Print Friendly Version Page

792458 Search Results

Speed of light: the experience of Leon Foucault (1819-1868) showing that the speed of light is less in water than in air. Anonymous illustration from 1925. Private collection.
Speed of light: the experience of Leon Foucault (1819-1868) showing that the speed of light is less in water than in air. Anonymous illustration from 1925. Private collection.

XEE4140398: Speed of light: the experience of Leon Foucault (1819-1868) showing that the speed of light is less in water than in air. Anonymous illustration from 1925. Private collection., Anonymous / Bridgeman Images

Religious art: statue of Notre Dame du Pillar or “” Virgo Noire”” (about 1540) in the cathedrale of Chartres (Eure et Loire, 28) in 1858. Engraving in “” Le Monde Illustré”” n°89 of 25 December 1858.
Religious art: statue of Notre Dame du Pillar or “” Virgo Noire”” (about 1540) in the cathedrale of Chartres (Eure et Loire, 28) in 1858. Engraving in “” Le Monde Illustré”” n°89 of 25 December 1858.

XEE4140402: Religious art: statue of Notre Dame du Pillar or “” Virgo Noire”” (about 1540) in the cathedrale of Chartres (Eure et Loire, 28) in 1858. Engraving in “” Le Monde Illustré”” n°89 of 25 December 1858., French School, (19th century) / Bridgeman Images

Photometry: equal light and equal shadows. Anonymous illustration from 1925. Private collection.
Photometry: equal light and equal shadows. Anonymous illustration from 1925. Private collection.

XEE4140407: Photometry: equal light and equal shadows. Anonymous illustration from 1925. Private collection., Anonymous / Bridgeman Images

Light reflexion: the telemeter used for navigation. Anonymous illustration from 1925. Private collection.
Light reflexion: the telemeter used for navigation. Anonymous illustration from 1925. Private collection.

XEE4140415: Light reflexion: the telemeter used for navigation. Anonymous illustration from 1925. Private collection., Anonymous / Bridgeman Images

Reflection of light: revolving mirror. Anonymous illustration of 1925. Private collection.
Reflection of light: revolving mirror. Anonymous illustration of 1925. Private collection.

XEE4140419: Reflection of light: revolving mirror. Anonymous illustration of 1925. Private collection., Anonymous / Bridgeman Images

Light reflexion: spotlights used to spot a plane in the sky at night. Anonymous illustration from 1925. Private collection.
Light reflexion: spotlights used to spot a plane in the sky at night. Anonymous illustration from 1925. Private collection.

XEE4140424: Light reflexion: spotlights used to spot a plane in the sky at night. Anonymous illustration from 1925. Private collection., Anonymous / Bridgeman Images

Light refraction: mirage. Atmospheric refraction gives the illusion of an oasis appearing in a desert. Anonymous illustration from 1925. Private collection.
Light refraction: mirage. Atmospheric refraction gives the illusion of an oasis appearing in a desert. Anonymous illustration from 1925. Private collection.

XEE4140442: Light refraction: mirage. Atmospheric refraction gives the illusion of an oasis appearing in a desert. Anonymous illustration from 1925. Private collection., Anonymous / Bridgeman Images

The first optical instruments: Captain James Cook (1728-1779), at the bow of his boat, observes the southern lands at long sight. Anonymous illustration from 1925. Private collection.
The first optical instruments: Captain James Cook (1728-1779), at the bow of his boat, observes the southern lands at long sight. Anonymous illustration from 1925. Private collection.

XEE4140494: The first optical instruments: Captain James Cook (1728-1779), at the bow of his boat, observes the southern lands at long sight. Anonymous illustration from 1925. Private collection., Anonymous / Bridgeman Images

Light signals: Rockland headlight. Anonymous illustration from 1925. Private collection.
Light signals: Rockland headlight. Anonymous illustration from 1925. Private collection.

