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The Fowler Returns, Life and Landscape on the Norfolk Broads, c.1886 (photo)
The Fowler Returns, Life and Landscape on the Norfolk Broads, c.1886 (photo)

STC119914: The Fowler Returns, Life and Landscape on the Norfolk Broads, c.1886 (photo), Emerson, Peter (1856-1936) & Goodall, Thomas (1857-1944) / Bridgeman Images

ID: STC119914

The Fowler Returns, Life and Landscape on the Norfolk Broads, c.1886 (photo)

Emerson, Peter (1856-1936) & Goodall, Thomas (1857-1944)

The First Frost, Life and Landscape on the Norfolk Broads, c.1886 (photo)
The First Frost, Life and Landscape on the Norfolk Broads, c.1886 (photo)

STC119918: The First Frost, Life and Landscape on the Norfolk Broads, c.1886 (photo), Emerson, Peter (1856-1936) & Goodall, Thomas (1857-1944) / Bridgeman Images

ID: STC119918

The First Frost, Life and Landscape on the Norfolk Broads, c.1886 (photo)

Emerson, Peter (1856-1936) & Goodall, Thomas (1857-1944)

Snipe Shooting, 1886 (photo)
Snipe Shooting, 1886 (photo)

STC119923: Snipe Shooting, 1886 (photo), Emerson, Peter (1856-1936) & Goodall, Thomas (1857-1944) / Bridgeman Images

ID: STC119923

Snipe Shooting, 1886 (photo)

Emerson, Peter (1856-1936) & Goodall, Thomas (1857-1944)

The Eel Catcher's Home, c.1886 (photo)
The Eel Catcher's Home, c.1886 (photo)

STC119930: The Eel Catcher's Home, c.1886 (photo), Emerson, Peter (1856-1936) & Goodall, Thomas (1857-1944) / Bridgeman Images

ID: STC119930

The Eel Catcher's Home, c.1886 (photo)

Emerson, Peter (1856-1936) & Goodall, Thomas (1857-1944)

The Birth of the Virgin, detail of a standing maid servant from the fresco cycle of the Lives of the Virgin and St. Stephen, from the Cappella dell'Assunta (Chapel of the Assumption) 1433-34 (fresco)
The Birth of the Virgin, detail of a standing maid servant from the fresco cycle of the Lives of the Virgin and St. Stephen, from the Cappella dell'Assunta (Chapel of the Assumption) 1433-34 (fresco)

BEN120254: The Birth of the Virgin, detail of a standing maid servant from the fresco cycle of the Lives of the Virgin and St. Stephen, from the Cappella dell'Assunta (Chapel of the Assumption) 1433-34 (fresco), Uccello, Paolo (1397-1475) / Bridgeman Images

ID: BEN120254

The Birth of the Virgin, detail of a standing maid servant from the fresco cycle of the Lives of the Virgin and St. Stephen, from the Cappella dell'Assunta (Chapel of the Assumption) 1433-34 (fresco)

Uccello, Paolo (1397-1475)

View of the facade of Palazzo Salviati in Rome, commissioned by Cardinal Giovanni Salviati to house Henry, King of France, and designed by Nanni di Baccio Bigio (d.c.1568) in 1557 (engraving)
View of the facade of Palazzo Salviati in Rome, commissioned by Cardinal Giovanni Salviati to house Henry, King of France, and designed by Nanni di Baccio Bigio (d.c.1568) in 1557 (engraving)

STC120272: View of the facade of Palazzo Salviati in Rome, commissioned by Cardinal Giovanni Salviati to house Henry, King of France, and designed by Nanni di Baccio Bigio (d.c.1568) in 1557 (engraving), Ferrerio, Pietro (1600-54) (after) / Bridgeman Images

ID: STC120272

View of the facade of Palazzo Salviati in Rome, commissioned by Cardinal Giovanni Salviati to house Henry, King of France, and designed by Nanni di Baccio Bigio (d.c.1568) in 1557 (engraving)

Ferrerio, Pietro (1600-54) (after)

Palazzo Barberini on the Quirinale, finished 1630, from 'Palazzi di Roma', part I, published 1655 (engraving)
Palazzo Barberini on the Quirinale, finished 1630, from 'Palazzi di Roma', part I, published 1655 (engraving)

STC120281: Palazzo Barberini on the Quirinale, finished 1630, from 'Palazzi di Roma', part I, published 1655 (engraving), Ferrerio, Pietro (1600-54) or Falda, G.B. (c.1648-78) / Bridgeman Images

ID: STC120281

Palazzo Barberini on the Quirinale, finished 1630, from 'Palazzi di Roma', part I, published 1655 (engraving)

Ferrerio, Pietro (1600-54) or Falda, G.B. (c.1648-78)

