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At Devenish, Enniskillen, photographed by William Lawrence (fl.1870-80) (sepia photo)
At Devenish, Enniskillen, photographed by William Lawrence (fl.1870-80) (sepia photo)

TPG123771: At Devenish, Enniskillen, photographed by William Lawrence (fl.1870-80) (sepia photo) / Bridgeman Images

The Library, 1940s (w/c on paper)
The Library, 1940s (w/c on paper)

MLN123793: The Library, 1940s (w/c on paper), Rathmell, Thomas (1912-90) / Bridgeman Images

'The Day is Done, The Song is Ended', detail of the woman, c.1872 (oil on canvas) (detail of 123802)
'The Day is Done, The Song is Ended', detail of the woman, c.1872 (oil on canvas) (detail of 123802)

BON123803: 'The Day is Done, The Song is Ended', detail of the woman, c.1872 (oil on canvas) (detail of 123802), Rooke, Thomas Matthews (1842-1942) / Bridgeman Images

The Original Works of the Amsterdamsche-Pijp Gas Company in the Elandstraat, later known as the Marnixstraat, Amsterdam (oil on canvas)
The Original Works of the Amsterdamsche-Pijp Gas Company in the Elandstraat, later known as the Marnixstraat, Amsterdam (oil on canvas)

BON123805: The Original Works of the Amsterdamsche-Pijp Gas Company in the Elandstraat, later known as the Marnixstraat, Amsterdam (oil on canvas), Pelgrom, Jacobus (1811-61) / Bridgeman Images

Two Nuns and Two Orphans (pencil & gouache on paper)
Two Nuns and Two Orphans (pencil & gouache on paper)

PFA123815: Two Nuns and Two Orphans (pencil & gouache on paper), John, Gwen (1876-1939) / Bridgeman Images

The Harbour at Night, c.1933 (oil on paper, collage, papier coupee & sgraffito)
The Harbour at Night, c.1933 (oil on paper, collage, papier coupee & sgraffito)

PFA123827: The Harbour at Night, c.1933 (oil on paper, collage, papier coupee & sgraffito), Piper, John (1903-92) / Bridgeman Images

Torso 2 (bronze)
Torso 2 (bronze)

PFA123829: Torso 2 (bronze), Gaudier-Brzeska, Henri (1891-1915) / Bridgeman Images

The Gable (oil on canvas)
The Gable (oil on canvas)

PFA123837: The Gable (oil on canvas), Wells, William Page Atkinson (1872-1923) / Bridgeman Images

The Atlantic Surf, 1899 (oil on canvas)
The Atlantic Surf, 1899 (oil on canvas)

PFA123839: The Atlantic Surf, 1899 (oil on canvas), McTaggart, William (1835-1910) / Bridgeman Images

Harvey's Pool, 1954 (oil on masonite)
Harvey's Pool, 1954 (oil on masonite)

PFA123846: Harvey's Pool, 1954 (oil on masonite), Lanyon, Peter (1918-64) / Bridgeman Images

Two Curves, 1964 (oil & mixed media on canvas)
Two Curves, 1964 (oil & mixed media on canvas)

PFA123848: Two Curves, 1964 (oil & mixed media on canvas), Blow, Sandra (1925-2006) / Bridgeman Images

The Coronation Route (oil on canvas)
The Coronation Route (oil on canvas)

PFA123860: The Coronation Route (oil on canvas), Knight, Laura (1877-1970) / Bridgeman Images

The Sadness in our Art (charred paper)
The Sadness in our Art (charred paper)

PFA123863: The Sadness in our Art (charred paper), Gilbert and George (b.1943, b.1942) / Bridgeman Images

View on the Thames near Westminster Bridge (oil on panel)
View on the Thames near Westminster Bridge (oil on panel)

PFA123864: View on the Thames near Westminster Bridge (oil on panel), Turner, Daniel (fl.1782-1817) / Bridgeman Images

Capriccio of a Mediterranean Port, c.1590-1610 (oil on canvas)
Capriccio of a Mediterranean Port, c.1590-1610 (oil on canvas)

