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Revolution Of 1905 - Revolting Russian peasants invading a country house. Jacquerie in the Russian provinces. Invasion of a castle by Russian peasants revolts. Illustration for Le petit Journal, 2 April 1905.
Revolution Of 1905 - Revolting Russian peasants invading a country house. Jacquerie in the Russian provinces. Invasion of a castle by Russian peasants revolts. Illustration for Le petit Journal, 2 April 1905.

XEE4158692: Revolution Of 1905 - Revolting Russian peasants invading a country house. Jacquerie in the Russian provinces. Invasion of a castle by Russian peasants revolts. Illustration for Le petit Journal, 2 April 1905., French School, (20th century) / Bridgeman Images

ID: XEE4158692

Revolution Of 1905 - Revolting Russian peasants invading a country house. Jacquerie in the Russian provinces. Invasion of a castle by Russian peasants revolts. Illustration for Le petit Journal, 2 April 1905.

French School, (20th century)

First Italo-Ethiopian War - Caricature of Francesco Crispi (1818-1901) and the defeat of the Italian invading army at the siege of Makalle, Ethiopia - in ”Le Petit Journal” of 09/02/1896 (engraving)
First Italo-Ethiopian War - Caricature of Francesco Crispi (1818-1901) and the defeat of the Italian invading army at the siege of Makalle, Ethiopia - in ”Le Petit Journal” of 09/02/1896 (engraving)

XEE4158812: First Italo-Ethiopian War - Caricature of Francesco Crispi (1818-1901) and the defeat of the Italian invading army at the siege of Makalle, Ethiopia - in ”Le Petit Journal” of 09/02/1896 (engraving), French School, (19th century) / Bridgeman Images

ID: XEE4158812

First Italo-Ethiopian War - Caricature of Francesco Crispi (1818-1901) and the defeat of the Italian invading army at the siege of Makalle, Ethiopia - in ”Le Petit Journal” of 09/02/1896 (engraving)

French School, (19th century)

Portrait of Napoleon III (Louis Napoleon Bonaparte, 1808-1873), French emperor. From Photography of Disderi around 1950
Portrait of Napoleon III (Louis Napoleon Bonaparte, 1808-1873), French emperor. From Photography of Disderi around 1950

XEE4168108: Portrait of Napoleon III (Louis Napoleon Bonaparte, 1808-1873), French emperor. From Photography of Disderi around 1950, Disderi, Andre Adolphe Eugene (1819-89/90) / Bridgeman Images

ID: XEE4168108

Portrait of Napoleon III (Louis Napoleon Bonaparte, 1808-1873), French emperor. From Photography of Disderi around 1950

Disderi, Andre Adolphe Eugene (1819-89/90)

Roman serial: “The Three Musketeers” by Alexandre Dumas pere (1802-1870). Anne of Austria (1601-1666) presents to the Duke of Buckingham (Georges Villiers) a box containing her diamond ferrets. Illustration of Chapter XII. Engraving in “” Les bons romances””, 1860. Private collection.
Roman serial: “The Three Musketeers” by Alexandre Dumas pere (1802-1870). Anne of Austria (1601-1666) presents to the Duke of Buckingham (Georges Villiers) a box containing her diamond ferrets. Illustration of Chapter XII. Engraving in “” Les bons romances””, 1860. Private collection.

XEE4168173: Roman serial: “The Three Musketeers” by Alexandre Dumas pere (1802-1870). Anne of Austria (1601-1666) presents to the Duke of Buckingham (Georges Villiers) a box containing her diamond ferrets. Illustration of Chapter XII. Engraving in “” Les bons romances””, 1860. Private collection., French School, (19th century) / Bridgeman Images

ID: XEE4168173

Roman serial: “The Three Musketeers” by Alexandre Dumas pere (1802-1870). Anne of Austria (1601-1666) presents to the Duke of Buckingham (Georges Villiers) a box containing her diamond ferrets. Illustration of Chapter XII. Engraving in “” Les bons romances””, 1860. Private collection.

French School, (19th century)

First World War (1914-1918): American President Thomas Woodrow Wilson reading the declaration of rupture with Germany at the American Congress in 1917. Cover of “” The Mirror””” of February 1917.
First World War (1914-1918): American President Thomas Woodrow Wilson reading the declaration of rupture with Germany at the American Congress in 1917. Cover of “” The Mirror””” of February 1917.

