhard and his brother Franz, 1822 (litho with a tint stone)

BLB5026046: Double portrait of the painter Konrad Eberhard and his brother Franz, 1822 (litho with a tint stone), Ramboux, Johann Anton (1790-1866) / Bridgeman Images

Raphael introduced to Perugino from Vita de Raffaele da Urbino, 1832 (etched outline with w/c and gilt)
Raphael introduced to Perugino from Vita de Raffaele da Urbino, 1832 (etched outline with w/c and gilt)

BLB5026052: Raphael introduced to Perugino from Vita de Raffaele da Urbino, 1832 (etched outline with w/c and gilt), Riepenhausen, Johannes (1788-1860) / Bridgeman Images

Raphael in the studio of Fra Bartolomeo from Vita de Raffaele da Urbino, 1832 (etched outline with w/c and gilt)
Raphael in the studio of Fra Bartolomeo from Vita de Raffaele da Urbino, 1832 (etched outline with w/c and gilt)

BLB5026053: Raphael in the studio of Fra Bartolomeo from Vita de Raffaele da Urbino, 1832 (etched outline with w/c and gilt), Riepenhausen, Johannes (1788-1860) / Bridgeman Images

Raphael painting La Fornarina from Vita de Raffaele da Urbino, 1832 (etched outline with w/c and gilt)
Raphael painting La Fornarina from Vita de Raffaele da Urbino, 1832 (etched outline with w/c and gilt)

BLB5026057: Raphael painting La Fornarina from Vita de Raffaele da Urbino, 1832 (etched outline with w/c and gilt), Riepenhausen, Johannes (1788-1860) / Bridgeman Images

The death of Raphael from Vita de Raffaele da Urbino, 1832 (etched outline with w/c and gilt)
The death of Raphael from Vita de Raffaele da Urbino, 1832 (etched outline with w/c and gilt)

BLB5026059: The death of Raphael from Vita de Raffaele da Urbino, 1832 (etched outline with w/c and gilt), Riepenhausen, Johannes (1788-1860) / Bridgeman Images

The Three Magi, c.1841 (graphite with blue wash and white heightening on buff paper)
The Three Magi, c.1841 (graphite with blue wash and white heightening on buff paper)

BLB5026063: The Three Magi, c.1841 (graphite with blue wash and white heightening on buff paper), Steinle, Edward von (1810-86) / Bridgeman Images

Saturday: Graveyard of St Peter's in Salzburg, 1823 (litho with a tint stone)
Saturday: Graveyard of St Peter's in Salzburg, 1823 (litho with a tint stone)

BLB5026079: Saturday: Graveyard of St Peter's in Salzburg, 1823 (litho with a tint stone), Olivier, Ferdinand (1785-1841) / Bridgeman Images

Night scene (full moon): 2 owls in the trees.
Night scene (full moon): 2 owls in the trees.

LSE5028328: Night scene (full moon): 2 owls in the trees., French School, (20th century) / Bridgeman Images

HANGING PEACH AND FIGLEAVES, 2013 (painting)
HANGING PEACH AND FIGLEAVES, 2013 (painting)

AIF5041717: HANGING PEACH AND FIGLEAVES, 2013 (painting), Fein, Eleanor / Bridgeman Images

Tea Cup
Tea Cup

EFL5052085: Tea Cup, Fairfax-Lucy, Edmund (1945-2020) / Bridgeman Images

Times of Day: Day, engraved by Ephraim Gottlieb Krüger (1756-1834) & Johann Adolph Darnstedt (1769-1844), 1807 (engraving and etching on paper)
Times of Day: Day, engraved by Ephraim Gottlieb Krüger (1756-1834) & Johann Adolph Darnstedt (1769-1844), 1807 (engraving and etching on paper)

BLB5051675: Times of Day: Day, engraved by Ephraim Gottlieb Krüger (1756-1834) & Johann Adolph Darnstedt (1769-1844), 1807 (engraving and etching on paper), Runge, Philipp Otto (1777-1810) (after) / Bridgeman Images

Times of Day: Evening, engraved by Johann Gottlieb Seyfert (1761-1824), 1807 (engraving and etching on paper)
Times of Day: Evening, engraved by Johann Gottlieb Seyfert (1761-1824), 1807 (engraving and etching on paper)

BLB5051676: Times of Day: Evening, engraved by Johann Gottlieb Seyfert (1761-1824), 1807 (engraving and etching on paper), Runge, Philipp Otto (1777-1810) (after) / Bridgeman Images

