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'So Drink, You'll See Later', poster advertising 'Parisian Absinthe' (colour litho)
'So Drink, You'll See Later', poster advertising 'Parisian Absinthe' (colour litho)

SNG127371: 'So Drink, You'll See Later', poster advertising 'Parisian Absinthe' (colour litho), Gelis-Didot, P. & Maltese (19th century) / Bridgeman Images

Poster advertising the exhibition 'Paul Nash, An Official Artist On The Western Front', War Paintings And Drawings at the Leicester Gallery, Leicester Square, London (colour litho)
Poster advertising the exhibition 'Paul Nash, An Official Artist On The Western Front', War Paintings And Drawings at the Leicester Gallery, Leicester Square, London (colour litho)

SNG127383: Poster advertising the exhibition 'Paul Nash, An Official Artist On The Western Front', War Paintings And Drawings at the Leicester Gallery, Leicester Square, London (colour litho), English School, (20th century) / Bridgeman Images

Poster advertising 'L. Marquet Ink, The Best Of All Inks', 1892 (colour litho)
Poster advertising 'L. Marquet Ink, The Best Of All Inks', 1892 (colour litho)

SNG127386: Poster advertising 'L. Marquet Ink, The Best Of All Inks', 1892 (colour litho), Grassel, Franz (1861-c.1921) / Bridgeman Images

Advertisement for 'Bock Beer from Lowenbrau Brewery, Munich' (colour litho)
Advertisement for 'Bock Beer from Lowenbrau Brewery, Munich' (colour litho)

SNG127460: Advertisement for 'Bock Beer from Lowenbrau Brewery, Munich' (colour litho), German School, (19th century) / Bridgeman Images

'..We Here Highly Resolve That These Dead Shall Not Have Died In Vain, Remember December 7th!', 2nd World War poster (colour litho)
'..We Here Highly Resolve That These Dead Shall Not Have Died In Vain, Remember December 7th!', 2nd World War poster (colour litho)

SNG127751: '..We Here Highly Resolve That These Dead Shall Not Have Died In Vain, Remember December 7th!', 2nd World War poster (colour litho), American School, (20th century) / Bridgeman Images

A Plan of the Gardens of the Most Noble Marquis of Buckingham at Stowe, from the Visitor's Guide Book, published in 1797 (litho) (b/w photo) (see 140582 for Charles Bridgeman's earlier plan)
A Plan of the Gardens of the Most Noble Marquis of Buckingham at Stowe, from the Visitor's Guide Book, published in 1797 (litho) (b/w photo) (see 140582 for Charles Bridgeman's earlier plan)

JB140583: A Plan of the Gardens of the Most Noble Marquis of Buckingham at Stowe, from the Visitor's Guide Book, published in 1797 (litho) (b/w photo) (see 140582 for Charles Bridgeman's earlier plan), English School, (18th century) / Bridgeman Images

Portrait of Giovanni Battista Belzoni (1778-1823) (engraving) (b/w photo)
Portrait of Giovanni Battista Belzoni (1778-1823) (engraving) (b/w photo)

XJF141738: Portrait of Giovanni Battista Belzoni (1778-1823) (engraving) (b/w photo), English School, (19th century) / Bridgeman Images

Portrait of Georges Danton (1759-94) (engraving)
Portrait of Georges Danton (1759-94) (engraving)

KWE141802: Portrait of Georges Danton (1759-94) (engraving), English School, (19th century) / Bridgeman Images

Signature of Arthur Wellesley, 1st Duke of Wellington (1769-1852) (pen and ink on paper)
Signature of Arthur Wellesley, 1st Duke of Wellington (1769-1852) (pen and ink on paper)

KWE141827: Signature of Arthur Wellesley, 1st Duke of Wellington (1769-1852) (pen and ink on paper) / Bridgeman Images

Portrait of Edmund Burke (1729-97) (engraving)
Portrait of Edmund Burke (1729-97) (engraving)

KWE141839: Portrait of Edmund Burke (1729-97) (engraving), English School, (19th century) / Bridgeman Images

The Battle of Marston Moor, 2nd July 1644 (oil on canvas) (b/w photo)
The Battle of Marston Moor, 2nd July 1644 (oil on canvas) (b/w photo)

XJF153355: The Battle of Marston Moor, 2nd July 1644 (oil on canvas) (b/w photo), English School, (18th century) / Bridgeman Images

