Print Friendly Version Page

797676 Search Results

Kneeling Nude Woman, c.1889-95 (pastel on paper)
Kneeling Nude Woman, c.1889-95 (pastel on paper)

CH376504: Kneeling Nude Woman, c.1889-95 (pastel on paper), Degas, Edgar (1834-1917) / Bridgeman Images

A falconer, standing half length, in a feathered hat (oil on panel)
A falconer, standing half length, in a feathered hat (oil on panel)

CH376209: A falconer, standing half length, in a feathered hat (oil on panel), Rembrandt Harmensz. van Rijn (1606-69) (circle of) / Bridgeman Images

Billericay, Essex, engraved by Henry Wallis, 1833 (engraving)
Billericay, Essex, engraved by Henry Wallis, 1833 (engraving)

XJF451347: Billericay, Essex, engraved by Henry Wallis, 1833 (engraving), Bartlett, William Henry (1809-54) (after) / Bridgeman Images

Pheasant
Pheasant

LLM454752: Pheasant, Morris, Beverley R. (fl.1891) / Bridgeman Images

Parsifal and the Holy Grail (oil on canvas)
Parsifal and the Holy Grail (oil on canvas)

CH487740: Parsifal and the Holy Grail (oil on canvas), Stone, Seymour Millais (1877-1957) / Bridgeman Images

Odalisque, 1920 (oil on canvas)
Odalisque, 1920 (oil on canvas)

CH1197503: Odalisque, 1920 (oil on canvas), Tanoux, Henri Adrien (1865-1923) / Bridgeman Images

The Red Tunic, 1927 (oil on canvas)
The Red Tunic, 1927 (oil on canvas)

CH991098: The Red Tunic, 1927 (oil on canvas), De Lempicka, Tamara (1898-1980) / Bridgeman Images

Portrait of Gustav Holst (b/w photo)
Portrait of Gustav Holst (b/w photo)

LLE814851: Portrait of Gustav Holst (b/w photo), English Photographer, (20th century) / Bridgeman Images

A Sugar Mill and the Production of Sugar Loaves, plate 14 from 'Nova Reperta' (New Discoveries) engraved by Philip Galle (1537-1612) c.1600 (engraving) (later colouration)
A Sugar Mill and the Production of Sugar Loaves, plate 14 from 'Nova Reperta' (New Discoveries) engraved by Philip Galle (1537-1612) c.1600 (engraving) (later colouration)

STC320917: A Sugar Mill and the Production of Sugar Loaves, plate 14 from 'Nova Reperta' (New Discoveries) engraved by Philip Galle (1537-1612) c.1600 (engraving) (later colouration), Straet, Jan van der (Giovanni Stradano) (1523-1605) (after) / Bridgeman Images

Wotan waits in Valhalla for the end with his broken spear, 1906 (colour litho)
Wotan waits in Valhalla for the end with his broken spear, 1906 (colour litho)

STC323700: Wotan waits in Valhalla for the end with his broken spear, 1906 (colour litho), Hendrich, Hermann (1854-1931) (after) / Bridgeman Images

The Valley of Death - The Charge of the Light Brigade
The Valley of Death - The Charge of the Light Brigade

LAL337088: The Valley of Death - The Charge of the Light Brigade, English School, (20th century) / Bridgeman Images

Tom Sawyer and Huckleberry Finn
Tom Sawyer and Huckleberry Finn

LAL337099: Tom Sawyer and Huckleberry Finn, English School, (20th century) / Bridgeman Images

Queen Boadicea (d.c.60 AD) (gouache on paper)
Queen Boadicea (d.c.60 AD) (gouache on paper)

LAL263170: Queen Boadicea (d.c.60 AD) (gouache on paper), Howat, Andrew (20th Century) / Bridgeman Images

Equipt for a Northern Visit, 1822 (colour etching)
Equipt for a Northern Visit, 1822 (colour etching)

XCF290995: Equipt for a Northern Visit, 1822 (colour etching), Williams, Charles (Ansell) (fl.c.1797-1850) / Bridgeman Images

The Rescue of John Wesley from the Epworth Rectory Fire, 1840 (oil on canvas)
The Rescue of John Wesley from the Epworth Rectory Fire, 1840 (oil on canvas)

