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Letters Q and R like keel and snowshoe games. Alphabet de la Phosphatine Falieres Alphabet brevete S.G.D.G. by pharmacist Pierre Emile Falieres . Illustrations in chromolithography, late 19th century
Letters Q and R like keel and snowshoe games. Alphabet de la Phosphatine Falieres Alphabet brevete S.G.D.G. by pharmacist Pierre Emile Falieres . Illustrations in chromolithography, late 19th century

DUV4197939: Letters Q and R like keel and snowshoe games. Alphabet de la Phosphatine Falieres Alphabet brevete S.G.D.G. by pharmacist Pierre Emile Falieres . Illustrations in chromolithography, late 19th century / Bridgeman Images

Letters Y and Z like Yole and Zouave. Alphabet de la Phosphatine Falieres Alphabet brevete S.G.D.G. by pharmacist Pierre Emile Falieres . Illustrations in chromolithography, late 19th century
Letters Y and Z like Yole and Zouave. Alphabet de la Phosphatine Falieres Alphabet brevete S.G.D.G. by pharmacist Pierre Emile Falieres . Illustrations in chromolithography, late 19th century

DUV4197958: Letters Y and Z like Yole and Zouave. Alphabet de la Phosphatine Falieres Alphabet brevete S.G.D.G. by pharmacist Pierre Emile Falieres . Illustrations in chromolithography, late 19th century / Bridgeman Images

Letter B as
Letter B as

DUV4197966: Letter B as " Bee! As long as they live the b.. b... sheep belera”.Comic abecedaryc.1850-1860 (Epinal print), French School, (19th century) / Bridgeman Images

View of the city of Pisa (Pisa), Italy. engraving of 1859 in “” the galleries of Europe - Italy”” by armengaud. Private collection.
View of the city of Pisa (Pisa), Italy. engraving of 1859 in “” the galleries of Europe - Italy”” by armengaud. Private collection.

XEE4191828: View of the city of Pisa (Pisa), Italy. engraving of 1859 in “” the galleries of Europe - Italy”” by armengaud. Private collection., Anonymous / Bridgeman Images

Portrait of Bernardino de Scapis called Bernardino Luini (1481-1532) Italian painter. engraving of 1859 in “” the galleries of Europe - Italy “” by armengaud. Private collection.
Portrait of Bernardino de Scapis called Bernardino Luini (1481-1532) Italian painter. engraving of 1859 in “” the galleries of Europe - Italy “” by armengaud. Private collection.

XEE4191954: Portrait of Bernardino de Scapis called Bernardino Luini (1481-1532) Italian painter. engraving of 1859 in “” the galleries of Europe - Italy “” by armengaud. Private collection., Anonymous / Bridgeman Images

Portrait of Jacopo or Giacomo Bassano (1518-1592) Italian painter. Engraving of 1859 in “” the galleries of Europe - Italy “” by armengaud. Private collection.
Portrait of Jacopo or Giacomo Bassano (1518-1592) Italian painter. Engraving of 1859 in “” the galleries of Europe - Italy “” by armengaud. Private collection.

XEE4191977: Portrait of Jacopo or Giacomo Bassano (1518-1592) Italian painter. Engraving of 1859 in “” the galleries of Europe - Italy “” by armengaud. Private collection., Anonymous / Bridgeman Images

Portrait of Gregorio di Tomaso Chiulinovich Lo Schiavone (1436-1504) Italian painter. Engraving of 1859 in “” the galleries of Europe - Italy “” by armengaud. Private collection.
Portrait of Gregorio di Tomaso Chiulinovich Lo Schiavone (1436-1504) Italian painter. Engraving of 1859 in “” the galleries of Europe - Italy “” by armengaud. Private collection.

XEE4191984: Portrait of Gregorio di Tomaso Chiulinovich Lo Schiavone (1436-1504) Italian painter. Engraving of 1859 in “” the galleries of Europe - Italy “” by armengaud. Private collection., Anonymous / Bridgeman Images

Portrait of Sebastiano Luciani dit Sebastiano del Piombo (1485-1547) Italian painter. 1859 engraving in “” the galleries of Europe - Italy”” by Armandaud. Private collection.
Portrait of Sebastiano Luciani dit Sebastiano del Piombo (1485-1547) Italian painter. 1859 engraving in “” the galleries of Europe - Italy”” by Armandaud. Private collection.

