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The Knights' Progress, illustration from Tennyson's 'Idylls of the King', c.1878 (engraving)
The Knights' Progress, illustration from Tennyson's 'Idylls of the King', c.1878 (engraving)

LLM3649293: The Knights' Progress, illustration from Tennyson's 'Idylls of the King', c.1878 (engraving), Dore, Gustave (1832-83) (after) / Bridgeman Images

Title page of the first edition of the poems of the French poet Francois Villon, printed by Pierre Levet in Paris in 1483 (engraving)
Title page of the first edition of the poems of the French poet Francois Villon, printed by Pierre Levet in Paris in 1483 (engraving)

LLM3647879: Title page of the first edition of the poems of the French poet Francois Villon, printed by Pierre Levet in Paris in 1483 (engraving), German School, (19th century) / Bridgeman Images

Cathedral of Ste-Croix, Orleans (engraving)
Cathedral of Ste-Croix, Orleans (engraving)

LLM3649475: Cathedral of Ste-Croix, Orleans (engraving), Allom, Thomas (1804-72) (after) / Bridgeman Images

La Fille de Theotocopuli, dit el Greco (engraving)
La Fille de Theotocopuli, dit el Greco (engraving)

LLM3645074: La Fille de Theotocopuli, dit el Greco (engraving), French School, (19th century) / Bridgeman Images

Paris souterrain, Les caux, les egouts, le gaz, les catacombes (engraving)
Paris souterrain, Les caux, les egouts, le gaz, les catacombes (engraving)

LLM3653539: Paris souterrain, Les caux, les egouts, le gaz, les catacombes (engraving), French School, (19th century) / Bridgeman Images

Dendera, Interior of the Temple, the Sign of Zodiac (b/w photo)
Dendera, Interior of the Temple, the Sign of Zodiac (b/w photo)

LLM3653349: Dendera, Interior of the Temple, the Sign of Zodiac (b/w photo), English Photographer, (20th century) / Bridgeman Images

Tulips (III), nos 1-6, conceived 1985, executed 1993 (print on cotton paper)
Tulips (III), nos 1-6, conceived 1985, executed 1993 (print on cotton paper)

CH3660911: Tulips (III), nos 1-6, conceived 1985, executed 1993 (print on cotton paper), Twombly, Cy (1929-2011) / Bridgeman Images

Skull-and-Bones ballot box (bone)
Skull-and-Bones ballot box (bone)

CH3666195: Skull-and-Bones ballot box (bone), American School, (19th century) / Bridgeman Images

Close Your Eyes and See Black, 1969 (ink, graphite & body print on paperboard)
Close Your Eyes and See Black, 1969 (ink, graphite & body print on paperboard)

CH7095523: Close Your Eyes and See Black, 1969 (ink, graphite & body print on paperboard), Hammons, David (b.1943) / Bridgeman Images

Close Your Eyes and See Black, 1969 (ink, graphite & body print on paperboard)
Close Your Eyes and See Black, 1969 (ink, graphite & body print on paperboard)

CH7095524: Close Your Eyes and See Black, 1969 (ink, graphite & body print on paperboard), Hammons, David (b.1943) / Bridgeman Images

Regatta Day, 1913 (oil on panel)
Regatta Day, 1913 (oil on panel)

CH7128301: Regatta Day, 1913 (oil on panel), Rice, Anne Estelle (1879-1959) / Bridgeman Images

Commedia dell'arte. Anonymous painting of the 17th century.
Commedia dell'arte. Anonymous painting of the 17th century.

GIA4744148: Commedia dell'arte. Anonymous painting of the 17th century., Unknown Artist, (17th century) / Bridgeman Images

Human skeleton, anterior part. Anatomical plate of “” De dissectione partium corporis humani lbri tres... “” Carlo Stefano Riverio, Paris 1545
Human skeleton, anterior part. Anatomical plate of “” De dissectione partium corporis humani lbri tres... “” Carlo Stefano Riverio, Paris 1545

GIA4772254: Human skeleton, anterior part. Anatomical plate of “” De dissectione partium corporis humani lbri tres... “” Carlo Stefano Riverio, Paris 1545, Unknown Artist, (16th century) / Bridgeman Images

The boat of Nils Adolf Erik (Eric) Baron Nordenskjold (Nordenskiold) (1832-1901), “” Vega”, at Konyam- bay. Engraving around 1880.
The boat of Nils Adolf Erik (Eric) Baron Nordenskjold (Nordenskiold) (1832-1901), “” Vega”, at Konyam- bay. Engraving around 1880.

