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Destruction of Guernica - in
Destruction of Guernica - in

LSE4088083: Destruction of Guernica - in "Ce Soir", April 1937., Unknown Artist, (20th century) / Bridgeman Images

ID: LSE4088083

Destruction of Guernica - in "Ce Soir", April 1937.

Unknown Artist, (20th century)

Portrait of Albert Camus: identity photo of his journalist's press card in Algiers - photograph, 1938, coll. S. Agnely.
Portrait of Albert Camus: identity photo of his journalist's press card in Algiers - photograph, 1938, coll. S. Agnely.

LSE4402268: Portrait of Albert Camus: identity photo of his journalist's press card in Algiers - photograph, 1938, coll. S. Agnely., Unknown photographer, (20th century) / Bridgeman Images

ID: LSE4402268

Portrait of Albert Camus: identity photo of his journalist's press card in Algiers - photograph, 1938, coll. S. Agnely.

Unknown photographer, (20th century)

Mid-week practice at Stamford Bridge (oil on canvas)
Mid-week practice at Stamford Bridge (oil on canvas)

CH4473224: Mid-week practice at Stamford Bridge (oil on canvas), Toynbee, Lawrence (1922-2002) / Bridgeman Images

ID: CH4473224

Mid-week practice at Stamford Bridge (oil on canvas)

Toynbee, Lawrence (1922-2002)

Lady Victoria Wemyss (nee Bentinck), 1911 (oil on board)
Lady Victoria Wemyss (nee Bentinck), 1911 (oil on board)

PLC157688: Lady Victoria Wemyss (nee Bentinck), 1911 (oil on board), Laszlo, Philip Alexius de (1869-1937) / Bridgeman Images

ID: PLC157688

Lady Victoria Wemyss (nee Bentinck), 1911 (oil on board)

Laszlo, Philip Alexius de (1869-1937)

Journey, 1998 (mixed media on canvas)
Journey, 1998 (mixed media on canvas)

FDS154441: Journey, 1998 (mixed media on canvas), Deceus, Francks / Bridgeman Images

ID: FDS154441

Journey, 1998 (mixed media on canvas)

Deceus, Francks

Moonlight Magician, 1979 (acrylic on board)
Moonlight Magician, 1979 (acrylic on board)

ANS96089: Moonlight Magician, 1979 (acrylic on board), Southcombe, Anthony / Bridgeman Images

ID: ANS96089

Moonlight Magician, 1979 (acrylic on board)

Southcombe, Anthony

Chapter, 1990 (oil on canvas)
Chapter, 1990 (oil on canvas)

JAN93126: Chapter, 1990 (oil on canvas), Annett, Jeremy / Bridgeman Images

ID: JAN93126

Chapter, 1990 (oil on canvas)

Annett, Jeremy

Arthur pulls Excalibur from the Stone, illustration from 'King Arthur and the Knights of the Round Table', by Doris Ashley, published 1921 (colour litho)
Arthur pulls Excalibur from the Stone, illustration from 'King Arthur and the Knights of the Round Table', by Doris Ashley, published 1921 (colour litho)

IL370423: Arthur pulls Excalibur from the Stone, illustration from 'King Arthur and the Knights of the Round Table', by Doris Ashley, published 1921 (colour litho), Dixon, Arthur A. (1872-1959) / Bridgeman Images

ID: IL370423

Arthur pulls Excalibur from the Stone, illustration from 'King Arthur and the Knights of the Round Table', by Doris Ashley, published 1921 (colour litho)

Dixon, Arthur A. (1872-1959)

The Ancients, 2004 (oil on canvas) Abstract forest
The Ancients, 2004 (oil on canvas) Abstract forest

LCB236506: The Ancients, 2004 (oil on canvas) Abstract forest, Campbell, Lee / Bridgeman Images

ID: LCB236506

The Ancients, 2004 (oil on canvas) Abstract forest

Campbell, Lee

'Golfing', Southern Railway Poster (print)
'Golfing', Southern Railway Poster (print)

PHD35443: 'Golfing', Southern Railway Poster (print), Unknown Artist, (20th century) / Bridgeman Images

ID: PHD35443

'Golfing', Southern Railway Poster (print)

Unknown Artist, (20th century)

A, 2011 (w/c on rag paper)
A, 2011 (w/c on rag paper)

GDE6368401: A, 2011 (w/c on rag paper), Dean, Graham (b.1951) / Bridgeman Images

ID: GDE6368401

A, 2011 (w/c on rag paper)