XEE4191986: Portrait of Sebastiano Luciani dit Sebastiano del Piombo (1485-1547) Italian painter. 1859 engraving in “” the galleries of Europe - Italy”” by Armandaud. Private collection., Anonymous / Bridgeman Images

Portrait of Jacopo Palma il Giovane (The Young, 1544-1628) Italian painter. engraving of 1859 in “” the galleries of Europe - Italy “” by armengaud. Private collection.
Portrait of Jacopo Palma il Giovane (The Young, 1544-1628) Italian painter. engraving of 1859 in “” the galleries of Europe - Italy “” by armengaud. Private collection.

XEE4191992: Portrait of Jacopo Palma il Giovane (The Young, 1544-1628) Italian painter. engraving of 1859 in “” the galleries of Europe - Italy “” by armengaud. Private collection., Anonymous / Bridgeman Images

Portrait of Bartolomeo Ramenghi Bagnacavallo (ca. 1484-1542), Italian painter. engraving of 1859 in “” the galleries of Europe - Italy “” by armengaud. Private collection.
Portrait of Bartolomeo Ramenghi Bagnacavallo (ca. 1484-1542), Italian painter. engraving of 1859 in “” the galleries of Europe - Italy “” by armengaud. Private collection.

XEE4191993: Portrait of Bartolomeo Ramenghi Bagnacavallo (ca. 1484-1542), Italian painter. engraving of 1859 in “” the galleries of Europe - Italy “” by armengaud. Private collection., Anonymous / Bridgeman Images

Portrait of Francesco Albani (1578-1660) said the Albanian, Italian painter. 1859 engraving in “” the galleries of Europe - Italy”” by Armandaud. Private collection.
Portrait of Francesco Albani (1578-1660) said the Albanian, Italian painter. 1859 engraving in “” the galleries of Europe - Italy”” by Armandaud. Private collection.

XEE4191998: Portrait of Francesco Albani (1578-1660) said the Albanian, Italian painter. 1859 engraving in “” the galleries of Europe - Italy”” by Armandaud. Private collection., Anonymous / Bridgeman Images

Portrait of Francesco Primaticcio, known as The Primatice (1504 - 1570) Italian painter. engraving of 1859 in “” the galleries of Europe - Italy “” by armengaud. Private collection.
Portrait of Francesco Primaticcio, known as The Primatice (1504 - 1570) Italian painter. engraving of 1859 in “” the galleries of Europe - Italy “” by armengaud. Private collection.

XEE4192000: Portrait of Francesco Primaticcio, known as The Primatice (1504 - 1570) Italian painter. engraving of 1859 in “” the galleries of Europe - Italy “” by armengaud. Private collection., Anonymous / Bridgeman Images

Portrait of Annibale Carracci (Annibal Carrache, 1560-1609) Italian painter. Engraving from 1859 in “” the galleries of Europe - Italy “” by armengaud. Private collection.
Portrait of Annibale Carracci (Annibal Carrache, 1560-1609) Italian painter. Engraving from 1859 in “” the galleries of Europe - Italy “” by armengaud. Private collection.

XEE4192039: Portrait of Annibale Carracci (Annibal Carrache, 1560-1609) Italian painter. Engraving from 1859 in “” the galleries of Europe - Italy “” by armengaud. Private collection., Anonymous / Bridgeman Images

The Eiffel Tower, 300 meter high tower for the 1889 World Exhibition, in Paris, by engineer and industrial Gustave Eiffel (1832-1923). Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et à l'industrie.” 1884.
The Eiffel Tower, 300 meter high tower for the 1889 World Exhibition, in Paris, by engineer and industrial Gustave Eiffel (1832-1923). Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et à l'industrie.” 1884.

