Ademollo, Luigi (1764-1849) Assets (90 in total)

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Arachne into a Spider or Aranne Trasformata in Ragno, Book VI, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Arachne into a Spider or Aranne Trasformata in Ragno, Book VI, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415859: Arachne into a Spider or Aranne Trasformata in Ragno, Book VI, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Private Collection / Bridgeman Images

Pyrrha and Deucalion or Deucalione e Pirra, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Pyrrha and Deucalion or Deucalione e Pirra, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415809: Pyrrha and Deucalion or Deucalione e Pirra, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Private Collection / Bridgeman Images

The Ark of the Covenant (fresco)
The Ark of the Covenant (fresco)

XAL190261: The Ark of the Covenant (fresco), Ademollo, Luigi (1764-1849) / Palazzo Pitti, Florence, Italy / Bridgeman Images

Atalanta and Hippomenes or Atalanta e Ippomene, Book X, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Atalanta and Hippomenes or Atalanta e Ippomene, Book X, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415871: Atalanta and Hippomenes or Atalanta e Ippomene, Book X, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Private Collection / Bridgeman Images

The Seven-Branched Candelabrum (fresco)
The Seven-Branched Candelabrum (fresco)

XAL198462: The Seven-Branched Candelabrum (fresco), Ademollo, Luigi (1764-1849) / Palazzo Pitti, Florence, Italy / Bridgeman Images

Tiresias Prophesies or Tirenia predice a Narciso la sua sorte, Book III, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Tiresias Prophesies or Tirenia predice a Narciso la sua sorte, Book III, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415840: Tiresias Prophesies or Tirenia predice a Narciso la sua sorte, Book III, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Private Collection / Bridgeman Images

Lycaon into a Wolf or Licaone Cangiato in Lupo, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Lycaon into a Wolf or Licaone Cangiato in Lupo, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415807: Lycaon into a Wolf or Licaone Cangiato in Lupo, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Private Collection / Bridgeman Images

Procession to the Ark,
Procession to the Ark,

MEB858410: Procession to the Ark,, Ademollo, Luigi (1764-1849) / Palazzo Pitti, Florence, Italy / Bridgeman Images

Theseus and Ariadne or Terro e Arianna, Book VIII, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Theseus and Ariadne or Terro e Arianna, Book VIII, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415883: Theseus and Ariadne or Terro e Arianna, Book VIII, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Private Collection / Bridgeman Images

Ceyx and Alcyone or Ceice e Alcione, Book XI, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Ceyx and Alcyone or Ceice e Alcione, Book XI, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415875: Ceyx and Alcyone or Ceice e Alcione, Book XI, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Private Collection / Bridgeman Images

Frontispiece, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Frontispiece, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415800: Frontispiece, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Private Collection / Bridgeman Images

Semele is Deceived or Semele Ingannata da Giunone, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Semele is Deceived or Semele Ingannata da Giunone, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415838: Semele is Deceived or Semele Ingannata da Giunone, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Private Collection / Bridgeman Images

Orpheus or Orfeo, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Orpheus or Orfeo, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415865: Orpheus or Orfeo, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Private Collection / Bridgeman Images

Erichthonius with Dragon's Feet or Erittonio data in Guardia alle Figlie de Cecrope, Book II, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Erichthonius with Dragon's Feet or Erittonio data in Guardia alle Figlie de Cecrope, Book II, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415825: Erichthonius with Dragon's Feet or Erittonio data in Guardia alle Figlie de Cecrope, Book II, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Private Collection / Bridgeman Images

Clytie into a Flower or Clizia Transformata in Eliotropia, Book IV, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Clytie into a Flower or Clizia Transformata in Eliotropia, Book IV, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415848: Clytie into a Flower or Clizia Transformata in Eliotropia, Book IV, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Private Collection / Bridgeman Images

Syrinx into a Reed or Pane e Siringa, Book I, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Syrinx into a Reed or Pane e Siringa, Book I, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415817: Syrinx into a Reed or Pane e Siringa, Book I, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Private Collection / Bridgeman Images

Pentheus Persecutes Bacchus' Disciples or Penteo Trattiene I suoi da Seguire Bacco, Book III, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Pentheus Persecutes Bacchus' Disciples or Penteo Trattiene I suoi da Seguire Bacco, Book III, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415844: Pentheus Persecutes Bacchus' Disciples or Penteo Trattiene I suoi da Seguire Bacco, Book III, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Private Collection / Bridgeman Images

Cyparissus into a Tree or Ciparisso, Book X, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Cyparissus into a Tree or Ciparisso, Book X, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415868: Cyparissus into a Tree or Ciparisso, Book X, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Private Collection / Bridgeman Images

Echo and Narcissus or Eco e Narciso, Book III, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Echo and Narcissus or Eco e Narciso, Book III, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415841: Echo and Narcissus or Eco e Narciso, Book III, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Private Collection / Bridgeman Images

