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Woman of Bern in a horsehair lace bonnet, Switzerland, 19th century. The lace bonnet resemble a cockscomb, and contrasts with the elegant simplicity of her shirt, bodice, apron and petticoat. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827.
Woman of Bern in a horsehair lace bonnet, Switzerland, 19th century. The lace bonnet resemble a cockscomb, and contrasts with the elegant simplicity of her shirt, bodice, apron and petticoat. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827.

FLO4658018: Woman of Bern in a horsehair lace bonnet, Switzerland, 19th century. The lace bonnet resemble a cockscomb, and contrasts with the elegant simplicity of her shirt, bodice, apron and petticoat. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827., Gatine, Georges Jacques (1773-1831) / Bridgeman Images

Peasant girl of the environs of Kell am See, Germany, 19th century. She wears a small bonnet over her long pigtails, and carries a straw hat decorated with knots. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827.
Peasant girl of the environs of Kell am See, Germany, 19th century. She wears a small bonnet over her long pigtails, and carries a straw hat decorated with knots. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827.

FLO4658026: Peasant girl of the environs of Kell am See, Germany, 19th century. She wears a small bonnet over her long pigtails, and carries a straw hat decorated with knots. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827., Gatine, Georges Jacques (1773-1831) / Bridgeman Images

Roman art: detail of the mosaic “” The large hunting part”” Hunters weapons of large shields. 315-350 AD. Piazza Armerina, Villa Romana del Casale
Roman art: detail of the mosaic “” The large hunting part”” Hunters weapons of large shields. 315-350 AD. Piazza Armerina, Villa Romana del Casale

LRI4658054: Roman art: detail of the mosaic “” The large hunting part”” Hunters weapons of large shields. 315-350 AD. Piazza Armerina, Villa Romana del Casale, Roman, (4th century AD) / Bridgeman Images

Servant girl (nanny with child) of Schweinfurt, Bavaria, Germany, 19th century. Her costume is richly decorated with gold braid and ribbons. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827.
Servant girl (nanny with child) of Schweinfurt, Bavaria, Germany, 19th century. Her costume is richly decorated with gold braid and ribbons. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827.

FLO4658173: Servant girl (nanny with child) of Schweinfurt, Bavaria, Germany, 19th century. Her costume is richly decorated with gold braid and ribbons. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827., Gatine, Georges Jacques (1773-1831) / Bridgeman Images

Fisherwoman of Bordeaux, France, 19th century. She wears a tall bonnet of fine organdy cotton for special occasions, bodice with openings at the waist to reveal the shirt, fichu, apron, and petticoats. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827.
Fisherwoman of Bordeaux, France, 19th century. She wears a tall bonnet of fine organdy cotton for special occasions, bodice with openings at the waist to reveal the shirt, fichu, apron, and petticoats. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827.

FLO4658239: Fisherwoman of Bordeaux, France, 19th century. She wears a tall bonnet of fine organdy cotton for special occasions, bodice with openings at the waist to reveal the shirt, fichu, apron, and petticoats. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827., Gatine, Georges Jacques (1773-1831) / Bridgeman Images

Milkmaid of Cauderan counting coins, Bordeaux, France, 19th century. She wears a tall bonnet in batiste lace covered with a Bearn fichu, check fichu, striped jacket, apron and petticoat. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827.
Milkmaid of Cauderan counting coins, Bordeaux, France, 19th century. She wears a tall bonnet in batiste lace covered with a Bearn fichu, check fichu, striped jacket, apron and petticoat. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827.

FLO4658289: Milkmaid of Cauderan counting coins, Bordeaux, France, 19th century. She wears a tall bonnet in batiste lace covered with a Bearn fichu, check fichu, striped jacket, apron and petticoat. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827., Gatine, Georges Jacques (1773-1831) / Bridgeman Images

Woman of Cassano All'Ionio, Cosenza, Italy, 19th century. She sells eggs from a basket, and wears a kerchief held by a pin, chemise, bodice, apron and skirts decorated with gold braid and embroidery. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827.
Woman of Cassano All'Ionio, Cosenza, Italy, 19th century. She sells eggs from a basket, and wears a kerchief held by a pin, chemise, bodice, apron and skirts decorated with gold braid and embroidery. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827.