XCF290934: The Rescue of John Wesley from the Epworth Rectory Fire, 1840 (oil on canvas), Parker, Henry Perlee (1795-1873) / Bridgeman Images

St Columba came to Loch Ness and saw a man who had been injured by a great aquatic monster (colour litho)
St Columba came to Loch Ness and saw a man who had been injured by a great aquatic monster (colour litho)

LAL957393: St Columba came to Loch Ness and saw a man who had been injured by a great aquatic monster (colour litho), English School, (20th century) / Bridgeman Images

La Mandoline or La Cigale, 1954-55 (bronze & stone)
La Mandoline or La Cigale, 1954-55 (bronze & stone)

CH931119: La Mandoline or La Cigale, 1954-55 (bronze & stone), Richier, Germaine (1904-59) / Bridgeman Images

Sertig Path in Summer; Sertigweg im Sommer, 1923 (oil on canvas)
Sertig Path in Summer; Sertigweg im Sommer, 1923 (oil on canvas)

CH826029: Sertig Path in Summer; Sertigweg im Sommer, 1923 (oil on canvas), Kirchner, Ernst Ludwig (1880-1938) / Bridgeman Images

Inferno, Canto 32 : Ugolino (Ugolin della Gherardesca) gnaws upon the head of Archbishop Ruggieri (Ruggeri Ubaldini), illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 32 : Ugolino (Ugolin della Gherardesca) gnaws upon the head of Archbishop Ruggieri (Ruggeri Ubaldini), illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745676: Inferno, Canto 32 : Ugolino (Ugolin della Gherardesca) gnaws upon the head of Archbishop Ruggieri (Ruggeri Ubaldini), illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 1 : Dante in the savage wood, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 1 : Dante in the savage wood, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745740: Inferno, Canto 1 : Dante in the savage wood, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Balkan troubles - The major European powers represented by Britain, France (Armand Fallieres), Russia (Nicholas II), Germany (William II) and Austro-Hungary are trying to stifle conflicts in the Balkans by closing the lid of the boiling pot at the time of the crisis in 1912. English satirical cartoon from “Punch” 1912.
Balkan troubles - The major European powers represented by Britain, France (Armand Fallieres), Russia (Nicholas II), Germany (William II) and Austro-Hungary are trying to stifle conflicts in the Balkans by closing the lid of the boiling pot at the time of the crisis in 1912. English satirical cartoon from “Punch” 1912.

GIA4709435: Balkan troubles - The major European powers represented by Britain, France (Armand Fallieres), Russia (Nicholas II), Germany (William II) and Austro-Hungary are trying to stifle conflicts in the Balkans by closing the lid of the boiling pot at the time of the crisis in 1912. English satirical cartoon from “Punch” 1912., English School, (20th century) / Bridgeman Images

Charlemagne, King of France from 768 to 814 founder of the school supervises the classes. Chromolithography around 1890.
Charlemagne, King of France from 768 to 814 founder of the school supervises the classes. Chromolithography around 1890.

XEE4406779: Charlemagne, King of France from 768 to 814 founder of the school supervises the classes. Chromolithography around 1890., French School, (19th century) / Bridgeman Images

First World War: 28/06/1919. Signing of the peace treaty at the Trianon Palace in Versailles, 1919 (photo)
First World War: 28/06/1919. Signing of the peace treaty at the Trianon Palace in Versailles, 1919 (photo)

GIA4807347: First World War: 28/06/1919. Signing of the peace treaty at the Trianon Palace in Versailles, 1919 (photo), Unknown photographer, (20th century) / Bridgeman Images

Snow Storm, Fifth Avenue, New York, 1907 (oil on canvas)
Snow Storm, Fifth Avenue, New York, 1907 (oil on canvas)

CH985022: Snow Storm, Fifth Avenue, New York, 1907 (oil on canvas), Hassam, Childe Frederick (1859-1935) / Bridgeman Images

Self-portrait with Diego on my Chest; Autoretrato con Diego en mi Pecho, c.1953-54 (oil on masonite)
Self-portrait with Diego on my Chest; Autoretrato con Diego en mi Pecho, c.1953-54 (oil on masonite)

CH824966: Self-portrait with Diego on my Chest; Autoretrato con Diego en mi Pecho, c.1953-54 (oil on masonite), Kahlo, Frida (1907-54) / Bridgeman Images