XEE4168306: First World War (1914-1918): American President Thomas Woodrow Wilson reading the declaration of rupture with Germany at the American Congress in 1917. Cover of “” The Mirror””” of February 1917., Unknown photographer, (20th century) / Bridgeman Images

ID: XEE4168306

First World War (1914-1918): American President Thomas Woodrow Wilson reading the declaration of rupture with Germany at the American Congress in 1917. Cover of “” The Mirror””” of February 1917.

Unknown photographer, (20th century)

Our soldiers from Africa: Senegalese gunmen. In “” the little newspaper of 1913.
Our soldiers from Africa: Senegalese gunmen. In “” the little newspaper of 1913.

XEE4168842: Our soldiers from Africa: Senegalese gunmen. In “” the little newspaper of 1913., Unknown Artist / Bridgeman Images

ID: XEE4168842

Our soldiers from Africa: Senegalese gunmen. In “” the little newspaper of 1913.

Unknown Artist

Theatrical representation: “” Michel Strogoff”” by Jules Verne (1828-1905) and Adolphe d'Ennery (Dennery) (1811-1899). 3rd painting: Moscow illuminates and the torchlight retreat with gypsy dances. Decor of Carpezar and Lavaster. Paris, Theatre du Chatelet, 1880. Engraving by De Haenen in “” The Illustrous World”” n°1235 of November 27, 1880.
Theatrical representation: “” Michel Strogoff”” by Jules Verne (1828-1905) and Adolphe d'Ennery (Dennery) (1811-1899). 3rd painting: Moscow illuminates and the torchlight retreat with gypsy dances. Decor of Carpezar and Lavaster. Paris, Theatre du Chatelet, 1880. Engraving by De Haenen in “” The Illustrous World”” n°1235 of November 27, 1880.

XEE4168652: Theatrical representation: “” Michel Strogoff”” by Jules Verne (1828-1905) and Adolphe d'Ennery (Dennery) (1811-1899). 3rd painting: Moscow illuminates and the torchlight retreat with gypsy dances. Decor of Carpezar and Lavaster. Paris, Theatre du Chatelet, 1880. Engraving by De Haenen in “” The Illustrous World”” n°1235 of November 27, 1880., Haenen, Frederic de (1853-1928) / Bridgeman Images

ID: XEE4168652

Theatrical representation: “” Michel Strogoff”” by Jules Verne (1828-1905) and Adolphe d'Ennery (Dennery) (1811-1899). 3rd painting: Moscow illuminates and the torchlight retreat with gypsy dances. Decor of Carpezar and Lavaster. Paris, Theatre du Chatelet, 1880. Engraving by De Haenen in “” The Illustrous World”” n°1235 of November 27, 1880.

Haenen, Frederic de (1853-1928)

First World War (1914-1918): The sling used in the trench to throw grenades into enemy trenches in 1914 in France.
First World War (1914-1918): The sling used in the trench to throw grenades into enemy trenches in 1914 in France.

XEE4167851: First World War (1914-1918): The sling used in the trench to throw grenades into enemy trenches in 1914 in France., Unknown photographer, (20th century) / Bridgeman Images

ID: XEE4167851

First World War (1914-1918): The sling used in the trench to throw grenades into enemy trenches in 1914 in France.

Unknown photographer, (20th century)

The School of Medicine of Paris - an exam in the instrument room - Engraving in “Tableau-de-Paris” by Edmond Texier 1852
The School of Medicine of Paris - an exam in the instrument room - Engraving in “Tableau-de-Paris” by Edmond Texier 1852

XEE4146079: The School of Medicine of Paris - an exam in the instrument room - Engraving in “Tableau-de-Paris” by Edmond Texier 1852, French School, (19th century) / Bridgeman Images

ID: XEE4146079

The School of Medicine of Paris - an exam in the instrument room - Engraving in “Tableau-de-Paris” by Edmond Texier 1852

French School, (19th century)

The Divine Comedy (La Divina Commedia, La Divine Comedie), Purgatorio, Canto 10: The marble sculptures portraying pride - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Purgatorio, Canto 10: The marble sculptures portraying pride - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145517: The Divine Comedy (La Divina Commedia, La Divine Comedie), Purgatorio, Canto 10: The marble sculptures portraying pride - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

ID: XEE4145517

The Divine Comedy (La Divina Commedia, La Divine Comedie), Purgatorio, Canto 10: The marble sculptures portraying pride - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

Dore, Gustave (1832-83)

Portrait of Sir Friedrich Wilhelm Herschel (1738-1822), British German astronomer and physicist - Portrait of William Herschel German-born British astronomer - Engraving in “” Sciences at the reach of all - popular physics and chemistry”” by Alexis Clerc - End 19th century - Private collection
Portrait of Sir Friedrich Wilhelm Herschel (1738-1822), British German astronomer and physicist - Portrait of William Herschel German-born British astronomer - Engraving in “” Sciences at the reach of all - popular physics and chemistry”” by Alexis Clerc - End 19th century - Private collection

