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Revolution of July in Paris - Barricade in Boulevard Saint Martin on August 1st (watercolour, c.1830)
Revolution of July in Paris - Barricade in Boulevard Saint Martin on August 1st (watercolour, c.1830)

LRI4675746: Revolution of July in Paris - Barricade in Boulevard Saint Martin on August 1st (watercolour, c.1830), French School, (19th century) / Bridgeman Images

Social housing, avenue du Marechal de Lattre de Tassigny a Rueil Malmaison (Hauts de Seine). Rehabilitation in 1994. Photographie 1995, published in Housing social dans les Hauts de Seine, Topos number 14-15, editions CAUE 92.
Social housing, avenue du Marechal de Lattre de Tassigny a Rueil Malmaison (Hauts de Seine). Rehabilitation in 1994. Photographie 1995, published in Housing social dans les Hauts de Seine, Topos number 14-15, editions CAUE 92.

TEC4675778: Social housing, avenue du Marechal de Lattre de Tassigny a Rueil Malmaison (Hauts de Seine). Rehabilitation in 1994. Photographie 1995, published in Housing social dans les Hauts de Seine, Topos number 14-15, editions CAUE 92. / Bridgeman Images

The blind. Death grabs the stick of the Blind and drains it with it. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.
The blind. Death grabs the stick of the Blind and drains it with it. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.

FLO4675806: The blind. Death grabs the stick of the Blind and drains it with it. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860. / Bridgeman Images

Design for a dagger sheath designed by Holbein. The characters are a king, a queen and a warrior, involuntarily accompany Death in the dance. The king's despair, the downfall of the queen accompanied by her little dog, the terror of the soldier who hears the drum of death, are portrayed with veracity and spirit of equality. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.
Design for a dagger sheath designed by Holbein. The characters are a king, a queen and a warrior, involuntarily accompany Death in the dance. The king's despair, the downfall of the queen accompanied by her little dog, the terror of the soldier who hears the drum of death, are portrayed with veracity and spirit of equality. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.

FLO4675836: Design for a dagger sheath designed by Holbein. The characters are a king, a queen and a warrior, involuntarily accompany Death in the dance. The king's despair, the downfall of the queen accompanied by her little dog, the terror of the soldier who hears the drum of death, are portrayed with veracity and spirit of equality. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860. / Bridgeman Images

Social housing, Residence les Bas Coudrais a Sceaux (Hauts de Seine). Realisation 1957, architect Michel Andrault. Photographie 1995, published in Housing social dans les Hauts de Seine, Topos number 14-15, editions CAUE 92.
Social housing, Residence les Bas Coudrais a Sceaux (Hauts de Seine). Realisation 1957, architect Michel Andrault. Photographie 1995, published in Housing social dans les Hauts de Seine, Topos number 14-15, editions CAUE 92.

TEC4675859: Social housing, Residence les Bas Coudrais a Sceaux (Hauts de Seine). Realisation 1957, architect Michel Andrault. Photographie 1995, published in Housing social dans les Hauts de Seine, Topos number 14-15, editions CAUE 92. / Bridgeman Images

Boniface, Duke of Tuscany - Boniface III, Margrave of Tuscany (c 985-1052) - He wears a gold hat decorated with precious stones, green chlamys bordered in gold, blue tunic, red stockings with gold bands and shoes - The throne is yellow with cushions and footrest - Illustration taken from a manuscript of Donizo's “” Vita Mathildis” - Handcoloured” - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860
Boniface, Duke of Tuscany - Boniface III, Margrave of Tuscany (c 985-1052) - He wears a gold hat decorated with precious stones, green chlamys bordered in gold, blue tunic, red stockings with gold bands and shoes - The throne is yellow with cushions and footrest - Illustration taken from a manuscript of Donizo's “” Vita Mathildis” - Handcoloured” - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860