XEE4192065: The Eiffel Tower, 300 meter high tower for the 1889 World Exhibition, in Paris, by engineer and industrial Gustave Eiffel (1832-1923). Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et à l'industrie.” 1884., French School, (19th century) / Bridgeman Images

La salle des piles (surface 400 square meters) of the central office of telegraphs in Paris. in “” La Nature. Revue des sciences et de ses applications aux arts et à l'industrie.” 1884.
La salle des piles (surface 400 square meters) of the central office of telegraphs in Paris. in “” La Nature. Revue des sciences et de ses applications aux arts et à l'industrie.” 1884.

XEE4192073: La salle des piles (surface 400 square meters) of the central office of telegraphs in Paris. in “” La Nature. Revue des sciences et de ses applications aux arts et à l'industrie.” 1884., French School, (19th century) / Bridgeman Images

Amanab (or Auvassab, by his real name Amenates Tingitsoglu 1868-1887), a Greek giant measuring 2.36 metres, turning around the European capitals, who inspired a giant in the story “The will of an eccentric” by Jules Verne (1828-1905). Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1886.
Amanab (or Auvassab, by his real name Amenates Tingitsoglu 1868-1887), a Greek giant measuring 2.36 metres, turning around the European capitals, who inspired a giant in the story “The will of an eccentric” by Jules Verne (1828-1905). Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1886.

XEE4192149: Amanab (or Auvassab, by his real name Amenates Tingitsoglu 1868-1887), a Greek giant measuring 2.36 metres, turning around the European capitals, who inspired a giant in the story “The will of an eccentric” by Jules Verne (1828-1905). Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1886., French School, (19th century) / Bridgeman Images

The new Bridge has Argenteuil. Junction of the North and West lines. Ermont section (tubular system). Engraving after sketch by Ralph in “” Le Monde illustrious””, 29/08/1863. Private collection.
The new Bridge has Argenteuil. Junction of the North and West lines. Ermont section (tubular system). Engraving after sketch by Ralph in “” Le Monde illustrious””, 29/08/1863. Private collection.

XEE4192168: The new Bridge has Argenteuil. Junction of the North and West lines. Ermont section (tubular system). Engraving after sketch by Ralph in “” Le Monde illustrious””, 29/08/1863. Private collection., Deroy, Auguste Victor (d.1906) / Bridgeman Images

American ventriloquist O'Kill and his great dolls, in representation at the Eldorado Theatre, Paris. (Ventriloquie) Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1886.
American ventriloquist O'Kill and his great dolls, in representation at the Eldorado Theatre, Paris. (Ventriloquie) Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1886.

XEE4192169: American ventriloquist O'Kill and his great dolls, in representation at the Eldorado Theatre, Paris. (Ventriloquie) Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1886., French School, (19th century) / Bridgeman Images

Marguerite de Baviere, Duchess of Burgundy (1363-1423) and Queen Isabeau (Isabelle, Elisabeth) of Baviere (1371-1435) separate Louis I of Valois, Duke of Orleans (1372-1407) and Jean Sans Ppeur, Duke of Burgundy (1371-1419), who fight for the government of the Kingdom of France. Engraving from 1871 in “Histoire Des Cocuses Celebres”” by Henry de Kock (1819-1892).
Marguerite de Baviere, Duchess of Burgundy (1363-1423) and Queen Isabeau (Isabelle, Elisabeth) of Baviere (1371-1435) separate Louis I of Valois, Duke of Orleans (1372-1407) and Jean Sans Ppeur, Duke of Burgundy (1371-1419), who fight for the government of the Kingdom of France. Engraving from 1871 in “Histoire Des Cocuses Celebres”” by Henry de Kock (1819-1892).