XEE4146582: Portrait of Sir Friedrich Wilhelm Herschel (1738-1822), British German astronomer and physicist - Portrait of William Herschel German-born British astronomer - Engraving in “” Sciences at the reach of all - popular physics and chemistry”” by Alexis Clerc - End 19th century - Private collection, French School, (19th century) / Bridgeman Images

ID: XEE4146582

Portrait of Sir Friedrich Wilhelm Herschel (1738-1822), British German astronomer and physicist - Portrait of William Herschel German-born British astronomer - Engraving in “” Sciences at the reach of all - popular physics and chemistry”” by Alexis Clerc - End 19th century - Private collection

French School, (19th century)

HERNANDO (Hernan) CORTES (Cortez) (1485-1547) Spanish conqueror of Mexico. Chromolithography Private collection
HERNANDO (Hernan) CORTES (Cortez) (1485-1547) Spanish conqueror of Mexico. Chromolithography Private collection

XEE4145281: HERNANDO (Hernan) CORTES (Cortez) (1485-1547) Spanish conqueror of Mexico. Chromolithography Private collection, Anonymous / Bridgeman Images

ID: XEE4145281

HERNANDO (Hernan) CORTES (Cortez) (1485-1547) Spanish conqueror of Mexico. Chromolithography Private collection

Anonymous

L'anthropometrie judiciaire ou bertillonnage, methode d'Alphonse Bertillon (1853-1914): mesure du bust - Engraving In “La Science francaise””, 1892 - Alphonse Bertillon (1853-1914)'s anthropometry: measurement of the length of the bust - Engraving from “” La Science francaise”, 1892
L'anthropometrie judiciaire ou bertillonnage, methode d'Alphonse Bertillon (1853-1914): mesure du bust - Engraving In “La Science francaise””, 1892 - Alphonse Bertillon (1853-1914)'s anthropometry: measurement of the length of the bust - Engraving from “” La Science francaise”, 1892

XEE4145798: L'anthropometrie judiciaire ou bertillonnage, methode d'Alphonse Bertillon (1853-1914): mesure du bust - Engraving In “La Science francaise””, 1892 - Alphonse Bertillon (1853-1914)'s anthropometry: measurement of the length of the bust - Engraving from “” La Science francaise”, 1892, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4145798

L'anthropometrie judiciaire ou bertillonnage, methode d'Alphonse Bertillon (1853-1914): mesure du bust - Engraving In “La Science francaise””, 1892 - Alphonse Bertillon (1853-1914)'s anthropometry: measurement of the length of the bust - Engraving from “” La Science francaise”, 1892

Unknown Artist, (19th century)

Lohengrin in in a nacelle drawn by a swan, scene of the opera “Lohengrin”” by Richard Wagner (1813-1883) - Engraving In “” La Science francaise””, 1891 - Lohengrin in in a boat drawn by a swan, scene from Richard Wagner (1813-1883)'s opera “” Lohengrin” - Engraving from “La Science francaise””, 1891
Lohengrin in in a nacelle drawn by a swan, scene of the opera “Lohengrin”” by Richard Wagner (1813-1883) - Engraving In “” La Science francaise””, 1891 - Lohengrin in in a boat drawn by a swan, scene from Richard Wagner (1813-1883)'s opera “” Lohengrin” - Engraving from “La Science francaise””, 1891

XEE4145850: Lohengrin in in a nacelle drawn by a swan, scene of the opera “Lohengrin”” by Richard Wagner (1813-1883) - Engraving In “” La Science francaise””, 1891 - Lohengrin in in a boat drawn by a swan, scene from Richard Wagner (1813-1883)'s opera “” Lohengrin” - Engraving from “La Science francaise””, 1891, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4145850

Lohengrin in in a nacelle drawn by a swan, scene of the opera “Lohengrin”” by Richard Wagner (1813-1883) - Engraving In “” La Science francaise””, 1891 - Lohengrin in in a boat drawn by a swan, scene from Richard Wagner (1813-1883)'s opera “” Lohengrin” - Engraving from “La Science francaise””, 1891

Unknown Artist, (19th century)

War of 1870: Railway carriages used as ambulances, France, 1870 Engraving by Maurice Pallandre in “The fighters of 1870-71” by the commander Leonce Rousset (1850-1938) - Franco Prussian War - (1870-1871) Franzosischer Krieg)
War of 1870: Railway carriages used as ambulances, France, 1870 Engraving by Maurice Pallandre in “The fighters of 1870-71” by the commander Leonce Rousset (1850-1938) - Franco Prussian War - (1870-1871) Franzosischer Krieg)