FLO4675939: Boniface, Duke of Tuscany - Boniface III, Margrave of Tuscany (c 985-1052) - He wears a gold hat decorated with precious stones, green chlamys bordered in gold, blue tunic, red stockings with gold bands and shoes - The throne is yellow with cushions and footrest - Illustration taken from a manuscript of Donizo's “” Vita Mathildis” - Handcoloured” - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860, Mercuri, Paolo (1804-84) / Bridgeman Images

French army landing in Saint-Louis of Senegal, 1779 (Engraving, 19th century)
French army landing in Saint-Louis of Senegal, 1779 (Engraving, 19th century)

LRI4675955: French army landing in Saint-Louis of Senegal, 1779 (Engraving, 19th century), French School, (19th century) / Bridgeman Images

Costume d'une femme de la noblesse italian, 14th century - Costume of an Italian noblewoman, 14th century - She wears a veil, a blue dress trimmed with fur and edged with gold, over a pink dress - From a painting in the Academy of Fine Arts, Siena - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Costume d'une femme de la noblesse italian, 14th century - Costume of an Italian noblewoman, 14th century - She wears a veil, a blue dress trimmed with fur and edged with gold, over a pink dress - From a painting in the Academy of Fine Arts, Siena - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4675957: Costume d'une femme de la noblesse italian, 14th century - Costume of an Italian noblewoman, 14th century - She wears a veil, a blue dress trimmed with fur and edged with gold, over a pink dress - From a painting in the Academy of Fine Arts, Siena - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images

Uniforms of Italian soldiers, 14th century - The wear tunics in Siena brown with coats of arms of Saint Mark (gold lion on red field), over suits of armour - The soldier with the banner of the church (two keys on a red field) wears a white helmet decorated with silver - From a fresco by Spinello Aretino in the Palazzo Pubblico, Siena, depicting Pope Alexander III presenting the Doge of Venice with a sword to fight Frederick Barbarossa - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Uniforms of Italian soldiers, 14th century - The wear tunics in Siena brown with coats of arms of Saint Mark (gold lion on red field), over suits of armour - The soldier with the banner of the church (two keys on a red field) wears a white helmet decorated with silver - From a fresco by Spinello Aretino in the Palazzo Pubblico, Siena, depicting Pope Alexander III presenting the Doge of Venice with a sword to fight Frederick Barbarossa - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4675962: Uniforms of Italian soldiers, 14th century - The wear tunics in Siena brown with coats of arms of Saint Mark (gold lion on red field), over suits of armour - The soldier with the banner of the church (two keys on a red field) wears a white helmet decorated with silver - From a fresco by Spinello Aretino in the Palazzo Pubblico, Siena, depicting Pope Alexander III presenting the Doge of Venice with a sword to fight Frederick Barbarossa - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images

American Revolutionary War: The Invasion of Dominica by the French army on 7 September 1778 (Engraving, 19th century)
American Revolutionary War: The Invasion of Dominica by the French army on 7 September 1778 (Engraving, 19th century)

LRI4675967: American Revolutionary War: The Invasion of Dominica by the French army on 7 September 1778 (Engraving, 19th century), Unknown Artist, (19th century) / Bridgeman Images

Vestment of an Italian cardinal, 14th century - From a painting of the Last Judgment by Ambrogio Lorenzetti in the Academy of Fine Arts, Siena - He wears a red hat, large red cape with hood, white surplice, blue cassock and red shoes - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Vestment of an Italian cardinal, 14th century - From a painting of the Last Judgment by Ambrogio Lorenzetti in the Academy of Fine Arts, Siena - He wears a red hat, large red cape with hood, white surplice, blue cassock and red shoes - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4675979: Vestment of an Italian cardinal, 14th century - From a painting of the Last Judgment by Ambrogio Lorenzetti in the Academy of Fine Arts, Siena - He wears a red hat, large red cape with hood, white surplice, blue cassock and red shoes - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images

Social housing, HBM Square Payret Dortail, 13 rue de Chatillon a Vanves (Hauts de Seine). Realisation 1929, architect Maurice Payret Dortail. Photographie 1995, published in Housing social dans les Hauts de Seine, Topos number 14-15, editions CAUE 92.
Social housing, HBM Square Payret Dortail, 13 rue de Chatillon a Vanves (Hauts de Seine). Realisation 1929, architect Maurice Payret Dortail. Photographie 1995, published in Housing social dans les Hauts de Seine, Topos number 14-15, editions CAUE 92.

