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French opera singer Antoinette Revilly as Fanchette in Le Trompette de M. Le Prince by Francois Bazin, Theatre Royal de l'Opera Comique, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.
French opera singer Antoinette Revilly as Fanchette in Le Trompette de M. Le Prince by Francois Bazin, Theatre Royal de l'Opera Comique, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

FLO4631882: French opera singer Antoinette Revilly as Fanchette in Le Trompette de M. Le Prince by Francois Bazin, Theatre Royal de l'Opera Comique, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846. / Bridgeman Images

ID: FLO4631882

French opera singer Antoinette Revilly as Fanchette in Le Trompette de M. Le Prince by Francois Bazin, Theatre Royal de l'Opera Comique, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

Miss Emma as Felina in L'Etoile du Berger by Anicet Bourgeois and Adolphe d'Ennery, Theatre de l'Ambigu Comique, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.
Miss Emma as Felina in L'Etoile du Berger by Anicet Bourgeois and Adolphe d'Ennery, Theatre de l'Ambigu Comique, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

FLO4631864: Miss Emma as Felina in L'Etoile du Berger by Anicet Bourgeois and Adolphe d'Ennery, Theatre de l'Ambigu Comique, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846. / Bridgeman Images

ID: FLO4631864

Miss Emma as Felina in L'Etoile du Berger by Anicet Bourgeois and Adolphe d'Ennery, Theatre de l'Ambigu Comique, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

Dancer in costume as a woman of Breton in the Cogniard brothers' La Biche au Bois, Theatre da la Porte St. Martin, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.
Dancer in costume as a woman of Breton in the Cogniard brothers' La Biche au Bois, Theatre da la Porte St. Martin, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

FLO4631167: Dancer in costume as a woman of Breton in the Cogniard brothers' La Biche au Bois, Theatre da la Porte St. Martin, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

ID: FLO4631167

Dancer in costume as a woman of Breton in the Cogniard brothers' La Biche au Bois, Theatre da la Porte St. Martin, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

Bassbaritone Edouard Gassier in the role of the Comte in Auber's La Barcarolle, Opera Comique, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.
Bassbaritone Edouard Gassier in the role of the Comte in Auber's La Barcarolle, Opera Comique, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

FLO4631251: Bassbaritone Edouard Gassier in the role of the Comte in Auber's La Barcarolle, Opera Comique, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

ID: FLO4631251

Bassbaritone Edouard Gassier in the role of the Comte in Auber's La Barcarolle, Opera Comique, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

Miss Elisa Clarisse Lemenil as Pushette in Sylvandire, Act V, by Leuven/Vanderburch, Theatre du Palais-Royal, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.
Miss Elisa Clarisse Lemenil as Pushette in Sylvandire, Act V, by Leuven/Vanderburch, Theatre du Palais-Royal, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

FLO4631306: Miss Elisa Clarisse Lemenil as Pushette in Sylvandire, Act V, by Leuven/Vanderburch, Theatre du Palais-Royal, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

ID: FLO4631306

Miss Elisa Clarisse Lemenil as Pushette in Sylvandire, Act V, by Leuven/Vanderburch, Theatre du Palais-Royal, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

Eugene Grailly in the role of Kernoc in Les Naufrageurs de Kerougal, by Boule, Chabot de Bouin and Saint-Yves, Theatre de la Porte St. Martin, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1844.
Eugene Grailly in the role of Kernoc in Les Naufrageurs de Kerougal, by Boule, Chabot de Bouin and Saint-Yves, Theatre de la Porte St. Martin, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1844.

FLO4631448: Eugene Grailly in the role of Kernoc in Les Naufrageurs de Kerougal, by Boule, Chabot de Bouin and Saint-Yves, Theatre de la Porte St. Martin, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1844. / Bridgeman Images

ID: FLO4631448

Eugene Grailly in the role of Kernoc in Les Naufrageurs de Kerougal, by Boule, Chabot de Bouin and Saint-Yves, Theatre de la Porte St. Martin, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1844.