Palazzo di Santo Spirito, from 'Palazzi di Roma', part II, published c.1670s (engraving)
Palazzo di Santo Spirito, from 'Palazzi di Roma', part II, published c.1670s (engraving)

STC120283: Palazzo di Santo Spirito, from 'Palazzi di Roma', part II, published c.1670s (engraving), Ferrerio, Pietro (1600-54) or Falda, G.B. (c.1648-78) / Bridgeman Images

ID: STC120283

Palazzo di Santo Spirito, from 'Palazzi di Roma', part II, published c.1670s (engraving)

Ferrerio, Pietro (1600-54) or Falda, G.B. (c.1648-78)

View of the facade of the Lateran Palace, Rome, commissioned by Pope Sixtus V and designed by Domenico Fontana (1543-1607) in 1589 (engraving)
View of the facade of the Lateran Palace, Rome, commissioned by Pope Sixtus V and designed by Domenico Fontana (1543-1607) in 1589 (engraving)

STC120502: View of the facade of the Lateran Palace, Rome, commissioned by Pope Sixtus V and designed by Domenico Fontana (1543-1607) in 1589 (engraving), Ferrerio, Pietro (1600-54) (after) / Bridgeman Images

ID: STC120502

View of the facade of the Lateran Palace, Rome, commissioned by Pope Sixtus V and designed by Domenico Fontana (1543-1607) in 1589 (engraving)

Ferrerio, Pietro (1600-54) (after)

View of the facade of Palazzo Massimi alla Valle, Rome, designed by Baldassarre Peruzzi (1481-1536) in 1532 (engraving)
View of the facade of Palazzo Massimi alla Valle, Rome, designed by Baldassarre Peruzzi (1481-1536) in 1532 (engraving)

STC120503: View of the facade of Palazzo Massimi alla Valle, Rome, designed by Baldassarre Peruzzi (1481-1536) in 1532 (engraving), Ferrerio, Pietro (1600-54) (after) / Bridgeman Images

ID: STC120503

View of the facade of Palazzo Massimi alla Valle, Rome, designed by Baldassarre Peruzzi (1481-1536) in 1532 (engraving)

Ferrerio, Pietro (1600-54) (after)

Specimens of Irish Manuscripts, c.1300-1588 (engraving) (b&w photo)
Specimens of Irish Manuscripts, c.1300-1588 (engraving) (b&w photo)

XJF120794: Specimens of Irish Manuscripts, c.1300-1588 (engraving) (b&w photo), English School, (19th century) / Bridgeman Images

ID: XJF120794

Specimens of Irish Manuscripts, c.1300-1588 (engraving) (b&w photo)

English School, (19th century)

Map of Forata and Jeresa from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90), 1565 (coloured engraving)
Map of Forata and Jeresa from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90), 1565 (coloured engraving)

STC121050: Map of Forata and Jeresa from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90), 1565 (coloured engraving), Hoefnagel, Joris (1542-1600) (after) / Bridgeman Images

ID: STC121050

Map of Forata and Jeresa from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90), 1565 (coloured engraving)

Hoefnagel, Joris (1542-1600) (after)

A Hot Night in the Batteries, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)
A Hot Night in the Batteries, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)

STC121093: A Hot Night in the Batteries, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho), Simpson, William 'Crimea' (1823-99) / Bridgeman Images

ID: STC121093

A Hot Night in the Batteries, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)

Simpson, William 'Crimea' (1823-99)

Huts and Warm Clothing for the Army, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)
Huts and Warm Clothing for the Army, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)

STC121095: Huts and Warm Clothing for the Army, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho), Simpson, William 'Crimea' (1823-99) / Bridgeman Images

ID: STC121095

Huts and Warm Clothing for the Army, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)

Simpson, William 'Crimea' (1823-99)

XJF121253: "By Authority. Persons and Property Protected", pub. by S.W. Fores, 1785 (etching) (b&w photo), English School, (18th century) / Bridgeman Images

ID: XJF121253

"By Authority. Persons and Property Protected", pub. by S.W. Fores, 1785 (etching) (b&w photo)

English School, (18th century)

An Otter and an Owl Guarding their Catches (oil on copper)
An Otter and an Owl Guarding their Catches (oil on copper)

BAL121419: An Otter and an Owl Guarding their Catches (oil on copper), Kessel, Jan van, the Elder (1626-79) / Bridgeman Images

ID: BAL121419

An Otter and an Owl Guarding their Catches (oil on copper)

Kessel, Jan van, the Elder (1626-79)

A Village Winter Landscape (oil on panel)
A Village Winter Landscape (oil on panel)

BAL121445: A Village Winter Landscape (oil on panel), Beschey, Charles (1706-76) / Bridgeman Images