TEC4675981: Social housing, HBM Square Payret Dortail, 13 rue de Chatillon a Vanves (Hauts de Seine). Realisation 1929, architect Maurice Payret Dortail. Photographie 1995, published in Housing social dans les Hauts de Seine, Topos number 14-15, editions CAUE 92. / Bridgeman Images

Social housing, HLM 315 rue d'Argenteuil a Bois Colombes (Hauts de Seine). Construction 1927-1932, architects Andre Dubreuil, Roger Hummel, Marcel Maurey. Photographie 1995, published in Housing social dans les Hauts de Seine, Topos number 14-15, editions CAUE 92.
Social housing, HLM 315 rue d'Argenteuil a Bois Colombes (Hauts de Seine). Construction 1927-1932, architects Andre Dubreuil, Roger Hummel, Marcel Maurey. Photographie 1995, published in Housing social dans les Hauts de Seine, Topos number 14-15, editions CAUE 92.

TEC4676004: Social housing, HLM 315 rue d'Argenteuil a Bois Colombes (Hauts de Seine). Construction 1927-1932, architects Andre Dubreuil, Roger Hummel, Marcel Maurey. Photographie 1995, published in Housing social dans les Hauts de Seine, Topos number 14-15, editions CAUE 92. / Bridgeman Images

American Revolutionary War: The surrender of Lord Cornwallis, 19 October 1781, Yorktown (engraving, 19th century)
American Revolutionary War: The surrender of Lord Cornwallis, 19 October 1781, Yorktown (engraving, 19th century)

LRI4676009: American Revolutionary War: The surrender of Lord Cornwallis, 19 October 1781, Yorktown (engraving, 19th century), Unknown Artist, (19th century) / Bridgeman Images

Tribunal des marchands, 15th century - Merchant tribunal, Italy, 15th century - The magistrates are seated at top, scribes or notaries stand in the pit, and merchants outside the barrier - From a miniature painting by Sano di Pietro in the “” Statutes of Merchants,””” Siena library - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Tribunal des marchands, 15th century - Merchant tribunal, Italy, 15th century - The magistrates are seated at top, scribes or notaries stand in the pit, and merchants outside the barrier - From a miniature painting by Sano di Pietro in the “” Statutes of Merchants,””” Siena library - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4676017: Tribunal des marchands, 15th century - Merchant tribunal, Italy, 15th century - The magistrates are seated at top, scribes or notaries stand in the pit, and merchants outside the barrier - From a miniature painting by Sano di Pietro in the “” Statutes of Merchants,””” Siena library - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images

Costume d'un senateur venitien (Italy), 15th century - Venetian senator, 15th century - He wears a black toque, a velvet simar trimmed with fur on the sleeves, and black velvet stole - From a miniature painting by Piero della Francesca - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,” Levy Fils, Paris, 1861
Costume d'un senateur venitien (Italy), 15th century - Venetian senator, 15th century - He wears a black toque, a velvet simar trimmed with fur on the sleeves, and black velvet stole - From a miniature painting by Piero della Francesca - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,” Levy Fils, Paris, 1861

FLO4676045: Costume d'un senateur venitien (Italy), 15th century - Venetian senator, 15th century - He wears a black toque, a velvet simar trimmed with fur on the sleeves, and black velvet stole - From a miniature painting by Piero della Francesca - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images