Marie-Pauline Albaret or Miss Irma Aubry as Polkette in Le Mardi Gras at the Hotel des Beans by Laurencin and Clairville, Theatre du Gymnasium, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.
Marie-Pauline Albaret or Miss Irma Aubry as Polkette in Le Mardi Gras at the Hotel des Beans by Laurencin and Clairville, Theatre du Gymnasium, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

FLO4631712: Marie-Pauline Albaret or Miss Irma Aubry as Polkette in Le Mardi Gras at the Hotel des Beans by Laurencin and Clairville, Theatre du Gymnasium, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846. / Bridgeman Images

ID: FLO4631712

Marie-Pauline Albaret or Miss Irma Aubry as Polkette in Le Mardi Gras at the Hotel des Beans by Laurencin and Clairville, Theatre du Gymnasium, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

English actor Desbirons as Esparville in Le Roman Comique by Dennery, Cormon and Romain, Theatre du Vaudeville, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.
English actor Desbirons as Esparville in Le Roman Comique by Dennery, Cormon and Romain, Theatre du Vaudeville, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

FLO4631810: English actor Desbirons as Esparville in Le Roman Comique by Dennery, Cormon and Romain, Theatre du Vaudeville, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846. / Bridgeman Images

ID: FLO4631810

English actor Desbirons as Esparville in Le Roman Comique by Dennery, Cormon and Romain, Theatre du Vaudeville, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

English actor Paul Bocage as Albuquerque in Echec et Mat by Octave Feuillet and Paul Bocage, Theatre Royal de l'Odeon, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.
English actor Paul Bocage as Albuquerque in Echec et Mat by Octave Feuillet and Paul Bocage, Theatre Royal de l'Odeon, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

FLO4631915: English actor Paul Bocage as Albuquerque in Echec et Mat by Octave Feuillet and Paul Bocage, Theatre Royal de l'Odeon, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846. / Bridgeman Images

ID: FLO4631915

English actor Paul Bocage as Albuquerque in Echec et Mat by Octave Feuillet and Paul Bocage, Theatre Royal de l'Odeon, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

Italian tenor Geremia Bettini as Arthur in the pastiche opera Robert Bruce by Gioachino Rossini, Royal Academy of Music, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.
Italian tenor Geremia Bettini as Arthur in the pastiche opera Robert Bruce by Gioachino Rossini, Royal Academy of Music, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

FLO4632283: Italian tenor Geremia Bettini as Arthur in the pastiche opera Robert Bruce by Gioachino Rossini, Royal Academy of Music, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846. / Bridgeman Images

ID: FLO4632283

Italian tenor Geremia Bettini as Arthur in the pastiche opera Robert Bruce by Gioachino Rossini, Royal Academy of Music, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

Charles Hoster or Phileas Salvator Levilly as Le Rosier in La Revolution Francaise, Cirque Olympique, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.
Charles Hoster or Phileas Salvator Levilly as Le Rosier in La Revolution Francaise, Cirque Olympique, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

FLO4632358: Charles Hoster or Phileas Salvator Levilly as Le Rosier in La Revolution Francaise, Cirque Olympique, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846. / Bridgeman Images

ID: FLO4632358

Charles Hoster or Phileas Salvator Levilly as Le Rosier in La Revolution Francaise, Cirque Olympique, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

Primitive Land - Artist's View
Primitive Land - Artist's View

PIX4632608: Primitive Land - Artist's View / Bridgeman Images

ID: PIX4632608

Primitive Land - Artist's View

Fifth bas-relief of a 12th century sarcophagus, 1844 (lithograph)
Fifth bas-relief of a 12th century sarcophagus, 1844 (lithograph)

FLO4623416: Fifth bas-relief of a 12th century sarcophagus, 1844 (lithograph) / Bridgeman Images

ID: FLO4623416

Fifth bas-relief of a 12th century sarcophagus, 1844 (lithograph)

Representation of Marie-Paulette called Pauline Bonaparte (1780-1825), 1808 (marble)
Representation of Marie-Paulette called Pauline Bonaparte (1780-1825), 1808 (marble)