GIA4772320: The boat of Nils Adolf Erik (Eric) Baron Nordenskjold (Nordenskiold) (1832-1901), “” Vega”, at Konyam- bay. Engraving around 1880., Unknown Artist, (19th century) / Bridgeman Images

Blueberries:: 19th century botanical board.
Blueberries:: 19th century botanical board.

GIA4770064: Blueberries:: 19th century botanical board., Unknown Artist, (19th century) / Bridgeman Images

36 views of Mount Fuji, 1825. The great wave near the coast of Kanagawa.1825 (La grande onda presso la  di Kanagawa da: “” 36 vedute del Fuji””, 1825.) The Great Wave of Kanagawa, from the series '36 Views of Mt.Fuji' ('Fugaku sanjuokkei') (colour woodblock print) Hokusai, Katsushika (1760-1849).
36 views of Mount Fuji, 1825. The great wave near the coast of Kanagawa.1825 (La grande onda presso la  di Kanagawa da: “” 36 vedute del Fuji””, 1825.) The Great Wave of Kanagawa, from the series '36 Views of Mt.Fuji' ('Fugaku sanjuokkei') (colour woodblock print) Hokusai, Katsushika (1760-1849).

GIA4768873: 36 views of Mount Fuji, 1825. The great wave near the coast of Kanagawa.1825 (La grande onda presso la di Kanagawa da: “” 36 vedute del Fuji””, 1825.) The Great Wave of Kanagawa, from the series '36 Views of Mt.Fuji' ('Fugaku sanjuokkei') (colour woodblock print) Hokusai, Katsushika (1760-1849)., Hokusai, Katsushika (1760-1849) / Bridgeman Images

Set the controls to the heart of the Sun, 2014 (acrylic on paper)
Set the controls to the heart of the Sun, 2014 (acrylic on paper)

AID5059154: Set the controls to the heart of the Sun, 2014 (acrylic on paper), Pontes, Guilherme / Bridgeman Images

Crucifixion, Oldham  (mosaic & fresco)
Crucifixion, Oldham  (mosaic & fresco)

MYM5054288: Crucifixion, Oldham (mosaic & fresco), Mayer-Marton, Georg (1897-1960) / Bridgeman Images

Melting Pool, 2017 (Watercolour pastel on paper)
Melting Pool, 2017 (Watercolour pastel on paper)

AGT5054408: Melting Pool, 2017 (Watercolour pastel on paper), Ager, Charlotte / Bridgeman Images

Yes Chef, 2017 (Watercolour pastel on paper)
Yes Chef, 2017 (Watercolour pastel on paper)

AGT5054411: Yes Chef, 2017 (Watercolour pastel on paper), Ager, Charlotte / Bridgeman Images

Jolly Nude, 1958 (oil on board)
Jolly Nude, 1958 (oil on board)

GLM5054877: Jolly Nude, 1958 (oil on board), Morgan, Glyn (1926-2015) / Bridgeman Images

Apparition de sainte Anne a yves Nicolazic (1591-1645) Peasant Breton to Ker'Anna, Sainte-Anne-d'Auray en Bretagne circa 1624-1625 (The apparition of st anne to Yves Nicolazic breton peasant in Keranne (Sainte Anne d'Auray) 1624 - 1625) Engraving from “Les faiseurs de miracle” 1880
Apparition de sainte Anne a yves Nicolazic (1591-1645) Peasant Breton to Ker'Anna, Sainte-Anne-d'Auray en Bretagne circa 1624-1625 (The apparition of st anne to Yves Nicolazic breton peasant in Keranne (Sainte Anne d'Auray) 1624 - 1625) Engraving from “Les faiseurs de miracle” 1880