Costume d'une dame de suite d'Alienor (Eleonore) du Portugal (1434-1467) (dame d'honneur ou dame de compagnie) - Lady in Waiting to Eleanor of Portugal, Holy Roman Empress - She wears her hair tied in gold, a white blouse, blue corset and sleeves open at the shoulder, white taffeta dress, and pink cape bordered with green - From a fresco by Pinturicchio and Raphael in Siena - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Costume d'une dame de suite d'Alienor (Eleonore) du Portugal (1434-1467) (dame d'honneur ou dame de compagnie) - Lady in Waiting to Eleanor of Portugal, Holy Roman Empress - She wears her hair tied in gold, a white blouse, blue corset and sleeves open at the shoulder, white taffeta dress, and pink cape bordered with green - From a fresco by Pinturicchio and Raphael in Siena - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4676049: Costume d'une dame de suite d'Alienor (Eleonore) du Portugal (1434-1467) (dame d'honneur ou dame de compagnie) - Lady in Waiting to Eleanor of Portugal, Holy Roman Empress - She wears her hair tied in gold, a white blouse, blue corset and sleeves open at the shoulder, white taffeta dress, and pink cape bordered with green - From a fresco by Pinturicchio and Raphael in Siena - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images

The vision of Saint John Miniature is derived from the commentaries of
The vision of Saint John Miniature is derived from the commentaries of

JLJ4676082: The vision of Saint John Miniature is derived from the commentaries of "The Apocalypse according to Saint John", 1086 (miniature), French School, (11th century) / Bridgeman Images

Maximilian I of Habsburg (1459-1519), Emperor of the Holy Roman Empire - Maximilian I, Holy Roman Emperor, in suit of armour and plumed helmet, mounted on an armoured horse with caparison with the coat of arms of Austria (five golden quail) and the Archdukedom of Austria (silver fess on a red field) - After a colored woodcut by Hans Gkmair, 1508 - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Maximilian I of Habsburg (1459-1519), Emperor of the Holy Roman Empire - Maximilian I, Holy Roman Emperor, in suit of armour and plumed helmet, mounted on an armoured horse with caparison with the coat of arms of Austria (five golden quail) and the Archdukedom of Austria (silver fess on a red field) - After a colored woodcut by Hans Gkmair, 1508 - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4676095: Maximilian I of Habsburg (1459-1519), Emperor of the Holy Roman Empire - Maximilian I, Holy Roman Emperor, in suit of armour and plumed helmet, mounted on an armoured horse with caparison with the coat of arms of Austria (five golden quail) and the Archdukedom of Austria (silver fess on a red field) - After a colored woodcut by Hans Gkmair, 1508 - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images

Costume of a Spanish noble woman, 15th century - Costume of a Spanish noble woman, 15th century - From a manuscript of “” Office of Our Lady”” in the Spanish court - She wears a white embroidered headdress, and a full cape over a dress - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Costume of a Spanish noble woman, 15th century - Costume of a Spanish noble woman, 15th century - From a manuscript of “” Office of Our Lady”” in the Spanish court - She wears a white embroidered headdress, and a full cape over a dress - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4676115: Costume of a Spanish noble woman, 15th century - Costume of a Spanish noble woman, 15th century - From a manuscript of “” Office of Our Lady”” in the Spanish court - She wears a white embroidered headdress, and a full cape over a dress - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images

Costume of a Spanish nobleman, 15th century - Costume of a Spanish nobleman, 15th century - From a manuscript “” Office of Our Lady,”” in the Spanish court - He wears a large hat, a sleeveless simar (cassock) over a pink doublet, brown leather belt and purse, and red shoes - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Costume of a Spanish nobleman, 15th century - Costume of a Spanish nobleman, 15th century - From a manuscript “” Office of Our Lady,”” in the Spanish court - He wears a large hat, a sleeveless simar (cassock) over a pink doublet, brown leather belt and purse, and red shoes - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4676124: Costume of a Spanish nobleman, 15th century - Costume of a Spanish nobleman, 15th century - From a manuscript “” Office of Our Lady,”” in the Spanish court - He wears a large hat, a sleeveless simar (cassock) over a pink doublet, brown leather belt and purse, and red shoes - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images

Virginie gives a black man a drink. Illustration for the novel
Virginie gives a black man a drink. Illustration for the novel