JLJ4623449: Representation of Marie-Paulette called Pauline Bonaparte (1780-1825), 1808 (marble), Canova, Antonio (1757-1822) / Bridgeman Images

ID: JLJ4623449

Representation of Marie-Paulette called Pauline Bonaparte (1780-1825), 1808 (marble)

Canova, Antonio (1757-1822)

Portrait of Anna Maria Luisa de 'Medici, Palatine Electress, c.1700 (painting)
Portrait of Anna Maria Luisa de 'Medici, Palatine Electress, c.1700 (painting)

LRI4623457: Portrait of Anna Maria Luisa de 'Medici, Palatine Electress, c.1700 (painting), Douven, Jan Frans (1656-1727) / Bridgeman Images

ID: LRI4623457

Portrait of Anna Maria Luisa de 'Medici, Palatine Electress, c.1700 (painting)

Douven, Jan Frans (1656-1727)

Musicians and knights in armour at a medieval tournament. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1844
Musicians and knights in armour at a medieval tournament. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1844

FLO4623484: Musicians and knights in armour at a medieval tournament. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1844 / Bridgeman Images

ID: FLO4623484

Musicians and knights in armour at a medieval tournament. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1844

Tournament held in England circa 1450. (Caption refers to the huge tournament held at Beaucaire during King Henry II's reign.) Handcoloured copperplate engraving by Verico after Charles Hamilton Smith from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1844.
Tournament held in England circa 1450. (Caption refers to the huge tournament held at Beaucaire during King Henry II's reign.) Handcoloured copperplate engraving by Verico after Charles Hamilton Smith from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1844.

FLO4623509: Tournament held in England circa 1450. (Caption refers to the huge tournament held at Beaucaire during King Henry II's reign.) Handcoloured copperplate engraving by Verico after Charles Hamilton Smith from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1844. / Bridgeman Images

ID: FLO4623509

Tournament held in England circa 1450. (Caption refers to the huge tournament held at Beaucaire during King Henry II's reign.) Handcoloured copperplate engraving by Verico after Charles Hamilton Smith from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1844.

Ceremony of the creation of a knight. A king dubs a kneeling warrior with a sword, while pages hold his spurs and shield with coat of arms. Handcoloured copperplate engraving by Verico after P.L. Sabatelli from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1844.
Ceremony of the creation of a knight. A king dubs a kneeling warrior with a sword, while pages hold his spurs and shield with coat of arms. Handcoloured copperplate engraving by Verico after P.L. Sabatelli from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1844.

FLO4623527: Ceremony of the creation of a knight. A king dubs a kneeling warrior with a sword, while pages hold his spurs and shield with coat of arms. Handcoloured copperplate engraving by Verico after P.L. Sabatelli from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1844. / Bridgeman Images

ID: FLO4623527

Ceremony of the creation of a knight. A king dubs a kneeling warrior with a sword, while pages hold his spurs and shield with coat of arms. Handcoloured copperplate engraving by Verico after P.L. Sabatelli from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1844.

Sarcophagus of Charlemagne (742-814). Representation of Emperor Othon IV of Brunswick (v. 1175-1218). 1165-1215. Germany. Palatine chapel of the cathedral of Aachen.
Sarcophagus of Charlemagne (742-814). Representation of Emperor Othon IV of Brunswick (v. 1175-1218). 1165-1215. Germany. Palatine chapel of the cathedral of Aachen.

LRI4623536: Sarcophagus of Charlemagne (742-814). Representation of Emperor Othon IV of Brunswick (v. 1175-1218). 1165-1215. Germany. Palatine chapel of the cathedral of Aachen., German School, (12th century) / Bridgeman Images

ID: LRI4623536

Sarcophagus of Charlemagne (742-814). Representation of Emperor Othon IV of Brunswick (v. 1175-1218). 1165-1215. Germany. Palatine chapel of the cathedral of Aachen.