ID: BAL121445

A Village Winter Landscape (oil on panel)

Beschey, Charles (1706-76)

Greetings Card (w/c on paper)
Greetings Card (w/c on paper)

REV121580: Greetings Card (w/c on paper), English School, (19th century) / Bridgeman Images

ID: REV121580

Greetings Card (w/c on paper)

English School, (19th century)

The Prince of Wales (1841-1910) Visiting the Building Site of the 1900 Universal Exhibition, from 'Le Petit Journal', 20th March 1898 (coloured engraving)
The Prince of Wales (1841-1910) Visiting the Building Site of the 1900 Universal Exhibition, from 'Le Petit Journal', 20th March 1898 (coloured engraving)

XIR121705: The Prince of Wales (1841-1910) Visiting the Building Site of the 1900 Universal Exhibition, from 'Le Petit Journal', 20th March 1898 (coloured engraving), Meaulle, F.L. (1844-1901) & Tofani, Oswaldo (1849-1915) / Bridgeman Images

ID: XIR121705

The Prince of Wales (1841-1910) Visiting the Building Site of the 1900 Universal Exhibition, from 'Le Petit Journal', 20th March 1898 (coloured engraving)

Meaulle, F.L. (1844-1901) & Tofani, Oswaldo (1849-1915)

Opening of the Universal Exhibition of 1900 by the President of the Republic, Paris, illustration from 'Le Petit Journal', 22nd April 1900 (colour litho)
Opening of the Universal Exhibition of 1900 by the President of the Republic, Paris, illustration from 'Le Petit Journal', 22nd April 1900 (colour litho)

XIR121713: Opening of the Universal Exhibition of 1900 by the President of the Republic, Paris, illustration from 'Le Petit Journal', 22nd April 1900 (colour litho), French School, (20th century) / Bridgeman Images

ID: XIR121713

Opening of the Universal Exhibition of 1900 by the President of the Republic, Paris, illustration from 'Le Petit Journal', 22nd April 1900 (colour litho)

French School, (20th century)

Eton School Room, from 'History of Eton College', part of 'History of the Colleges', engraved by Joseph Constantine Stadler (fl.1780-1812) pub. by R. Ackermann, 1816 (aquatint)
Eton School Room, from 'History of Eton College', part of 'History of the Colleges', engraved by Joseph Constantine Stadler (fl.1780-1812) pub. by R. Ackermann, 1816 (aquatint)

STC121732: Eton School Room, from 'History of Eton College', part of 'History of the Colleges', engraved by Joseph Constantine Stadler (fl.1780-1812) pub. by R. Ackermann, 1816 (aquatint), Pugin, Augustus Charles (1762-1832) (after) / Bridgeman Images

ID: STC121732

Eton School Room, from 'History of Eton College', part of 'History of the Colleges', engraved by Joseph Constantine Stadler (fl.1780-1812) pub. by R. Ackermann, 1816 (aquatint)

Pugin, Augustus Charles (1762-1832) (after)

Tchinguis, or Turkish dancer, 18th century (engraving)
Tchinguis, or Turkish dancer, 18th century (engraving)

STC121858: Tchinguis, or Turkish dancer, 18th century (engraving), Scotin, Gerard Jean Baptiste (1671-1716) / Bridgeman Images

ID: STC121858

Tchinguis, or Turkish dancer, 18th century (engraving)

Scotin, Gerard Jean Baptiste (1671-1716)

Tchingui, Turkish Dancer, 18th century (engraving)
Tchingui, Turkish Dancer, 18th century (engraving)

STC121867: Tchingui, Turkish Dancer, 18th century (engraving), Scotin, Gerard Jean Baptiste (1671-1716) / Bridgeman Images

ID: STC121867

Tchingui, Turkish Dancer, 18th century (engraving)

Scotin, Gerard Jean Baptiste (1671-1716)

Turkish Girls, playing Mangala, 18th century (engraving)
Turkish Girls, playing Mangala, 18th century (engraving)

STC121868: Turkish Girls, playing Mangala, 18th century (engraving), French School, (18th century) / Bridgeman Images

ID: STC121868

Turkish Girls, playing Mangala, 18th century (engraving)

French School, (18th century)

Self portrait with portraits of Giacomo Quarenghi (1744-1817) and Thomas de Thomon (c.1754-1813) (pen and ink on paper)
Self portrait with portraits of Giacomo Quarenghi (1744-1817) and Thomas de Thomon (c.1754-1813) (pen and ink on paper)

XAB122123: Self portrait with portraits of Giacomo Quarenghi (1744-1817) and Thomas de Thomon (c.1754-1813) (pen and ink on paper), Orlowski, Alexander (Alexandr Osipovich Orlovsky) (1777-1832) / Bridgeman Images