XEE4161673: War of 1870: Railway carriages used as ambulances, France, 1870 Engraving by Maurice Pallandre in “The fighters of 1870-71” by the commander Leonce Rousset (1850-1938) - Franco Prussian War - (1870-1871) Franzosischer Krieg), Pallandre, Maurice (19th century) / Bridgeman Images

ID: XEE4161673

War of 1870: Railway carriages used as ambulances, France, 1870 Engraving by Maurice Pallandre in “The fighters of 1870-71” by the commander Leonce Rousset (1850-1938) - Franco Prussian War - (1870-1871) Franzosischer Krieg)

Pallandre, Maurice (19th century)

Plombieres-les-Bains (Plombieres les Bains) thermal resort of Vosges - engraving in “La France illustree: geography, history, statistical administration” by V.A. Malt-Brown. 1884
Plombieres-les-Bains (Plombieres les Bains) thermal resort of Vosges - engraving in “La France illustree: geography, history, statistical administration” by V.A. Malt-Brown. 1884

XEE4161754: Plombieres-les-Bains (Plombieres les Bains) thermal resort of Vosges - engraving in “La France illustree: geography, history, statistical administration” by V.A. Malt-Brown. 1884, French School, (19th century) / Bridgeman Images

ID: XEE4161754

Plombieres-les-Bains (Plombieres les Bains) thermal resort of Vosges - engraving in “La France illustree: geography, history, statistical administration” by V.A. Malt-Brown. 1884

French School, (19th century)

The triumphal cortege of Jules Cesar (Giulio Cesare or Caius Julius Caesar) politician and Roman writer, (100-44 BC) in Rome de retour d'Orient, 46 BC) (The triumph of Julius Caesar at his return in Rome from Orient, 46 BC) - From a protective sleeve for school books, late 19th century - illustration by E. Letelar Lier - Protects historical notebook, late 19th century -
The triumphal cortege of Jules Cesar (Giulio Cesare or Caius Julius Caesar) politician and Roman writer, (100-44 BC) in Rome de retour d'Orient, 46 BC) (The triumph of Julius Caesar at his return in Rome from Orient, 46 BC) - From a protective sleeve for school books, late 19th century - illustration by E. Letelar Lier - Protects historical notebook, late 19th century -

XEE4161756: The triumphal cortege of Jules Cesar (Giulio Cesare or Caius Julius Caesar) politician and Roman writer, (100-44 BC) in Rome de retour d'Orient, 46 BC) (The triumph of Julius Caesar at his return in Rome from Orient, 46 BC) - From a protective sleeve for school books, late 19th century - illustration by E. Letelar Lier - Protects historical notebook, late 19th century -, Letellier, E. (19th century) / Bridgeman Images

ID: XEE4161756

The triumphal cortege of Jules Cesar (Giulio Cesare or Caius Julius Caesar) politician and Roman writer, (100-44 BC) in Rome de retour d'Orient, 46 BC) (The triumph of Julius Caesar at his return in Rome from Orient, 46 BC) - From a protective sleeve for school books, late 19th century - illustration by E. Letelar Lier - Protects historical notebook, late 19th century -

Letellier, E. (19th century)

Excavations of Nineveh (Nineveh) - The ruins of Nimrud (Nimroud) by Henri Layard (after his trip to Mesopotamia in the 19th century); replacement of the great bull wing -The shipment of a winged bull from Nimrud, during the excavations of Sir Austen Henry Layard (1817-1894) at Niniveh (or Nineveh), Iraq),
Excavations of Nineveh (Nineveh) - The ruins of Nimrud (Nimroud) by Henri Layard (after his trip to Mesopotamia in the 19th century); replacement of the great bull wing -The shipment of a winged bull from Nimrud, during the excavations of Sir Austen Henry Layard (1817-1894) at Niniveh (or Nineveh), Iraq),

XEE4161039: Excavations of Nineveh (Nineveh) - The ruins of Nimrud (Nimroud) by Henri Layard (after his trip to Mesopotamia in the 19th century); replacement of the great bull wing -The shipment of a winged bull from Nimrud, during the excavations of Sir Austen Henry Layard (1817-1894) at Niniveh (or Nineveh), Iraq),, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4161039

