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Picture II, Gnomus (litho)
Picture II, Gnomus (litho)

BFM443705: Picture II, Gnomus (litho), Kandinsky, Wassily (1866-1944) / Bridgeman Images

Wine bottle of mallet form with string rim and kick-in base, 1714 (glass)
Wine bottle of mallet form with string rim and kick-in base, 1714 (glass)

CH451428: Wine bottle of mallet form with string rim and kick-in base, 1714 (glass), English School, (18th century) / Bridgeman Images

Self portrait (oil on paper laid down on board)
Self portrait (oil on paper laid down on board)

CH451429: Self portrait (oil on paper laid down on board), Johnston, David Claypoole (1799-1865) / Bridgeman Images

Chipping Ongar, Essex, engraved by Henry Adlard, 1832 (engraving)
Chipping Ongar, Essex, engraved by Henry Adlard, 1832 (engraving)

XJF451343: Chipping Ongar, Essex, engraved by Henry Adlard, 1832 (engraving), Bartlett, William Henry (1809-54) (after) / Bridgeman Images

Southwark Fair, 1733, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)
Southwark Fair, 1733, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)

STC451142: Southwark Fair, 1733, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving), Hogarth, William (1697-1764) / Bridgeman Images

Analysis of Beauty, Plate 1, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)
Analysis of Beauty, Plate 1, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)

STC451164: Analysis of Beauty, Plate 1, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving), Hogarth, William (1697-1764) / Bridgeman Images

A Harlot's Progress, plate II, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)
A Harlot's Progress, plate II, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)

STC451180: A Harlot's Progress, plate II, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving), Hogarth, William (1697-1764) / Bridgeman Images

Dickensian Christmas Scene (gouache on paper)
Dickensian Christmas Scene (gouache on paper)

LAL450352: Dickensian Christmas Scene (gouache on paper), McBride, Angus (1931-2007) (after) / Bridgeman Images

View of the Bacino di San Marco, Venice (oil on canvas)
View of the Bacino di San Marco, Venice (oil on canvas)

OJ451961: View of the Bacino di San Marco, Venice (oil on canvas), Guardi, Francesco (1712-93) / Bridgeman Images

Bram Stoker, 1906 (b/w photo)
Bram Stoker, 1906 (b/w photo)

DGC451989: Bram Stoker, 1906 (b/w photo), English Photographer, (20th century) / Bridgeman Images

Louis XV commode (ormolu mounted amaranth, tulipwood & marquetry)
Louis XV commode (ormolu mounted amaranth, tulipwood & marquetry)

CH463021: Louis XV commode (ormolu mounted amaranth, tulipwood & marquetry), Roussel, Pierre (1723-82) / Bridgeman Images

Games table with 19th century sabots (ormolu mounted tulipwood, amaranth, sycamore & cube parquetry) (see also 451440, 463051 and 463052)
Games table with 19th century sabots (ormolu mounted tulipwood, amaranth, sycamore & cube parquetry) (see also 451440, 463051 and 463052)

CH463050: Games table with 19th century sabots (ormolu mounted tulipwood, amaranth, sycamore & cube parquetry) (see also 451440, 463051 and 463052), Kemp, Guillaume (18th century) / Bridgeman Images

Houses Banking on Stream (oil on board)
Houses Banking on Stream (oil on board)

MIG464133: Houses Banking on Stream (oil on board), Aldridge, John (1905-83) / Bridgeman Images

Portrait of Raymond Mortimer (oil on panel)
Portrait of Raymond Mortimer (oil on panel)

CH482973: Portrait of Raymond Mortimer (oil on panel), Hill, Derek (1916-2000) / Bridgeman Images

Heron, illustration from 'A History of British Birds' by Thomas Bewick, first published 1797 (woodcut)
Heron, illustration from 'A History of British Birds' by Thomas Bewick, first published 1797 (woodcut)

XJF488976: Heron, illustration from 'A History of British Birds' by Thomas Bewick, first published 1797 (woodcut), Bewick, Thomas (1753-1828) / Bridgeman Images

London by LMS: The Tower, poster advertising the London Midland & Scottish Railway Company, c.1925 (colour litho)
London by LMS: The Tower, poster advertising the London Midland & Scottish Railway Company, c.1925 (colour litho)

CH466628: London by LMS: The Tower, poster advertising the London Midland & Scottish Railway Company, c.1925 (colour litho), Wilkinson, Norman (1878-1971) / Bridgeman Images

'This little piggie went to Margate... This little piggie stayed at Hove', poster advertising rail travel (colour litho)
'This little piggie went to Margate... This little piggie stayed at Hove', poster advertising rail travel (colour litho)

CH466631: 'This little piggie went to Margate... This little piggie stayed at Hove', poster advertising rail travel (colour litho), Padden, Leonard (20th century) / Bridgeman Images

Poster advertising Eastbourne (colour litho)
Poster advertising Eastbourne (colour litho)

CH466632: Poster advertising Eastbourne (colour litho), Cox, Elijah Albert (1876-1955) / Bridgeman Images

'Inland Sussex Resorts', poster advertising Southern Railway, 1923 (colour litho)
'Inland Sussex Resorts', poster advertising Southern Railway, 1923 (colour litho)

CH466682: 'Inland Sussex Resorts', poster advertising Southern Railway, 1923 (colour litho), Mason, Frank Henry (1876-1965) / Bridgeman Images

The South West Prospect of Manchester on the County Palatine of Lancaster, 1728 (engraving)
The South West Prospect of Manchester on the County Palatine of Lancaster, 1728 (engraving)

XJF466273: The South West Prospect of Manchester on the County Palatine of Lancaster, 1728 (engraving), Buck, Nathaniel (fl.1727-53) and Samuel (1696-1779) / Bridgeman Images

