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'The Elevation of His Feelings', scene from 'Pride and Prejudice' by Jane Austen (1775-1817) (engraving) (b/w photo)
'The Elevation of His Feelings', scene from 'Pride and Prejudice' by Jane Austen (1775-1817) (engraving) (b/w photo)

XJF105801: 'The Elevation of His Feelings', scene from 'Pride and Prejudice' by Jane Austen (1775-1817) (engraving) (b/w photo), Thomson, Hugh (1860-1920) / Bridgeman Images

Reproduction of the signature of Mary I (1516-1558) (pen & ink on paper) (b/w photo)
Reproduction of the signature of Mary I (1516-1558) (pen & ink on paper) (b/w photo)

XJF107434: Reproduction of the signature of Mary I (1516-1558) (pen & ink on paper) (b/w photo) / Bridgeman Images

View of Amsterdam with the Montelbaanstower on the Oude Schans, 1777 (oil on canvas)
View of Amsterdam with the Montelbaanstower on the Oude Schans, 1777 (oil on canvas)

BAL121443: View of Amsterdam with the Montelbaanstower on the Oude Schans, 1777 (oil on canvas), Ouwater, Isaak (1750-93) / Bridgeman Images

William Penn (1644-1718) engraved by Josiah Wood Whymper (1813-1903) (engraving) (b&w photo)
William Penn (1644-1718) engraved by Josiah Wood Whymper (1813-1903) (engraving) (b&w photo)

XJF119861: William Penn (1644-1718) engraved by Josiah Wood Whymper (1813-1903) (engraving) (b&w photo), English School, (19th century) / Bridgeman Images

The Workshop at the Deaf and Dumb Institution, Derby, 19th century (sepia photo)
The Workshop at the Deaf and Dumb Institution, Derby, 19th century (sepia photo)

STC118985: The Workshop at the Deaf and Dumb Institution, Derby, 19th century (sepia photo) / Bridgeman Images

Viaduct across the Sankey Valley, plate 4 from 'Liverpool and Manchester Railway', engraved by Henry Pyall (1795-1833), pub. by R. Ackermann, 1831 (litho)
Viaduct across the Sankey Valley, plate 4 from 'Liverpool and Manchester Railway', engraved by Henry Pyall (1795-1833), pub. by R. Ackermann, 1831 (litho)

STC122455: Viaduct across the Sankey Valley, plate 4 from 'Liverpool and Manchester Railway', engraved by Henry Pyall (1795-1833), pub. by R. Ackermann, 1831 (litho), Bury, Thomas Talbot (1811-77) (after) / Bridgeman Images

The Gods of Happiness, Office and Longevity, illustration from 'Myths and Legends of China', by Edward T.C. Werner, pub. by George G. Harrap & Co., 1922 (colour litho)
The Gods of Happiness, Office and Longevity, illustration from 'Myths and Legends of China', by Edward T.C. Werner, pub. by George G. Harrap & Co., 1922 (colour litho)

BAL122537: The Gods of Happiness, Office and Longevity, illustration from 'Myths and Legends of China', by Edward T.C. Werner, pub. by George G. Harrap & Co., 1922 (colour litho), English School, (20th century) / Bridgeman Images

The Colossus of Mount Athos, Macedonia, a design by Dinocrates, the architect of Alexander the Great, plate 18 from 'Entwurf einer historischen Architektur', engraved by Johann Adam Delsenbach (1687-1765) 1721 (engraving)
The Colossus of Mount Athos, Macedonia, a design by Dinocrates, the architect of Alexander the Great, plate 18 from 'Entwurf einer historischen Architektur', engraved by Johann Adam Delsenbach (1687-1765) 1721 (engraving)

STC94460: The Colossus of Mount Athos, Macedonia, a design by Dinocrates, the architect of Alexander the Great, plate 18 from 'Entwurf einer historischen Architektur', engraved by Johann Adam Delsenbach (1687-1765) 1721 (engraving), Fischer von Erlach, Johann Bernhard (1656-1723) (after) / Bridgeman Images

Pan, the universal god, and the elements he represents (engraving)
Pan, the universal god, and the elements he represents (engraving)

STC93600: Pan, the universal god, and the elements he represents (engraving), French School, (16th century) / Bridgeman Images

Portrait photograph of Ellen Terry (1847-1928) reading, by Frederick Hollyer (1837-1933) (sepia photo)
Portrait photograph of Ellen Terry (1847-1928) reading, by Frederick Hollyer (1837-1933) (sepia photo)

STC93607: Portrait photograph of Ellen Terry (1847-1928) reading, by Frederick Hollyer (1837-1933) (sepia photo), Hollyer, Frederick (1837-1933) / Bridgeman Images

A View near the Roode Sand Pass at the Cape of Good Hope, engraved by J. Bluck (fl.1791-1831) 1809 (aquatint)
A View near the Roode Sand Pass at the Cape of Good Hope, engraved by J. Bluck (fl.1791-1831) 1809 (aquatint)