Portrait of Rosa Bonheur (1822-99) (photo)
Portrait of Rosa Bonheur (1822-99) (photo)

STC153098: Portrait of Rosa Bonheur (1822-99) (photo), Disden (19th century) / Bridgeman Images

Three Prostitutes on the Street, 1925 (oil on canvas)
Three Prostitutes on the Street, 1925 (oil on canvas)

XIR75606: Three Prostitutes on the Street, 1925 (oil on canvas), Dix, Otto (1891-1969) / Bridgeman Images

An extensive view of Salzburg with the Hohensalzburg Fortress
An extensive view of Salzburg with the Hohensalzburg Fortress

PFA73254: An extensive view of Salzburg with the Hohensalzburg Fortress, Austrian School, (19th century) / Bridgeman Images

Reina Xochtl (gouache on newspaper)
Reina Xochtl (gouache on newspaper)

PFA73317: Reina Xochtl (gouache on newspaper), Ramos Martinez, Alfredo (1871-1946) / Bridgeman Images

Probable portrait of Nell Gwynne (1650-87), mistress of King Charles II (1630-85) (oil on canvas)
Probable portrait of Nell Gwynne (1650-87), mistress of King Charles II (1630-85) (oil on canvas)

PFA73333: Probable portrait of Nell Gwynne (1650-87), mistress of King Charles II (1630-85) (oil on canvas), Lely, Peter (1618-80) (circle of) / Bridgeman Images

The Swing, c.1920 (stencil on paper)
The Swing, c.1920 (stencil on paper)

STC92046: The Swing, c.1920 (stencil on paper), Martin, Charles (1848-1934) / Bridgeman Images

Artillery Battery on the Italian Front, 1916 (chalk & pastel on paper)
Artillery Battery on the Italian Front, 1916 (chalk & pastel on paper)

PWI92486: Artillery Battery on the Italian Front, 1916 (chalk & pastel on paper), Kokoschka, Oskar (1886-1980) / Bridgeman Images

Maquette for the Fugue in Two Colours, 1912 (oil on canvas)
Maquette for the Fugue in Two Colours, 1912 (oil on canvas)

PWI92498: Maquette for the Fugue in Two Colours, 1912 (oil on canvas), Kupka, Frantisek (1871-1957) / Bridgeman Images

Buckinghamshire, engraved by Jodocus Hondius (1563-1612) from John Speed's 'Theatre of the Empire of Great Britain', pub. by John Sudbury and George Humble, 1611-12 (hand coloured copper engraving)
Buckinghamshire, engraved by Jodocus Hondius (1563-1612) from John Speed's 'Theatre of the Empire of Great Britain', pub. by John Sudbury and George Humble, 1611-12 (hand coloured copper engraving)

XCF113478: Buckinghamshire, engraved by Jodocus Hondius (1563-1612) from John Speed's 'Theatre of the Empire of Great Britain', pub. by John Sudbury and George Humble, 1611-12 (hand coloured copper engraving), Speed, John (1552-1629) / Bridgeman Images

View of San Francisco, c.1875 (albumen print)
View of San Francisco, c.1875 (albumen print)

BON111095: View of San Francisco, c.1875 (albumen print), American Photographer, (19th century) / Bridgeman Images

Winter Scene at the Continental Army Encampment at Valley Forge, Pennsylvania, 1780, from 'Harper's Weekly', 1877 (engraving) (b&w photo)
Winter Scene at the Continental Army Encampment at Valley Forge, Pennsylvania, 1780, from 'Harper's Weekly', 1877 (engraving) (b&w photo)

BAL111626: Winter Scene at the Continental Army Encampment at Valley Forge, Pennsylvania, 1780, from 'Harper's Weekly', 1877 (engraving) (b&w photo), Scott, Julian (1846-1901) (after) / Bridgeman Images

The Second Battle of Bull Run, Fought 29th August 1862, pub. by Currier and Ives (engraving) (b&w photo)
The Second Battle of Bull Run, Fought 29th August 1862, pub. by Currier and Ives (engraving) (b&w photo)

BAL111642: The Second Battle of Bull Run, Fought 29th August 1862, pub. by Currier and Ives (engraving) (b&w photo), American School, (19th century) / Bridgeman Images