A Boy into a Lizard or Ntellio Transformato in Lucerta, Book V, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
A Boy into a Lizard or Ntellio Transformato in Lucerta, Book V, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415857: A Boy into a Lizard or Ntellio Transformato in Lucerta, Book V, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Private Collection / Bridgeman Images

Meleager and Atlanta or Meleagro e Atalanta, Book VIII, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Meleager and Atlanta or Meleagro e Atalanta, Book VIII, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415886: Meleager and Atlanta or Meleagro e Atalanta, Book VIII, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Private Collection / Bridgeman Images

The Golden Age or Eta dell'Oro, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
The Golden Age or Eta dell'Oro, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415801: The Golden Age or Eta dell'Oro, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Private Collection / Bridgeman Images

Pyramus and Thisbe or Piramo e Tisbe, Book IV, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Pyramus and Thisbe or Piramo e Tisbe, Book IV, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415846: Pyramus and Thisbe or Piramo e Tisbe, Book IV, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Private Collection / Bridgeman Images

Procne, Philomela, and Tereus Driven Insane or Progne e Filomena presentano a Teseo la Testa di suo Figlio da Loro Ucciso, Book VI, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Procne, Philomela, and Tereus Driven Insane or Progne e Filomena presentano a Teseo la Testa di suo Figlio da Loro Ucciso, Book VI, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415863: Procne, Philomela, and Tereus Driven Insane or Progne e Filomena presentano a Teseo la Testa di suo Figlio da Loro Ucciso, Book VI, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Private Collection / Bridgeman Images

The Sacrifice of Iphigenia or Ifigenia Sacrificata, Book XII, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
The Sacrifice of Iphigenia or Ifigenia Sacrificata, Book XII, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415876: The Sacrifice of Iphigenia or Ifigenia Sacrificata, Book XII, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Private Collection / Bridgeman Images

Pelias with his daughters or Le Figlie di Pelia Ingannate da Medea, Book VII, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Pelias with his daughters or Le Figlie di Pelia Ingannate da Medea, Book VII, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415879: Pelias with his daughters or Le Figlie di Pelia Ingannate da Medea, Book VII, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Private Collection / Bridgeman Images

Daedalus and Icarus or Dedalo ed Icaro, Book VIII, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Daedalus and Icarus or Dedalo ed Icaro, Book VIII, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415885: Daedalus and Icarus or Dedalo ed Icaro, Book VIII, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Private Collection / Bridgeman Images

Daphne into a Laurel or Apollo Incoronasi de Lauro, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Daphne into a Laurel or Apollo Incoronasi de Lauro, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415814: Daphne into a Laurel or Apollo Incoronasi de Lauro, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Private Collection / Bridgeman Images

Tiresias dismissed by Pentheus or Tirenia Scacciato da Penteo, Book III, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Tiresias dismissed by Pentheus or Tirenia Scacciato da Penteo, Book III, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415842: Tiresias dismissed by Pentheus or Tirenia Scacciato da Penteo, Book III, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Private Collection / Bridgeman Images

Orpheus in Hell or  Orfeo Chiede a Plutone Euridice, Book X, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Orpheus in Hell or  Orfeo Chiede a Plutone Euridice, Book X, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415867: Orpheus in Hell or Orfeo Chiede a Plutone Euridice, Book X, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Private Collection / Bridgeman Images

The birth of Adonis or Nascita di Adone, Book X, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
The birth of Adonis or Nascita di Adone, Book X, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415870: The birth of Adonis or Nascita di Adone, Book X, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Private Collection / Bridgeman Images

Paris Kills Achilles or Paride diretto da Apollo Ferince Achille, Book XIII, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Paris Kills Achilles or Paride diretto da Apollo Ferince Achille, Book XIII, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415877: Paris Kills Achilles or Paride diretto da Apollo Ferince Achille, Book XIII, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Private Collection / Bridgeman Images

Jason puts the Dragon to sleep or Gianone Conquista il Vello d'Oro, Book VII, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Jason puts the Dragon to sleep or Gianone Conquista il Vello d'Oro, Book VII, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415878: Jason puts the Dragon to sleep or Gianone Conquista il Vello d'Oro, Book VII, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Private Collection / Bridgeman Images

Bacchus and Ariadne or Bacco e Arianna, Book VIII, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Bacchus and Ariadne or Bacco e Arianna, Book VIII, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415884: Bacchus and Ariadne or Bacco e Arianna, Book VIII, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Private Collection / Bridgeman Images

Erysichthon's Pride or Eresictone Taglia una Querce sacra a Cerere, Book VIII, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Erysichthon's Pride or Eresictone Taglia una Querce sacra a Cerere, Book VIII, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415887: Erysichthon's Pride or Eresictone Taglia una Querce sacra a Cerere, Book VIII, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Private Collection / Bridgeman Images

Hercules and Achelous or Ercole e Acheloo, Book IX, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Hercules and Achelous or Ercole e Acheloo, Book IX, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415888: Hercules and Achelous or Ercole e Acheloo, Book IX, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Private Collection / Bridgeman Images


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