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Portrait of Robert Greville, 2nd Lord Brooke (c.1608-43), from 'Lodge's British Portraits', 1823 (litho)
Portrait of Robert Greville, 2nd Lord Brooke (c.1608-43), from 'Lodge's British Portraits', 1823 (litho)

KWE178684: Portrait of Robert Greville, 2nd Lord Brooke (c.1608-43), from 'Lodge's British Portraits', 1823 (litho), English School, (19th century) / Bridgeman Images

Cubo-Futurist Composition, 1915 (charcoal on paper) (b/w photo)
Cubo-Futurist Composition, 1915 (charcoal on paper) (b/w photo)

FFA178149: Cubo-Futurist Composition, 1915 (charcoal on paper) (b/w photo), Bogomazov, Alexander (1880-1930) / Bridgeman Images

A European woman in Algeria, 1910 (colour litho)
A European woman in Algeria, 1910 (colour litho)

CHT184798: A European woman in Algeria, 1910 (colour litho), Sabattier, Louis Remy (1863-1935) / Bridgeman Images

Maria and Elisabeth van Rysselberghe Knitting in the Garden, c.1912 (oil on canvas)
Maria and Elisabeth van Rysselberghe Knitting in the Garden, c.1912 (oil on canvas)

CH1196085: Maria and Elisabeth van Rysselberghe Knitting in the Garden, c.1912 (oil on canvas), Rysselberghe, Theo van (1862-1926) / Bridgeman Images

Portrait of William Morris, 1886 (black and white photograph)
Portrait of William Morris, 1886 (black and white photograph)

CH1195399: Portrait of William Morris, 1886 (black and white photograph), English School, (19th century) / Bridgeman Images

Fish, c.1925 (gouache, pen & ink on paper)
Fish, c.1925 (gouache, pen & ink on paper)

CH1195152: Fish, c.1925 (gouache, pen & ink on paper), Dunand, Jean (1877-1942) / Bridgeman Images

Toxic, 1984 (acrylic, oilstick & xerox collage on canvas)
Toxic, 1984 (acrylic, oilstick & xerox collage on canvas)

CH1275411: Toxic, 1984 (acrylic, oilstick & xerox collage on canvas), Basquiat, Jean Michel (1960-1988) / Bridgeman Images

The Seamstresses; Les couturieres, 1890 (oil on canvas)
The Seamstresses; Les couturieres, 1890 (oil on canvas)

CH1768000: The Seamstresses; Les couturieres, 1890 (oil on canvas), Vuillard, Edouard (1868-1940) / Bridgeman Images

The River Epte at Giverny, Summer; La riviere de l'Epte a Giverny, l'ete, 1884 (oil on canvas)
The River Epte at Giverny, Summer; La riviere de l'Epte a Giverny, l'ete, 1884 (oil on canvas)

CH1767920: The River Epte at Giverny, Summer; La riviere de l'Epte a Giverny, l'ete, 1884 (oil on canvas), Monet, Claude (1840-1926) / Bridgeman Images

Arab Horseman  (oil on canvas)
Arab Horseman  (oil on canvas)

CH1769836: Arab Horseman (oil on canvas), Schreyer, Adolf (1828-99) / Bridgeman Images

Lipsticks, 1964 (oil on canvas)
Lipsticks, 1964 (oil on canvas)

CH1771305: Lipsticks, 1964 (oil on canvas), Thiebaud, Wayne (1920-2021) / Bridgeman Images

La Place du Havre et la Gare Saint-Lazare, 1893 (oil on canvas)
La Place du Havre et la Gare Saint-Lazare, 1893 (oil on canvas)

CH1769206: La Place du Havre et la Gare Saint-Lazare, 1893 (oil on canvas), Pissarro, Camille (1830-1903) / Bridgeman Images

The Dark Green Bird, from 'Sixteen Drawings of Comic Birds' (pen & ink w/c on paper)
The Dark Green Bird, from 'Sixteen Drawings of Comic Birds' (pen & ink w/c on paper)