Excavations of Nineveh (Nineveh) - The ruins of Nimrud (Nimroud) by Henri Layard (after his trip to Mesopotamia in the 19th century); replacement of the great bull wing -The shipment of a winged bull from Nimrud, during the excavations of Sir Austen Henry Layard (1817-1894) at Niniveh (or Nineveh), Iraq),

Unknown Artist, (19th century)

Empress Eugenie (1826-1920) at Biarritz, 1861 - engraving from the illustrious universe
Empress Eugenie (1826-1920) at Biarritz, 1861 - engraving from the illustrious universe

XEE4161572: Empress Eugenie (1826-1920) at Biarritz, 1861 - engraving from the illustrious universe, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4161572

Empress Eugenie (1826-1920) at Biarritz, 1861 - engraving from the illustrious universe

Unknown Artist, (19th century)

Portrait of Sir Cecil Rhodes (1853-1902), English governor of the colony of Cape Town in South Africa (Transvaal). Engraving in “La gazette du dimanche”” of January 16, 1896.
Portrait of Sir Cecil Rhodes (1853-1902), English governor of the colony of Cape Town in South Africa (Transvaal). Engraving in “La gazette du dimanche”” of January 16, 1896.

XEE4170439: Portrait of Sir Cecil Rhodes (1853-1902), English governor of the colony of Cape Town in South Africa (Transvaal). Engraving in “La gazette du dimanche”” of January 16, 1896., French School, (19th century) / Bridgeman Images

ID: XEE4170439

Portrait of Sir Cecil Rhodes (1853-1902), English governor of the colony of Cape Town in South Africa (Transvaal). Engraving in “La gazette du dimanche”” of January 16, 1896.

French School, (19th century)

Portrait of comedian Jean Sully Mounet dit Mouney-Sully (Mounet Sully) (1841-1916) in the role of Oedipus for the piece “” Oedipus roi”” at the Comedie Francaise, 1881. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1281 of October 15, 1881.
Portrait of comedian Jean Sully Mounet dit Mouney-Sully (Mounet Sully) (1841-1916) in the role of Oedipus for the piece “” Oedipus roi”” at the Comedie Francaise, 1881. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1281 of October 15, 1881.

XEE4171052: Portrait of comedian Jean Sully Mounet dit Mouney-Sully (Mounet Sully) (1841-1916) in the role of Oedipus for the piece “” Oedipus roi”” at the Comedie Francaise, 1881. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1281 of October 15, 1881., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: XEE4171052

Portrait of comedian Jean Sully Mounet dit Mouney-Sully (Mounet Sully) (1841-1916) in the role of Oedipus for the piece “” Oedipus roi”” at the Comedie Francaise, 1881. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1281 of October 15, 1881.

Marie, Adrien Emmanuel (1848-91)

Liquid balance: principle of Blaise Pascal (1623-1662). Anonymous illustration from 1925. Private collection.
Liquid balance: principle of Blaise Pascal (1623-1662). Anonymous illustration from 1925. Private collection.

XEE4139824: Liquid balance: principle of Blaise Pascal (1623-1662). Anonymous illustration from 1925. Private collection., Anonymous / Bridgeman Images

ID: XEE4139824

Liquid balance: principle of Blaise Pascal (1623-1662). Anonymous illustration from 1925. Private collection.

Anonymous

Ships and ships: the royal nave “Montjoie” of King Saint Louis (1214-1270) during the Crusades. Anonymous illustration from 1925. Private collection.
Ships and ships: the royal nave “Montjoie” of King Saint Louis (1214-1270) during the Crusades. Anonymous illustration from 1925. Private collection.

XEE4139895: Ships and ships: the royal nave “Montjoie” of King Saint Louis (1214-1270) during the Crusades. Anonymous illustration from 1925. Private collection., Anonymous / Bridgeman Images

ID: XEE4139895

Ships and ships: the royal nave “Montjoie” of King Saint Louis (1214-1270) during the Crusades. Anonymous illustration from 1925. Private collection.

Anonymous

The Post Office: The Traveller Pigeon. Anonymous illustration from 1925. Private collection.
The Post Office: The Traveller Pigeon. Anonymous illustration from 1925. Private collection.

XEE4140860: The Post Office: The Traveller Pigeon. Anonymous illustration from 1925. Private collection., Anonymous / Bridgeman Images

ID: XEE4140860

The Post Office: The Traveller Pigeon. Anonymous illustration from 1925. Private collection.