German School, (12th century)

Portrait of the poet Francesco Petraca called Petrarch, 15th century (painting)
Portrait of the poet Francesco Petraca called Petrarch, 15th century (painting)

LRI4623562: Portrait of the poet Francesco Petraca called Petrarch, 15th century (painting), Bonsignori, Francesco (c.1455-1519) / Bridgeman Images

ID: LRI4623562

Portrait of the poet Francesco Petraca called Petrarch, 15th century (painting)

Bonsignori, Francesco (c.1455-1519)

Tournament held to celebrate the entrance of Queen Isabella of Bavaria into Paris, 1389. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842
Tournament held to celebrate the entrance of Queen Isabella of Bavaria into Paris, 1389. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842

FLO4623497: Tournament held to celebrate the entrance of Queen Isabella of Bavaria into Paris, 1389. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842 / Bridgeman Images

ID: FLO4623497

Tournament held to celebrate the entrance of Queen Isabella of Bavaria into Paris, 1389. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842

Portrait of Horatio Nelson, 1799
Portrait of Horatio Nelson, 1799

LRI4623511: Portrait of Horatio Nelson, 1799, Guzzardi, Leonardo (fl.1798-1800) / Bridgeman Images

ID: LRI4623511

Portrait of Horatio Nelson, 1799

Guzzardi, Leonardo (fl.1798-1800)

Muslim fakir or faqir holy men: naga with stick, paramahamsa sitting under a tree, painted sannyasi, naked avadhuta, robed Baisnab Vaisnava and fakir at prayer. After illustrations by Francois Solvyns. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.
Muslim fakir or faqir holy men: naga with stick, paramahamsa sitting under a tree, painted sannyasi, naked avadhuta, robed Baisnab Vaisnava and fakir at prayer. After illustrations by Francois Solvyns. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

FLO4623751: Muslim fakir or faqir holy men: naga with stick, paramahamsa sitting under a tree, painted sannyasi, naked avadhuta, robed Baisnab Vaisnava and fakir at prayer. After illustrations by Francois Solvyns. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844., Bernieri, Andrea (1792-1849) / Bridgeman Images

ID: FLO4623751

Muslim fakir or faqir holy men: naga with stick, paramahamsa sitting under a tree, painted sannyasi, naked avadhuta, robed Baisnab Vaisnava and fakir at prayer. After illustrations by Francois Solvyns. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

Bernieri, Andrea (1792-1849)

Alice crosses the mirror, from
Alice crosses the mirror, from

JLJ4623602: Alice crosses the mirror, from "Through the Looking-Glass" by Lewis Carroll, 20th century (print), Maraja, Libico (1912-83) / Bridgeman Images

ID: JLJ4623602

Alice crosses the mirror, from "Through the Looking-Glass" by Lewis Carroll, 20th century (print)

Maraja, Libico (1912-83)

Portrait of Galeazzo Sanvitale, Duke of Fontanellato, Husband of Paola Gonzaga, 1524 (oil on canvas)
Portrait of Galeazzo Sanvitale, Duke of Fontanellato, Husband of Paola Gonzaga, 1524 (oil on canvas)

LRI4623605: Portrait of Galeazzo Sanvitale, Duke of Fontanellato, Husband of Paola Gonzaga, 1524 (oil on canvas), Parmigianino (Francesco Mazzola) (1503-40) / Bridgeman Images

ID: LRI4623605

Portrait of Galeazzo Sanvitale, Duke of Fontanellato, Husband of Paola Gonzaga, 1524 (oil on canvas)

Parmigianino (Francesco Mazzola) (1503-40)

Portrait of Prince Valdemar Christian of Denmark Painting by Justus Sustermans (1597-1681) 17th century Palazzo Pitti, Florence
Portrait of Prince Valdemar Christian of Denmark Painting by Justus Sustermans (1597-1681) 17th century Palazzo Pitti, Florence

LRI4623649: Portrait of Prince Valdemar Christian of Denmark Painting by Justus Sustermans (1597-1681) 17th century Palazzo Pitti, Florence, Sustermans, Justus (1597-1681) / Bridgeman Images