STC3273304: The Dark Green Bird, from 'Sixteen Drawings of Comic Birds' (pen & ink w/c on paper), Lear, Edward (1812-88) / Bridgeman Images

The Odeon of Athens or Odeon of Pericles in Athens - engraving from “” Usi e Costumi di Tutti i i Popoli dell'Universo. Ovvero Storia del governo, delle leggi, della milizia, della religione di tutte le nazioni dai piu remoti tempi fino ai giorni nostri” 1856
The Odeon of Athens or Odeon of Pericles in Athens - engraving from “” Usi e Costumi di Tutti i i Popoli dell'Universo. Ovvero Storia del governo, delle leggi, della milizia, della religione di tutte le nazioni dai piu remoti tempi fino ai giorni nostri” 1856

XEE4155395: The Odeon of Athens or Odeon of Pericles in Athens - engraving from “” Usi e Costumi di Tutti i i Popoli dell'Universo. Ovvero Storia del governo, delle leggi, della milizia, della religione di tutte le nazioni dai piu remoti tempi fino ai giorni nostri” 1856, Unknown Artist, (19th century) / Bridgeman Images

Portrait of Alfred de Vigny - Portrait of the Poet Alfred de Vigny (1797-1863) -
Portrait of Alfred de Vigny - Portrait of the Poet Alfred de Vigny (1797-1863) -

XEE4151837: Portrait of Alfred de Vigny - Portrait of the Poet Alfred de Vigny (1797-1863) -, Unknown Artist, (19th century) / Bridgeman Images

Manufacture of soap - L'industrie du Soap - Operation of stacking in the boiler room of a soap factory in Marseille - engraving in 'Les Merveilles de l'Industrie' by Louis Figuier
Manufacture of soap - L'industrie du Soap - Operation of stacking in the boiler room of a soap factory in Marseille - engraving in 'Les Merveilles de l'Industrie' by Louis Figuier

XEE4160963: Manufacture of soap - L'industrie du Soap - Operation of stacking in the boiler room of a soap factory in Marseille - engraving in 'Les Merveilles de l'Industrie' by Louis Figuier, Unknown Artist, (19th century) / Bridgeman Images

Napoleon watching the remains of his Grand Armee crossing the River Berezina on the retreat from Moscow, 1812 - lithograph by Job (Jacques Onfroy de Breville) from “” Le Grand Napoleon des Petites Enfants””” 1893
Napoleon watching the remains of his Grand Armee crossing the River Berezina on the retreat from Moscow, 1812 - lithograph by Job (Jacques Onfroy de Breville) from “” Le Grand Napoleon des Petites Enfants””” 1893

XEE4160587: Napoleon watching the remains of his Grand Armee crossing the River Berezina on the retreat from Moscow, 1812 - lithograph by Job (Jacques Onfroy de Breville) from “” Le Grand Napoleon des Petites Enfants””” 1893, Job, pseudonym for Onfray de Breville, Jacques (1858-1931) / Bridgeman Images

Candidates - Orator (Speaker) - Roman censor - engraving from “Usi e Costumi di Tutti i i Popoli dell'Universo. Ovvero Storia del governo, delle leggi, della milizia, della religione di tutte le nazioni dai piu remoti tempi fino ai giorni nostri” 1856
Candidates - Orator (Speaker) - Roman censor - engraving from “Usi e Costumi di Tutti i i Popoli dell'Universo. Ovvero Storia del governo, delle leggi, della milizia, della religione di tutte le nazioni dai piu remoti tempi fino ai giorni nostri” 1856

XEE4155491: Candidates - Orator (Speaker) - Roman censor - engraving from “Usi e Costumi di Tutti i i Popoli dell'Universo. Ovvero Storia del governo, delle leggi, della milizia, della religione di tutte le nazioni dai piu remoti tempi fino ai giorni nostri” 1856, Unknown Artist, (19th century) / Bridgeman Images