JLJ4661814: Virginie gives a black man a drink. Illustration for the novel "Paul and Virginie", 1790 (engraving), French School, (18th century) / Bridgeman Images

Spiny lycoperdan (Lycoperdon echinatum,) and warty scleroderma (Scleroderma verrucosum), edible. Chromolithography of C.Krause, based on an illustration by Fritz Leuba (1848-1910), in Les champignons edibles et les especes veneneuses with which they could be confused, published by Delachaux and Niestle, in Neuchatel, Switzerland, in 1890.
Spiny lycoperdan (Lycoperdon echinatum,) and warty scleroderma (Scleroderma verrucosum), edible. Chromolithography of C.Krause, based on an illustration by Fritz Leuba (1848-1910), in Les champignons edibles et les especes veneneuses with which they could be confused, published by Delachaux and Niestle, in Neuchatel, Switzerland, in 1890.

FLO4661890: Spiny lycoperdan (Lycoperdon echinatum,) and warty scleroderma (Scleroderma verrucosum), edible. Chromolithography of C.Krause, based on an illustration by Fritz Leuba (1848-1910), in Les champignons edibles et les especes veneneuses with which they could be confused, published by Delachaux and Niestle, in Neuchatel, Switzerland, in 1890. / Bridgeman Images

Ottoman Empire: “” Portrait of Sultan Selim II called the Drunk or Sari the Blond (1524-1574)”” Watercolour attributed to Reis Haydar Nakkep dit Nigari (1494-1572) (TKS 2134, fol. 3 b) Istanbul, Topkapi Seray
Ottoman Empire: “” Portrait of Sultan Selim II called the Drunk or Sari the Blond (1524-1574)”” Watercolour attributed to Reis Haydar Nakkep dit Nigari (1494-1572) (TKS 2134, fol. 3 b) Istanbul, Topkapi Seray

LRI4661892: Ottoman Empire: “” Portrait of Sultan Selim II called the Drunk or Sari the Blond (1524-1574)”” Watercolour attributed to Reis Haydar Nakkep dit Nigari (1494-1572) (TKS 2134, fol. 3 b) Istanbul, Topkapi Seray, Reis Haydar, Nakkep, called Nigari (1494-1572) / Bridgeman Images

English dandies in the Watch-house after assaulting a watchman. Tom and Jerry in Trouble after a Spree. Handcoloured copperplate engraving by Isaac Robert Cruikshank and George Cruikshank from Pierce EGAN's Life in London, Sherwood, Jones, London, 1823.
English dandies in the Watch-house after assaulting a watchman. Tom and Jerry in Trouble after a Spree. Handcoloured copperplate engraving by Isaac Robert Cruikshank and George Cruikshank from Pierce EGAN's Life in London, Sherwood, Jones, London, 1823.

FLO4661946: English dandies in the Watch-house after assaulting a watchman. Tom and Jerry in Trouble after a Spree. Handcoloured copperplate engraving by Isaac Robert Cruikshank and George Cruikshank from Pierce EGAN's Life in London, Sherwood, Jones, London, 1823. / Bridgeman Images

English dandies and belles in fancy-dress costume at a ball. Tom and Jerry larking at a Masquerade Supper at the Opera House. Handcoloured copperplate engraving by Isaac Robert Cruikshank and George Cruikshank from Pierce EGAN's Life in London, Sherwood, Jones, London, 1823.
English dandies and belles in fancy-dress costume at a ball. Tom and Jerry larking at a Masquerade Supper at the Opera House. Handcoloured copperplate engraving by Isaac Robert Cruikshank and George Cruikshank from Pierce EGAN's Life in London, Sherwood, Jones, London, 1823.