MOU123929: Capriccio of a Mediterranean Port, c.1590-1610 (oil on canvas), Valckenborch, Marten van (1535-1612) (circle of) / Bridgeman Images

Portrait Bust of Sir Winston Churchill (1874-1965), side view, 1958 (bronze) (see also 123942)
Portrait Bust of Sir Winston Churchill (1874-1965), side view, 1958 (bronze) (see also 123942)

MOU123943: Portrait Bust of Sir Winston Churchill (1874-1965), side view, 1958 (bronze) (see also 123942), McFall, David (1919-88) / Bridgeman Images

Christmas Cake (w/c on paper)
Christmas Cake (w/c on paper)

MID110420: Christmas Cake (w/c on paper), Middleton, James / Bridgeman Images

A pair of Kyoto-satsuma oviform vases decorated with flowers and butterflies, Meiji period (porcelain)
A pair of Kyoto-satsuma oviform vases decorated with flowers and butterflies, Meiji period (porcelain)

BON110505: A pair of Kyoto-satsuma oviform vases decorated with flowers and butterflies, Meiji period (porcelain) / Bridgeman Images

Solomon, 1897 (oil on canvas)
Solomon, 1897 (oil on canvas)

BON110512: Solomon, 1897 (oil on canvas), Dicksee, Frank (1853-1928) / Bridgeman Images

Looking out to Sea (oil on canvas)
Looking out to Sea (oil on canvas)

BON110515: Looking out to Sea (oil on canvas), Brown, William Marshall (1863-1936) / Bridgeman Images

The Rowing Club (w/c on paper)
The Rowing Club (w/c on paper)

BON110537: The Rowing Club (w/c on paper), Maze, Paul (1887-1979) / Bridgeman Images

Town and citadel of Ghuznee, plate 18 from 'Scenery, Inhabitants and Costumes of Afghanistan', engraved by W.L. Walton, 1848 (litho)
Town and citadel of Ghuznee, plate 18 from 'Scenery, Inhabitants and Costumes of Afghanistan', engraved by W.L. Walton, 1848 (litho)

STC110574: Town and citadel of Ghuznee, plate 18 from 'Scenery, Inhabitants and Costumes of Afghanistan', engraved by W.L. Walton, 1848 (litho), Rattray, James (fl.1847-51) (after) / Bridgeman Images

Gool Mahommed Kaun, King of the Ghilgies, plate 25 from 'Scenery, Inhabitants and Costumes of Afghanistan', engraved by W.L.Walker, 1848 (litho)
Gool Mahommed Kaun, King of the Ghilgies, plate 25 from 'Scenery, Inhabitants and Costumes of Afghanistan', engraved by W.L.Walker, 1848 (litho)

STC110579: Gool Mahommed Kaun, King of the Ghilgies, plate 25 from 'Scenery, Inhabitants and Costumes of Afghanistan', engraved by W.L.Walker, 1848 (litho), Rattray, James (fl.1847-51) (after) / Bridgeman Images

The 'Bullock's Hump' and Military Cantonments, Kandahar, plate 26 from 'Scenery, Inhabitants and Costumes of Afghanistan', engraved by R. Carrick (c.1829-1904), 1848 (litho)
The 'Bullock's Hump' and Military Cantonments, Kandahar, plate 26 from 'Scenery, Inhabitants and Costumes of Afghanistan', engraved by R. Carrick (c.1829-1904), 1848 (litho)

STC110580: The 'Bullock's Hump' and Military Cantonments, Kandahar, plate 26 from 'Scenery, Inhabitants and Costumes of Afghanistan', engraved by R. Carrick (c.1829-1904), 1848 (litho), Rattray, James (fl.1847-51) (after) / Bridgeman Images

John Greenleaf Whittier (1807-1892) American Author and Abolitionist (engraving)
John Greenleaf Whittier (1807-1892) American Author and Abolitionist (engraving)

KWE110621: John Greenleaf Whittier (1807-1892) American Author and Abolitionist (engraving), American School, (19th century) / Bridgeman Images

James Fennimore Cooper (1789-1851) (engraving)
James Fennimore Cooper (1789-1851) (engraving)