Dean, Graham (b.1951)

Papaya, 2008 (watercolours & ink on paper)
Papaya, 2008 (watercolours & ink on paper)

TEN365780: Papaya, 2008 (watercolours & ink on paper), Thompson-Engels, Sarah / Bridgeman Images

ID: TEN365780

Papaya, 2008 (watercolours & ink on paper)

Thompson-Engels, Sarah

Kurt Schwitters, 1924/5 (gelatin silver print photograph)
Kurt Schwitters, 1924/5 (gelatin silver print photograph)

CH990480: Kurt Schwitters, 1924/5 (gelatin silver print photograph), Lissitzky, Eliezer (El) Markowich (1890-1941) / Bridgeman Images

ID: CH990480

Kurt Schwitters, 1924/5 (gelatin silver print photograph)

Lissitzky, Eliezer (El) Markowich (1890-1941)

Why Call them Back from Heaven? (colour litho)
Why Call them Back from Heaven? (colour litho)

GNO404802: Why Call them Back from Heaven? (colour litho), D'Achille, Gino (1935-2017) / Bridgeman Images

ID: GNO404802

Why Call them Back from Heaven? (colour litho)

D'Achille, Gino (1935-2017)

Mixed Summer flowers
Mixed Summer flowers

ECD16266: Mixed Summer flowers, Waud, George (20th century) / Bridgeman Images

ID: ECD16266

Mixed Summer flowers

Waud, George (20th century)

Jesus is Stripped of His Garments ii, 1987 (oil on board)
Jesus is Stripped of His Garments ii, 1987 (oil on board)

ALT188645: Jesus is Stripped of His Garments ii, 1987 (oil on board), Herbert, Albert (1925-2008) / Bridgeman Images

ID: ALT188645

Jesus is Stripped of His Garments ii, 1987 (oil on board)

Herbert, Albert (1925-2008)

Into the circle, by Wassily Kandinsky, 1911, 20th Century, watercolor, 49 x 49 cm
Into the circle, by Wassily Kandinsky, 1911, 20th Century, watercolor, 49 x 49 cm

MEP850468: Into the circle, by Wassily Kandinsky, 1911, 20th Century, watercolor, 49 x 49 cm, Kandinsky, Wassily (1866-1944) / Bridgeman Images

ID: MEP850468

Into the circle, by Wassily Kandinsky, 1911, 20th Century, watercolor, 49 x 49 cm

Kandinsky, Wassily (1866-1944)

Portrait of Joseph Lister (1827-1912), English scientist (oil on canvas) (see 130064-5, 130067)
Portrait of Joseph Lister (1827-1912), English scientist (oil on canvas) (see 130064-5, 130067)

BAL130066: Portrait of Joseph Lister (1827-1912), English scientist (oil on canvas) (see 130064-5, 130067), Italian School, (20th century) / Bridgeman Images

ID: BAL130066

Portrait of Joseph Lister (1827-1912), English scientist (oil on canvas) (see 130064-5, 130067)

Italian School, (20th century)

Tattooed British sailor during the Great War of 1914-18 (front view) (b/w photo) (see also 473189)
Tattooed British sailor during the Great War of 1914-18 (front view) (b/w photo) (see also 473189)

DGC473188: Tattooed British sailor during the Great War of 1914-18 (front view) (b/w photo) (see also 473189) / Bridgeman Images

ID: DGC473188

Tattooed British sailor during the Great War of 1914-18 (front view) (b/w photo) (see also 473189)

Phoenician sailing vessel
Phoenician sailing vessel

LAL453499: Phoenician sailing vessel, English School, (20th century) / Bridgeman Images

ID: LAL453499

Phoenician sailing vessel

English School, (20th century)

Argenteuil, Late Afternoon, 1872 (oil on canvas)
Argenteuil, Late Afternoon, 1872 (oil on canvas)

CH376823: Argenteuil, Late Afternoon, 1872 (oil on canvas), Monet, Claude (1840-1926) / Bridgeman Images

ID: CH376823

Argenteuil, Late Afternoon, 1872 (oil on canvas)

Monet, Claude (1840-1926)

Ethelred the Unready embarking for Normandy, 1013, illustration from 'Hutchinson's Story of the British Nation', c.1920 (litho)
Ethelred the Unready embarking for Normandy, 1013, illustration from 'Hutchinson's Story of the British Nation', c.1920 (litho)