XEE4140510: Light signals: Rockland headlight. Anonymous illustration from 1925. Private collection., Anonymous / Bridgeman Images

Double refraction: saccharimeter. Anonymous illustration of 1925. Private collection.
Double refraction: saccharimeter. Anonymous illustration of 1925. Private collection.

XEE4140528: Double refraction: saccharimeter. Anonymous illustration of 1925. Private collection., Anonymous / Bridgeman Images

Photography: The first photographers in the 19th century. Photographer portraying a soldier in his studio. Anonymous illustration from 1925. Private collection.
Photography: The first photographers in the 19th century. Photographer portraying a soldier in his studio. Anonymous illustration from 1925. Private collection.

XEE4140572: Photography: The first photographers in the 19th century. Photographer portraying a soldier in his studio. Anonymous illustration from 1925. Private collection., Anonymous / Bridgeman Images

Light projection: use of a projector in a classroom in the 1920s. Anonymous illustration from 1925. Private collection.
Light projection: use of a projector in a classroom in the 1920s. Anonymous illustration from 1925. Private collection.

XEE4140575: Light projection: use of a projector in a classroom in the 1920s. Anonymous illustration from 1925. Private collection., Anonymous / Bridgeman Images

Light projection: crystallization. Anonymous illustration of 1925. Private collection.
Light projection: crystallization. Anonymous illustration of 1925. Private collection.

XEE4140581: Light projection: crystallization. Anonymous illustration of 1925. Private collection., Anonymous / Bridgeman Images

Static machines: electrophoreus. Anonymous illustration of 1925. Private collection.
Static machines: electrophoreus. Anonymous illustration of 1925. Private collection.

XEE4140670: Static machines: electrophoreus. Anonymous illustration of 1925. Private collection., Anonymous / Bridgeman Images

Mechanical traction: trucks. Anonymous illustration of 1925. Private collection.
Mechanical traction: trucks. Anonymous illustration of 1925. Private collection.

XEE4141155: Mechanical traction: trucks. Anonymous illustration of 1925. Private collection., Anonymous / Bridgeman Images

Monetary press Chromolithography of the end of the 19th century
Monetary press Chromolithography of the end of the 19th century

XEE4141261: Monetary press Chromolithography of the end of the 19th century, Unknown Artist, (19th century) / Bridgeman Images

Machine ironator. (ironing). Chromolithography from the end of the 19th century.
Machine ironator. (ironing). Chromolithography from the end of the 19th century.

XEE4141276: Machine ironator. (ironing). Chromolithography from the end of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

Chocolate manufacturing: molding. Chromolithography of the end of the 19th century
Chocolate manufacturing: molding. Chromolithography of the end of the 19th century

XEE4141294: Chocolate manufacturing: molding. Chromolithography of the end of the 19th century, Unknown Artist, (19th century) / Bridgeman Images

The Vannier. Chromolithography of the late 19th century
The Vannier. Chromolithography of the late 19th century

XEE4141304: The Vannier. Chromolithography of the late 19th century, Unknown Artist, (19th century) / Bridgeman Images

Wine production: wine press of the hospice of Beaune (clos vougeot). Chromolithography of the late 19th century
Wine production: wine press of the hospice of Beaune (clos vougeot). Chromolithography of the late 19th century

XEE4141312: Wine production: wine press of the hospice of Beaune (clos vougeot). Chromolithography of the late 19th century, Unknown Artist, (19th century) / Bridgeman Images

Manufacture of lighting gas, cornu delutor. Chromolithography of the end of the 19th century
Manufacture of lighting gas, cornu delutor. Chromolithography of the end of the 19th century

XEE4141314: Manufacture of lighting gas, cornu delutor. Chromolithography of the end of the 19th century, Unknown Artist, (19th century) / Bridgeman Images

Architecture: view of the underground vault of the Quai de Gevres in Paris, 1859. Engraving in “” Le Monde Illustré”” n°105 of 16 April 1859.
Architecture: view of the underground vault of the Quai de Gevres in Paris, 1859. Engraving in “” Le Monde Illustré”” n°105 of 16 April 1859.