ELD4953223: Apparition de sainte Anne a yves Nicolazic (1591-1645) Peasant Breton to Ker'Anna, Sainte-Anne-d'Auray en Bretagne circa 1624-1625 (The apparition of st anne to Yves Nicolazic breton peasant in Keranne (Sainte Anne d'Auray) 1624 - 1625) Engraving from “Les faiseurs de miracle” 1880 / Bridgeman Images

Civilization of the Antiquity: Odoacre (Odovacar, 435-493) obliges the abdication of Romulus Augustule, in Latin Flavius Romulus Augustus (or Romulus Augustulus (in it Romolo Augustolo), the last Roman emperor of the West in 476 - Romulus Augustuperile leaves him the insignia Romulus Augustus resigns the crown to Odoacer, 476 about “” Young folks history of Rome”” by Charlotte Yonge 1882
Civilization of the Antiquity: Odoacre (Odovacar, 435-493) obliges the abdication of Romulus Augustule, in Latin Flavius Romulus Augustus (or Romulus Augustulus (in it Romolo Augustolo), the last Roman emperor of the West in 476 - Romulus Augustuperile leaves him the insignia Romulus Augustus resigns the crown to Odoacer, 476 about “” Young folks history of Rome”” by Charlotte Yonge 1882

ELD4961091: Civilization of the Antiquity: Odoacre (Odovacar, 435-493) obliges the abdication of Romulus Augustule, in Latin Flavius Romulus Augustus (or Romulus Augustulus (in it Romolo Augustolo), the last Roman emperor of the West in 476 - Romulus Augustuperile leaves him the insignia Romulus Augustus resigns the crown to Odoacer, 476 about “” Young folks history of Rome”” by Charlotte Yonge 1882 / Bridgeman Images

Roman Antiquite: “” Jules Cesar (100-44 BC) refuses the royal diademe offered to him by Marc Antoine (83-30 BC) during the lupercalas, 44 BC” (Rome celebrates the festival of the Lupercal in 44 BC, Mark Antony presents Caesar with a royal diadem, urging him to take it and declare himself king - He refuses this offer and the crown to be placed in the Temple of Jupiter) Engraving from “Storia di Roma” by Francesco Bertolini
Roman Antiquite: “” Jules Cesar (100-44 BC) refuses the royal diademe offered to him by Marc Antoine (83-30 BC) during the lupercalas, 44 BC” (Rome celebrates the festival of the Lupercal in 44 BC, Mark Antony presents Caesar with a royal diadem, urging him to take it and declare himself king - He refuses this offer and the crown to be placed in the Temple of Jupiter) Engraving from “Storia di Roma” by Francesco Bertolini

ELD4962049: Roman Antiquite: “” Jules Cesar (100-44 BC) refuses the royal diademe offered to him by Marc Antoine (83-30 BC) during the lupercalas, 44 BC” (Rome celebrates the festival of the Lupercal in 44 BC, Mark Antony presents Caesar with a royal diadem, urging him to take it and declare himself king - He refuses this offer and the crown to be placed in the Temple of Jupiter) Engraving from “Storia di Roma” by Francesco Bertolini / Bridgeman Images

Russian army entering in Paris, Princess Dorothea of Courland compagnon of the French statesman Charles Maurice de Talleyand-Perigord celebrates riding the horse of a russian soldier, 1814. 19th century (engraving from “Histoire des tuileries” by Beaujoint)
Russian army entering in Paris, Princess Dorothea of Courland compagnon of the French statesman Charles Maurice de Talleyand-Perigord celebrates riding the horse of a russian soldier, 1814. 19th century (engraving from “Histoire des tuileries” by Beaujoint)

ELD4958423: Russian army entering in Paris, Princess Dorothea of Courland compagnon of the French statesman Charles Maurice de Talleyand-Perigord celebrates riding the horse of a russian soldier, 1814. 19th century (engraving from “Histoire des tuileries” by Beaujoint) / Bridgeman Images