STC363617: Ethelred the Unready embarking for Normandy, 1013, illustration from 'Hutchinson's Story of the British Nation', c.1920 (litho), Prater, Ernest (fl.1885-1937) / Bridgeman Images

ID: STC363617

Ethelred the Unready embarking for Normandy, 1013, illustration from 'Hutchinson's Story of the British Nation', c.1920 (litho)

Prater, Ernest (fl.1885-1937)

The Olympic and the Titanic (oil on canvas)
The Olympic and the Titanic (oil on canvas)

HCR153176: The Olympic and the Titanic (oil on canvas), Crossley, Harley (1936-2013) / Bridgeman Images

ID: HCR153176

The Olympic and the Titanic (oil on canvas)

Crossley, Harley (1936-2013)

View of Aberdeen from the Peak, Hong Kong (oil on canvas)
View of Aberdeen from the Peak, Hong Kong (oil on canvas)

ADU151255: View of Aberdeen from the Peak, Hong Kong (oil on canvas), Durham, Anne (1925-2001) / Bridgeman Images

ID: ADU151255

View of Aberdeen from the Peak, Hong Kong (oil on canvas)

Durham, Anne (1925-2001)

Queen Victoria, 1838 (oil on canvas)
Queen Victoria, 1838 (oil on canvas)

CH829216: Queen Victoria, 1838 (oil on canvas), Hayter, George (1792-1871) / Bridgeman Images

ID: CH829216

Queen Victoria, 1838 (oil on canvas)

Hayter, George (1792-1871)

Cancellation of the marriage (divorce) of King Louis VII (1120-1180) and Queen Alienor of Aquitaine (Eleonore de Guyenne) (1122-1204) on 21 March 1152 by the Synod of Beaugency on grounds of inbreeding. End of the 19th century (chromolithograph)
Cancellation of the marriage (divorce) of King Louis VII (1120-1180) and Queen Alienor of Aquitaine (Eleonore de Guyenne) (1122-1204) on 21 March 1152 by the Synod of Beaugency on grounds of inbreeding. End of the 19th century (chromolithograph)

ELD4855803: Cancellation of the marriage (divorce) of King Louis VII (1120-1180) and Queen Alienor of Aquitaine (Eleonore de Guyenne) (1122-1204) on 21 March 1152 by the Synod of Beaugency on grounds of inbreeding. End of the 19th century (chromolithograph) / Bridgeman Images

ID: ELD4855803

Cancellation of the marriage (divorce) of King Louis VII (1120-1180) and Queen Alienor of Aquitaine (Eleonore de Guyenne) (1122-1204) on 21 March 1152 by the Synod of Beaugency on grounds of inbreeding. End of the 19th century (chromolithograph)

Drawing for the restoration of the gargoyles of Notre Dame, 1855 (pen & ink on paper)
Drawing for the restoration of the gargoyles of Notre Dame, 1855 (pen & ink on paper)

CHT868444: Drawing for the restoration of the gargoyles of Notre Dame, 1855 (pen & ink on paper), Viollet-le-Duc, Eugene Emmanuel (1814-79) / Bridgeman Images

ID: CHT868444

Drawing for the restoration of the gargoyles of Notre Dame, 1855 (pen & ink on paper)

Viollet-le-Duc, Eugene Emmanuel (1814-79)

Nordic mythology: the giant Skrymir and the god Freyr and his boar Gullinbursti (Norse mythology: the giant Skrymir and god Frey (Freyr) Engraving from “Nordisch-Germanische Gotter und Helden” by Wilhelm wagner 1901
Nordic mythology: the giant Skrymir and the god Freyr and his boar Gullinbursti (Norse mythology: the giant Skrymir and god Frey (Freyr) Engraving from “Nordisch-Germanische Gotter und Helden” by Wilhelm wagner 1901

ELD4958728: Nordic mythology: the giant Skrymir and the god Freyr and his boar Gullinbursti (Norse mythology: the giant Skrymir and god Frey (Freyr) Engraving from “Nordisch-Germanische Gotter und Helden” by Wilhelm wagner 1901 / Bridgeman Images

ID: ELD4958728

Nordic mythology: the giant Skrymir and the god Freyr and his boar Gullinbursti (Norse mythology: the giant Skrymir and god Frey (Freyr) Engraving from “Nordisch-Germanische Gotter und Helden” by Wilhelm wagner 1901

The Remains of the Campanile in Venice, which collapsed in 1902, from 'La Domenica del Corriere', 27th July 1902 (colour litho)
The Remains of the Campanile in Venice, which collapsed in 1902, from 'La Domenica del Corriere', 27th July 1902 (colour litho)