Welsh family grouped around a Singer sewing machine, c.1893 (colour litho)
Welsh family grouped around a Singer sewing machine, c.1893 (colour litho)

KDC469647: Welsh family grouped around a Singer sewing machine, c.1893 (colour litho), American School, (19th century) / Bridgeman Images

Male anatomical ecorche model, displaying muscles, arteries and veins, the circulation and nervous system (wax) (see also 469822 to 469826)
Male anatomical ecorche model, displaying muscles, arteries and veins, the circulation and nervous system (wax) (see also 469822 to 469826)

CH469827: Male anatomical ecorche model, displaying muscles, arteries and veins, the circulation and nervous system (wax) (see also 469822 to 469826), Zeiller, Gustav (1826-1904) / Bridgeman Images

Southsea and Portsmouth, poster advertising Southern Railway, 1936 (colour litho)
Southsea and Portsmouth, poster advertising Southern Railway, 1936 (colour litho)

CH469834: Southsea and Portsmouth, poster advertising Southern Railway, 1936 (colour litho), Pears, Charles (1873-1958) / Bridgeman Images

Portrait of Annie Miller, c.1860 (pencil, pen, ink & wash on paper)
Portrait of Annie Miller, c.1860 (pencil, pen, ink & wash on paper)

PNH468051: Portrait of Annie Miller, c.1860 (pencil, pen, ink & wash on paper), Rossetti, Dante Gabriel Charles (1828-82) / Bridgeman Images

Regina Cordium or the Queen of Hearts, 1860 (pastel on paper)
Regina Cordium or the Queen of Hearts, 1860 (pastel on paper)

PNH468064: Regina Cordium or the Queen of Hearts, 1860 (pastel on paper), Rossetti, Dante Gabriel Charles (1828-82) / Bridgeman Images

Germans, illustration from 'The Commentaries of Caesar' translated into English by William Duncan, engraved by Cornelis Huyberts, published 1753 (engraving)
Germans, illustration from 'The Commentaries of Caesar' translated into English by William Duncan, engraved by Cornelis Huyberts, published 1753 (engraving)

XJF468521: Germans, illustration from 'The Commentaries of Caesar' translated into English by William Duncan, engraved by Cornelis Huyberts, published 1753 (engraving), English School, (18th century) / Bridgeman Images

Royal Canadian Mounted Police, 1938 (colour litho)
Royal Canadian Mounted Police, 1938 (colour litho)

KDC469433: Royal Canadian Mounted Police, 1938 (colour litho) / Bridgeman Images

Shylock speaks in The Merchant of Venice, Act IV, Scene I, 'Is that the law?', from 'The Illustrated Library Shakespeare', published London 1890 (colour litho)
Shylock speaks in The Merchant of Venice, Act IV, Scene I, 'Is that the law?', from 'The Illustrated Library Shakespeare', published London 1890 (colour litho)

KWE469509: Shylock speaks in The Merchant of Venice, Act IV, Scene I, 'Is that the law?', from 'The Illustrated Library Shakespeare', published London 1890 (colour litho), Robert Dudley / Bridgeman Images

Phrenological illustration showing the psychological relations of the brain, from a 19th century print (litho)
Phrenological illustration showing the psychological relations of the brain, from a 19th century print (litho)

KWE469518: Phrenological illustration showing the psychological relations of the brain, from a 19th century print (litho), English School, (19th century) / Bridgeman Images

St. Edward's Crown, from the Crown Jewels of the United Kingdom, 1937 (colour litho)
St. Edward's Crown, from the Crown Jewels of the United Kingdom, 1937 (colour litho)

KDC469406: St. Edward's Crown, from the Crown Jewels of the United Kingdom, 1937 (colour litho) / Bridgeman Images

Venus and Mars in a river landscape with Vulcan labouring in his forge, c.1500 (oil on panel)
Venus and Mars in a river landscape with Vulcan labouring in his forge, c.1500 (oil on panel)

CH478830: Venus and Mars in a river landscape with Vulcan labouring in his forge, c.1500 (oil on panel) , Venetian School / Bridgeman Images

Types of 'Dangerous Performances' which the bill of Mr E. Jenkins, M.P. proposes to suppress, illustration from 'The Penny Illustrated Paper', March 12, 1880 (engraving)
Types of 'Dangerous Performances' which the bill of Mr E. Jenkins, M.P. proposes to suppress, illustration from 'The Penny Illustrated Paper', March 12, 1880 (engraving)

XJF493399: Types of 'Dangerous Performances' which the bill of Mr E. Jenkins, M.P. proposes to suppress, illustration from 'The Penny Illustrated Paper', March 12, 1880 (engraving), English School, (19th century) / Bridgeman Images

Maxim Gorky and Maria Andreyeva posing in the studio at Repin's dacha (b/w photo)
Maxim Gorky and Maria Andreyeva posing in the studio at Repin's dacha (b/w photo)

BCC489148: Maxim Gorky and Maria Andreyeva posing in the studio at Repin's dacha (b/w photo), Russian Photographer / Bridgeman Images

Capriccio view of the ruins of Heidelberg Castle (oil on canvas)
Capriccio view of the ruins of Heidelberg Castle (oil on canvas)

CH492232: Capriccio view of the ruins of Heidelberg Castle (oil on canvas), Rohden, Johann Martin von (1778-1868) / Bridgeman Images

Tecumseh (coloured engraving)
Tecumseh (coloured engraving)

PNP468327: Tecumseh (coloured engraving) / Bridgeman Images

The Battle of New Orleans (colour litho)
The Battle of New Orleans (colour litho)

PNP468398: The Battle of New Orleans (colour litho) / Bridgeman Images


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