XEE4141315: Architecture: view of the underground vault of the Quai de Gevres in Paris, 1859. Engraving in “” Le Monde Illustré”” n°105 of 16 April 1859., French School, (19th century) / Bridgeman Images

Forges de la Franche Comte: the pestle. Factory of Fraisans, Jura (39), 1859. Engraving by Bourdelin in “” Le Monde Illustré”” n°104 of 9 April 1859.
Forges de la Franche Comte: the pestle. Factory of Fraisans, Jura (39), 1859. Engraving by Bourdelin in “” Le Monde Illustré”” n°104 of 9 April 1859.

XEE4141362: Forges de la Franche Comte: the pestle. Factory of Fraisans, Jura (39), 1859. Engraving by Bourdelin in “” Le Monde Illustré”” n°104 of 9 April 1859., Bourdelin, Emile (fl.1890) / Bridgeman Images

Forges de la Franche Comte: refining with puddler ovens. Factory of Fraisans, Jura (39), 1859. Engraving by Bourdelin in “” Le Monde Illustré”” n°104 of 9 April 1859.
Forges de la Franche Comte: refining with puddler ovens. Factory of Fraisans, Jura (39), 1859. Engraving by Bourdelin in “” Le Monde Illustré”” n°104 of 9 April 1859.

XEE4141415: Forges de la Franche Comte: refining with puddler ovens. Factory of Fraisans, Jura (39), 1859. Engraving by Bourdelin in “” Le Monde Illustré”” n°104 of 9 April 1859., Bourdelin, Emile (fl.1890) / Bridgeman Images

Representation of an opera: “” Herculanum”” on a libretto by Joseph Mery (1798-1866) and T. Hadot and a music by Felicien David (1808-1876). The town of Herculanum at the time of its destruction during the eruption of the Vesuve (last scene of Act V). Theatre de l'Opera, Paris, 1859. Engraving in “” Le Monde Illustré”” n°101 of 19 March 1859.
Representation of an opera: “” Herculanum”” on a libretto by Joseph Mery (1798-1866) and T. Hadot and a music by Felicien David (1808-1876). The town of Herculanum at the time of its destruction during the eruption of the Vesuve (last scene of Act V). Theatre de l'Opera, Paris, 1859. Engraving in “” Le Monde Illustré”” n°101 of 19 March 1859.

XEE4141511: Representation of an opera: “” Herculanum”” on a libretto by Joseph Mery (1798-1866) and T. Hadot and a music by Felicien David (1808-1876). The town of Herculanum at the time of its destruction during the eruption of the Vesuve (last scene of Act V). Theatre de l'Opera, Paris, 1859. Engraving in “” Le Monde Illustré”” n°101 of 19 March 1859., French School, (19th century) / Bridgeman Images

Anne Ninon”” of the Enclos (or Ninon de Lenclos or Ninon de Lanclos, 1620-1705) in conversations with Cesar Phebus d'Albret (1614-1676), Count of Miossens, Engraving of the 19th century in “” Confessions of Ninon de Lenclos” by Eugene Moret.
Anne Ninon”” of the Enclos (or Ninon de Lenclos or Ninon de Lanclos, 1620-1705) in conversations with Cesar Phebus d'Albret (1614-1676), Count of Miossens, Engraving of the 19th century in “” Confessions of Ninon de Lenclos” by Eugene Moret.

XEE4141538: Anne Ninon”” of the Enclos (or Ninon de Lenclos or Ninon de Lanclos, 1620-1705) in conversations with Cesar Phebus d'Albret (1614-1676), Count of Miossens, Engraving of the 19th century in “” Confessions of Ninon de Lenclos” by Eugene Moret., French School, (19th century) / Bridgeman Images

Horticulture: main methods of plant transplantation. 1860 engraving.
Horticulture: main methods of plant transplantation. 1860 engraving.

