1. Home
  2. Search Results

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

2497525 Search Results

Portrait of Wulstan (or Wulfstan), second arch of York from 1002-1023. A copy of an 11th century manuscript, dressed in his ordinary dress, sitting and studying a book in his office. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Portrait of Wulstan (or Wulfstan), second arch of York from 1002-1023. A copy of an 11th century manuscript, dressed in his ordinary dress, sitting and studying a book in his office. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707477: Portrait of Wulstan (or Wulfstan), second arch of York from 1002-1023. A copy of an 11th century manuscript, dressed in his ordinary dress, sitting and studying a book in his office. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707477

Portrait of Wulstan (or Wulfstan), second arch of York from 1002-1023. A copy of an 11th century manuscript, dressed in his ordinary dress, sitting and studying a book in his office. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Two Anglo Saxon soldiers in armor, late 9th and 10th century. One weapon with a long spear and wearing a blue cape and a brown tunic, with metal plates attached to the fabric of the skirt (61), the other weapon with a lace, a large bow and a shield, wearing a metal plque tunic on a yellow flattening skirt (62). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Two Anglo Saxon soldiers in armor, late 9th and 10th century. One weapon with a long spear and wearing a blue cape and a brown tunic, with metal plates attached to the fabric of the skirt (61), the other weapon with a lace, a large bow and a shield, wearing a metal plque tunic on a yellow flattening skirt (62). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707494: Two Anglo Saxon soldiers in armor, late 9th and 10th century. One weapon with a long spear and wearing a blue cape and a brown tunic, with metal plates attached to the fabric of the skirt (61), the other weapon with a lace, a large bow and a shield, wearing a metal plque tunic on a yellow flattening skirt (62). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707494

Two Anglo Saxon soldiers in armor, late 9th and 10th century. One weapon with a long spear and wearing a blue cape and a brown tunic, with metal plates attached to the fabric of the skirt (61), the other weapon with a lace, a large bow and a shield, wearing a metal plque tunic on a yellow flattening skirt (62). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Musee Picasso a Paris Musee Picasso, 5 rue de Thorigny, Paris 75003. Architecture by Roland Simounet, 1976-1985. Photography 1986.
Musee Picasso a Paris Musee Picasso, 5 rue de Thorigny, Paris 75003. Architecture by Roland Simounet, 1976-1985. Photography 1986.

TEC4707538: Musee Picasso a Paris Musee Picasso, 5 rue de Thorigny, Paris 75003. Architecture by Roland Simounet, 1976-1985. Photography 1986., Picasso, Pablo (1881-1973) / Bridgeman Images

ID: TEC4707538

Musee Picasso a Paris Musee Picasso, 5 rue de Thorigny, Paris 75003. Architecture by Roland Simounet, 1976-1985. Photography 1986.

Picasso, Pablo (1881-1973)

Portrait of jazz saxophonist Anthony Braxton in 1981.
Portrait of jazz saxophonist Anthony Braxton in 1981.

MME4707733: Portrait of jazz saxophonist Anthony Braxton in 1981., Mencarini, Marcello / Bridgeman Images

ID: MME4707733

Portrait of jazz saxophonist Anthony Braxton in 1981.

Mencarini, Marcello

Margarita, Countess of Flanders (1145-1194), horseback with a hawk and the dwarf Turold, guiding two horses. The Franks wore cups similar to that worn by Marguerite (103). Turold (104), sent by Guillaume (William), Duke of Normandy, known as the Conquerant then William I of England (1027-1087), represented as described by Bernard de Montfaucon in Monument de la Monarchy Francaise. (Copy of a tapestry earlier than that of Bayeux or Queen Mathilde, 11th century). He wears clothes under his suit, the cut and shape of his hat are very special. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Margarita, Countess of Flanders (1145-1194), horseback with a hawk and the dwarf Turold, guiding two horses. The Franks wore cups similar to that worn by Marguerite (103). Turold (104), sent by Guillaume (William), Duke of Normandy, known as the Conquerant then William I of England (1027-1087), represented as described by Bernard de Montfaucon in Monument de la Monarchy Francaise. (Copy of a tapestry earlier than that of Bayeux or Queen Mathilde, 11th century). He wears clothes under his suit, the cut and shape of his hat are very special. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707756: Margarita, Countess of Flanders (1145-1194), horseback with a hawk and the dwarf Turold, guiding two horses. The Franks wore cups similar to that worn by Marguerite (103). Turold (104), sent by Guillaume (William), Duke of Normandy, known as the Conquerant then William I of England (1027-1087), represented as described by Bernard de Montfaucon in Monument de la Monarchy Francaise. (Copy of a tapestry earlier than that of Bayeux or Queen Mathilde, 11th century). He wears clothes under his suit, the cut and shape of his hat are very special. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707756