The Helix, 1923 (gouache, w/c & pencil on card)
The Helix, 1923 (gouache, w/c & pencil on card)

CH602074: The Helix, 1923 (gouache, w/c & pencil on card), Delaunay, Robert (1885-1941) / Bridgeman Images

Table in Front of a Balcony; Table devant le Balcon, 1926 (oil on canvas)
Table in Front of a Balcony; Table devant le Balcon, 1926 (oil on canvas)

CH653304: Table in Front of a Balcony; Table devant le Balcon, 1926 (oil on canvas), Marcoussis, Louis (1883-1941) / Bridgeman Images

Vega-Gyongiy-2, 1971 (acrylic on board)
Vega-Gyongiy-2, 1971 (acrylic on board)

CH651699: Vega-Gyongiy-2, 1971 (acrylic on board), Vasarely, Victor (1908-97) / Bridgeman Images

Heloise and Abelard (oil on canvas)
Heloise and Abelard (oil on canvas)

CH621479: Heloise and Abelard (oil on canvas), Bateman, Robert (1842-1922) / Bridgeman Images

Silver Morning, Aldeburgh, 1932 (oil on canvas)
Silver Morning, Aldeburgh, 1932 (oil on canvas)

CH657052: Silver Morning, Aldeburgh, 1932 (oil on canvas), Talmage, Algernon Mayow (1871-1939) / Bridgeman Images

Mrs Hone in a Striped Dress, c.1912 (oil on canvas)
Mrs Hone in a Striped Dress, c.1912 (oil on canvas)

CH657110: Mrs Hone in a Striped Dress, c.1912 (oil on canvas), Orpen, William (1878-1931) / Bridgeman Images

Ausser Gewicht, 1929 (watercolour, pen and coloured inks on paper laid down by the artist on board)
Ausser Gewicht, 1929 (watercolour, pen and coloured inks on paper laid down by the artist on board)

CH652641: Ausser Gewicht, 1929 (watercolour, pen and coloured inks on paper laid down by the artist on board), Kandinsky, Wassily (1866-1944) / Bridgeman Images

Portrait of Marcel Proust (1871-1922), French writer around 1900
Portrait of Marcel Proust (1871-1922), French writer around 1900

XEE4146683: Portrait of Marcel Proust (1871-1922), French writer around 1900, Anonymous / Bridgeman Images

Portrait of Marco Polo, 19th century (engraving)
Portrait of Marco Polo, 19th century (engraving)

XEE4147841: Portrait of Marco Polo, 19th century (engraving), Matteini, Teodoro (1754-1831) (after) / Bridgeman Images

Under the equatorial sun: construction of the railway line linking Brazzaville to the sea designed as a “civilizing work” that will allow French settlers to explore the country of Congo. Engraving in “” Le petit Journal Illustré””, 1924. Private collection.
Under the equatorial sun: construction of the railway line linking Brazzaville to the sea designed as a “civilizing work” that will allow French settlers to explore the country of Congo. Engraving in “” Le petit Journal Illustré””, 1924. Private collection.

XEE4185412: Under the equatorial sun: construction of the railway line linking Brazzaville to the sea designed as a “civilizing work” that will allow French settlers to explore the country of Congo. Engraving in “” Le petit Journal Illustré””, 1924. Private collection., Anonymous / Bridgeman Images

The French tailor of Austrian origin Franz (or Francois) Reichelt (1879-1912) inventor of a parachute who wants to experiment his aircraft throws himself off the first platform of the Eiffel Tower and kills himself. Engraving in “” Le Petité Journal””, on 18/02/1912. Private collection.
The French tailor of Austrian origin Franz (or Francois) Reichelt (1879-1912) inventor of a parachute who wants to experiment his aircraft throws himself off the first platform of the Eiffel Tower and kills himself. Engraving in “” Le Petité Journal””, on 18/02/1912. Private collection.

XEE4187481: The French tailor of Austrian origin Franz (or Francois) Reichelt (1879-1912) inventor of a parachute who wants to experiment his aircraft throws himself off the first platform of the Eiffel Tower and kills himself. Engraving in “” Le Petité Journal””, on 18/02/1912. Private collection., Anonymous / Bridgeman Images


Back to top