FLO4658352: Woman of Cassano All'Ionio, Cosenza, Italy, 19th century. She sells eggs from a basket, and wears a kerchief held by a pin, chemise, bodice, apron and skirts decorated with gold braid and embroidery. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827., Gatine, Georges Jacques (1773-1831) / Bridgeman Images

Embroiderer - Embroiderer, Paris, early 19th century, in white dress and bonnet - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris” (Tradeswomen of Paris), Paris, 1823
Embroiderer - Embroiderer, Paris, early 19th century, in white dress and bonnet - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris” (Tradeswomen of Paris), Paris, 1823

FLO4658365: Embroiderer - Embroiderer, Paris, early 19th century, in white dress and bonnet - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris” (Tradeswomen of Paris), Paris, 1823 / Bridgeman Images

Lace whitener - Lace laundress, Paris, early 19th century, in long brown coat, shawl, white lace bonnet and collar - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris” (Tradeswomen of Paris), Paris, 1823
Lace whitener - Lace laundress, Paris, early 19th century, in long brown coat, shawl, white lace bonnet and collar - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris” (Tradeswomen of Paris), Paris, 1823

FLO4658506: Lace whitener - Lace laundress, Paris, early 19th century, in long brown coat, shawl, white lace bonnet and collar - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris” (Tradeswomen of Paris), Paris, 1823 / Bridgeman Images

Merchant a toilette - Seller of cosmetics and grooming items, Paris, 19th century, in long coat, patterned bonnet, fringed shawl, carrying a box and package - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris” (Tradeswomen of Paris), Paris, 1823
Merchant a toilette - Seller of cosmetics and grooming items, Paris, 19th century, in long coat, patterned bonnet, fringed shawl, carrying a box and package - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris” (Tradeswomen of Paris), Paris, 1823

FLO4658563: Merchant a toilette - Seller of cosmetics and grooming items, Paris, 19th century, in long coat, patterned bonnet, fringed shawl, carrying a box and package - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris” (Tradeswomen of Paris), Paris, 1823 / Bridgeman Images

Lingere - Seamstress, Paris, early 19th century, in lace bonnet and collar, black velvet dress, carrying boxes - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris”” (Tradeswomen of Paris), Paris, 1823
Lingere - Seamstress, Paris, early 19th century, in lace bonnet and collar, black velvet dress, carrying boxes - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris”” (Tradeswomen of Paris), Paris, 1823

FLO4658600: Lingere - Seamstress, Paris, early 19th century, in lace bonnet and collar, black velvet dress, carrying boxes - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris”” (Tradeswomen of Paris), Paris, 1823 / Bridgeman Images

Milkmaid of Pessac, Bordeaux, France, 19th century. She holds two large milk pails and a cup, wears a check bandanna, fichu, apron, and petticoat. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827.
Milkmaid of Pessac, Bordeaux, France, 19th century. She holds two large milk pails and a cup, wears a check bandanna, fichu, apron, and petticoat. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827.

FLO4658273: Milkmaid of Pessac, Bordeaux, France, 19th century. She holds two large milk pails and a cup, wears a check bandanna, fichu, apron, and petticoat. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827., Gatine, Georges Jacques (1773-1831) / Bridgeman Images

Young woman of Bujaruelo, Aragon, Spanish Pyrenees, 19th century. She wears a white kerchief tied over her long hair braided with ribbon, a red fichu, laced corset, petticoat and pleated apron. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827.
Young woman of Bujaruelo, Aragon, Spanish Pyrenees, 19th century. She wears a white kerchief tied over her long hair braided with ribbon, a red fichu, laced corset, petticoat and pleated apron. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827.