KWE110636: James Fennimore Cooper (1789-1851) (engraving), American School, (19th century) / Bridgeman Images

Victor-Henri Rochefort, Marquis de Rochefort-Lucay (1830-1913) (engraving)
Victor-Henri Rochefort, Marquis de Rochefort-Lucay (1830-1913) (engraving)

KWE110645: Victor-Henri Rochefort, Marquis de Rochefort-Lucay (1830-1913) (engraving), French School, (19th century) / Bridgeman Images

Joao Carlos de Saldanha Oliveira e Daun (1790-1876) (engraving)
Joao Carlos de Saldanha Oliveira e Daun (1790-1876) (engraving)

KWE110647: Joao Carlos de Saldanha Oliveira e Daun (1790-1876) (engraving), Portuguese School (19th century) / Bridgeman Images

David Livingstone (1813-73) Scottish Missionary and African Explorer (engraving)
David Livingstone (1813-73) Scottish Missionary and African Explorer (engraving)

KWE110651: David Livingstone (1813-73) Scottish Missionary and African Explorer (engraving), Italian School, (19th century) / Bridgeman Images

The Toucan, The Huppoo and The Cockatoo, from 'A History of the Earth and Animated Nature', by Oliver Goldsmith, published in London, 1816 (copper plate engraving)
The Toucan, The Huppoo and The Cockatoo, from 'A History of the Earth and Animated Nature', by Oliver Goldsmith, published in London, 1816 (copper plate engraving)

KWE110654: The Toucan, The Huppoo and The Cockatoo, from 'A History of the Earth and Animated Nature', by Oliver Goldsmith, published in London, 1816 (copper plate engraving), Seve, Jacques de (fl.1788-1816) / Bridgeman Images

Grebe, Culterneb and Pelican from A History of the Earth and Animated Nature, London 1816 (copper plate engraving)
Grebe, Culterneb and Pelican from A History of the Earth and Animated Nature, London 1816 (copper plate engraving)

KWE110657: Grebe, Culterneb and Pelican from A History of the Earth and Animated Nature, London 1816 (copper plate engraving), Spanish School / Bridgeman Images

The King of The Vultures, from 'History of the Earth and Animated Nature', by Oliver Goldsmith, published in London, 1816 (copper plate engraving)
The King of The Vultures, from 'History of the Earth and Animated Nature', by Oliver Goldsmith, published in London, 1816 (copper plate engraving)

KWE110660: The King of The Vultures, from 'History of the Earth and Animated Nature', by Oliver Goldsmith, published in London, 1816 (copper plate engraving), Seve, Jacques de (fl.1788-1816) / Bridgeman Images

The Ostrich, from 'A History of the Earth and Animated Nature', by Oliver Goldsmith, published in London, 1816 (copper plate engraving)
The Ostrich, from 'A History of the Earth and Animated Nature', by Oliver Goldsmith, published in London, 1816 (copper plate engraving)

KWE110662: The Ostrich, from 'A History of the Earth and Animated Nature', by Oliver Goldsmith, published in London, 1816 (copper plate engraving), Seve, Jacques de (fl.1788-1816) / Bridgeman Images

The Castle of Coburg, Bavaria, 1880s (engraving)
The Castle of Coburg, Bavaria, 1880s (engraving)

KWE110680: The Castle of Coburg, Bavaria, 1880s (engraving), French School, (19th century) / Bridgeman Images

View in the Spitsbergen Islands, Svalbard archipelago, illustration from 'The Return to the World', 1865 (engraving)
View in the Spitsbergen Islands, Svalbard archipelago, illustration from 'The Return to the World', 1865 (engraving)

KWE110686: View in the Spitsbergen Islands, Svalbard archipelago, illustration from 'The Return to the World', 1865 (engraving), Spanish School, (19th century) / Bridgeman Images

View of New Plymouth and Mount Egmont, illustration from 'The Return to the World', 1865 (engraving)
View of New Plymouth and Mount Egmont, illustration from 'The Return to the World', 1865 (engraving)

KWE110689: View of New Plymouth and Mount Egmont, illustration from 'The Return to the World', 1865 (engraving), Spanish School / Bridgeman Images


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