STC93646: A View near the Roode Sand Pass at the Cape of Good Hope, engraved by J. Bluck (fl.1791-1831) 1809 (aquatint), Salt, Henry (1780-1827) (after) / Bridgeman Images

Study for the Head of Perseus (pencil on paper)
Study for the Head of Perseus (pencil on paper)

PFA92079: Study for the Head of Perseus (pencil on paper), Burne-Jones, Edward Coley (1833-98) / Bridgeman Images

An Arch Druid in his Judicial Habit, engraved by Robert Havell (1769-1832) 1815 (aquatint)
An Arch Druid in his Judicial Habit, engraved by Robert Havell (1769-1832) 1815 (aquatint)

STC93068: An Arch Druid in his Judicial Habit, engraved by Robert Havell (1769-1832) 1815 (aquatint), Smith, Charles Hamilton (1776-1859) (after) / Bridgeman Images

Page of Thuluth and Naskhi script, from an Ottoman album in concertina form written by Hafez Uthman, 1672 (ink on gold speckled paper)
Page of Thuluth and Naskhi script, from an Ottoman album in concertina form written by Hafez Uthman, 1672 (ink on gold speckled paper)

BON93417: Page of Thuluth and Naskhi script, from an Ottoman album in concertina form written by Hafez Uthman, 1672 (ink on gold speckled paper) / Bridgeman Images

The Globe Theatre, c.1647, published by Robert Wilkinson, London, 1810 (engraving)
The Globe Theatre, c.1647, published by Robert Wilkinson, London, 1810 (engraving)

STC101895: The Globe Theatre, c.1647, published by Robert Wilkinson, London, 1810 (engraving), Hollar, Wenceslaus (1607-77) (after) / Bridgeman Images

Seated Indian Chief (colour litho)
Seated Indian Chief (colour litho)

TPG101993: Seated Indian Chief (colour litho), American School, (20th century) / Bridgeman Images

Indra or Devendra, from 'L'Inde francaise...', engraved by Marlet & Cie, pub. Paris 1827-1835 (colour litho)
Indra or Devendra, from 'L'Inde francaise...', engraved by Marlet & Cie, pub. Paris 1827-1835 (colour litho)

STC102033: Indra or Devendra, from 'L'Inde francaise...', engraved by Marlet & Cie, pub. Paris 1827-1835 (colour litho), French School, (19th century) / Bridgeman Images

Mih-Tutta-Hankush, a Mandan Village, plate 16 from Volume 2 of 'Travels in the Interior of North America', engraved by Friedrich Salathe (1793-1858) 1844 (aquatint)
Mih-Tutta-Hankush, a Mandan Village, plate 16 from Volume 2 of 'Travels in the Interior of North America', engraved by Friedrich Salathe (1793-1858) 1844 (aquatint)

STC101393: Mih-Tutta-Hankush, a Mandan Village, plate 16 from Volume 2 of 'Travels in the Interior of North America', engraved by Friedrich Salathe (1793-1858) 1844 (aquatint), Bodmer, Karl (1809-93) (after) / Bridgeman Images

A three-masted Galleass under way by oar, from 'Le Naptune Francois', c.1693-1700 (hand-coloured engraving)
A three-masted Galleass under way by oar, from 'Le Naptune Francois', c.1693-1700 (hand-coloured engraving)

STC101444: A three-masted Galleass under way by oar, from 'Le Naptune Francois', c.1693-1700 (hand-coloured engraving), Mortier, Pierre (Pieter) (1661-1711) / Bridgeman Images

The Cedar, engraved by Johann Jakob Haid (1704-67) plate 60 from a botanical book, pub. by Augustus Vind (coloured engraving)
The Cedar, engraved by Johann Jakob Haid (1704-67) plate 60 from a botanical book, pub. by Augustus Vind (coloured engraving)

STC101454: The Cedar, engraved by Johann Jakob Haid (1704-67) plate 60 from a botanical book, pub. by Augustus Vind (coloured engraving), German School, (18th century) / Bridgeman Images

Barbados and Jamaica, detail from a map of English Colonies in the Caribbean, pub. by Homann's Heirs, Nuremberg, c.1750 (engraving) (detail of 101836)
Barbados and Jamaica, detail from a map of English Colonies in the Caribbean, pub. by Homann's Heirs, Nuremberg, c.1750 (engraving) (detail of 101836)

STC101838: Barbados and Jamaica, detail from a map of English Colonies in the Caribbean, pub. by Homann's Heirs, Nuremberg, c.1750 (engraving) (detail of 101836), German School, (18th century) / Bridgeman Images

Birth from the Calf of the Leg, c.1894 (engraving)
Birth from the Calf of the Leg, c.1894 (engraving)

STC99372: Birth from the Calf of the Leg, c.1894 (engraving), Beardsley, Aubrey (1872-98) / Bridgeman Images