ID: XAB122123

Self portrait with portraits of Giacomo Quarenghi (1744-1817) and Thomas de Thomon (c.1754-1813) (pen and ink on paper)

Orlowski, Alexander (Alexandr Osipovich Orlovsky) (1777-1832)

Portrait of Vanda Weiner, 1916 (w/c on paper)
Portrait of Vanda Weiner, 1916 (w/c on paper)

XAB122148: Portrait of Vanda Weiner, 1916 (w/c on paper), Sorin, Savelij Abramovich (1878-1953) / Bridgeman Images

ID: XAB122148

Portrait of Vanda Weiner, 1916 (w/c on paper)

Sorin, Savelij Abramovich (1878-1953)

Cavalry Camp, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)
Cavalry Camp, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)

STC122400: Cavalry Camp, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho), Simpson, William 'Crimea' (1823-99) / Bridgeman Images

ID: STC122400

Cavalry Camp, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)

Simpson, William 'Crimea' (1823-99)

Kamiesch, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)
Kamiesch, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)

STC122404: Kamiesch, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho), Simpson, William 'Crimea' (1823-99) / Bridgeman Images

ID: STC122404

Kamiesch, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)

Simpson, William 'Crimea' (1823-99)

Ditch of the Malakoff, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)
Ditch of the Malakoff, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)

STC122421: Ditch of the Malakoff, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho), Simpson, William 'Crimea' (1823-99) / Bridgeman Images

ID: STC122421

Ditch of the Malakoff, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)

Simpson, William 'Crimea' (1823-99)

Sebastopol from the Rear of Fort Nicholas, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)
Sebastopol from the Rear of Fort Nicholas, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)

STC122433: Sebastopol from the Rear of Fort Nicholas, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho), Simpson, William 'Crimea' (1823-99) / Bridgeman Images

ID: STC122433

Sebastopol from the Rear of Fort Nicholas, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)

Simpson, William 'Crimea' (1823-99)

Portrait of Feodor Shaljapin, 1922
Portrait of Feodor Shaljapin, 1922

SRM125308: Portrait of Feodor Shaljapin, 1922, Kustodiev, Boris Mikhailovich (1878-1927) / Bridgeman Images

ID: SRM125308

Portrait of Feodor Shaljapin, 1922

Kustodiev, Boris Mikhailovich (1878-1927)

The Taking of Setif during the Conquest of Algeria, 21st October 1839, 1844 (oil on canvas)
The Taking of Setif during the Conquest of Algeria, 21st October 1839, 1844 (oil on canvas)

XIR125414: The Taking of Setif during the Conquest of Algeria, 21st October 1839, 1844 (oil on canvas), Dauzats, Adrien (1804-68) / Bridgeman Images

ID: XIR125414

The Taking of Setif during the Conquest of Algeria, 21st October 1839, 1844 (oil on canvas)

Dauzats, Adrien (1804-68)

Gleam of the Sunset, 1904 (oil on canvas)
Gleam of the Sunset, 1904 (oil on canvas)

XAB126062: Gleam of the Sunset, 1904 (oil on canvas), Borisov-Musatov, Viktor Elpidiforovich (1870-1905) / Bridgeman Images

ID: XAB126062

Gleam of the Sunset, 1904 (oil on canvas)

Borisov-Musatov, Viktor Elpidiforovich (1870-1905)

Head of a Worker (w/c on paper)
Head of a Worker (w/c on paper)

XAB126083: Head of a Worker (w/c on paper), Meunier, Constantin Emile (1831-1905) / Bridgeman Images

ID: XAB126083

Head of a Worker (w/c on paper)

Meunier, Constantin Emile (1831-1905)

Portrait of the Artist Alekei Kondratevich Sarasov (1830-1897) (oil on canvas)
Portrait of the Artist Alekei Kondratevich Sarasov (1830-1897) (oil on canvas)

XAB126086: Portrait of the Artist Alekei Kondratevich Sarasov (1830-1897) (oil on canvas), Perov, Vasili Grigorevich (1833-82) / Bridgeman Images

ID: XAB126086

Portrait of the Artist Alekei Kondratevich Sarasov (1830-1897) (oil on canvas)

Perov, Vasili Grigorevich (1833-82)

Mary Wilkins Freeman (1852-1930) 1900 (b/w photo)
Mary Wilkins Freeman (1852-1930) 1900 (b/w photo)

BAL126108: Mary Wilkins Freeman (1852-1930) 1900 (b/w photo), American Photographer, (20th century) / Bridgeman Images

ID: BAL126108

Mary Wilkins Freeman (1852-1930) 1900 (b/w photo)

American Photographer, (20th century)


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