FLO4658319: Young woman of Bujaruelo, Aragon, Spanish Pyrenees, 19th century. She wears a white kerchief tied over her long hair braided with ribbon, a red fichu, laced corset, petticoat and pleated apron. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827., Gatine, Georges Jacques (1773-1831) / Bridgeman Images

Hair Braider of hair, Paris, early 19th century, in long dress, black apron, lace collar, with her hair in ringlets - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris” (Tradeswomen of Paris), Paris, 1823
Hair Braider of hair, Paris, early 19th century, in long dress, black apron, lace collar, with her hair in ringlets - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris” (Tradeswomen of Paris), Paris, 1823

FLO4658552: Hair Braider of hair, Paris, early 19th century, in long dress, black apron, lace collar, with her hair in ringlets - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris” (Tradeswomen of Paris), Paris, 1823 / Bridgeman Images

Repasseuse - Female presser, Paris, early 19th century, ironing clothes on a table, wearing a blue dress with white scarf, and her hair in ringlets and a bignon. Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris” (Tradeswomen of Paris), Paris, 1823.
Repasseuse - Female presser, Paris, early 19th century, ironing clothes on a table, wearing a blue dress with white scarf, and her hair in ringlets and a bignon. Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris” (Tradeswomen of Paris), Paris, 1823.

FLO4658424: Repasseuse - Female presser, Paris, early 19th century, ironing clothes on a table, wearing a blue dress with white scarf, and her hair in ringlets and a bignon. Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris” (Tradeswomen of Paris), Paris, 1823. / Bridgeman Images

Modiste - Milliner, Paris, early 19th century, in bonnet, lace collar, shawl, green apron over yellow dress, carrying a hat box - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris” (Tradeswomen of Paris), Paris, 1823
Modiste - Milliner, Paris, early 19th century, in bonnet, lace collar, shawl, green apron over yellow dress, carrying a hat box - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris” (Tradeswomen of Paris), Paris, 1823

FLO4658595: Modiste - Milliner, Paris, early 19th century, in bonnet, lace collar, shawl, green apron over yellow dress, carrying a hat box - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris” (Tradeswomen of Paris), Paris, 1823 / Bridgeman Images

Greek antiquite: hydrie has red figures. detail representing young acrobats dancing. 5th BC. Naples, Museo Archeologico
Greek antiquite: hydrie has red figures. detail representing young acrobats dancing. 5th BC. Naples, Museo Archeologico

LRI4658681: Greek antiquite: hydrie has red figures. detail representing young acrobats dancing. 5th BC. Naples, Museo Archeologico, Greek school, (5th century BC) / Bridgeman Images

Buff-banded rail, Gallirallus philippensis (Philippine rail, Rallus philippensis). Handcoloured copperplate drawn and engraved by John Latham from his own A General History of Birds, Winchester, 1824.
Buff-banded rail, Gallirallus philippensis (Philippine rail, Rallus philippensis). Handcoloured copperplate drawn and engraved by John Latham from his own A General History of Birds, Winchester, 1824.

FLO4658907: Buff-banded rail, Gallirallus philippensis (Philippine rail, Rallus philippensis). Handcoloured copperplate drawn and engraved by John Latham from his own A General History of Birds, Winchester, 1824., Latham, John (1740-1837) / Bridgeman Images

Greater paint-snipe, Rostratula benghalensis (Cape snipe, Scolopax capensis). Handcoloured copperplate drawn and engraved by John Latham from his own A General History of Birds, Winchester, 1824.
Greater paint-snipe, Rostratula benghalensis (Cape snipe, Scolopax capensis). Handcoloured copperplate drawn and engraved by John Latham from his own A General History of Birds, Winchester, 1824.

FLO4658895: Greater paint-snipe, Rostratula benghalensis (Cape snipe, Scolopax capensis). Handcoloured copperplate drawn and engraved by John Latham from his own A General History of Birds, Winchester, 1824., Latham, John (1740-1837) / Bridgeman Images

Etruscan art: gold comb from the site of Marsiliana d'Albenga in Tuscany. 650-700 Florence, Museo Archeologico
Etruscan art: gold comb from the site of Marsiliana d'Albenga in Tuscany. 650-700 Florence, Museo Archeologico

LRI4659212: Etruscan art: gold comb from the site of Marsiliana d'Albenga in Tuscany. 650-700 Florence, Museo Archeologico, Etruscan, (7th century BC) / Bridgeman Images

Scarlet macaw, Ara macao (Red and yellow macaw, Macrocercus aracanga). Handcoloured copperplate drawn and engraved by John Latham from his own A General History of Birds, Winchester, 1822.
Scarlet macaw, Ara macao (Red and yellow macaw, Macrocercus aracanga). Handcoloured copperplate drawn and engraved by John Latham from his own A General History of Birds, Winchester, 1822.

