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The Teddy Bear (w/c on paper)
The Teddy Bear (w/c on paper)

CBE204044: The Teddy Bear (w/c on paper), Riley, Paul / Bridgeman Images

ID: CBE204044

The Teddy Bear (w/c on paper)

Riley, Paul

The Bay Window (w/c & bodycolour on paper)
The Bay Window (w/c & bodycolour on paper)

CBE204068: The Bay Window (w/c & bodycolour on paper), Rayner, Louise Ingram (1832-1924) / Bridgeman Images

ID: CBE204068

The Bay Window (w/c & bodycolour on paper)

Rayner, Louise Ingram (1832-1924)

The first Jew who has ever been Attorney-General (pencil on paper)
The first Jew who has ever been Attorney-General (pencil on paper)

CBE204071: The first Jew who has ever been Attorney-General (pencil on paper), Reed, Edward Tennyson (1860-1933) / Bridgeman Images

ID: CBE204071

The first Jew who has ever been Attorney-General (pencil on paper)

Reed, Edward Tennyson (1860-1933)

Rusty Bacon (Pigheadedness and Persuasion) (ink & w/c on paper)
Rusty Bacon (Pigheadedness and Persuasion) (ink & w/c on paper)

CBE204076: Rusty Bacon (Pigheadedness and Persuasion) (ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: CBE204076

Rusty Bacon (Pigheadedness and Persuasion) (ink & w/c on paper)

Rowlandson, Thomas (1756-1827)

The Baron Makes a Speech to the National Assembly and Drives out all the Members (pen & ink and w/c on paper)
The Baron Makes a Speech to the National Assembly and Drives out all the Members (pen & ink and w/c on paper)

CBE204086: The Baron Makes a Speech to the National Assembly and Drives out all the Members (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: CBE204086

The Baron Makes a Speech to the National Assembly and Drives out all the Members (pen & ink and w/c on paper)

Rowlandson, Thomas (1756-1827)

Map of the Battle of Normandy, June-August 1944, 1947 (colour litho)
Map of the Battle of Normandy, June-August 1944, 1947 (colour litho)

CHT204089: Map of the Battle of Normandy, June-August 1944, 1947 (colour litho), French School, (20th century) / Bridgeman Images

ID: CHT204089

Map of the Battle of Normandy, June-August 1944, 1947 (colour litho)

French School, (20th century)

Enter Ariel Like a Nymph, from 'The Tempest', by William Shakespeare (1564-1616) (pencil & sanguine on paper)
Enter Ariel Like a Nymph, from 'The Tempest', by William Shakespeare (1564-1616) (pencil & sanguine on paper)

CBE204125: Enter Ariel Like a Nymph, from 'The Tempest', by William Shakespeare (1564-1616) (pencil & sanguine on paper), Rackham, Arthur (1867-1939) / Bridgeman Images

ID: CBE204125

Enter Ariel Like a Nymph, from 'The Tempest', by William Shakespeare (1564-1616) (pencil & sanguine on paper)

Rackham, Arthur (1867-1939)

Sir George Savage and Sir James Crichton Browne (1840-1937) called in consultation over the case of the BXXXY and the members (pen and ink & pencil on paper)
Sir George Savage and Sir James Crichton Browne (1840-1937) called in consultation over the case of the BXXXY and the members (pen and ink & pencil on paper)

CBE204131: Sir George Savage and Sir James Crichton Browne (1840-1937) called in consultation over the case of the BXXXY and the members (pen and ink & pencil on paper), Rackham, Arthur (1867-1939) / Bridgeman Images

ID: CBE204131

Sir George Savage and Sir James Crichton Browne (1840-1937) called in consultation over the case of the BXXXY and the members (pen and ink & pencil on paper)

Rackham, Arthur (1867-1939)

A Singular Passage in the Life of the Late Henry Harris, Doctor in Divinity, chapter heading from 'The Ingoldsby Legends or Mirth and Marvels', by Thomas Ingoldsby, published 1848 (pen & ink on paper)
A Singular Passage in the Life of the Late Henry Harris, Doctor in Divinity, chapter heading from 'The Ingoldsby Legends or Mirth and Marvels', by Thomas Ingoldsby, published 1848 (pen & ink on paper)

CBE204135: A Singular Passage in the Life of the Late Henry Harris, Doctor in Divinity, chapter heading from 'The Ingoldsby Legends or Mirth and Marvels', by Thomas Ingoldsby, published 1848 (pen & ink on paper), Rackham, Arthur (1867-1939) / Bridgeman Images

ID: CBE204135

A Singular Passage in the Life of the Late Henry Harris, Doctor in Divinity, chapter heading from 'The Ingoldsby Legends or Mirth and Marvels', by Thomas Ingoldsby, published 1848 (pen & ink on paper)