XEE4192643: Marguerite de Baviere, Duchess of Burgundy (1363-1423) and Queen Isabeau (Isabelle, Elisabeth) of Baviere (1371-1435) separate Louis I of Valois, Duke of Orleans (1372-1407) and Jean Sans Ppeur, Duke of Burgundy (1371-1419), who fight for the government of the Kingdom of France. Engraving from 1871 in “Histoire Des Cocuses Celebres”” by Henry de Kock (1819-1892)., French School, (19th century) / Bridgeman Images

In the prey of mad rage, he made feathers, books and papers fly: anger of the poet Paul Scarron (1610-1660) in front of his wife, Francoise d'Aubigne (then Marquise (Madame) de Maintenon, 1635-1719). Engraving from 1871 in “Histoire Des Cocus Celebres”” by Henry de Kock (1819-1892).
In the prey of mad rage, he made feathers, books and papers fly: anger of the poet Paul Scarron (1610-1660) in front of his wife, Francoise d'Aubigne (then Marquise (Madame) de Maintenon, 1635-1719). Engraving from 1871 in “Histoire Des Cocus Celebres”” by Henry de Kock (1819-1892).

XEE4192679: In the prey of mad rage, he made feathers, books and papers fly: anger of the poet Paul Scarron (1610-1660) in front of his wife, Francoise d'Aubigne (then Marquise (Madame) de Maintenon, 1635-1719). Engraving from 1871 in “Histoire Des Cocus Celebres”” by Henry de Kock (1819-1892)., French School, (19th century) / Bridgeman Images

Fredegonde (545-597) takes her husband, King of the Francs Chilperic I (543-597), for her lover, Landeric. The king discovers as his wife cheats on him. Engraving from 1871 in “Histoire Des Cocuses Celebres”” by Henry de Kock (1819-1892).
Fredegonde (545-597) takes her husband, King of the Francs Chilperic I (543-597), for her lover, Landeric. The king discovers as his wife cheats on him. Engraving from 1871 in “Histoire Des Cocuses Celebres”” by Henry de Kock (1819-1892).

XEE4192735: Fredegonde (545-597) takes her husband, King of the Francs Chilperic I (543-597), for her lover, Landeric. The king discovers as his wife cheats on him. Engraving from 1871 in “Histoire Des Cocuses Celebres”” by Henry de Kock (1819-1892)., French School, (19th century) / Bridgeman Images

Clotilde Sprengel and Zacharie Bergmann watch German doctor Petrus Schultz asleep in front of the 18th century. Engraving from 1871 in “Histoire Des Cocuses Celebres”” by Henry de Kock (1819-1892).
Clotilde Sprengel and Zacharie Bergmann watch German doctor Petrus Schultz asleep in front of the 18th century. Engraving from 1871 in “Histoire Des Cocuses Celebres”” by Henry de Kock (1819-1892).

XEE4192753: Clotilde Sprengel and Zacharie Bergmann watch German doctor Petrus Schultz asleep in front of the 18th century. Engraving from 1871 in “Histoire Des Cocuses Celebres”” by Henry de Kock (1819-1892)., French School, (19th century) / Bridgeman Images

Francoise de Montmorency-Fosseux (Montmorency Fosseux) (1566-1641) asks forgiveness to Queen Marguerite de Valois (1553-1615), known as Queen Margot. She is the mistress of King Henry IV (1553-1610) and is apprehensively giving birth to their child, 1581. Engraving from 1871 in “Histoire Des Cocuses Celebres”” by Henry de Kock (1819-1892).
Francoise de Montmorency-Fosseux (Montmorency Fosseux) (1566-1641) asks forgiveness to Queen Marguerite de Valois (1553-1615), known as Queen Margot. She is the mistress of King Henry IV (1553-1610) and is apprehensively giving birth to their child, 1581. Engraving from 1871 in “Histoire Des Cocuses Celebres”” by Henry de Kock (1819-1892).

XEE4192760: Francoise de Montmorency-Fosseux (Montmorency Fosseux) (1566-1641) asks forgiveness to Queen Marguerite de Valois (1553-1615), known as Queen Margot. She is the mistress of King Henry IV (1553-1610) and is apprehensively giving birth to their child, 1581. Engraving from 1871 in “Histoire Des Cocuses Celebres”” by Henry de Kock (1819-1892)., French School, (19th century) / Bridgeman Images

The cortege of Rigonde (Rigonthe) (around 569-after 589) leaves Paris to go to his fiance, Prince Recarede. Engraving from 1871 in “Histoire Des Cocus Celebres”” by Henry de Kock (1819-1892).
The cortege of Rigonde (Rigonthe) (around 569-after 589) leaves Paris to go to his fiance, Prince Recarede. Engraving from 1871 in “Histoire Des Cocus Celebres”” by Henry de Kock (1819-1892).