FLO4659167: Scarlet macaw, Ara macao (Red and yellow macaw, Macrocercus aracanga). Handcoloured copperplate drawn and engraved by John Latham from his own A General History of Birds, Winchester, 1822., Latham, John (1740-1837) / Bridgeman Images

Gang-gang cockatoo, Callocephalon fimbriatum (Red-crowned parrot, Psittacus galeatus). Handcoloured copperplate drawn and engraved by John Latham from his own A General History of Birds, Winchester, 1822.
Gang-gang cockatoo, Callocephalon fimbriatum (Red-crowned parrot, Psittacus galeatus). Handcoloured copperplate drawn and engraved by John Latham from his own A General History of Birds, Winchester, 1822.

FLO4659237: Gang-gang cockatoo, Callocephalon fimbriatum (Red-crowned parrot, Psittacus galeatus). Handcoloured copperplate drawn and engraved by John Latham from his own A General History of Birds, Winchester, 1822., Latham, John (1740-1837) / Bridgeman Images

Etruscan antiquite: terracotta oinochoe in the shape of a feminine head. From Vulci. 4th century BC. Sun 24 cm Rome Museo Nazionale di Villa Giulia
Etruscan antiquite: terracotta oinochoe in the shape of a feminine head. From Vulci. 4th century BC. Sun 24 cm Rome Museo Nazionale di Villa Giulia

LRI4659310: Etruscan antiquite: terracotta oinochoe in the shape of a feminine head. From Vulci. 4th century BC. Sun 24 cm Rome Museo Nazionale di Villa Giulia, Etruscan, (4th century BC) / Bridgeman Images

Francoise de Foix (ca. 1495-1537), countess of Chateaubriant, mistress of King Francis I of France. After a drawing by Janet and a miniature oil painting. Handcoloured copperplate engraving by Gatine after an illustration by Louis Marie Lante from Pierre de la Mesanger's “Costumes des femmes celebres” (Costumes of Famous Women), Paris, 1827.
Francoise de Foix (ca. 1495-1537), countess of Chateaubriant, mistress of King Francis I of France. After a drawing by Janet and a miniature oil painting. Handcoloured copperplate engraving by Gatine after an illustration by Louis Marie Lante from Pierre de la Mesanger's “Costumes des femmes celebres” (Costumes of Famous Women), Paris, 1827.

FLO4678123: Francoise de Foix (ca. 1495-1537), countess of Chateaubriant, mistress of King Francis I of France. After a drawing by Janet and a miniature oil painting. Handcoloured copperplate engraving by Gatine after an illustration by Louis Marie Lante from Pierre de la Mesanger's “Costumes des femmes celebres” (Costumes of Famous Women), Paris, 1827. / Bridgeman Images

Marion de Lorme (Delorme) (Marie de Lon, Lady of Lorme) (1613-1650) French courtesan. After a miniature on vellum. Handcoloured copperplate engraving by Gatine after an illustration by Louis Marie Lante from Pierre de la Mesanger's “Costumes des femmes celebres” (Costumes of Famous Women), Paris, 1827.
Marion de Lorme (Delorme) (Marie de Lon, Lady of Lorme) (1613-1650) French courtesan. After a miniature on vellum. Handcoloured copperplate engraving by Gatine after an illustration by Louis Marie Lante from Pierre de la Mesanger's “Costumes des femmes celebres” (Costumes of Famous Women), Paris, 1827.