XEE4141735: Horticulture: main methods of plant transplantation. 1860 engraving., Unknown Artist, (19th century) / Bridgeman Images

Anne Ninon””” from the Enclo (or Ninon de Lenclos or Ninon de Lanclos, 1620-1705) having lunch with Pierre Corneille. Engraving of the 19th century in “” Confessions of Ninon de Lenclos”” by Eugene Moret.
Anne Ninon””” from the Enclo (or Ninon de Lenclos or Ninon de Lanclos, 1620-1705) having lunch with Pierre Corneille. Engraving of the 19th century in “” Confessions of Ninon de Lenclos”” by Eugene Moret.

XEE4141834: Anne Ninon””” from the Enclo (or Ninon de Lenclos or Ninon de Lanclos, 1620-1705) having lunch with Pierre Corneille. Engraving of the 19th century in “” Confessions of Ninon de Lenclos”” by Eugene Moret., French School, (19th century) / Bridgeman Images

Electric capacitors: the bottle of Leiden invented by Pieter (Petrus, Pierre) van Musschenbroek (1692-1761) and ancestor of the capacitor. Anonymous illustration from 1925. Private collection.
Electric capacitors: the bottle of Leiden invented by Pieter (Petrus, Pierre) van Musschenbroek (1692-1761) and ancestor of the capacitor. Anonymous illustration from 1925. Private collection.

XEE4140673: Electric capacitors: the bottle of Leiden invented by Pieter (Petrus, Pierre) van Musschenbroek (1692-1761) and ancestor of the capacitor. Anonymous illustration from 1925. Private collection., Anonymous / Bridgeman Images

Electrical pipes: Ampere laboratory. Anonymous illustration of 1925. Private collection.
Electrical pipes: Ampere laboratory. Anonymous illustration of 1925. Private collection.

XEE4140681: Electrical pipes: Ampere laboratory. Anonymous illustration of 1925. Private collection., Anonymous / Bridgeman Images

Electrical pipes: high voltage pipe. Anonymous illustration from 1925. Private collection.
Electrical pipes: high voltage pipe. Anonymous illustration from 1925. Private collection.

XEE4140689: Electrical pipes: high voltage pipe. Anonymous illustration from 1925. Private collection., Anonymous / Bridgeman Images

Electrical pipes: pipeline in plants. Anonymous illustration from 1925. Private collection.
Electrical pipes: pipeline in plants. Anonymous illustration from 1925. Private collection.

XEE4140690: Electrical pipes: pipeline in plants. Anonymous illustration from 1925. Private collection., Anonymous / Bridgeman Images

Household uses of electricite: whitewashing. Anonymous illustration from 1925. Private collection.
Household uses of electricite: whitewashing. Anonymous illustration from 1925. Private collection.

XEE4140704: Household uses of electricite: whitewashing. Anonymous illustration from 1925. Private collection., Anonymous / Bridgeman Images

Electric tools: arc torch used by a scaphandler at the bottom of the water. Anonymous illustration from 1925. Private collection.
Electric tools: arc torch used by a scaphandler at the bottom of the water. Anonymous illustration from 1925. Private collection.

XEE4140711: Electric tools: arc torch used by a scaphandler at the bottom of the water. Anonymous illustration from 1925. Private collection., Anonymous / Bridgeman Images

Electric trams: the current used by trams is 500 volts. Anonymous illustration from 1925. Private collection.
Electric trams: the current used by trams is 500 volts. Anonymous illustration from 1925. Private collection.

XEE4140749: Electric trams: the current used by trams is 500 volts. Anonymous illustration from 1925. Private collection., Anonymous / Bridgeman Images

Electric railways: Catennial line. Anonymous illustration of 1925. Private collection.
Electric railways: Catennial line. Anonymous illustration of 1925. Private collection.

XEE4140773: Electric railways: Catennial line. Anonymous illustration of 1925. Private collection., Anonymous / Bridgeman Images


Back to top