ID: LRI4623649

Portrait of Prince Valdemar Christian of Denmark Painting by Justus Sustermans (1597-1681) 17th century Palazzo Pitti, Florence

Sustermans, Justus (1597-1681)

Brahmins singing praises to Lord Rama. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.
Brahmins singing praises to Lord Rama. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

FLO4623711: Brahmins singing praises to Lord Rama. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844. / Bridgeman Images

ID: FLO4623711

Brahmins singing praises to Lord Rama. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

Indian sati or suttee ritual. A widow throws herself onto her late husband's funeral pyre. Handcoloured copperplate engraved and drawn by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.
Indian sati or suttee ritual. A widow throws herself onto her late husband's funeral pyre. Handcoloured copperplate engraved and drawn by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

FLO4623765: Indian sati or suttee ritual. A widow throws herself onto her late husband's funeral pyre. Handcoloured copperplate engraved and drawn by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844. / Bridgeman Images

ID: FLO4623765

Indian sati or suttee ritual. A widow throws herself onto her late husband's funeral pyre. Handcoloured copperplate engraved and drawn by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

Festival of Mariatal, Churrack-Pooja, Carak Puja or Chidi Mari, near Pondicheri, India. Hindu devotees are suspended by hooks in the skin from long poles and lifted into the air in honor of the goddess Draupadi. Handcoloured copperplate drawn and engraved by Andrea Bernieri after Francois Solvyns from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.
Festival of Mariatal, Churrack-Pooja, Carak Puja or Chidi Mari, near Pondicheri, India. Hindu devotees are suspended by hooks in the skin from long poles and lifted into the air in honor of the goddess Draupadi. Handcoloured copperplate drawn and engraved by Andrea Bernieri after Francois Solvyns from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

FLO4623796: Festival of Mariatal, Churrack-Pooja, Carak Puja or Chidi Mari, near Pondicheri, India. Hindu devotees are suspended by hooks in the skin from long poles and lifted into the air in honor of the goddess Draupadi. Handcoloured copperplate drawn and engraved by Andrea Bernieri after Francois Solvyns from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844., Bernieri, Andrea (1792-1849) / Bridgeman Images

ID: FLO4623796

Festival of Mariatal, Churrack-Pooja, Carak Puja or Chidi Mari, near Pondicheri, India. Hindu devotees are suspended by hooks in the skin from long poles and lifted into the air in honor of the goddess Draupadi. Handcoloured copperplate drawn and engraved by Andrea Bernieri after Francois Solvyns from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

Bernieri, Andrea (1792-1849)

Bas relief and sculpture at the entrance to Dhumar Lena, Cave 29, of the Ellora Caves, Hindu and Jain rock-cut temples. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.
Bas relief and sculpture at the entrance to Dhumar Lena, Cave 29, of the Ellora Caves, Hindu and Jain rock-cut temples. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

FLO4623853: Bas relief and sculpture at the entrance to Dhumar Lena, Cave 29, of the Ellora Caves, Hindu and Jain rock-cut temples. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844. / Bridgeman Images

ID: FLO4623853

Bas relief and sculpture at the entrance to Dhumar Lena, Cave 29, of the Ellora Caves, Hindu and Jain rock-cut temples. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

Indian sapuriya or snake charmers performing to music from a tobrie or pipe musician. Handcoloured copperplate drawn and engraved by Andrea Bernieri after Francois Solvyns from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.
Indian sapuriya or snake charmers performing to music from a tobrie or pipe musician. Handcoloured copperplate drawn and engraved by Andrea Bernieri after Francois Solvyns from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

FLO4623982: Indian sapuriya or snake charmers performing to music from a tobrie or pipe musician. Handcoloured copperplate drawn and engraved by Andrea Bernieri after Francois Solvyns from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844., Bernieri, Andrea (1792-1849) / Bridgeman Images

ID: FLO4623982

Indian sapuriya or snake charmers performing to music from a tobrie or pipe musician. Handcoloured copperplate drawn and engraved by Andrea Bernieri after Francois Solvyns from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