FLO4661966: English dandies and belles in fancy-dress costume at a ball. Tom and Jerry larking at a Masquerade Supper at the Opera House. Handcoloured copperplate engraving by Isaac Robert Cruikshank and George Cruikshank from Pierce EGAN's Life in London, Sherwood, Jones, London, 1823. / Bridgeman Images

Ancient Greece: marble statue of the Moschophore or veal carrier he will sacrifice for Athena. 570 BC (marble)
Ancient Greece: marble statue of the Moschophore or veal carrier he will sacrifice for Athena. 570 BC (marble)

JLJ4662001: Ancient Greece: marble statue of the Moschophore or veal carrier he will sacrifice for Athena. 570 BC (marble), Greek school, (6th century BC) / Bridgeman Images

English Georgian ladies seeing an old woman fortune teller in a garret. Tom and Jerry catching Kate and Sue on the Sly having their Fortunes told. Handcoloured copperplate engraving by Isaac Robert Cruikshank and George Cruikshank from Pierce EGAN's Life in London, Sherwood, Jones, London, 1823.
English Georgian ladies seeing an old woman fortune teller in a garret. Tom and Jerry catching Kate and Sue on the Sly having their Fortunes told. Handcoloured copperplate engraving by Isaac Robert Cruikshank and George Cruikshank from Pierce EGAN's Life in London, Sherwood, Jones, London, 1823.

FLO4662020: English Georgian ladies seeing an old woman fortune teller in a garret. Tom and Jerry catching Kate and Sue on the Sly having their Fortunes told. Handcoloured copperplate engraving by Isaac Robert Cruikshank and George Cruikshank from Pierce EGAN's Life in London, Sherwood, Jones, London, 1823. / Bridgeman Images

Street Sweepers Page taken from nickname-i Humayun (Surname i Humayun) or 'Book of Festivities' (ms. hazine 1344, fol. 341 a) illustrated by Osman. circa 1582 (Istanbul) Istanbul, Topkapi Seray
Street Sweepers Page taken from nickname-i Humayun (Surname i Humayun) or 'Book of Festivities' (ms. hazine 1344, fol. 341 a) illustrated by Osman. circa 1582 (Istanbul) Istanbul, Topkapi Seray

LRI4662047: Street Sweepers Page taken from nickname-i Humayun (Surname i Humayun) or 'Book of Festivities' (ms. hazine 1344, fol. 341 a) illustrated by Osman. circa 1582 (Istanbul) Istanbul, Topkapi Seray, Osman, Mughal School (16th century) / Bridgeman Images

English dandies slumming it with Lascars, sailors, prostitutes, bargirls and low life at a public house in the East End of London. Tom, Jerry and Logic among the unsophisticated Sons and Daughters of Nature at All Max in the East. Handcoloured copperplate engraving by Isaac Robert Cruikshank and George Cruikshank from Pierce EGAN's Life in London, Sherwood, Jones, London, 1823.
English dandies slumming it with Lascars, sailors, prostitutes, bargirls and low life at a public house in the East End of London. Tom, Jerry and Logic among the unsophisticated Sons and Daughters of Nature at All Max in the East. Handcoloured copperplate engraving by Isaac Robert Cruikshank and George Cruikshank from Pierce EGAN's Life in London, Sherwood, Jones, London, 1823.

FLO4662049: English dandies slumming it with Lascars, sailors, prostitutes, bargirls and low life at a public house in the East End of London. Tom, Jerry and Logic among the unsophisticated Sons and Daughters of Nature at All Max in the East. Handcoloured copperplate engraving by Isaac Robert Cruikshank and George Cruikshank from Pierce EGAN's Life in London, Sherwood, Jones, London, 1823. / Bridgeman Images

English dandies playing whist with cheating cardsharps at a London house, 1820. The gent at the mirror signalling to his fellow scam artists about the mark's hand. Tom and Jerry among the Swell Broad Coves. Handcoloured copperplate engraving by Isaac Robert Cruikshank and George Cruikshank from Pierce EGAN's Life in London, Sherwood, Jones, London, 1823.
English dandies playing whist with cheating cardsharps at a London house, 1820. The gent at the mirror signalling to his fellow scam artists about the mark's hand. Tom and Jerry among the Swell Broad Coves. Handcoloured copperplate engraving by Isaac Robert Cruikshank and George Cruikshank from Pierce EGAN's Life in London, Sherwood, Jones, London, 1823.