Anonymous

Mon voyage au pole nord - by Fridtjof Nansen (1861-1930) - Engraved in “” JOURNAL DES VOURES -AVENTURES DE Terre ET DE MER”” 1897 Illustration by Charles Clerice (1865-1912)
Mon voyage au pole nord - by Fridtjof Nansen (1861-1930) - Engraved in “” JOURNAL DES VOURES -AVENTURES DE Terre ET DE MER”” 1897 Illustration by Charles Clerice (1865-1912)

XEE4153785: Mon voyage au pole nord - by Fridtjof Nansen (1861-1930) - Engraved in “” JOURNAL DES VOURES -AVENTURES DE Terre ET DE MER”” 1897 Illustration by Charles Clerice (1865-1912), Clerice, Charles (1865-1912) / Bridgeman Images

ID: XEE4153785

Mon voyage au pole nord - by Fridtjof Nansen (1861-1930) - Engraved in “” JOURNAL DES VOURES -AVENTURES DE Terre ET DE MER”” 1897 Illustration by Charles Clerice (1865-1912)

Clerice, Charles (1865-1912)

Portrait of Pope Gregory XVI (Bartolomeo Cappellari, 1765- 1846) - Portrait of Pope Gregoire XVI (Bartolomeo Alberto Cappellari Pope under the name of Gregorius XVI or Gregorio XVI, 1765 - 1846)
Portrait of Pope Gregory XVI (Bartolomeo Cappellari, 1765- 1846) - Portrait of Pope Gregoire XVI (Bartolomeo Alberto Cappellari Pope under the name of Gregorius XVI or Gregorio XVI, 1765 - 1846)

XEE4154931: Portrait of Pope Gregory XVI (Bartolomeo Cappellari, 1765- 1846) - Portrait of Pope Gregoire XVI (Bartolomeo Alberto Cappellari Pope under the name of Gregorius XVI or Gregorio XVI, 1765 - 1846), Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4154931

Portrait of Pope Gregory XVI (Bartolomeo Cappellari, 1765- 1846) - Portrait of Pope Gregoire XVI (Bartolomeo Alberto Cappellari Pope under the name of Gregorius XVI or Gregorio XVI, 1765 - 1846)

Unknown Artist, (19th century)

St. Bernard Of Clairvaux Preaching the Second Crusade in Vezelay, 31st March 1146 - engraving after Emile Signol - Saint-Bernard de Clairvaux (San Bernardo di Chiaravalle) preaching the Second Crusade in the presence of King Louis VII and Queen Alienor of Aquitaine and Abbe Suger, in Vezelay in Burgundy on 31 March 1146. after Signol
St. Bernard Of Clairvaux Preaching the Second Crusade in Vezelay, 31st March 1146 - engraving after Emile Signol - Saint-Bernard de Clairvaux (San Bernardo di Chiaravalle) preaching the Second Crusade in the presence of King Louis VII and Queen Alienor of Aquitaine and Abbe Suger, in Vezelay in Burgundy on 31 March 1146. after Signol

XEE4153883: St. Bernard Of Clairvaux Preaching the Second Crusade in Vezelay, 31st March 1146 - engraving after Emile Signol - Saint-Bernard de Clairvaux (San Bernardo di Chiaravalle) preaching the Second Crusade in the presence of King Louis VII and Queen Alienor of Aquitaine and Abbe Suger, in Vezelay in Burgundy on 31 March 1146. after Signol, Signol, Emile (1804-92) (after) / Bridgeman Images

ID: XEE4153883

St. Bernard Of Clairvaux Preaching the Second Crusade in Vezelay, 31st March 1146 - engraving after Emile Signol - Saint-Bernard de Clairvaux (San Bernardo di Chiaravalle) preaching the Second Crusade in the presence of King Louis VII and Queen Alienor of Aquitaine and Abbe Suger, in Vezelay in Burgundy on 31 March 1146. after Signol

Signol, Emile (1804-92) (after)

Familistere de Guise - The Familistery of Guise and its founder Jean-Baptiste (Jean Baptiste) Andre Godin (1817-88), from 'Les Hommes d'Today', c. 1880 by Henri Demare (1846-1888) - Le Familistere de Guise et son founder Godin.
Familistere de Guise - The Familistery of Guise and its founder Jean-Baptiste (Jean Baptiste) Andre Godin (1817-88), from 'Les Hommes d'Today', c. 1880 by Henri Demare (1846-1888) - Le Familistere de Guise et son founder Godin.

XEE4154453: Familistere de Guise - The Familistery of Guise and its founder Jean-Baptiste (Jean Baptiste) Andre Godin (1817-88), from 'Les Hommes d'Today', c. 1880 by Henri Demare (1846-1888) - Le Familistere de Guise et son founder Godin., Demare, Henri (1846-88) / Bridgeman Images

ID: XEE4154453

Familistere de Guise - The Familistery of Guise and its founder Jean-Baptiste (Jean Baptiste) Andre Godin (1817-88), from 'Les Hommes d'Today', c. 1880 by Henri Demare (1846-1888) - Le Familistere de Guise et son founder Godin.

