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Parcel-gilt trick drinking cup, c.1630 (gold & vermeil)
Parcel-gilt trick drinking cup, c.1630 (gold & vermeil)

CH390143: Parcel-gilt trick drinking cup, c.1630 (gold & vermeil), Utermarke, Dirich (1565-1649) / Bridgeman Images

Views in Killarney: Lord Kenmare's House (pencil & w/c on paper)
Views in Killarney: Lord Kenmare's House (pencil & w/c on paper)

CH438334: Views in Killarney: Lord Kenmare's House (pencil & w/c on paper), Gage, Thomas (c.1780-1820) / Bridgeman Images

Inlaid and carved open armchair encoded with a patchwork of various phrases, early 19th century (bog oak & bog yew with base metal)
Inlaid and carved open armchair encoded with a patchwork of various phrases, early 19th century (bog oak & bog yew with base metal)

CH438392: Inlaid and carved open armchair encoded with a patchwork of various phrases, early 19th century (bog oak & bog yew with base metal), Scottish School, (19th century) / Bridgeman Images

John the Painter (engraving)
John the Painter (engraving)

XJF438401: John the Painter (engraving), English School, (19th century) / Bridgeman Images

Charles Darwin (engraving)
Charles Darwin (engraving)

XJF438456: Charles Darwin (engraving), Maull & Fox (fl.1850-60) (after) / Bridgeman Images

Titlepage to 'A Naturalist's Voyage Around the World' by Charles Darwin, edition published in 1884 (printed paper)
Titlepage to 'A Naturalist's Voyage Around the World' by Charles Darwin, edition published in 1884 (printed paper)

XJF438461: Titlepage to 'A Naturalist's Voyage Around the World' by Charles Darwin, edition published in 1884 (printed paper), English School, (19th century) / Bridgeman Images

Jane Morris, posed by Dante Gabriel Rossetti, 1865 (albumen print)
Jane Morris, posed by Dante Gabriel Rossetti, 1865 (albumen print)

XJF438486: Jane Morris, posed by Dante Gabriel Rossetti, 1865 (albumen print), Parsons, John R. (fl.1860s) / Bridgeman Images

Perils of the Crinoline, 1850-70 (litho)
Perils of the Crinoline, 1850-70 (litho)

XJF437529: Perils of the Crinoline, 1850-70 (litho), English School, (19th century) / Bridgeman Images

St Thomas's Hospital, post 1860 (b/w photo)
St Thomas's Hospital, post 1860 (b/w photo)

XJF437535: St Thomas's Hospital, post 1860 (b/w photo), English Photographer, (19th century) / Bridgeman Images

Five peasants re-planting rice in a paddy field (hand coloured photo)
Five peasants re-planting rice in a paddy field (hand coloured photo)

STC437667: Five peasants re-planting rice in a paddy field (hand coloured photo), Japanese Photographer, (19th century) / Bridgeman Images

Sir Andrew Wood's Victory, illustration from 'The Sea' by F. Whymper (litho)
Sir Andrew Wood's Victory, illustration from 'The Sea' by F. Whymper (litho)

LLM437717: Sir Andrew Wood's Victory, illustration from 'The Sea' by F. Whymper (litho), English School, (19th century) / Bridgeman Images

St. Jerome in his cell, 1511 (woodcut)
St. Jerome in his cell, 1511 (woodcut)

XJF437426: St. Jerome in his cell, 1511 (woodcut), Dürer or Duerer, Albrecht (1471-1528) / Bridgeman Images

Charlemagne with pupils and teachers of his Palace School at Aachen, c.1890 (engraving)
Charlemagne with pupils and teachers of his Palace School at Aachen, c.1890 (engraving)

DGC437470: Charlemagne with pupils and teachers of his Palace School at Aachen, c.1890 (engraving), French School, (19th century) / Bridgeman Images

Sybil Harker on Saxa with the Norwich Staghounds (oil on canvas)
Sybil Harker on Saxa with the Norwich Staghounds (oil on canvas)

CH438729: Sybil Harker on Saxa with the Norwich Staghounds (oil on canvas), Munnings, Alfred (1878-1959) / Bridgeman Images