FLO4662075: English dandies playing whist with cheating cardsharps at a London house, 1820. The gent at the mirror signalling to his fellow scam artists about the mark's hand. Tom and Jerry among the Swell Broad Coves. Handcoloured copperplate engraving by Isaac Robert Cruikshank and George Cruikshank from Pierce EGAN's Life in London, Sherwood, Jones, London, 1823. / Bridgeman Images

English dandies meeting the cast of an opera in the Green Room at Drury Lane Theatre. Tom and Jerry introduced to the Characters in Don Giovanni. Handcoloured copperplate engraving by Isaac Robert Cruikshank and George Cruikshank from Pierce EGAN's Life in London, Sherwood, Jones, London, 1823.
English dandies meeting the cast of an opera in the Green Room at Drury Lane Theatre. Tom and Jerry introduced to the Characters in Don Giovanni. Handcoloured copperplate engraving by Isaac Robert Cruikshank and George Cruikshank from Pierce EGAN's Life in London, Sherwood, Jones, London, 1823.

FLO4662094: English dandies meeting the cast of an opera in the Green Room at Drury Lane Theatre. Tom and Jerry introduced to the Characters in Don Giovanni. Handcoloured copperplate engraving by Isaac Robert Cruikshank and George Cruikshank from Pierce EGAN's Life in London, Sherwood, Jones, London, 1823. / Bridgeman Images

English Georgian dandies and ladies reeling to a military band at a pleasure garden, 1820. Tom, Jerry and Logic making the most of an Evening at Vauxhall. Handcoloured copperplate engraving by Isaac Robert Cruikshank and George Cruikshank from Pierce EGAN's Life in London, Sherwood, Jones, London, 1823.
English Georgian dandies and ladies reeling to a military band at a pleasure garden, 1820. Tom, Jerry and Logic making the most of an Evening at Vauxhall. Handcoloured copperplate engraving by Isaac Robert Cruikshank and George Cruikshank from Pierce EGAN's Life in London, Sherwood, Jones, London, 1823.

FLO4662104: English Georgian dandies and ladies reeling to a military band at a pleasure garden, 1820. Tom, Jerry and Logic making the most of an Evening at Vauxhall. Handcoloured copperplate engraving by Isaac Robert Cruikshank and George Cruikshank from Pierce EGAN's Life in London, Sherwood, Jones, London, 1823. / Bridgeman Images

English dandies and ladies at an art exhibition, 1820. Tom and Jerry at the Exhibition of Pictures at the Royal Academy. A Shilling Well Laid Out. Handcoloured copperplate engraving by Isaac Robert Cruikshank and George Cruikshank from Pierce EGAN's Life in London, Sherwood, Jones, London, 1823.
English dandies and ladies at an art exhibition, 1820. Tom and Jerry at the Exhibition of Pictures at the Royal Academy. A Shilling Well Laid Out. Handcoloured copperplate engraving by Isaac Robert Cruikshank and George Cruikshank from Pierce EGAN's Life in London, Sherwood, Jones, London, 1823.

FLO4662114: English dandies and ladies at an art exhibition, 1820. Tom and Jerry at the Exhibition of Pictures at the Royal Academy. A Shilling Well Laid Out. Handcoloured copperplate engraving by Isaac Robert Cruikshank and George Cruikshank from Pierce EGAN's Life in London, Sherwood, Jones, London, 1823. / Bridgeman Images

Illustration plate for the fables, 1792 (engraving)
Illustration plate for the fables, 1792 (engraving)

JLJ4662125: Illustration plate for the fables, 1792 (engraving), French School, (18th century) / Bridgeman Images

Illustration board for Jean de La Fontaine's fables (1621-1695), 1792 (engraving)
Illustration board for Jean de La Fontaine's fables (1621-1695), 1792 (engraving)

JLJ4662133: Illustration board for Jean de La Fontaine's fables (1621-1695), 1792 (engraving), French School, (18th century) / Bridgeman Images


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