FLO4678159: Marion de Lorme (Delorme) (Marie de Lon, Lady of Lorme) (1613-1650) French courtesan. After a miniature on vellum. Handcoloured copperplate engraving by Gatine after an illustration by Louis Marie Lante from Pierre de la Mesanger's “Costumes des femmes celebres” (Costumes of Famous Women), Paris, 1827. / Bridgeman Images

Archer and crossbow man, 1250. English longbowman in skullcap helmet cerebrerium, hauberk, leather breastplate and arrows in a girdle. The crossbowman or arbalister wears a nasal helmet and hauberk and carries a short sword baselard. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
Archer and crossbow man, 1250. English longbowman in skullcap helmet cerebrerium, hauberk, leather breastplate and arrows in a girdle. The crossbowman or arbalister wears a nasal helmet and hauberk and carries a short sword baselard. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678295: Archer and crossbow man, 1250. English longbowman in skullcap helmet cerebrerium, hauberk, leather breastplate and arrows in a girdle. The crossbowman or arbalister wears a nasal helmet and hauberk and carries a short sword baselard. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

A dismounted knight and one of the king's guards to King Henry VIII, 1525. The knight holds a mace or martel de fer, drapery lamboys covering half the breastplate. Guard in arming doublet with chainmail sleeves, carrying a spontoon shield and pike. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
A dismounted knight and one of the king's guards to King Henry VIII, 1525. The knight holds a mace or martel de fer, drapery lamboys covering half the breastplate. Guard in arming doublet with chainmail sleeves, carrying a spontoon shield and pike. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678554: A dismounted knight and one of the king's guards to King Henry VIII, 1525. The knight holds a mace or martel de fer, drapery lamboys covering half the breastplate. Guard in arming doublet with chainmail sleeves, carrying a spontoon shield and pike. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

Elegant Lupin or Lupin from Mexico - Engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Mexican lupine, Lupinus elegans (Drooping-leaved lupine) - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “The Botanical Register,”” London, Ridgway, 1833
Elegant Lupin or Lupin from Mexico - Engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Mexican lupine, Lupinus elegans (Drooping-leaved lupine) - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “The Botanical Register,”” London, Ridgway, 1833

FLO4678729: Elegant Lupin or Lupin from Mexico - Engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Mexican lupine, Lupinus elegans (Drooping-leaved lupine) - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “The Botanical Register,”” London, Ridgway, 1833, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Sir Eudo de Arsic III, Knight Templar, 1260. He wears a jacket over a chainmail hauberk with hood, chausses, knee poleyns and carries a sword and shield. From an effigy in St. George Church, Southacre. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
Sir Eudo de Arsic III, Knight Templar, 1260. He wears a jacket over a chainmail hauberk with hood, chausses, knee poleyns and carries a sword and shield. From an effigy in St. George Church, Southacre. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678300: Sir Eudo de Arsic III, Knight Templar, 1260. He wears a jacket over a chainmail hauberk with hood, chausses, knee poleyns and carries a sword and shield. From an effigy in St. George Church, Southacre. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

King Richard III of England, Duke of Gloucester, 1452-1485, or his father Richard, Third Duke of York 1411-1460. He wears a crown, a suit of armour with a globular breastplate and engraved plates, fingered gauntlets, and holds a two-handed sword. From a stained glass window in Trinity Hall, Cambridge. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
King Richard III of England, Duke of Gloucester, 1452-1485, or his father Richard, Third Duke of York 1411-1460. He wears a crown, a suit of armour with a globular breastplate and engraved plates, fingered gauntlets, and holds a two-handed sword. From a stained glass window in Trinity Hall, Cambridge. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678450: King Richard III of England, Duke of Gloucester, 1452-1485, or his father Richard, Third Duke of York 1411-1460. He wears a crown, a suit of armour with a globular breastplate and engraved plates, fingered gauntlets, and holds a two-handed sword. From a stained glass window in Trinity Hall, Cambridge. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