Demare, Henri (1846-88)

Recruitment Station New York City, 1864 - Union Army recruiting office in New York City Hall Park, during the American Civil War 1864 - Secession War or American Civil War (1861-1865): office of recruiting ferderals in New York.
Recruitment Station New York City, 1864 - Union Army recruiting office in New York City Hall Park, during the American Civil War 1864 - Secession War or American Civil War (1861-1865): office of recruiting ferderals in New York.

XEE4154031: Recruitment Station New York City, 1864 - Union Army recruiting office in New York City Hall Park, during the American Civil War 1864 - Secession War or American Civil War (1861-1865): office of recruiting ferderals in New York., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4154031

Recruitment Station New York City, 1864 - Union Army recruiting office in New York City Hall Park, during the American Civil War 1864 - Secession War or American Civil War (1861-1865): office of recruiting ferderals in New York.

Unknown Artist, (19th century)

Portrait of Leopold II, King of the Belgians (Louis Philippe Marie Victor), Prince of Belgium, Duke of Saxony, Prince of Saxony-Coburg-Gotha, Duke of Brabant, (1835 - 1909) in “” Le Trombinoscope”” by Touchatout, caricature of B. Moloch of 1882 (1849-1909). Private collection.
Portrait of Leopold II, King of the Belgians (Louis Philippe Marie Victor), Prince of Belgium, Duke of Saxony, Prince of Saxony-Coburg-Gotha, Duke of Brabant, (1835 - 1909) in “” Le Trombinoscope”” by Touchatout, caricature of B. Moloch of 1882 (1849-1909). Private collection.

XEE4169672: Portrait of Leopold II, King of the Belgians (Louis Philippe Marie Victor), Prince of Belgium, Duke of Saxony, Prince of Saxony-Coburg-Gotha, Duke of Brabant, (1835 - 1909) in “” Le Trombinoscope”” by Touchatout, caricature of B. Moloch of 1882 (1849-1909). Private collection., Moloch (Colomb B.) (1849-1909) / Bridgeman Images

ID: XEE4169672

Portrait of Leopold II, King of the Belgians (Louis Philippe Marie Victor), Prince of Belgium, Duke of Saxony, Prince of Saxony-Coburg-Gotha, Duke of Brabant, (1835 - 1909) in “” Le Trombinoscope”” by Touchatout, caricature of B. Moloch of 1882 (1849-1909). Private collection.

Moloch (Colomb B.) (1849-1909)

Witchcraft practice: witch around a cauldron making magic potions and sortileges. Engraving in “Histoire des Papes-Rois-Queen and Empereurs a travers les centuries”” by Maurice Lachatre, 1863.
Witchcraft practice: witch around a cauldron making magic potions and sortileges. Engraving in “Histoire des Papes-Rois-Queen and Empereurs a travers les centuries”” by Maurice Lachatre, 1863.

XEE4169795: Witchcraft practice: witch around a cauldron making magic potions and sortileges. Engraving in “Histoire des Papes-Rois-Queen and Empereurs a travers les centuries”” by Maurice Lachatre, 1863., French School, (19th century) / Bridgeman Images

ID: XEE4169795

Witchcraft practice: witch around a cauldron making magic potions and sortileges. Engraving in “Histoire des Papes-Rois-Queen and Empereurs a travers les centuries”” by Maurice Lachatre, 1863.

French School, (19th century)

First World War: 'The French aviator Rene Fonck posing near his plane, he holds in his hands the coat of arms of a German aircraft shot down' In “” The mirror”” 1918
First World War: 'The French aviator Rene Fonck posing near his plane, he holds in his hands the coat of arms of a German aircraft shot down' In “” The mirror”” 1918

XEE4169481: First World War: 'The French aviator Rene Fonck posing near his plane, he holds in his hands the coat of arms of a German aircraft shot down' In “” The mirror”” 1918, French Photographer, (20th century) / Bridgeman Images

ID: XEE4169481

First World War: 'The French aviator Rene Fonck posing near his plane, he holds in his hands the coat of arms of a German aircraft shot down' In “” The mirror”” 1918

French Photographer, (20th century)

Portrait of Charles III 3 the Gros (839-888) Emperor of the West (881 - 887) and Regent of France (884 - 887) - in “Histoire des Francais” by Lavallee, engraving, sd., 19th century.
Portrait of Charles III 3 the Gros (839-888) Emperor of the West (881 - 887) and Regent of France (884 - 887) - in “Histoire des Francais” by Lavallee, engraving, sd., 19th century.