Rene Descartes walking through the streets of Amsterdam - Descartes in Amsterdam (engraving)
Rene Descartes walking through the streets of Amsterdam - Descartes in Amsterdam (engraving)

XEE4156607: Rene Descartes walking through the streets of Amsterdam - Descartes in Amsterdam (engraving), Phillipoteaux, Paul (1846-1923) / Bridgeman Images

Corneille reading his tragedie of Polyeucte at the Hotel de Rambouillet in front of Catherine de Vivonne, Marquise de Rambouillet and in the presence of the horsemen and men of the Church (Bossuet was also one of the habitues of the Blue Chamber) - Pierre Corneille reading his tragedy Polyeucte (1641) at marchioness of Rambouillet's - engraving from “L'histoire de France told my grandchildren”” - by Francois Guizot - 1872-1876
Corneille reading his tragedie of Polyeucte at the Hotel de Rambouillet in front of Catherine de Vivonne, Marquise de Rambouillet and in the presence of the horsemen and men of the Church (Bossuet was also one of the habitues of the Blue Chamber) - Pierre Corneille reading his tragedy Polyeucte (1641) at marchioness of Rambouillet's - engraving from “L'histoire de France told my grandchildren”” - by Francois Guizot - 1872-1876

XEE4156619: Corneille reading his tragedie of Polyeucte at the Hotel de Rambouillet in front of Catherine de Vivonne, Marquise de Rambouillet and in the presence of the horsemen and men of the Church (Bossuet was also one of the habitues of the Blue Chamber) - Pierre Corneille reading his tragedy Polyeucte (1641) at marchioness of Rambouillet's - engraving from “L'histoire de France told my grandchildren”” - by Francois Guizot - 1872-1876, Anonymous / Bridgeman Images

Cartoon of Alexandre Dumas pere (1803-70) as a Musketeer, illustration from 'La Marotte', 1868 - “” La Marotte de 1868: Alexandre Dumas pere “”. Engraving by G. Chamoine.
Cartoon of Alexandre Dumas pere (1803-70) as a Musketeer, illustration from 'La Marotte', 1868 - “” La Marotte de 1868: Alexandre Dumas pere “”. Engraving by G. Chamoine.

XEE4156293: Cartoon of Alexandre Dumas pere (1803-70) as a Musketeer, illustration from 'La Marotte', 1868 - “” La Marotte de 1868: Alexandre Dumas pere “”. Engraving by G. Chamoine., Chamoine, G. (active c. 1868) / Bridgeman Images

The Oaths of Strasbourg between Louis the German (876), ruler of East France, and his half-brother Charles the Bald (? 877), ruler of West Francia - Le oath de Strasbourg: traite de Verdun, 843. The sons of Louis the Pious divided the territory (the Carolingian Empire): Charles the Bald received the West, Louis the Germanic the East, and Lothaire, who had the imperial title, the center. Engraving in “” Histoire De France En Cent Paintings by Paul Lehugeur “” 1891
The Oaths of Strasbourg between Louis the German (876), ruler of East France, and his half-brother Charles the Bald (? 877), ruler of West Francia - Le oath de Strasbourg: traite de Verdun, 843. The sons of Louis the Pious divided the territory (the Carolingian Empire): Charles the Bald received the West, Louis the Germanic the East, and Lothaire, who had the imperial title, the center. Engraving in “” Histoire De France En Cent Paintings by Paul Lehugeur “” 1891

XEE4180950: The Oaths of Strasbourg between Louis the German (876), ruler of East France, and his half-brother Charles the Bald (? 877), ruler of West Francia - Le oath de Strasbourg: traite de Verdun, 843. The sons of Louis the Pious divided the territory (the Carolingian Empire): Charles the Bald received the West, Louis the Germanic the East, and Lothaire, who had the imperial title, the center. Engraving in “” Histoire De France En Cent Paintings by Paul Lehugeur “” 1891, French School, (19th century) / Bridgeman Images