Rackham, Arthur (1867-1939)

A Tom-Cat of Sir Alured Denne's, illustration from 'The Ingoldsby Legends, or Mirth and Marvels', by Thomas Ingoldsby, published 1898 (pen & ink on paper)
A Tom-Cat of Sir Alured Denne's, illustration from 'The Ingoldsby Legends, or Mirth and Marvels', by Thomas Ingoldsby, published 1898 (pen & ink on paper)

CBE204145: A Tom-Cat of Sir Alured Denne's, illustration from 'The Ingoldsby Legends, or Mirth and Marvels', by Thomas Ingoldsby, published 1898 (pen & ink on paper), Rackham, Arthur (1867-1939) / Bridgeman Images

ID: CBE204145

A Tom-Cat of Sir Alured Denne's, illustration from 'The Ingoldsby Legends, or Mirth and Marvels', by Thomas Ingoldsby, published 1898 (pen & ink on paper)

Rackham, Arthur (1867-1939)

Madonna and Child (oil on panel)
Madonna and Child (oil on panel)

LST204178: Madonna and Child (oil on panel), Bijlert or Bylert, Jan van (1603-71) / Bridgeman Images

ID: LST204178

Madonna and Child (oil on panel)

Bijlert or Bylert, Jan van (1603-71)

Sunday Clothes (oil on canvas)
Sunday Clothes (oil on canvas)

LST204187: Sunday Clothes (oil on canvas), Charlet, Nicolas Toussaint (1792-1845) / Bridgeman Images

ID: LST204187

Sunday Clothes (oil on canvas)

Charlet, Nicolas Toussaint (1792-1845)

Vento, from the series 'Allegro', 1982
Vento, from the series 'Allegro', 1982

XMG204195: Vento, from the series 'Allegro', 1982, Fromanger, Gerard (1939-2021) / Bridgeman Images

ID: XMG204195

Vento, from the series 'Allegro', 1982

Fromanger, Gerard (1939-2021)

The Party in the Maple Sugar Camp, c.1861-66 (oil on canvas)
The Party in the Maple Sugar Camp, c.1861-66 (oil on canvas)

CH204216: The Party in the Maple Sugar Camp, c.1861-66 (oil on canvas), Johnson, Eastman (1824-1906) / Bridgeman Images

ID: CH204216

The Party in the Maple Sugar Camp, c.1861-66 (oil on canvas)

Johnson, Eastman (1824-1906)

Courting (oil on canvas)
Courting (oil on canvas)

CH204246: Courting (oil on canvas), Brown, John George (1831-1913) / Bridgeman Images

ID: CH204246

Courting (oil on canvas)

Brown, John George (1831-1913)

View in Maine (oil on canvas)
View in Maine (oil on canvas)

CH204263: View in Maine (oil on canvas), Doughty, Thomas (1793-1856) / Bridgeman Images

ID: CH204263

View in Maine (oil on canvas)

Doughty, Thomas (1793-1856)

Little Half Breed (oil on canvas)
Little Half Breed (oil on canvas)

CH204273: Little Half Breed (oil on canvas), Henri, Robert Cozad (1865-1929) / Bridgeman Images

ID: CH204273

Little Half Breed (oil on canvas)

Henri, Robert Cozad (1865-1929)

Vladimir Mayakovsky (1893-1930) (b/w photo)
Vladimir Mayakovsky (1893-1930) (b/w photo)

NUM204350: Vladimir Mayakovsky (1893-1930) (b/w photo), Russian Photographer (20th century) / Bridgeman Images

ID: NUM204350

Vladimir Mayakovsky (1893-1930) (b/w photo)

Russian Photographer (20th century)

Christmas Day at Linfen, Shanxi Province, 1936 (b/w photo)
Christmas Day at Linfen, Shanxi Province, 1936 (b/w photo)

NUM204370: Christmas Day at Linfen, Shanxi Province, 1936 (b/w photo), French Photographer, (20th century) / Bridgeman Images

ID: NUM204370

Christmas Day at Linfen, Shanxi Province, 1936 (b/w photo)

French Photographer, (20th century)

Launching Boats across a Reef opposite to Mount Conybeare, from 'Narrative of a Journey to the Shores of the Polar Sea in the Years 1819-22' by Sir John Franklin (1786-1847) engraved by Edward Finden (1791-1857) published 1823-28 (colour engraving)
Launching Boats across a Reef opposite to Mount Conybeare, from 'Narrative of a Journey to the Shores of the Polar Sea in the Years 1819-22' by Sir John Franklin (1786-1847) engraved by Edward Finden (1791-1857) published 1823-28 (colour engraving)