XEE4169415: Portrait of Charles III 3 the Gros (839-888) Emperor of the West (881 - 887) and Regent of France (884 - 887) - in “Histoire des Francais” by Lavallee, engraving, sd., 19th century., French School, (19th century) / Bridgeman Images

ID: XEE4169415

Portrait of Charles III 3 the Gros (839-888) Emperor of the West (881 - 887) and Regent of France (884 - 887) - in “Histoire des Francais” by Lavallee, engraving, sd., 19th century.

French School, (19th century)

Chateau de Vaux Le Visomte (Vaux-Le-Vicomte) by Nicolas Fouquet (1615-1680), Viscount de Melun and de Vaux Superintendent of Finance of Louis XIV. Engraving in “Histoire des Papes-Rois-Queen and Empereurs a travers les centuries”” by Maurice Lachatre, 1863.
Chateau de Vaux Le Visomte (Vaux-Le-Vicomte) by Nicolas Fouquet (1615-1680), Viscount de Melun and de Vaux Superintendent of Finance of Louis XIV. Engraving in “Histoire des Papes-Rois-Queen and Empereurs a travers les centuries”” by Maurice Lachatre, 1863.

XEE4170026: Chateau de Vaux Le Visomte (Vaux-Le-Vicomte) by Nicolas Fouquet (1615-1680), Viscount de Melun and de Vaux Superintendent of Finance of Louis XIV. Engraving in “Histoire des Papes-Rois-Queen and Empereurs a travers les centuries”” by Maurice Lachatre, 1863., French School, (19th century) / Bridgeman Images

ID: XEE4170026

Chateau de Vaux Le Visomte (Vaux-Le-Vicomte) by Nicolas Fouquet (1615-1680), Viscount de Melun and de Vaux Superintendent of Finance of Louis XIV. Engraving in “Histoire des Papes-Rois-Queen and Empereurs a travers les centuries”” by Maurice Lachatre, 1863.

French School, (19th century)

Brasserie - “The Grande Encyclopedie, ou Dictionnaire Raisonne des Sciences, des Arts et des Metiers” (Encyclopedia or Dictionary of the Sciences, Arts and Professions) by Denis Diderot (1713-1784) and Jean d'Alembert (1717-1783)
Brasserie - “The Grande Encyclopedie, ou Dictionnaire Raisonne des Sciences, des Arts et des Metiers” (Encyclopedia or Dictionary of the Sciences, Arts and Professions) by Denis Diderot (1713-1784) and Jean d'Alembert (1717-1783)

XEE4149115: Brasserie - “The Grande Encyclopedie, ou Dictionnaire Raisonne des Sciences, des Arts et des Metiers” (Encyclopedia or Dictionary of the Sciences, Arts and Professions) by Denis Diderot (1713-1784) and Jean d'Alembert (1717-1783), French School, (18th century) / Bridgeman Images

ID: XEE4149115

Brasserie - “The Grande Encyclopedie, ou Dictionnaire Raisonne des Sciences, des Arts et des Metiers” (Encyclopedia or Dictionary of the Sciences, Arts and Professions) by Denis Diderot (1713-1784) and Jean d'Alembert (1717-1783)

French School, (18th century)

Pastry cook - “La Grande Encyclopedie, ou Dictionnaire Raisonne des Sciences, des Arts et des Metiers” (Encyclopedia or Dictionary of the Sciences, Arts and Professions) by Denis Diderot (1713-1784) et Jean d'Alembert (1717-1783)
Pastry cook - “La Grande Encyclopedie, ou Dictionnaire Raisonne des Sciences, des Arts et des Metiers” (Encyclopedia or Dictionary of the Sciences, Arts and Professions) by Denis Diderot (1713-1784) et Jean d'Alembert (1717-1783)

XEE4148992: Pastry cook - “La Grande Encyclopedie, ou Dictionnaire Raisonne des Sciences, des Arts et des Metiers” (Encyclopedia or Dictionary of the Sciences, Arts and Professions) by Denis Diderot (1713-1784) et Jean d'Alembert (1717-1783), French School, (18th century) / Bridgeman Images

ID: XEE4148992

Pastry cook - “La Grande Encyclopedie, ou Dictionnaire Raisonne des Sciences, des Arts et des Metiers” (Encyclopedia or Dictionary of the Sciences, Arts and Professions) by Denis Diderot (1713-1784) et Jean d'Alembert (1717-1783)

French School, (18th century)


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