Bill, Max (1908-94)

Creator details

Name
Bill, Max (1908-94)
Nationality
Swiss
Biography
Swiss sculptor, painter, typographer, and teacher studied at the Bauhaus (1927-1929) and remained faithful to that institution's tenets throughout his life. Bill relied on mathematics and geometry to create his paintings and sculptural works, and is associated with the theories of concrete art. His works are abstract, based on grid systems or concerned with geometric conundrums such as the Möbius strip. He was an active member of the Abstraction-Création group, and was rector of the Ulm Hochschule für Gestaltung from 1951-1955. He also acted as architect of the HFG's buildings. Swiss painter, sculptor and architect; d. 12/9/94 in Berlin.

Assets (10 in total)

The Endless Ribbon (stone)
Untitled, 1970 (colour litho)
Poster advertising the 1947 exhibition of the Association of Modern Swiss Artists, 1947 (silkscreen)
1 -4 Around White, 1969 (oil on canvas)
Three Equal Volumes, 1969 (plexiglas) (see also 420548)
Construction, 1968 (black granite)
Three Equal Volumes, 1969 (plexiglas) (see also 420549)
Tip-top Garage, Ford, 1933 (silkscreen)
Silkscreen in 4 Colours, 1970 (ink on paper)
Rhythm in Space, 1962 (granite)

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