The Coach Ride, 1888 (oil on canvas)
The Coach Ride, 1888 (oil on canvas)

BAL98646: The Coach Ride, 1888 (oil on canvas), D'Entraygues, Charles-Bertrand (b.1851) / Bridgeman Images

Portrait of Mary of Modena (1658-1718), Second Wife of James II, c.1685 (oil on canvas)
Portrait of Mary of Modena (1658-1718), Second Wife of James II, c.1685 (oil on canvas)

CH115629: Portrait of Mary of Modena (1658-1718), Second Wife of James II, c.1685 (oil on canvas), Wissing or Wissmig, William (1656-87) / Bridgeman Images

The Plaza de Toros of Madrid, 1865 (colour litho)
The Plaza de Toros of Madrid, 1865 (colour litho)

STC116011: The Plaza de Toros of Madrid, 1865 (colour litho), Price, William Henry Lake (1810-91) / Bridgeman Images

Jubilee of the Queen of England: The Cortege, illustration from 'Le Petit Journal', 27 June 1897 (coloured engraving) (see also 116043)
Jubilee of the Queen of England: The Cortege, illustration from 'Le Petit Journal', 27 June 1897 (coloured engraving) (see also 116043)

XZO116065: Jubilee of the Queen of England: The Cortege, illustration from 'Le Petit Journal', 27 June 1897 (coloured engraving) (see also 116043), Tofani, Oswaldo (1849-1915) / Bridgeman Images

Portrait of Edgar Allan Poe (1809-49) (engraving) (b/w photo)
Portrait of Edgar Allan Poe (1809-49) (engraving) (b/w photo)

TPG112198: Portrait of Edgar Allan Poe (1809-49) (engraving) (b/w photo), Gentz, Ismael (1862-1914) (after) / Bridgeman Images

People Take to the Streets of Paris, 1789 (engraving)
People Take to the Streets of Paris, 1789 (engraving)

KWE114915: People Take to the Streets of Paris, 1789 (engraving), French School, (19th century) / Bridgeman Images

Joseph Smith, Founder of the Mormon Church, Preaching to Indians, from 'La Vuelta al Mundo', published in Madrid, 1865 (engraving)
Joseph Smith, Founder of the Mormon Church, Preaching to Indians, from 'La Vuelta al Mundo', published in Madrid, 1865 (engraving)

KWE114969: Joseph Smith, Founder of the Mormon Church, Preaching to Indians, from 'La Vuelta al Mundo', published in Madrid, 1865 (engraving), Spanish School, (19th century) / Bridgeman Images

Portrait of General Graf Bouquoy
Portrait of General Graf Bouquoy

XAM85417: Portrait of General Graf Bouquoy, Snayers, Peeter (1592-1667) / Bridgeman Images

The Masked Ball, c.1920 (stencil)
The Masked Ball, c.1920 (stencil)

STC91329: The Masked Ball, c.1920 (stencil), Martin, Charles (1848-1934) / Bridgeman Images

T30437 Landscape, Bracken Fringed Path to a Wood, 1966
T30437 Landscape, Bracken Fringed Path to a Wood, 1966

PFA90120: T30437 Landscape, Bracken Fringed Path to a Wood, 1966, Hitchens, Ivon (1893-1979) / Bridgeman Images

The Basket Maker, from Volume II Arts and Trades of 'Description of Egypt', engraved by Schroeder, pub. under the orders of Napoleon, 1822 (engraving)
The Basket Maker, from Volume II Arts and Trades of 'Description of Egypt', engraved by Schroeder, pub. under the orders of Napoleon, 1822 (engraving)

STC89021: The Basket Maker, from Volume II Arts and Trades of 'Description of Egypt', engraved by Schroeder, pub. under the orders of Napoleon, 1822 (engraving), Conte, Nicolas Jacques (1755-1805) (after) / Bridgeman Images

Corner Cafe (oil on canvas)
Corner Cafe (oil on canvas)

CH89262: Corner Cafe (oil on canvas), Genth, Lillian Matilda (1876-1953) / Bridgeman Images

Frontispiece to 'China Illustrated' by Athanasius Kircher (1601-80) 1667 (engraving)
Frontispiece to 'China Illustrated' by Athanasius Kircher (1601-80) 1667 (engraving)

STC105248: Frontispiece to 'China Illustrated' by Athanasius Kircher (1601-80) 1667 (engraving), Dutch School, (17th century) / Bridgeman Images

The Indian War, Deadwood City, Black Hills of Dakota, from a photograph by S. J. Morrow (engraving) (b&w photo)
The Indian War, Deadwood City, Black Hills of Dakota, from a photograph by S. J. Morrow (engraving) (b&w photo)

XJF105330: The Indian War, Deadwood City, Black Hills of Dakota, from a photograph by S. J. Morrow (engraving) (b&w photo), American School, (19th century) / Bridgeman Images


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