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The Waves and She I, 2017 (photo)
The Waves and She I, 2017 (photo)

GTS5058789: The Waves and She I, 2017 (photo), Ates, Güler (b.1977) / Bridgeman Images

Frankfurt Express (oil on canvas)
Frankfurt Express (oil on canvas)

HCR5054813: Frankfurt Express (oil on canvas), Crossley, Harley (1936-2013) / Bridgeman Images

Merlot or Round Midnight, 2017 (oil on panel)
Merlot or Round Midnight, 2017 (oil on panel)

MAX5053951: Merlot or Round Midnight, 2017 (oil on panel), Ferguson, Max (b.1959) / Bridgeman Images

Illustration for “Le petit poucet”, written in 1697 by Charles Perrault (1628-1703), 19th century (engraving)
Illustration for “Le petit poucet”, written in 1697 by Charles Perrault (1628-1703), 19th century (engraving)

ELD4831246: Illustration for “Le petit poucet”, written in 1697 by Charles Perrault (1628-1703), 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Portrait of Menelik II (1844-1913), Emperor of Ethiopia (1889-1913), late 19th century (engraving)
Portrait of Menelik II (1844-1913), Emperor of Ethiopia (1889-1913), late 19th century (engraving)

ELD4831299: Portrait of Menelik II (1844-1913), Emperor of Ethiopia (1889-1913), late 19th century (engraving) / Bridgeman Images

Evolution of Russian posters (Lubki) during the 4 years following the Revolution: 1) Russian worker waving a Revolution flag in the 1918 style; 2 and 3: Russian soldiers fighting enemies from inside and outside (1919 and 1920) 4: a soldier returning to production and reconstruction work in 1921.
Evolution of Russian posters (Lubki) during the 4 years following the Revolution: 1) Russian worker waving a Revolution flag in the 1918 style; 2 and 3: Russian soldiers fighting enemies from inside and outside (1919 and 1920) 4: a soldier returning to production and reconstruction work in 1921.

GIA4806210: Evolution of Russian posters (Lubki) during the 4 years following the Revolution: 1) Russian worker waving a Revolution flag in the 1918 style; 2 and 3: Russian soldiers fighting enemies from inside and outside (1919 and 1920) 4: a soldier returning to production and reconstruction work in 1921., Russian School, (20th century) / Bridgeman Images

A skeleton of whales at the Royal College of Surgeons in London. 19th century engraving
A skeleton of whales at the Royal College of Surgeons in London. 19th century engraving

GIA4806163: A skeleton of whales at the Royal College of Surgeons in London. 19th century engraving, Unknown Artist, (19th century) / Bridgeman Images

Futurism: “” Frecce nere”” Painting by Cesare Andreoni (1903-1961), 1937-1938. Request for authorization from Archivio Cesare Andreoni (archivioandreoni@fastwebnet.it)
Futurism: “” Frecce nere”” Painting by Cesare Andreoni (1903-1961), 1937-1938. Request for authorization from Archivio Cesare Andreoni (archivioandreoni@fastwebnet.it)

GIA4802594: Futurism: “” Frecce nere”” Painting by Cesare Andreoni (1903-1961), 1937-1938. Request for authorization from Archivio Cesare Andreoni (archivioandreoni@fastwebnet.it), Andreoni, Cesare (1903-1961) / Bridgeman Images

Portrait of Aristide Briand (1862 - 1932) in 1916.
Portrait of Aristide Briand (1862 - 1932) in 1916.

GIA4815653: Portrait of Aristide Briand (1862 - 1932) in 1916., Unknown Artist, (20th century) / Bridgeman Images

Xenophon of Athenes, Greek philosopher and historian (ca. 430-ca. 355 BC). xylography by Hartmann Schedel “” Chronicles of Nuremberg”” 1493.
Xenophon of Athenes, Greek philosopher and historian (ca. 430-ca. 355 BC). xylography by Hartmann Schedel “” Chronicles of Nuremberg”” 1493.

GIA4795859: Xenophon of Athenes, Greek philosopher and historian (ca. 430-ca. 355 BC). xylography by Hartmann Schedel “” Chronicles of Nuremberg”” 1493., Schedel, Hartmann (1440-1514) / Bridgeman Images

Engraving by Adrien Moreau (1843-1906) illustrating “” Candide”” by Francois Marie Arouet dit Voltaire (1694-1778).
Engraving by Adrien Moreau (1843-1906) illustrating “” Candide”” by Francois Marie Arouet dit Voltaire (1694-1778).

GIA4798758: Engraving by Adrien Moreau (1843-1906) illustrating “” Candide”” by Francois Marie Arouet dit Voltaire (1694-1778)., Moreau, Adrien (1843-1906) / Bridgeman Images

Mikhail Aleksandrovich Bakunin (Bakunin) (1814-1876), Russian anarchist at the Bale Congress in Switzerland in September 1869.
Mikhail Aleksandrovich Bakunin (Bakunin) (1814-1876), Russian anarchist at the Bale Congress in Switzerland in September 1869.