Sir John Cornwall, First Baron Fanhope and Milbroke, English nobleman and soldier, 1364-1442. He wears a suit of plate armour, armorial tabard with a gold-crowned red lion on ermine field. Cornwall holds the banner and stands on the shield of a English knight he defeated in a joust in 1400. His squire wears a visored capelline or steel hat. From a stained glass window in Ampthill Church, Bedfordshire. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
Sir John Cornwall, First Baron Fanhope and Milbroke, English nobleman and soldier, 1364-1442. He wears a suit of plate armour, armorial tabard with a gold-crowned red lion on ermine field. Cornwall holds the banner and stands on the shield of a English knight he defeated in a joust in 1400. His squire wears a visored capelline or steel hat. From a stained glass window in Ampthill Church, Bedfordshire. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678472: Sir John Cornwall, First Baron Fanhope and Milbroke, English nobleman and soldier, 1364-1442. He wears a suit of plate armour, armorial tabard with a gold-crowned red lion on ermine field. Cornwall holds the banner and stands on the shield of a English knight he defeated in a joust in 1400. His squire wears a visored capelline or steel hat. From a stained glass window in Ampthill Church, Bedfordshire. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

King Henry VII of England and a billman, 1490. Henry VII's engraved suit of armour in the Tower of London, with convex breastplate, puckered plate skirt of lamboys, square sollerets and plumed capquetel helmet. Horse in barding, chamfron, manefaire, poitral and croupiere. Billman in jazerine jacket and salad helmet. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
King Henry VII of England and a billman, 1490. Henry VII's engraved suit of armour in the Tower of London, with convex breastplate, puckered plate skirt of lamboys, square sollerets and plumed capquetel helmet. Horse in barding, chamfron, manefaire, poitral and croupiere. Billman in jazerine jacket and salad helmet. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678481: King Henry VII of England and a billman, 1490. Henry VII's engraved suit of armour in the Tower of London, with convex breastplate, puckered plate skirt of lamboys, square sollerets and plumed capquetel helmet. Horse in barding, chamfron, manefaire, poitral and croupiere. Billman in jazerine jacket and salad helmet. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

Boisduvalia variete, dense-flowered epilobe - Engraved board by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Denseflower willowherb, Boisduvalia densiflora (Close-flowered evening primrose, Oenothera densiflora) - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1833
Boisduvalia variete, dense-flowered epilobe - Engraved board by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Denseflower willowherb, Boisduvalia densiflora (Close-flowered evening primrose, Oenothera densiflora) - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1833

FLO4678763: Boisduvalia variete, dense-flowered epilobe - Engraved board by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Denseflower willowherb, Boisduvalia densiflora (Close-flowered evening primrose, Oenothera densiflora) - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1833, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Variete of liliacee (Helonias asphodeloides) - Engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Turkey beard, Xerophyllum asphodeloides (Tough-leaved xerophyllum, Xerophyllum) Setifolium) - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,” London, Ridgway, 1833
Variete of liliacee (Helonias asphodeloides) - Engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Turkey beard, Xerophyllum asphodeloides (Tough-leaved xerophyllum, Xerophyllum) Setifolium) - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,” London, Ridgway, 1833

FLO4678939: Variete of liliacee (Helonias asphodeloides) - Engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Turkey beard, Xerophyllum asphodeloides (Tough-leaved xerophyllum, Xerophyllum) Setifolium) - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,” London, Ridgway, 1833, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Purple flower petunia - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Purple-flowered petunia, Petunia integrifolia (Purple petunia, Petunia violacea) - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards'” “The Botanical Register,” London, Ridgway, 1833
Purple flower petunia - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Purple-flowered petunia, Petunia integrifolia (Purple petunia, Petunia violacea) - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards'” “The Botanical Register,” London, Ridgway, 1833

FLO4678962: Purple flower petunia - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Purple-flowered petunia, Petunia integrifolia (Purple petunia, Petunia violacea) - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards'” “The Botanical Register,” London, Ridgway, 1833, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Scotia a smooth branches - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Smooth-branched scottia, Scotia laevis - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical, London, Ridgway, 1833
Scotia a smooth branches - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Smooth-branched scottia, Scotia laevis - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical, London, Ridgway, 1833

FLO4679119: Scotia a smooth branches - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Smooth-branched scottia, Scotia laevis - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical, London, Ridgway, 1833, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images


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