CPH172838: The Remains of the Campanile in Venice, which collapsed in 1902, from 'La Domenica del Corriere', 27th July 1902 (colour litho), Beltrame, Achille (1871-1945) / Bridgeman Images

ID: CPH172838

The Remains of the Campanile in Venice, which collapsed in 1902, from 'La Domenica del Corriere', 27th July 1902 (colour litho)

Beltrame, Achille (1871-1945)

Four orientals seated under a tree, c.1659 (pen, ink & wash on paper)
Four orientals seated under a tree, c.1659 (pen, ink & wash on paper)

XJF412248: Four orientals seated under a tree, c.1659 (pen, ink & wash on paper), Rembrandt Harmensz. van Rijn (1606-69) / Bridgeman Images

ID: XJF412248

Four orientals seated under a tree, c.1659 (pen, ink & wash on paper)

Rembrandt Harmensz. van Rijn (1606-69)

The Crosby Garrett helmet, late 1st-2nd century AD (bronze) (see also 871728-34, 482018, 396169 & 413094)
The Crosby Garrett helmet, late 1st-2nd century AD (bronze) (see also 871728-34, 482018, 396169 & 413094)

CH413093: The Crosby Garrett helmet, late 1st-2nd century AD (bronze) (see also 871728-34, 482018, 396169 & 413094), Roman / Bridgeman Images

ID: CH413093

The Crosby Garrett helmet, late 1st-2nd century AD (bronze) (see also 871728-34, 482018, 396169 & 413094)

Roman

Extraordinary strength of Milo of Croton (Milon de Crotone).
Extraordinary strength of Milo of Croton (Milon de Crotone).

XEE557431: Extraordinary strength of Milo of Croton (Milon de Crotone)., French School, (19th century) / Bridgeman Images

ID: XEE557431

Extraordinary strength of Milo of Croton (Milon de Crotone).

French School, (19th century)

Pink Clouds, c.1896 (oil on canvas)
Pink Clouds, c.1896 (oil on canvas)

CH988569: Pink Clouds, c.1896 (oil on canvas), Cross, Henri-Edmond (1856-1910) / Bridgeman Images

ID: CH988569

Pink Clouds, c.1896 (oil on canvas)

Cross, Henri-Edmond (1856-1910)

Book Jacket for 'Maid Marian' and 'Crotchet Castle' by Thomas Love Peacock, published 1900 (colour litho)
Book Jacket for 'Maid Marian' and 'Crotchet Castle' by Thomas Love Peacock, published 1900 (colour litho)

STC708877: Book Jacket for 'Maid Marian' and 'Crotchet Castle' by Thomas Love Peacock, published 1900 (colour litho), Townsend, Frederick Henry (1868-1920) / Bridgeman Images

ID: STC708877

Book Jacket for 'Maid Marian' and 'Crotchet Castle' by Thomas Love Peacock, published 1900 (colour litho)

Townsend, Frederick Henry (1868-1920)

Filippo Brunelleschi, Italian architect and engineer (engraving)
Filippo Brunelleschi, Italian architect and engineer (engraving)

LLE813015: Filippo Brunelleschi, Italian architect and engineer (engraving), Larmessin, Nicolas II de (1632-94) / Bridgeman Images

ID: LLE813015

Filippo Brunelleschi, Italian architect and engineer (engraving)

Larmessin, Nicolas II de (1632-94)

A Revery- A Look of Sadness on a Restful Face - She Hath no Cares - A Thing Hereditary in the Race, Comes Unawares, And Will Recur 'til Death it's Smile Shall Place Where Now it Fares, (oil on canvas)
A Revery- A Look of Sadness on a Restful Face - She Hath no Cares - A Thing Hereditary in the Race, Comes Unawares, And Will Recur 'til Death it's Smile Shall Place Where Now it Fares, (oil on canvas)

CH824371: A Revery- A Look of Sadness on a Restful Face - She Hath no Cares - A Thing Hereditary in the Race, Comes Unawares, And Will Recur 'til Death it's Smile Shall Place Where Now it Fares, (oil on canvas), Moore, Albert Joseph (1841-93) / Bridgeman Images

ID: CH824371

A Revery- A Look of Sadness on a Restful Face - She Hath no Cares - A Thing Hereditary in the Race, Comes Unawares, And Will Recur 'til Death it's Smile Shall Place Where Now it Fares, (oil on canvas)

Moore, Albert Joseph (1841-93)


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