XEE4192766: The cortege of Rigonde (Rigonthe) (around 569-after 589) leaves Paris to go to his fiance, Prince Recarede. Engraving from 1871 in “Histoire Des Cocus Celebres”” by Henry de Kock (1819-1892)., French School, (19th century) / Bridgeman Images

Portrait of Mercedes, character of the novel “The Count of Montecristo” (Monte Cristo or Monte Cristo) by Alexandre Dumas (1802-1870). Engraving in “” Le Monde Illustré””, January 30, 1886.
Portrait of Mercedes, character of the novel “The Count of Montecristo” (Monte Cristo or Monte Cristo) by Alexandre Dumas (1802-1870). Engraving in “” Le Monde Illustré””, January 30, 1886.

XEE4192781: Portrait of Mercedes, character of the novel “The Count of Montecristo” (Monte Cristo or Monte Cristo) by Alexandre Dumas (1802-1870). Engraving in “” Le Monde Illustré””, January 30, 1886., French School, (19th century) / Bridgeman Images

Portrait of Charles Baihaut (1843-1917), French politician. Engraving in “” Le Monde Illustré””, January 16, 1886.
Portrait of Charles Baihaut (1843-1917), French politician. Engraving in “” Le Monde Illustré””, January 16, 1886.

XEE4192785: Portrait of Charles Baihaut (1843-1917), French politician. Engraving in “” Le Monde Illustré””, January 16, 1886., French School, (19th century) / Bridgeman Images

General view of the gaming room of the casino of Monte Carlo (Monte-Carlo). Engraving in “” Le Monde Illustré””, 13 February 1886.
General view of the gaming room of the casino of Monte Carlo (Monte-Carlo). Engraving in “” Le Monde Illustré””, 13 February 1886.

XEE4192809: General view of the gaming room of the casino of Monte Carlo (Monte-Carlo). Engraving in “” Le Monde Illustré””, 13 February 1886., French School, (19th century) / Bridgeman Images

Queen Victoria Iere (1819-1901) attended the performance of Charles Gounod's oratorio “Mors et Vita” at Albert Hall in London. This is her first public representation since the death of her husband, Prince Albert. Engraving in “” Le Monde Illustré””, March 20, 1886.
Queen Victoria Iere (1819-1901) attended the performance of Charles Gounod's oratorio “Mors et Vita” at Albert Hall in London. This is her first public representation since the death of her husband, Prince Albert. Engraving in “” Le Monde Illustré””, March 20, 1886.

XEE4192810: Queen Victoria Iere (1819-1901) attended the performance of Charles Gounod's oratorio “Mors et Vita” at Albert Hall in London. This is her first public representation since the death of her husband, Prince Albert. Engraving in “” Le Monde Illustré””, March 20, 1886., French School, (19th century) / Bridgeman Images

Portrait of Maria Pia, Queen of Portugal (1847-1911). Engraving in “” Le Monde Illustré””, 22 May 1886.
Portrait of Maria Pia, Queen of Portugal (1847-1911). Engraving in “” Le Monde Illustré””, 22 May 1886.

XEE4192814: Portrait of Maria Pia, Queen of Portugal (1847-1911). Engraving in “” Le Monde Illustré””, 22 May 1886., French School, (19th century) / Bridgeman Images

Piece of theatre: comedians of the Comedie Francaise in “” Un parisien”” by Edmond Gondinet (1828-1888), 1886. Engraving in “” Le Monde Illustré””, January 30, 1886.
Piece of theatre: comedians of the Comedie Francaise in “” Un parisien”” by Edmond Gondinet (1828-1888), 1886. Engraving in “” Le Monde Illustré””, January 30, 1886.