Margarita, Countess of Flanders (1145-1194), horseback with a hawk and the dwarf Turold, guiding two horses. The Franks wore cups similar to that worn by Marguerite (103). Turold (104), sent by Guillaume (William), Duke of Normandy, known as the Conquerant then William I of England (1027-1087), represented as described by Bernard de Montfaucon in Monument de la Monarchy Francaise. (Copy of a tapestry earlier than that of Bayeux or Queen Mathilde, 11th century). He wears clothes under his suit, the cut and shape of his hat are very special. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Three Norman men of the 12th century, one wearing a talar (dress in fashion at the end of the 12th century), another vetu of the talar above her, and the third wearing a conical cap. Hand-coloured copper engraving, in “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. Three Norman men of the 12th century; one in a surtout and carrying a talar (a robe in fashion at the end of the 12th century), one wearing a talar over his especially, and one in a conical bonnet. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).
Three Norman men of the 12th century, one wearing a talar (dress in fashion at the end of the 12th century), another vetu of the talar above her, and the third wearing a conical cap. Hand-coloured copper engraving, in “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. Three Norman men of the 12th century; one in a surtout and carrying a talar (a robe in fashion at the end of the 12th century), one wearing a talar over his especially, and one in a conical bonnet. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).

FLO4707909: Three Norman men of the 12th century, one wearing a talar (dress in fashion at the end of the 12th century), another vetu of the talar above her, and the third wearing a conical cap. Hand-coloured copper engraving, in “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. Three Norman men of the 12th century; one in a surtout and carrying a talar (a robe in fashion at the end of the 12th century), one wearing a talar over his especially, and one in a conical bonnet. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796). / Bridgeman Images

ID: FLO4707909

Three Norman men of the 12th century, one wearing a talar (dress in fashion at the end of the 12th century), another vetu of the talar above her, and the third wearing a conical cap. Hand-coloured copper engraving, in “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. Three Norman men of the 12th century; one in a surtout and carrying a talar (a robe in fashion at the end of the 12th century), one wearing a talar over his especially, and one in a conical bonnet. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).

Representation of a Norman in the church of Danbury (Count of Essex, England). Probably older than that of leaf 62, and serious in wood, in a very good state of conservation, given the little attention paid to it. Strutt (who made the copy) noted the perfection of the executed work, which is an enigma, compared to its equivalents of the same period, which lack precision and taste.
Representation of a Norman in the church of Danbury (Count of Essex, England). Probably older than that of leaf 62, and serious in wood, in a very good state of conservation, given the little attention paid to it. Strutt (who made the copy) noted the perfection of the executed work, which is an enigma, compared to its equivalents of the same period, which lack precision and taste.

FLO4708048: Representation of a Norman in the church of Danbury (Count of Essex, England). Probably older than that of leaf 62, and serious in wood, in a very good state of conservation, given the little attention paid to it. Strutt (who made the copy) noted the perfection of the executed work, which is an enigma, compared to its equivalents of the same period, which lack precision and taste. / Bridgeman Images

ID: FLO4708048

Representation of a Norman in the church of Danbury (Count of Essex, England). Probably older than that of leaf 62, and serious in wood, in a very good state of conservation, given the little attention paid to it. Strutt (who made the copy) noted the perfection of the executed work, which is an enigma, compared to its equivalents of the same period, which lack precision and taste.

Portrait of composer and poet John Cage holding a photograph of him taken the previous year, 1983.
Portrait of composer and poet John Cage holding a photograph of him taken the previous year, 1983.

MME4708222: Portrait of composer and poet John Cage holding a photograph of him taken the previous year, 1983., Mencarini, Marcello / Bridgeman Images

ID: MME4708222

Portrait of composer and poet John Cage holding a photograph of him taken the previous year, 1983.

Mencarini, Marcello

Portrait of composer and poet John Cage, 1982.
Portrait of composer and poet John Cage, 1982.

MME4708229: Portrait of composer and poet John Cage, 1982., Mencarini, Marcello / Bridgeman Images

ID: MME4708229

Portrait of composer and poet John Cage, 1982.