Judas repents and in remorse, returns the thirty pieces of silver, 1869 (chromolitho)
Judas repents and in remorse, returns the thirty pieces of silver, 1869 (chromolitho)

XLF3783540: Judas repents and in remorse, returns the thirty pieces of silver, 1869 (chromolitho), English School, (19th century) / Bridgeman Images

Elégante au bal (gouache, w/c & India ink on paper)
Elégante au bal (gouache, w/c & India ink on paper)

CH3823098: Elégante au bal (gouache, w/c & India ink on paper), Berard, Christian (1902-49) / Bridgeman Images

Portrait of Gioachino (Gioacchino) Rossini (1792-1868), Italian composer engraving after the photography of Nadar.
Portrait of Gioachino (Gioacchino) Rossini (1792-1868), Italian composer engraving after the photography of Nadar.

XEE4147665: Portrait of Gioachino (Gioacchino) Rossini (1792-1868), Italian composer engraving after the photography of Nadar., Nadar, (Gaspard Felix Tournachon) (1820-1910) / Bridgeman Images

Trial of Nicolas Joseph Cugnots three-wheeled steam carriage at the Arsenal of Paris, 1770 - Premiere voiture a vapeur (le fardier) essayee by the inventor Cugnot, a l'interieur de l'Arsenal, Paris, 1770 - Engraving in “” Sciences mises à la potée de tous - physics et chimie populaires” by Alexis Clerc - End 19th century - Private collection
Trial of Nicolas Joseph Cugnots three-wheeled steam carriage at the Arsenal of Paris, 1770 - Premiere voiture a vapeur (le fardier) essayee by the inventor Cugnot, a l'interieur de l'Arsenal, Paris, 1770 - Engraving in “” Sciences mises à la potée de tous - physics et chimie populaires” by Alexis Clerc - End 19th century - Private collection

XEE4146644: Trial of Nicolas Joseph Cugnots three-wheeled steam carriage at the Arsenal of Paris, 1770 - Premiere voiture a vapeur (le fardier) essayee by the inventor Cugnot, a l'interieur de l'Arsenal, Paris, 1770 - Engraving in “” Sciences mises à la potée de tous - physics et chimie populaires” by Alexis Clerc - End 19th century - Private collection, French School, (19th century) / Bridgeman Images

Catalepsy produced under the influence of light - The French neurologist Jean Martin Charcot (1825-1893) studying the phenomene of hypnosis on a patient at Salpetriere hospital using a magic lantern - Catalepsy - Jean Martin Charcot (1825-1893), French neurologist and pathologist, demonstrating production of hypnosis using beam light from a magic lantern - Engraving in “” Sciences brought to the reach of all - Popular physics and chemistry”” by Alexis Clerc - End 19th century - Private collection
Catalepsy produced under the influence of light - The French neurologist Jean Martin Charcot (1825-1893) studying the phenomene of hypnosis on a patient at Salpetriere hospital using a magic lantern - Catalepsy - Jean Martin Charcot (1825-1893), French neurologist and pathologist, demonstrating production of hypnosis using beam light from a magic lantern - Engraving in “” Sciences brought to the reach of all - Popular physics and chemistry”” by Alexis Clerc - End 19th century - Private collection

XEE4146905: Catalepsy produced under the influence of light - The French neurologist Jean Martin Charcot (1825-1893) studying the phenomene of hypnosis on a patient at Salpetriere hospital using a magic lantern - Catalepsy - Jean Martin Charcot (1825-1893), French neurologist and pathologist, demonstrating production of hypnosis using beam light from a magic lantern - Engraving in “” Sciences brought to the reach of all - Popular physics and chemistry”” by Alexis Clerc - End 19th century - Private collection, French School, (19th century) / Bridgeman Images

Visit of Napoleon III (1808-1873) and the emperor Eugenie (1826-1920) to Cherbourg (Manche, 50), 1858: arrival of the imperial couple in the station of Cherbourg and handing over the keys to the city by the mayor. Engraving in “” Le Monde Illustré”” n°70 of 14 August 1858.
Visit of Napoleon III (1808-1873) and the emperor Eugenie (1826-1920) to Cherbourg (Manche, 50), 1858: arrival of the imperial couple in the station of Cherbourg and handing over the keys to the city by the mayor. Engraving in “” Le Monde Illustré”” n°70 of 14 August 1858.

