Nevinson, Christopher Richard Wynne (1889-1946)

Creator details

Name
Nevinson, Christopher Richard Wynne (1889-1946)
Nationality
English
Biography
(1889-1946)<br> Christopher Nevinson was an English painter whose formative years as a student were spent at the Slade School of Art (1909-12) in London. He was influenced by Impressionism and Post-Impressionism, as well as by Sandro Botticelli. The Futurist Exhibition of March 1912 held at the Sackville Gallery, London, proved decisive for his development. He continued his studies at the Academie Julien and the Cercle Russe in Paris, announcing his affiliation with Futurism by exhibiting a painting called Rising City (1912).<br> <br> By 1919 he declared that he had given up Futurism. Retreating instead to a more traditional vision, he painted some lively interpretations of New York, which fuse a lingering love of Futurist angularity with a new respect for naturalistic observation. Nevinson was at his best when dealing with the dynamism and vertiginous scale of big-city life. He saw the alarming aspects of urban dehumanisation and his most powerful canvases of the 1920s dramatise it with such titles as Soul of a Soulless City (1920). He was an official war artist. In later years he concentrated more on pastoral scenes and flower pieces, where a gentler mood prevailed. <br>

Assets (161 in total)

London, Winter, 1928 (pencil, charcoal & tempera on board)
Loading Timber, Southampton Docks, 1916-17 (oil on canvas)
The First Searchlights at Charing Cross, 1914 (oil on canvas)
La Mitrailleuse, 1915 (pen & ink on paper)
New York by Night, c.1922 (oil on canvas)
Amongst the Nerves of the World, c.1930 (tempera on canvas)
Among London Searchlights
Spiral Descent (oil on canvas)
Any Wintry Afternoon in England, 1930 (oil on canvas)
Ypres after First Bombardment, 1916 (oil on canvas)
Column on the March, 1915 (oil on canvas)
Troops returning to the Trenches, 1916 (etching)

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