Universal Exposition: Artists of the oriental theatre returning to the Trocadero, 1900 (litho) (see also 184793)
Universal Exposition: Artists of the oriental theatre returning to the Trocadero, 1900 (litho) (see also 184793)

CHT438867: Universal Exposition: Artists of the oriental theatre returning to the Trocadero, 1900 (litho) (see also 184793), Sabattier, Louis Remy (1863-1935) / Bridgeman Images

Illustration from 'The History of the Adventures of Joseph Andrews and of his friend Mr Abraham Adams' by Henry Fielding, Published 1742 (engraving)
Illustration from 'The History of the Adventures of Joseph Andrews and of his friend Mr Abraham Adams' by Henry Fielding, Published 1742 (engraving)

XJF437936: Illustration from 'The History of the Adventures of Joseph Andrews and of his friend Mr Abraham Adams' by Henry Fielding, Published 1742 (engraving), English School, (18th century) / Bridgeman Images

His Excellency Hamet Ben Hamet Ben Haddu Otter, published by John Lloyd, 1682 (mezzotint)
His Excellency Hamet Ben Hamet Ben Haddu Otter, published by John Lloyd, 1682 (mezzotint)

XJF437948: His Excellency Hamet Ben Hamet Ben Haddu Otter, published by John Lloyd, 1682 (mezzotint), Luttrell, Edward (c.1650-1724) / Bridgeman Images

The 'Keels' of the Northmen, illustration for 'History of England' by H. O. Arnold-Forster, published 1897 (digitally enhanced image)
The 'Keels' of the Northmen, illustration for 'History of England' by H. O. Arnold-Forster, published 1897 (digitally enhanced image)

LLM438695: The 'Keels' of the Northmen, illustration for 'History of England' by H. O. Arnold-Forster, published 1897 (digitally enhanced image), English School, (19th century) (after) / Bridgeman Images

The Industrious 'Prentice a Favourite and Entrusted by his Master, plate IV of 'Industry and Idleness', illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)
The Industrious 'Prentice a Favourite and Entrusted by his Master, plate IV of 'Industry and Idleness', illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)

STC451235: The Industrious 'Prentice a Favourite and Entrusted by his Master, plate IV of 'Industry and Idleness', illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving), Hogarth, William (1697-1764) / Bridgeman Images

Leighs Priory, Essex, engraved by E. Young, 1832 (engraving)
Leighs Priory, Essex, engraved by E. Young, 1832 (engraving)

XJF451304: Leighs Priory, Essex, engraved by E. Young, 1832 (engraving), Bartlett, William Henry (1809-54) (after) / Bridgeman Images

Writtle Lodge, Essex, engraved by William Tombleson, 1832 (engraving)
Writtle Lodge, Essex, engraved by William Tombleson, 1832 (engraving)

XJF451307: Writtle Lodge, Essex, engraved by William Tombleson, 1832 (engraving), Bartlett, William Henry (1809-54) (after) / Bridgeman Images

'Cheerful prognostics', illustration from 'Pride & Prejudice' by Jane Austen, edition published in 1894 (engraving)
'Cheerful prognostics', illustration from 'Pride & Prejudice' by Jane Austen, edition published in 1894 (engraving)

XJF451378: 'Cheerful prognostics', illustration from 'Pride & Prejudice' by Jane Austen, edition published in 1894 (engraving), Thomson, Hugh (1860-1920) / Bridgeman Images

'Protested he must be entirely mistaken', illustration to 'Pride & Prejudice' by Jane Austen, edition published in 1894 (engraving)
'Protested he must be entirely mistaken', illustration to 'Pride & Prejudice' by Jane Austen, edition published in 1894 (engraving)

XJF451385: 'Protested he must be entirely mistaken', illustration to 'Pride & Prejudice' by Jane Austen, edition published in 1894 (engraving), Thomson, Hugh (1860-1920) / Bridgeman Images

The Steward's Cup, designed by Harrison Weir, Goodwood, 1865 (silver)
The Steward's Cup, designed by Harrison Weir, Goodwood, 1865 (silver)