STC204394: Launching Boats across a Reef opposite to Mount Conybeare, from 'Narrative of a Journey to the Shores of the Polar Sea in the Years 1819-22' by Sir John Franklin (1786-1847) engraved by Edward Finden (1791-1857) published 1823-28 (colour engraving), Back, George (1796-1878) (after) / Bridgeman Images

ID: STC204394

Launching Boats across a Reef opposite to Mount Conybeare, from 'Narrative of a Journey to the Shores of the Polar Sea in the Years 1819-22' by Sir John Franklin (1786-1847) engraved by Edward Finden (1791-1857) published 1823-28 (colour engraving)

Back, George (1796-1878) (after)

Blue Chimera, 1985
Blue Chimera, 1985

XMG204400: Blue Chimera, 1985, Fromanger, Gerard (1939-2021) / Bridgeman Images

ID: XMG204400

Blue Chimera, 1985

Fromanger, Gerard (1939-2021)

Monkey and Cat Soldiers in an Encampment, 1632 (oil on panel) (see 204409)
Monkey and Cat Soldiers in an Encampment, 1632 (oil on panel) (see 204409)

LST204408: Monkey and Cat Soldiers in an Encampment, 1632 (oil on panel) (see 204409), Flemish School, (17th century) / Bridgeman Images

ID: LST204408

Monkey and Cat Soldiers in an Encampment, 1632 (oil on panel) (see 204409)

Flemish School, (17th century)

A pair of miniatures depicting the Annunciation (gouache on vellum)
A pair of miniatures depicting the Annunciation (gouache on vellum)

LST204417: A pair of miniatures depicting the Annunciation (gouache on vellum), Gascard, Henri (1635-1701) / Bridgeman Images

ID: LST204417

A pair of miniatures depicting the Annunciation (gouache on vellum)

Gascard, Henri (1635-1701)

Rebecca at the Well (oil on canvas)
Rebecca at the Well (oil on canvas)

LST204418: Rebecca at the Well (oil on canvas), Garzi, Luigi (1638-1721) / Bridgeman Images

ID: LST204418

Rebecca at the Well (oil on canvas)

Garzi, Luigi (1638-1721)

Portrait of Emily MacFadden with her Cat (oil on canvas)
Portrait of Emily MacFadden with her Cat (oil on canvas)

LST204422: Portrait of Emily MacFadden with her Cat (oil on canvas), Lundborg, Florence (1871-1949) / Bridgeman Images

ID: LST204422

Portrait of Emily MacFadden with her Cat (oil on canvas)

Lundborg, Florence (1871-1949)

The Reluctant Model, c.1910-20 (oil on canvas)
The Reluctant Model, c.1910-20 (oil on canvas)

LST204440: The Reluctant Model, c.1910-20 (oil on canvas), Troncet, Antony (1879-1939) / Bridgeman Images

ID: LST204440

The Reluctant Model, c.1910-20 (oil on canvas)

Troncet, Antony (1879-1939)

Beached Boats along the Seine, Paris, 1901 (w/c on paper)
Beached Boats along the Seine, Paris, 1901 (w/c on paper)

LST204443: Beached Boats along the Seine, Paris, 1901 (w/c on paper), Le Moyne, (fl.1901) / Bridgeman Images

ID: LST204443

Beached Boats along the Seine, Paris, 1901 (w/c on paper)

Le Moyne, (fl.1901)

Joseph Stalin (1879-1953), Adolf Hitler (1889-1945), Benito Mussolini (1883-1945) and Europe, illustration from 'Pelerin', July 1934 (colour litho)
Joseph Stalin (1879-1953), Adolf Hitler (1889-1945), Benito Mussolini (1883-1945) and Europe, illustration from 'Pelerin', July 1934 (colour litho)

CHT204477: Joseph Stalin (1879-1953), Adolf Hitler (1889-1945), Benito Mussolini (1883-1945) and Europe, illustration from 'Pelerin', July 1934 (colour litho), French School, (20th century) / Bridgeman Images

ID: CHT204477

Joseph Stalin (1879-1953), Adolf Hitler (1889-1945), Benito Mussolini (1883-1945) and Europe, illustration from 'Pelerin', July 1934 (colour litho)

French School, (20th century)

A Portrait of a Boy Wearing a Plumed Hat, Holding a Falcon and Spear, with a Pug Seated Before Him, 1675 (oil on canvas)
A Portrait of a Boy Wearing a Plumed Hat, Holding a Falcon and Spear, with a Pug Seated Before Him, 1675 (oil on canvas)

LST204498: A Portrait of a Boy Wearing a Plumed Hat, Holding a Falcon and Spear, with a Pug Seated Before Him, 1675 (oil on canvas), Noordt, Jan or Joan van (fl.1644-76) / Bridgeman Images