XEE4192834: Piece of theatre: comedians of the Comedie Francaise in “” Un parisien”” by Edmond Gondinet (1828-1888), 1886. Engraving in “” Le Monde Illustré””, January 30, 1886., French School, (19th century) / Bridgeman Images

The Monte Carlo (Monte-Carlo) disaster: train accident on the railway line along the coast. A newspaper. Engraving in “” Le Monde Illustré””, 1886.
The Monte Carlo (Monte-Carlo) disaster: train accident on the railway line along the coast. A newspaper. Engraving in “” Le Monde Illustré””, 1886.

XEE4192864: The Monte Carlo (Monte-Carlo) disaster: train accident on the railway line along the coast. A newspaper. Engraving in “” Le Monde Illustré””, 1886., French School, (19th century) / Bridgeman Images

Fete for the wedding of Princess Marie Amelie d'Orleans (1865-1951) and Duke Charles Ferdinand de Bragance (1863-1908) at the Palais Royal in Paris in 1886. He became King Charles (Carlos) I of Portugal. A newspaper. Engraving in “” Le Monde Illustré””, June 5, 1886.
Fete for the wedding of Princess Marie Amelie d'Orleans (1865-1951) and Duke Charles Ferdinand de Bragance (1863-1908) at the Palais Royal in Paris in 1886. He became King Charles (Carlos) I of Portugal. A newspaper. Engraving in “” Le Monde Illustré””, June 5, 1886.

XEE4192868: Fete for the wedding of Princess Marie Amelie d'Orleans (1865-1951) and Duke Charles Ferdinand de Bragance (1863-1908) at the Palais Royal in Paris in 1886. He became King Charles (Carlos) I of Portugal. A newspaper. Engraving in “” Le Monde Illustré””, June 5, 1886., French School, (19th century) / Bridgeman Images

Portrait of Charles Camille Pelletan (1846-1915), French politician, journalist and writer. Engraving in “” Le Monde Illustré””, January 2, 1886.
Portrait of Charles Camille Pelletan (1846-1915), French politician, journalist and writer. Engraving in “” Le Monde Illustré””, January 2, 1886.

XEE4192921: Portrait of Charles Camille Pelletan (1846-1915), French politician, journalist and writer. Engraving in “” Le Monde Illustré””, January 2, 1886., French School, (19th century) / Bridgeman Images

La Gironde (33), Aquitaine, France. Local speciality: fish, anisette, Bordeaux wine, plums, candles, cigars, corks and colonial food. Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection.
La Gironde (33), Aquitaine, France. Local speciality: fish, anisette, Bordeaux wine, plums, candles, cigars, corks and colonial food. Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection.

XEE4193110: La Gironde (33), Aquitaine, France. Local speciality: fish, anisette, Bordeaux wine, plums, candles, cigars, corks and colonial food. Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection., French School, (20th century) / Bridgeman Images

L'Eure (27), Haute-Normandie (Haute Normandy), France. Series on the French Departments. Local speciality: the coutil, the elbeuf sheet, the Cutil canvas and the pear. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection.
L'Eure (27), Haute-Normandie (Haute Normandy), France. Series on the French Departments. Local speciality: the coutil, the elbeuf sheet, the Cutil canvas and the pear. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection.

XEE4193136: L'Eure (27), Haute-Normandie (Haute Normandy), France. Series on the French Departments. Local speciality: the coutil, the elbeuf sheet, the Cutil canvas and the pear. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection., French School, (20th century) / Bridgeman Images

Senegal, Mayotte, Ile de Sainte Marie, Nossi Be (Nossi-be or Nosy-be or Nosy be), Africa. Elephant, crocodile and boat in a river. Series on the French colonies. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection.
Senegal, Mayotte, Ile de Sainte Marie, Nossi Be (Nossi-be or Nosy-be or Nosy be), Africa. Elephant, crocodile and boat in a river. Series on the French colonies. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection.

XEE4193155: Senegal, Mayotte, Ile de Sainte Marie, Nossi Be (Nossi-be or Nosy-be or Nosy be), Africa. Elephant, crocodile and boat in a river. Series on the French colonies. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection., French School, (20th century) / Bridgeman Images


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