Fish Porters at Billingsgate Market, 1893 (b/w photo)
Fish Porters at Billingsgate Market, 1893 (b/w photo)

STC112438: Fish Porters at Billingsgate Market, 1893 (b/w photo), Martin, Paul (1864-1942) / Bridgeman Images

The funeral cortege of Sir Philip Sidney (1554-1586) on its way to St. Paul's Cathedral, 1587, engraved by Theodor de Bry (1528-1598) (engraving)
The funeral cortege of Sir Philip Sidney (1554-1586) on its way to St. Paul's Cathedral, 1587, engraved by Theodor de Bry (1528-1598) (engraving)

STC112040: The funeral cortege of Sir Philip Sidney (1554-1586) on its way to St. Paul's Cathedral, 1587, engraved by Theodor de Bry (1528-1598) (engraving), English School, (16th century) / Bridgeman Images

BON77782: "The one that got away", Dovaston, Margaret (1884-1954) / Bridgeman Images

Twenty Dogs, 1865
Twenty Dogs, 1865

BON77850: Twenty Dogs, 1865, Bussey, Reuben (1818-93) / Bridgeman Images

The Answer, c.1883 (oil on panel)
The Answer, c.1883 (oil on panel)

PFA93803: The Answer, c.1883 (oil on panel), Deutsch, Ludwig (1855-1935) / Bridgeman Images

Portrait of a Girl Seated at a Table (oil on panel)
Portrait of a Girl Seated at a Table (oil on panel)

BAL93443: Portrait of a Girl Seated at a Table (oil on panel), Metsu, Gabriel (1629-67) / Bridgeman Images

Ancestor Portrait, late 17th or early 18th century (ink and colour on silk)
Ancestor Portrait, late 17th or early 18th century (ink and colour on silk)

CH96341: Ancestor Portrait, late 17th or early 18th century (ink and colour on silk), Chinese School (18th century) / Bridgeman Images

Blue Bird and Hibiscus, 1947 (ink and colour on paper)
Blue Bird and Hibiscus, 1947 (ink and colour on paper)

CH96360: Blue Bird and Hibiscus, 1947 (ink and colour on paper), Fei'an, Yu (1888-1959) / Bridgeman Images

At the Dentist (oil on canvas)
At the Dentist (oil on canvas)

STC96385: At the Dentist (oil on canvas), Italian School, (18th century) / Bridgeman Images

Bridal Veil Falls, Yosemite (oil on canvas)
Bridal Veil Falls, Yosemite (oil on canvas)

CH96174: Bridal Veil Falls, Yosemite (oil on canvas), Hill, Thomas (1829-1908) / Bridgeman Images

Maxim Automatic Gun, a recoil-operated machine gun patented by Hiram Stevens Maxim (1840-1916) in 1882 (engraving) (b&w photo)
Maxim Automatic Gun, a recoil-operated machine gun patented by Hiram Stevens Maxim (1840-1916) in 1882 (engraving) (b&w photo)

XJF115601: Maxim Automatic Gun, a recoil-operated machine gun patented by Hiram Stevens Maxim (1840-1916) in 1882 (engraving) (b&w photo), English School, (19th century) / Bridgeman Images

A View of the Serra de Busacco at San Antonio de Cantara showing the attack by Marshal Reigniers upon the British and Portuguese forces under Lt. General Sir Thomas Picton, 27th September 1810, engraved by Charles Turner, 1815 (engraving) (b&w photo)
A View of the Serra de Busacco at San Antonio de Cantara showing the attack by Marshal Reigniers upon the British and Portuguese forces under Lt. General Sir Thomas Picton, 27th September 1810, engraved by Charles Turner, 1815 (engraving) (b&w photo)

XJF115632: A View of the Serra de Busacco at San Antonio de Cantara showing the attack by Marshal Reigniers upon the British and Portuguese forces under Lt. General Sir Thomas Picton, 27th September 1810, engraved by Charles Turner, 1815 (engraving) (b&w photo), St. Clair, Thomas Staunton (1785-1847) (after) / Bridgeman Images

Thomas Cranmer (1489-1556) Preaching (engraving)
Thomas Cranmer (1489-1556) Preaching (engraving)

KWE115014: Thomas Cranmer (1489-1556) Preaching (engraving), English School, (19th century) / Bridgeman Images


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