ID: LST204498

A Portrait of a Boy Wearing a Plumed Hat, Holding a Falcon and Spear, with a Pug Seated Before Him, 1675 (oil on canvas)

Noordt, Jan or Joan van (fl.1644-76)

Mendicant Monks Receiving Alms, from 'Sketches of Spain', engraved by Charles Joseph Hullmandel (1789-1850), published 1836 (colour litho)
Mendicant Monks Receiving Alms, from 'Sketches of Spain', engraved by Charles Joseph Hullmandel (1789-1850), published 1836 (colour litho)

STC201990: Mendicant Monks Receiving Alms, from 'Sketches of Spain', engraved by Charles Joseph Hullmandel (1789-1850), published 1836 (colour litho), Lewis, John Frederick (1805-76) (after) / Bridgeman Images

ID: STC201990

Mendicant Monks Receiving Alms, from 'Sketches of Spain', engraved by Charles Joseph Hullmandel (1789-1850), published 1836 (colour litho)

Lewis, John Frederick (1805-76) (after)

Plaza de San Francisco, Seville, from 'Sketches of Spain', engraved by Charles Joseph Hullmandel (1789-1850), published 1836 (colour litho)
Plaza de San Francisco, Seville, from 'Sketches of Spain', engraved by Charles Joseph Hullmandel (1789-1850), published 1836 (colour litho)

STC201991: Plaza de San Francisco, Seville, from 'Sketches of Spain', engraved by Charles Joseph Hullmandel (1789-1850), published 1836 (colour litho), Lewis, John Frederick (1805-76) (after) / Bridgeman Images

ID: STC201991

Plaza de San Francisco, Seville, from 'Sketches of Spain', engraved by Charles Joseph Hullmandel (1789-1850), published 1836 (colour litho)

Lewis, John Frederick (1805-76) (after)

Seville 1835, from 'Sketches of Spain', engraved by Charles Joseph Hullmandel (1789-1850), published 1836 (colour litho)
Seville 1835, from 'Sketches of Spain', engraved by Charles Joseph Hullmandel (1789-1850), published 1836 (colour litho)

STC201999: Seville 1835, from 'Sketches of Spain', engraved by Charles Joseph Hullmandel (1789-1850), published 1836 (colour litho), Lewis, John Frederick (1805-76) (after) / Bridgeman Images

ID: STC201999

Seville 1835, from 'Sketches of Spain', engraved by Charles Joseph Hullmandel (1789-1850), published 1836 (colour litho)

Lewis, John Frederick (1805-76) (after)

'Ghuznee', 1841 (oil on canvas)
'Ghuznee', 1841 (oil on canvas)

WST202075: 'Ghuznee', 1841 (oil on canvas), Herring Snr, John Frederick (1795-1865) / Bridgeman Images

ID: WST202075

'Ghuznee', 1841 (oil on canvas)

Herring Snr, John Frederick (1795-1865)

'Shotover', 1883 (oil on canvas)
'Shotover', 1883 (oil on canvas)

WST202077: 'Shotover', 1883 (oil on canvas), Sextie, William A. (fl.1848-87) / Bridgeman Images

ID: WST202077

'Shotover', 1883 (oil on canvas)

Sextie, William A. (fl.1848-87)

Santa Maria della Salute, Venice, 1900-01 (oil on canvas)
Santa Maria della Salute, Venice, 1900-01 (oil on canvas)

FAS202092: Santa Maria della Salute, Venice, 1900-01 (oil on canvas), Sickert, Walter Richard (1860-1942) / Bridgeman Images

ID: FAS202092

Santa Maria della Salute, Venice, 1900-01 (oil on canvas)

Sickert, Walter Richard (1860-1942)

'I seized the opportunity of prosecuting my acquaintance with Miss Dashwood', illustration from 'The Irish Dragoon' by Charles O'Malley, published 1897 (pen & ink on paper)
'I seized the opportunity of prosecuting my acquaintance with Miss Dashwood', illustration from 'The Irish Dragoon' by Charles O'Malley, published 1897 (pen & ink on paper)

CBE202104: 'I seized the opportunity of prosecuting my acquaintance with Miss Dashwood', illustration from 'The Irish Dragoon' by Charles O'Malley, published 1897 (pen & ink on paper), Rackham, Arthur (1867-1939) / Bridgeman Images

ID: CBE202104

'I seized the opportunity of prosecuting my acquaintance with Miss Dashwood', illustration from 'The Irish Dragoon' by Charles O'Malley, published 1897 (pen & ink on paper)

Rackham, Arthur (1867-1939)


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