Mencarini, Marcello

Portrait of the French maker Robert Bresson with his wife in 1980
Portrait of the French maker Robert Bresson with his wife in 1980

MME4707845: Portrait of the French maker Robert Bresson with his wife in 1980, Mencarini, Marcello / Bridgeman Images

ID: MME4707845

Portrait of the French maker Robert Bresson with his wife in 1980

Mencarini, Marcello

Knights fighters on foot, spear duel, during a tournament. The one on the left wears a crimson skirt over his armor, and has three red feathers on his helm. The one on the right uses his spear to prevent his opponent's attack. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1800.
Knights fighters on foot, spear duel, during a tournament. The one on the left wears a crimson skirt over his armor, and has three red feathers on his helm. The one on the right uses his spear to prevent his opponent's attack. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1800.

FLO4708217: Knights fighters on foot, spear duel, during a tournament. The one on the left wears a crimson skirt over his armor, and has three red feathers on his helm. The one on the right uses his spear to prevent his opponent's attack. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1800. / Bridgeman Images

ID: FLO4708217

Knights fighters on foot, spear duel, during a tournament. The one on the left wears a crimson skirt over his armor, and has three red feathers on his helm. The one on the right uses his spear to prevent his opponent's attack. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1800.

Portrait of the Spanish actresses Montserrat Caballe and Italian renata Tebaldi in 1983.
Portrait of the Spanish actresses Montserrat Caballe and Italian renata Tebaldi in 1983.

MME4708086: Portrait of the Spanish actresses Montserrat Caballe and Italian renata Tebaldi in 1983., Mencarini, Marcello / Bridgeman Images

ID: MME4708086

Portrait of the Spanish actresses Montserrat Caballe and Italian renata Tebaldi in 1983.

Mencarini, Marcello

The Norman cavalry: a slightly weapon with a sword and a shield, the other heavily weapon with a chain armor and a spear. Both of a mostly military. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
The Norman cavalry: a slightly weapon with a sword and a shield, the other heavily weapon with a chain armor and a spear. Both of a mostly military. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4708149: The Norman cavalry: a slightly weapon with a sword and a shield, the other heavily weapon with a chain armor and a spear. Both of a mostly military. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4708149

The Norman cavalry: a slightly weapon with a sword and a shield, the other heavily weapon with a chain armor and a spear. Both of a mostly military. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Portrait of composer and poet John Cage, 1982.
Portrait of composer and poet John Cage, 1982.

MME4708169: Portrait of composer and poet John Cage, 1982., Mencarini, Marcello / Bridgeman Images

ID: MME4708169

Portrait of composer and poet John Cage, 1982.

Mencarini, Marcello

Italo Calvino, Venice Lido, Italy, 1981 (photo)
Italo Calvino, Venice Lido, Italy, 1981 (photo)

MME4708329: Italo Calvino, Venice Lido, Italy, 1981 (photo), Mencarini, Marcello / Bridgeman Images

ID: MME4708329

Italo Calvino, Venice Lido, Italy, 1981 (photo)

Mencarini, Marcello

Italo Calvino, Venice Lido, Italy, 1981 (photo)
Italo Calvino, Venice Lido, Italy, 1981 (photo)

MME4708412: Italo Calvino, Venice Lido, Italy, 1981 (photo), Mencarini, Marcello / Bridgeman Images

ID: MME4708412

Italo Calvino, Venice Lido, Italy, 1981 (photo)

Mencarini, Marcello

Portrait of the French artist Cesar Baldaccini called Cesar at the Venice Art Biennale in 1995.
Portrait of the French artist Cesar Baldaccini called Cesar at the Venice Art Biennale in 1995.

MME4708647: Portrait of the French artist Cesar Baldaccini called Cesar at the Venice Art Biennale in 1995., Cesar (Cesar Baldaccini) (1921-98) / Bridgeman Images

ID: MME4708647

Portrait of the French artist Cesar Baldaccini called Cesar at the Venice Art Biennale in 1995.

Cesar (Cesar Baldaccini) (1921-98)

Panoramic view of St. Peter's Square in Rome from the dome of the Basilica, Rome Italy
Panoramic view of St. Peter's Square in Rome from the dome of the Basilica, Rome Italy

MME4708943: Panoramic view of St. Peter's Square in Rome from the dome of the Basilica, Rome Italy, Mencarini, Marcello / Bridgeman Images

ID: MME4708943

Panoramic view of St. Peter's Square in Rome from the dome of the Basilica, Rome Italy

Mencarini, Marcello

Panoramic view of the Roman Forum (foro romano) Rome, Italy
Panoramic view of the Roman Forum (foro romano) Rome, Italy

MME4709094: Panoramic view of the Roman Forum (foro romano) Rome, Italy, Mencarini, Marcello / Bridgeman Images

ID: MME4709094

Panoramic view of the Roman Forum (foro romano) Rome, Italy

Mencarini, Marcello

Portrait of musician and singer Ray Charles in 1990.
Portrait of musician and singer Ray Charles in 1990.