View of the Gallo-Roman city of Lutetia (Paris) France. 19th century (engraving from “Paris-a-Trans-les-Siecles” by H. Gourdon of knee)
View of the Gallo-Roman city of Lutetia (Paris) France. 19th century (engraving from “Paris-a-Trans-les-Siecles” by H. Gourdon of knee)

ELD4958313: View of the Gallo-Roman city of Lutetia (Paris) France. 19th century (engraving from “Paris-a-Trans-les-Siecles” by H. Gourdon of knee) / Bridgeman Images

Middle Ages: representation of Pope Nicholas I the Great (Nicola I, Nicholas or Nicolo or Niccolo or Nicolaus) (858-867) drawing from “I misteri del vaticano” by Franco Mistrali 1843
Middle Ages: representation of Pope Nicholas I the Great (Nicola I, Nicholas or Nicolo or Niccolo or Nicolaus) (858-867) drawing from “I misteri del vaticano” by Franco Mistrali 1843

ELD4957604: Middle Ages: representation of Pope Nicholas I the Great (Nicola I, Nicholas or Nicolo or Niccolo or Nicolaus) (858-867) drawing from “I misteri del vaticano” by Franco Mistrali 1843, Mistrali, Franco (fl.1843) / Bridgeman Images

Iphigenie by Jean Racine: Iphigenie appretant to sacrifice himself (Iphigenie, dramatic tragedy) Engraving by Staal from “Works” by Jean Racine (1639-1699) 19th century
Iphigenie by Jean Racine: Iphigenie appretant to sacrifice himself (Iphigenie, dramatic tragedy) Engraving by Staal from “Works” by Jean Racine (1639-1699) 19th century

ELD4962950: Iphigenie by Jean Racine: Iphigenie appretant to sacrifice himself (Iphigenie, dramatic tragedy) Engraving by Staal from “Works” by Jean Racine (1639-1699) 19th century / Bridgeman Images

A man watching geisha girl on the iPad, 2017 (painting)
A man watching geisha girl on the iPad, 2017 (painting)

AKK5041737: A man watching geisha girl on the iPad, 2017 (painting), Izutsu, Hiroyuki / Bridgeman Images

ise shrine; Torii is the entrance to the shrine, 2016 (painting)
ise shrine; Torii is the entrance to the shrine, 2016 (painting)

AKK5041740: ise shrine; Torii is the entrance to the shrine, 2016 (painting), Izutsu, Hiroyuki / Bridgeman Images

Red Jungle Boogie, 2018 (gouache on paper)
Red Jungle Boogie, 2018 (gouache on paper)

AMX5044079: Red Jungle Boogie, 2018 (gouache on paper), IW, Lulu / Bridgeman Images

Jiggle Squiggle II, 2018 (gouache on paper)
Jiggle Squiggle II, 2018 (gouache on paper)

AMX5044082: Jiggle Squiggle II, 2018 (gouache on paper), IW, Lulu / Bridgeman Images

Panther walking, rear leg raised, c.1904 (patinated bronze)
Panther walking, rear leg raised, c.1904 (patinated bronze)

CH5045334: Panther walking, rear leg raised, c.1904 (patinated bronze), Bugatti, Rembrandt (1884-1916) / Bridgeman Images

Bar at underpass, 2015 (acrylic paint on paper)
Bar at underpass, 2015 (acrylic paint on paper)

ANE5053800: Bar at underpass, 2015 (acrylic paint on paper), FURUYA, Tomoko / Bridgeman Images

Cherry Blossoms, 2015 (acrylic paint on paper)
Cherry Blossoms, 2015 (acrylic paint on paper)

ANE5053803: Cherry Blossoms, 2015 (acrylic paint on paper), FURUYA, Tomoko / Bridgeman Images

Late night, 2013 (Acrylic paint on paper)
Late night, 2013 (Acrylic paint on paper)

ANE5053818: Late night, 2013 (Acrylic paint on paper), FURUYA, Tomoko / Bridgeman Images


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