XEE4139286: Visit of Napoleon III (1808-1873) and the emperor Eugenie (1826-1920) to Cherbourg (Manche, 50), 1858: arrival of the imperial couple in the station of Cherbourg and handing over the keys to the city by the mayor. Engraving in “” Le Monde Illustré”” n°70 of 14 August 1858., French School, (19th century) / Bridgeman Images

Louise Michel in military uniform, 1870.
Louise Michel in military uniform, 1870.

GIA4695858: Louise Michel in military uniform, 1870., French School, (19th century) / Bridgeman Images

Adam and Eve chased from Paradise. Anonymous engraving from the middle of the 19th century.
Adam and Eve chased from Paradise. Anonymous engraving from the middle of the 19th century.

XEE4415167: Adam and Eve chased from Paradise. Anonymous engraving from the middle of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

ortrait by Oscar Wilde (1854 - 1900) around 1882 by Napoleon Sarony (1821 - 1896).
ortrait by Oscar Wilde (1854 - 1900) around 1882 by Napoleon Sarony (1821 - 1896).

XEE4411416: ortrait by Oscar Wilde (1854 - 1900) around 1882 by Napoleon Sarony (1821 - 1896)., Sarony, Napoleon (1821-96) / Bridgeman Images

Portrait of George Sand, 1893 (drawing)
Portrait of George Sand, 1893 (drawing)

XEE4409817: Portrait of George Sand, 1893 (drawing), Musset, Alfred de (1810-57) / Bridgeman Images

1518 - 1519: Fernand Cortez left for the conquest of Mexico receives the presents of Emperor Montezuma.
1518 - 1519: Fernand Cortez left for the conquest of Mexico receives the presents of Emperor Montezuma.

XEE4408416: 1518 - 1519: Fernand Cortez left for the conquest of Mexico receives the presents of Emperor Montezuma., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Sir Arthur Conan Doyle (photo)
Portrait of Sir Arthur Conan Doyle (photo)

XEE4408530: Portrait of Sir Arthur Conan Doyle (photo), English Photographer / Bridgeman Images

On July 11, 1825, under the threat of a squadron of 14 ships and 500 guns, Jean Pierre Boyer (1776-1850) Haitian politician (right) resent signing a treaty with King Charles X.
On July 11, 1825, under the threat of a squadron of 14 ships and 500 guns, Jean Pierre Boyer (1776-1850) Haitian politician (right) resent signing a treaty with King Charles X.

XEE4406379: On July 11, 1825, under the threat of a squadron of 14 ships and 500 guns, Jean Pierre Boyer (1776-1850) Haitian politician (right) resent signing a treaty with King Charles X., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Charles Etienne Gudin de la Sablonniere (1768 -1812) general francais. In “” Portraits of the French generals following the victories and conquests of the French””. Grave by Ambroise Tardieu in 1818. Stella Collection.
Portrait of Charles Etienne Gudin de la Sablonniere (1768 -1812) general francais. In “” Portraits of the French generals following the victories and conquests of the French””. Grave by Ambroise Tardieu in 1818. Stella Collection.

XEE4404002: Portrait of Charles Etienne Gudin de la Sablonniere (1768 -1812) general francais. In “” Portraits of the French generals following the victories and conquests of the French””. Grave by Ambroise Tardieu in 1818. Stella Collection., Tardieu, Ambroise (1788-1841) / Bridgeman Images


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