GIA4793637: Mikhail Aleksandrovich Bakunin (Bakunin) (1814-1876), Russian anarchist at the Bale Congress in Switzerland in September 1869., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Antonietta Fagnani Arese (1778-1847), beloved woman of Italian poet Ugo Foscolo (1778-1827). Painting by Carlo Bruni 19th century
Portrait of Antonietta Fagnani Arese (1778-1847), beloved woman of Italian poet Ugo Foscolo (1778-1827). Painting by Carlo Bruni 19th century

GIA4796519: Portrait of Antonietta Fagnani Arese (1778-1847), beloved woman of Italian poet Ugo Foscolo (1778-1827). Painting by Carlo Bruni 19th century, Bruni, Carlo (1785-p.1835) / Bridgeman Images

Representation of the attack of Giovanni Passannante (1849-1910) against the Italian king Umberto I (Humbert I) in 1878 in Naples. This event inspired the poet Giovanni Pascoli (1855-1912) in an Ode. Engraving of the 19th century
Representation of the attack of Giovanni Passannante (1849-1910) against the Italian king Umberto I (Humbert I) in 1878 in Naples. This event inspired the poet Giovanni Pascoli (1855-1912) in an Ode. Engraving of the 19th century

GIA4796733: Representation of the attack of Giovanni Passannante (1849-1910) against the Italian king Umberto I (Humbert I) in 1878 in Naples. This event inspired the poet Giovanni Pascoli (1855-1912) in an Ode. Engraving of the 19th century, Italian School, (19th century) / Bridgeman Images

Incipit of the Napoleonic Code (Civil Code).
Incipit of the Napoleonic Code (Civil Code).

GIA4813192: Incipit of the Napoleonic Code (Civil Code)., Unknown Artist, (19th century) / Bridgeman Images

La digue de La Rochelle lors du siege de la ville en 1627-1628 in “” Les sieges celebres”” engraving by Gilbert.
La digue de La Rochelle lors du siege de la ville en 1627-1628 in “” Les sieges celebres”” engraving by Gilbert.

GIA4801247: La digue de La Rochelle lors du siege de la ville en 1627-1628 in “” Les sieges celebres”” engraving by Gilbert., Gilbert, C. (19th century) / Bridgeman Images

Self Portrait Drawing of the Poet Paul Verlaine (1844-1896)
Self Portrait Drawing of the Poet Paul Verlaine (1844-1896)

GIA4802276: Self Portrait Drawing of the Poet Paul Verlaine (1844-1896), Verlaine, Paul (1844-96) / Bridgeman Images

Portrait of Danish writer and poet Hans Christian Andersen (1805-1875). Photograph of the 1860s.
Portrait of Danish writer and poet Hans Christian Andersen (1805-1875). Photograph of the 1860s.

GIA4801518: Portrait of Danish writer and poet Hans Christian Andersen (1805-1875). Photograph of the 1860s., Unknown photographer, (19th century) / Bridgeman Images

View of Cape town or Cape Town, at the time of British control, South Africa. 1820
View of Cape town or Cape Town, at the time of British control, South Africa. 1820

GIA4808881: View of Cape town or Cape Town, at the time of British control, South Africa. 1820, Unknown Artist, (19th century) / Bridgeman Images

Salammbo, daughter of Hamilcar Barca (or Barcas) Illustration by Georges Antoine Rochegrosse (1859-1938) for the novel “Salammbo” by Gustave Flaubert, taking as a framework the mercenary war at the time of the first Punic War (246-241 BC) between the Romans and Carthaginians.
Salammbo, daughter of Hamilcar Barca (or Barcas) Illustration by Georges Antoine Rochegrosse (1859-1938) for the novel “Salammbo” by Gustave Flaubert, taking as a framework the mercenary war at the time of the first Punic War (246-241 BC) between the Romans and Carthaginians.

GIA4808141: Salammbo, daughter of Hamilcar Barca (or Barcas) Illustration by Georges Antoine Rochegrosse (1859-1938) for the novel “Salammbo” by Gustave Flaubert, taking as a framework the mercenary war at the time of the first Punic War (246-241 BC) between the Romans and Carthaginians., Rochegrosse, Georges Marie (1859-1938) / Bridgeman Images

Representation of dog spermatozoides Description made by Dutch trader and scientist Antoine van Leeuwenhoek (or Leeuvenhoek Leeuwenhoeck) (or Antoni or Anthonie) (1632-1723). Engraving from “Investigatio Arcanorum” 1722
Representation of dog spermatozoides Description made by Dutch trader and scientist Antoine van Leeuwenhoek (or Leeuvenhoek Leeuwenhoeck) (or Antoni or Anthonie) (1632-1723). Engraving from “Investigatio Arcanorum” 1722

GIA4807258: Representation of dog spermatozoides Description made by Dutch trader and scientist Antoine van Leeuwenhoek (or Leeuvenhoek Leeuwenhoeck) (or Antoni or Anthonie) (1632-1723). Engraving from “Investigatio Arcanorum” 1722, Unknown artist, (18th century) / Bridgeman Images

A marine monster attacking a galleon (caravel). Detail of a map in “Theatrum Orbis Terrarum” by Abraham Ortelius, Antwerp 1584.
A marine monster attacking a galleon (caravel). Detail of a map in “Theatrum Orbis Terrarum” by Abraham Ortelius, Antwerp 1584.