MME4708705: Portrait of musician and singer Ray Charles in 1990., Mencarini, Marcello / Bridgeman Images

ID: MME4708705

Portrait of musician and singer Ray Charles in 1990.

Mencarini, Marcello

Panoramic view of the walk of Campo dei fiori square, Rome Italy
Panoramic view of the walk of Campo dei fiori square, Rome Italy

MME4708946: Panoramic view of the walk of Campo dei fiori square, Rome Italy, Mencarini, Marcello / Bridgeman Images

ID: MME4708946

Panoramic view of the walk of Campo dei fiori square, Rome Italy

Mencarini, Marcello

Portrait of Japanese director Akira Kurosawa, 1980 (photo)
Portrait of Japanese director Akira Kurosawa, 1980 (photo)

MME4710164: Portrait of Japanese director Akira Kurosawa, 1980 (photo), Mencarini, Marcello / Bridgeman Images

ID: MME4710164

Portrait of Japanese director Akira Kurosawa, 1980 (photo)

Mencarini, Marcello

Knight of the temple who does not yet have the Cross, but is already armed with a spear and a sword. His dress officially must not be “” longer than the Cross””. The Order of the Knights of the Temple was founded in 1118 by Hugues de Payns (died 1136), Knight of Champagne and eight other knights to protect the pelerins in the Holy Land. After a humble beginning as Poor Knights of the Temple, the order developed to become a powerful and rich army of fighting monks, with monasteres throughout Europe, and numerous castles in Palestine (Safed, 1140; Karak, 1143; and the castle of the Pelerins 1217). The order ended tragically in 1312 when the Templars were judges, tortures and executes. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Knight of the temple who does not yet have the Cross, but is already armed with a spear and a sword. His dress officially must not be “” longer than the Cross””. The Order of the Knights of the Temple was founded in 1118 by Hugues de Payns (died 1136), Knight of Champagne and eight other knights to protect the pelerins in the Holy Land. After a humble beginning as Poor Knights of the Temple, the order developed to become a powerful and rich army of fighting monks, with monasteres throughout Europe, and numerous castles in Palestine (Safed, 1140; Karak, 1143; and the castle of the Pelerins 1217). The order ended tragically in 1312 when the Templars were judges, tortures and executes. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4708365: Knight of the temple who does not yet have the Cross, but is already armed with a spear and a sword. His dress officially must not be “” longer than the Cross””. The Order of the Knights of the Temple was founded in 1118 by Hugues de Payns (died 1136), Knight of Champagne and eight other knights to protect the pelerins in the Holy Land. After a humble beginning as Poor Knights of the Temple, the order developed to become a powerful and rich army of fighting monks, with monasteres throughout Europe, and numerous castles in Palestine (Safed, 1140; Karak, 1143; and the castle of the Pelerins 1217). The order ended tragically in 1312 when the Templars were judges, tortures and executes. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4708365

Knight of the temple who does not yet have the Cross, but is already armed with a spear and a sword. His dress officially must not be “” longer than the Cross””. The Order of the Knights of the Temple was founded in 1118 by Hugues de Payns (died 1136), Knight of Champagne and eight other knights to protect the pelerins in the Holy Land. After a humble beginning as Poor Knights of the Temple, the order developed to become a powerful and rich army of fighting monks, with monasteres throughout Europe, and numerous castles in Palestine (Safed, 1140; Karak, 1143; and the castle of the Pelerins 1217). The order ended tragically in 1312 when the Templars were judges, tortures and executes. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Italo Calvino, Venice Lido, Italy, 1981 (photo)
Italo Calvino, Venice Lido, Italy, 1981 (photo)

MME4708372: Italo Calvino, Venice Lido, Italy, 1981 (photo), Mencarini, Marcello / Bridgeman Images

ID: MME4708372

Italo Calvino, Venice Lido, Italy, 1981 (photo)