Bernieri, Andrea (1792-1849)

Neptune bombardee of comets - Illustration - Neptune bombardee of comets - Illustratio
Neptune bombardee of comets - Illustration - Neptune bombardee of comets - Illustratio

PIX4623990: Neptune bombardee of comets - Illustration - Neptune bombardee of comets - Illustratio, Dixon, Don (b.1951) / Bridgeman Images

ID: PIX4623990

Neptune bombardee of comets - Illustration - Neptune bombardee of comets - Illustratio

Dixon, Don (b.1951)

Indian transport: sedan chair or palanquins. Long palanquin, miyana, jhalidar palki, and copala palki. Handcoloured copperplate drawn and engraved by Andrea Bernieri after Francois Solvyns from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.
Indian transport: sedan chair or palanquins. Long palanquin, miyana, jhalidar palki, and copala palki. Handcoloured copperplate drawn and engraved by Andrea Bernieri after Francois Solvyns from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

FLO4624024: Indian transport: sedan chair or palanquins. Long palanquin, miyana, jhalidar palki, and copala palki. Handcoloured copperplate drawn and engraved by Andrea Bernieri after Francois Solvyns from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844., Bernieri, Andrea (1792-1849) / Bridgeman Images

ID: FLO4624024

Indian transport: sedan chair or palanquins. Long palanquin, miyana, jhalidar palki, and copala palki. Handcoloured copperplate drawn and engraved by Andrea Bernieri after Francois Solvyns from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

Bernieri, Andrea (1792-1849)

Royal golden boat or imperial yacht for ceremonial occasions (Shoepaundogee), and a Burmese war-boat. From Michael Symes' Account of an Embassy to the Kingdom of Ava. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.
Royal golden boat or imperial yacht for ceremonial occasions (Shoepaundogee), and a Burmese war-boat. From Michael Symes' Account of an Embassy to the Kingdom of Ava. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

FLO4624074: Royal golden boat or imperial yacht for ceremonial occasions (Shoepaundogee), and a Burmese war-boat. From Michael Symes' Account of an Embassy to the Kingdom of Ava. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844. / Bridgeman Images

ID: FLO4624074

Royal golden boat or imperial yacht for ceremonial occasions (Shoepaundogee), and a Burmese war-boat. From Michael Symes' Account of an Embassy to the Kingdom of Ava. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

Portrait of Cardinal Ippolito de Medici (1511-1535) Painting by Allori Angelo di Cosimo dit Bronzino (1503-1572) - 16th century Sun 15x12 cm Palace Medici-Riccardi (Medici Riccardi) Florence
Portrait of Cardinal Ippolito de Medici (1511-1535) Painting by Allori Angelo di Cosimo dit Bronzino (1503-1572) - 16th century Sun 15x12 cm Palace Medici-Riccardi (Medici Riccardi) Florence

LRI4624078: Portrait of Cardinal Ippolito de Medici (1511-1535) Painting by Allori Angelo di Cosimo dit Bronzino (1503-1572) - 16th century Sun 15x12 cm Palace Medici-Riccardi (Medici Riccardi) Florence, Bronzino, Agnolo di Cosimo (1503-72) / Bridgeman Images

ID: LRI4624078

Portrait of Cardinal Ippolito de Medici (1511-1535) Painting by Allori Angelo di Cosimo dit Bronzino (1503-1572) - 16th century Sun 15x12 cm Palace Medici-Riccardi (Medici Riccardi) Florence

Bronzino, Agnolo di Cosimo (1503-72)

Traditional stilt houses in a village in Sumatra, circa 1800. Handcoloured copperplate engraved by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.
Traditional stilt houses in a village in Sumatra, circa 1800. Handcoloured copperplate engraved by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

FLO4624233: Traditional stilt houses in a village in Sumatra, circa 1800. Handcoloured copperplate engraved by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844. / Bridgeman Images

ID: FLO4624233

Traditional stilt houses in a village in Sumatra, circa 1800. Handcoloured copperplate engraved by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.


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