GIA4807420: A marine monster attacking a galleon (caravel). Detail of a map in “Theatrum Orbis Terrarum” by Abraham Ortelius, Antwerp 1584., Ortelius, Abraham (1527-98) / Bridgeman Images

The Greek philosopher Archytas of Taranto (435-347 BC) philosopher Pythagorician, mathematician, astronomer and his wooden dove capable of flying. Engraving from “Mundus Subterraneus” by Athanasius Kircher (1601-1680) 1682
The Greek philosopher Archytas of Taranto (435-347 BC) philosopher Pythagorician, mathematician, astronomer and his wooden dove capable of flying. Engraving from “Mundus Subterraneus” by Athanasius Kircher (1601-1680) 1682

GIA4806782: The Greek philosopher Archytas of Taranto (435-347 BC) philosopher Pythagorician, mathematician, astronomer and his wooden dove capable of flying. Engraving from “Mundus Subterraneus” by Athanasius Kircher (1601-1680) 1682, Kircher, Athanasius (1602-80) / Bridgeman Images

Portrait of the Russian painter Wassily Kandinsky (Kandinski or Kandinskij) (1866-1944).
Portrait of the Russian painter Wassily Kandinsky (Kandinski or Kandinskij) (1866-1944).

GIA4807483: Portrait of the Russian painter Wassily Kandinsky (Kandinski or Kandinskij) (1866-1944)., Unknown photographer, (20th century) / Bridgeman Images

A Rare Elegantly Mounted Imari Coffee Pot and Cover (ceramic)
A Rare Elegantly Mounted Imari Coffee Pot and Cover (ceramic)

CH5050698: A Rare Elegantly Mounted Imari Coffee Pot and Cover (ceramic), Japanese School, (17th-18th century) / Bridgeman Images

Hostile Indian camp, 1891 (b/w photo)
Hostile Indian camp, 1891 (b/w photo)

XOS5042916: Hostile Indian camp, 1891 (b/w photo), Grabill, John C. H. (fl. late 19th century) / Bridgeman Images

Illustration for Mozart's opera Don Giovanni (engraving)
Illustration for Mozart's opera Don Giovanni (engraving)

LLM5209069: Illustration for Mozart's opera Don Giovanni (engraving), English School, (19th century) / Bridgeman Images

Through The Village Street (colour litho)
Through The Village Street (colour litho)

LLM5203527: Through The Village Street (colour litho), Wright, George (1860-1942) / Bridgeman Images

Illustration for Robinson Crusoe by Daniel Defoe (colour litho)
Illustration for Robinson Crusoe by Daniel Defoe (colour litho)

LLM5212305: Illustration for Robinson Crusoe by Daniel Defoe (colour litho), Pocock, Ralph Noel (1878-1949) / Bridgeman Images

The Triumph of Christ, Paradise, Canto 23 (engraving)
The Triumph of Christ, Paradise, Canto 23 (engraving)

LLM5214039: The Triumph of Christ, Paradise, Canto 23 (engraving), Flaxman, John (1755-1826) (after) / Bridgeman Images

The Frozen Lake, Inferno, Canto 32 (engraving)
The Frozen Lake, Inferno, Canto 32 (engraving)

LLM5213973: The Frozen Lake, Inferno, Canto 32 (engraving), Flaxman, John (1755-1826) (after) / Bridgeman Images

A Conversation with Guido Di Brettinoro, Purgatory, Canto 14 (engraving)
A Conversation with Guido Di Brettinoro, Purgatory, Canto 14 (engraving)

LLM5213995: A Conversation with Guido Di Brettinoro, Purgatory, Canto 14 (engraving), Flaxman, John (1755-1826) (after) / Bridgeman Images

The Meeting with Statius, Purgatory, Canto 21 (engraving)
The Meeting with Statius, Purgatory, Canto 21 (engraving)

LLM5214003: The Meeting with Statius, Purgatory, Canto 21 (engraving), Flaxman, John (1755-1826) (after) / Bridgeman Images

Forese's Elevation, Purgatory, Canto 23 (engraving)
Forese's Elevation, Purgatory, Canto 23 (engraving)

LLM5214004: Forese's Elevation, Purgatory, Canto 23 (engraving), Flaxman, John (1755-1826) (after) / Bridgeman Images

Prehistoric man and Fire (colour litho)
Prehistoric man and Fire (colour litho)

LAL5197084: Prehistoric man and Fire (colour litho), McBride, Angus (1931-2007) / Bridgeman Images

Discovery of The Rosetta Stone in Egypt (colour litho)
Discovery of The Rosetta Stone in Egypt (colour litho)

LAL5197143: Discovery of The Rosetta Stone in Egypt (colour litho), Jackson, Peter (1922-2003) / Bridgeman Images


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