Mencarini, Marcello

Cartoon of demon adorned with a predominantly Norman with long sleeves, attached to the sleeves and tail, to its sides, a Norman woman seated and veiled, wearing a baby, and another Norman woman with long braid hair, clothed with one above all. Hand-coloured copper engraving, in “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. Cartoon of demon wearing a Norman long sleeved surtout tied at the sleeves and tails, seated Norman woman in veil holding a baby, and Norman woman with long plaited hair in a surtout. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).
Cartoon of demon adorned with a predominantly Norman with long sleeves, attached to the sleeves and tail, to its sides, a Norman woman seated and veiled, wearing a baby, and another Norman woman with long braid hair, clothed with one above all. Hand-coloured copper engraving, in “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. Cartoon of demon wearing a Norman long sleeved surtout tied at the sleeves and tails, seated Norman woman in veil holding a baby, and Norman woman with long plaited hair in a surtout. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).

FLO4707988: Cartoon of demon adorned with a predominantly Norman with long sleeves, attached to the sleeves and tail, to its sides, a Norman woman seated and veiled, wearing a baby, and another Norman woman with long braid hair, clothed with one above all. Hand-coloured copper engraving, in “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. Cartoon of demon wearing a Norman long sleeved surtout tied at the sleeves and tails, seated Norman woman in veil holding a baby, and Norman woman with long plaited hair in a surtout. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796). / Bridgeman Images

ID: FLO4707988

Cartoon of demon adorned with a predominantly Norman with long sleeves, attached to the sleeves and tail, to its sides, a Norman woman seated and veiled, wearing a baby, and another Norman woman with long braid hair, clothed with one above all. Hand-coloured copper engraving, in “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. Cartoon of demon wearing a Norman long sleeved surtout tied at the sleeves and tails, seated Norman woman in veil holding a baby, and Norman woman with long plaited hair in a surtout. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).

Cannes Film Festival, photo sitting around a comedian posing on a car at the Palais des Festivals. 1991 Panoramic view
Cannes Film Festival, photo sitting around a comedian posing on a car at the Palais des Festivals. 1991 Panoramic view

MME4708502: Cannes Film Festival, photo sitting around a comedian posing on a car at the Palais des Festivals. 1991 Panoramic view, Mencarini, Marcello / Bridgeman Images

ID: MME4708502

Cannes Film Festival, photo sitting around a comedian posing on a car at the Palais des Festivals. 1991 Panoramic view

Mencarini, Marcello

Knight of Malta in war suit (red jacket decoree with a large white cross on the chest). The Order of the Knights of Malta came from the Knights Hospitaller, a military order founded in 1099 to protect and treat the pelerins in Palestine. Following their expulsion from the Holy Land, the order was established on the island of Rhodes (1310-1523) before establishing itself in Malta in 1530. The order ruled the island until 1798, until Napoleon averted them. Today it survives under the name Sovereign Military Order of Malta.
Knight of Malta in war suit (red jacket decoree with a large white cross on the chest). The Order of the Knights of Malta came from the Knights Hospitaller, a military order founded in 1099 to protect and treat the pelerins in Palestine. Following their expulsion from the Holy Land, the order was established on the island of Rhodes (1310-1523) before establishing itself in Malta in 1530. The order ruled the island until 1798, until Napoleon averted them. Today it survives under the name Sovereign Military Order of Malta.

FLO4708583: Knight of Malta in war suit (red jacket decoree with a large white cross on the chest). The Order of the Knights of Malta came from the Knights Hospitaller, a military order founded in 1099 to protect and treat the pelerins in Palestine. Following their expulsion from the Holy Land, the order was established on the island of Rhodes (1310-1523) before establishing itself in Malta in 1530. The order ruled the island until 1798, until Napoleon averted them. Today it survives under the name Sovereign Military Order of Malta. / Bridgeman Images

ID: FLO4708583

Knight of Malta in war suit (red jacket decoree with a large white cross on the chest). The Order of the Knights of Malta came from the Knights Hospitaller, a military order founded in 1099 to protect and treat the pelerins in Palestine. Following their expulsion from the Holy Land, the order was established on the island of Rhodes (1310-1523) before establishing itself in Malta in 1530. The order ruled the island until 1798, until Napoleon averted them. Today it survives under the name Sovereign Military Order of Malta.

Panoramic view of Venice lagoon with gondolas. Italy
Panoramic view of Venice lagoon with gondolas. Italy

MME4709264: Panoramic view of Venice lagoon with gondolas. Italy, Mencarini, Marcello / Bridgeman Images

ID: MME4709264

Panoramic view of Venice lagoon with gondolas. Italy

Mencarini, Marcello

Portrait of the American pop singer child Nikka Costa in 1981.
Portrait of the American pop singer child Nikka Costa in 1981.