CH451403: The Steward's Cup, designed by Harrison Weir, Goodwood, 1865 (silver), Garrard, Robert, II (1793-1881) / Bridgeman Images

Master of the Royal House in an elaborate blue coat, engraved by Le Beau, plate no.256 from 'Galeries des Modes et Costumes Francais', c.1778-87 (coloured engraving)
Master of the Royal House in an elaborate blue coat, engraved by Le Beau, plate no.256 from 'Galeries des Modes et Costumes Francais', c.1778-87 (coloured engraving)

STC427809: Master of the Royal House in an elaborate blue coat, engraved by Le Beau, plate no.256 from 'Galeries des Modes et Costumes Francais', c.1778-87 (coloured engraving), Watteau, Francois Louis Joseph (1758-1823) (after) / Bridgeman Images

The Chosen Virgins (woodcut)
The Chosen Virgins (woodcut)

XJF425644: The Chosen Virgins (woodcut), Poma de Ayala, Felipe Huaman (1526-1613) / Bridgeman Images

The first 'street' or age group of women, a weaver of thirty-three years (woodcut)
The first 'street' or age group of women, a weaver of thirty-three years (woodcut)

XJF425645: The first 'street' or age group of women, a weaver of thirty-three years (woodcut), Poma de Ayala, Felipe Huaman (1526-1613) / Bridgeman Images

Mary Sidgwick Benson (b/w photo)
Mary Sidgwick Benson (b/w photo)

XJF425698: Mary Sidgwick Benson (b/w photo), English Photographer, (19th century) / Bridgeman Images

The day and night of the Microcosm, from Robert Fludd's 'Utriusque Cosmi Historia', 1617-19 (engraving)
The day and night of the Microcosm, from Robert Fludd's 'Utriusque Cosmi Historia', 1617-19 (engraving)

XJF447342: The day and night of the Microcosm, from Robert Fludd's 'Utriusque Cosmi Historia', 1617-19 (engraving), English School, (17th century) / Bridgeman Images

Audley End, Essex, engraved by Henry Adlard, 1832 (engraving)
Audley End, Essex, engraved by Henry Adlard, 1832 (engraving)

XJF447358: Audley End, Essex, engraved by Henry Adlard, 1832 (engraving), Bartlett, William Henry (1809-54) (after) / Bridgeman Images

Marks Hall, Coggeshall, Essex, engraved by John Carr Armytage, 1833 (engraving)
Marks Hall, Coggeshall, Essex, engraved by John Carr Armytage, 1833 (engraving)

XJF447373: Marks Hall, Coggeshall, Essex, engraved by John Carr Armytage, 1833 (engraving), Bartlett, William Henry (1809-54) (after) / Bridgeman Images

Study of Sky and Sea, 1924 (oil on paper)
Study of Sky and Sea, 1924 (oil on paper)

MAA447051: Study of Sky and Sea, 1924 (oil on paper), Dalziel, Herbert (1853-1930) / Bridgeman Images

The Passing of Venus, c.1875 (oil on panel)
The Passing of Venus, c.1875 (oil on panel)

MAA447075: The Passing of Venus, c.1875 (oil on panel), Burne-Jones, Edward Coley (1833-98) / Bridgeman Images

And anoint it with fragrant rose, illustration from 'The Works of Hippocrates', 1934 (colour litho)
And anoint it with fragrant rose, illustration from 'The Works of Hippocrates', 1934 (colour litho)

STC446002: And anoint it with fragrant rose, illustration from 'The Works of Hippocrates', 1934 (colour litho), Kuhn-Regnier, Joseph (1873-1940) / Bridgeman Images

Tying the legs together, illustration from 'The Works of Hippocrates', 1934 (colour litho)
Tying the legs together, illustration from 'The Works of Hippocrates', 1934 (colour litho)

STC446013: Tying the legs together, illustration from 'The Works of Hippocrates', 1934 (colour litho), Kuhn-Regnier, Joseph (1873-1940) / Bridgeman Images

The Lady Venus receiving the messenger of L'Amour
The Lady Venus receiving the messenger of L'Amour

LLM454117: The Lady Venus receiving the messenger of L'Amour, English School, (19th century) (after) / Bridgeman Images


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