The Virgin as 'Queen of Heaven' as an embellished initial G, in the style of an illuminated manuscript, c.1835-38 (pen and black and red ink with w/c and bodycolour over graphite on vellum)
The Virgin as 'Queen of Heaven' as an embellished initial G, in the style of an illuminated manuscript, c.1835-38 (pen and black and red ink with w/c and bodycolour over graphite on vellum)

BLB5051679: The Virgin as 'Queen of Heaven' as an embellished initial G, in the style of an illuminated manuscript, c.1835-38 (pen and black and red ink with w/c and bodycolour over graphite on vellum), Steinle, Edward von (1810-86) / Bridgeman Images

Auch ich war in Arkadien, 1801 (etching)
Auch ich war in Arkadien, 1801 (etching)

BLB5051680: Auch ich war in Arkadien, 1801 (etching), Kolbe, Carl Wilhelm (1759-1835) / Bridgeman Images

Hagen sinks the Nibelung treasure in the Rhine, study for the 'Nibelungenlied', 1866 (pen and black ink over traces of graphite)
Hagen sinks the Nibelung treasure in the Rhine, study for the 'Nibelungenlied', 1866 (pen and black ink over traces of graphite)

BLB5051690: Hagen sinks the Nibelung treasure in the Rhine, study for the 'Nibelungenlied', 1866 (pen and black ink over traces of graphite), Schnorr von Carolsfeld, Julius (1794-1872) / Bridgeman Images

Monday: Rosenecker Garden before Salzburg, 1823 (litho with a tint stone)
Monday: Rosenecker Garden before Salzburg, 1823 (litho with a tint stone)

BLB5051700: Monday: Rosenecker Garden before Salzburg, 1823 (litho with a tint stone), Olivier, Ferdinand (1785-1841) / Bridgeman Images

Wednesday: Footpath on the Mönchsberg, 1823 (litho with a tint stone)
Wednesday: Footpath on the Mönchsberg, 1823 (litho with a tint stone)

BLB5051702: Wednesday: Footpath on the Mönchsberg, 1823 (litho with a tint stone), Olivier, Ferdinand (1785-1841) / Bridgeman Images

Skating at night
Skating at night

AGT5054246: Skating at night, Ager, Charlotte / Bridgeman Images

Houses by the Sea, c.1932 (pen & ink wash)
Houses by the Sea, c.1932 (pen & ink wash)

MYM5054253: Houses by the Sea, c.1932 (pen & ink wash), Mayer-Marton, Georg (1897-1960) / Bridgeman Images

Violinist, 1923 (drypoint)
Violinist, 1923 (drypoint)

MYM5054257: Violinist, 1923 (drypoint), Mayer-Marton, Georg (1897-1960) / Bridgeman Images

The Bridge of Souls, 1923 (drypoint)
The Bridge of Souls, 1923 (drypoint)

MYM5054258: The Bridge of Souls, 1923 (drypoint), Mayer-Marton, Georg (1897-1960) / Bridgeman Images

Danae, 1923 (drypoint)
Danae, 1923 (drypoint)

MYM5054263: Danae, 1923 (drypoint), Mayer-Marton, Georg (1897-1960) / Bridgeman Images

Outskirts of town, 1924 (drypoint)
Outskirts of town, 1924 (drypoint)

MYM5054271: Outskirts of town, 1924 (drypoint), Mayer-Marton, Georg (1897-1960) / Bridgeman Images

Flight Shadow on Clouds, 1955 (oil on canvas)
Flight Shadow on Clouds, 1955 (oil on canvas)

MYM5054295: Flight Shadow on Clouds, 1955 (oil on canvas), Mayer-Marton, Georg (1897-1960) / Bridgeman Images

Telegraph Poles, 1951 (oil on canvas)
Telegraph Poles, 1951 (oil on canvas)

MYM5054301: Telegraph Poles, 1951 (oil on canvas), Mayer-Marton, Georg (1897-1960) / Bridgeman Images

Savernake Forest, 1953 (oil on canvas)
Savernake Forest, 1953 (oil on canvas)

MYM5054303: Savernake Forest, 1953 (oil on canvas), Mayer-Marton, Georg (1897-1960) / Bridgeman Images

Forking Road, 1949 (oil on board)
Forking Road, 1949 (oil on board)

MYM5054304: Forking Road, 1949 (oil on board), Mayer-Marton, Georg (1897-1960) / Bridgeman Images

Concert Audience, 1953 (oil on canvas)
Concert Audience, 1953 (oil on canvas)

MYM5054311: Concert Audience, 1953 (oil on canvas), Mayer-Marton, Georg (1897-1960) / Bridgeman Images


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