MME4709404: Portrait of the American pop singer child Nikka Costa in 1981., Mencarini, Marcello / Bridgeman Images

ID: MME4709404

Portrait of the American pop singer child Nikka Costa in 1981.

Mencarini, Marcello

Panoramic view of the Procuracy Vecchie on the Piazza San Marco in Venice, Italy
Panoramic view of the Procuracy Vecchie on the Piazza San Marco in Venice, Italy

MME4709135: Panoramic view of the Procuracy Vecchie on the Piazza San Marco in Venice, Italy, Mencarini, Marcello / Bridgeman Images

ID: MME4709135

Panoramic view of the Procuracy Vecchie on the Piazza San Marco in Venice, Italy

Mencarini, Marcello

Portrait of American poet Gregory Corso, member of the Beat Generation in Rome in 1980.
Portrait of American poet Gregory Corso, member of the Beat Generation in Rome in 1980.

MME4709335: Portrait of American poet Gregory Corso, member of the Beat Generation in Rome in 1980., Mencarini, Marcello / Bridgeman Images

ID: MME4709335

Portrait of American poet Gregory Corso, member of the Beat Generation in Rome in 1980.

Mencarini, Marcello

Cuff links and shirt studs in gold and enamel, opal, sapphire, diamond, turquoise and ruby. Chromolithograph from Edwin Street's Gems Catalog, Bond Street, London, circa 1895
Cuff links and shirt studs in gold and enamel, opal, sapphire, diamond, turquoise and ruby. Chromolithograph from Edwin Street's Gems Catalog, Bond Street, London, circa 1895

FLO4709366: Cuff links and shirt studs in gold and enamel, opal, sapphire, diamond, turquoise and ruby. Chromolithograph from Edwin Street's Gems Catalog, Bond Street, London, circa 1895 / Bridgeman Images

ID: FLO4709366

Cuff links and shirt studs in gold and enamel, opal, sapphire, diamond, turquoise and ruby. Chromolithograph from Edwin Street's Gems Catalog, Bond Street, London, circa 1895

Portrait of Italian cartoonist Guido Crepax in 1980.
Portrait of Italian cartoonist Guido Crepax in 1980.

MME4709459: Portrait of Italian cartoonist Guido Crepax in 1980., Crepax, Guido (1933-2003) / Bridgeman Images

ID: MME4709459

Portrait of Italian cartoonist Guido Crepax in 1980.

Crepax, Guido (1933-2003)

Ten guinea jewels: brooch, pendant, bracelet, ring in sapphire, opal, diamond, jade, and enamel. Chromolithograph from Edwin Street's Gems Catalog, Bond Street, London, circa 1895
Ten guinea jewels: brooch, pendant, bracelet, ring in sapphire, opal, diamond, jade, and enamel. Chromolithograph from Edwin Street's Gems Catalog, Bond Street, London, circa 1895

FLO4709518: Ten guinea jewels: brooch, pendant, bracelet, ring in sapphire, opal, diamond, jade, and enamel. Chromolithograph from Edwin Street's Gems Catalog, Bond Street, London, circa 1895 / Bridgeman Images

ID: FLO4709518

Ten guinea jewels: brooch, pendant, bracelet, ring in sapphire, opal, diamond, jade, and enamel. Chromolithograph from Edwin Street's Gems Catalog, Bond Street, London, circa 1895

Gem brooches in diamond, pearl, enamel, opal and sapphire. Chromolithograph from Edwin Street's Gems Catalog, Bond Street, London, circa 1895.
Gem brooches in diamond, pearl, enamel, opal and sapphire. Chromolithograph from Edwin Street's Gems Catalog, Bond Street, London, circa 1895.

FLO4709559: Gem brooches in diamond, pearl, enamel, opal and sapphire. Chromolithograph from Edwin Street's Gems Catalog, Bond Street, London, circa 1895. / Bridgeman Images

ID: FLO4709559

Gem brooches in diamond, pearl, enamel, opal and sapphire. Chromolithograph from Edwin Street's Gems Catalog, Bond Street, London, circa 1895.

Portrait of American comedian Matt Dillon, 1984
Portrait of American comedian Matt Dillon, 1984

MME4709629: Portrait of American comedian Matt Dillon, 1984, Mencarini, Marcello / Bridgeman Images

ID: MME4709629

Portrait of American comedian Matt Dillon, 1984

Mencarini, Marcello


Back to top