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View of the garden of the Palais de la Berbie and the town of Albi on the outskirts of the Tarn, fortress of the 13th century became the episcopal palace, residence of the Archeveques of Albi, today housing the Musee Toulouse Lautrec. Photography, KIM Youngtae, Albi, Tarn, Midi Pyrenees.
View of the garden of the Palais de la Berbie and the town of Albi on the outskirts of the Tarn, fortress of the 13th century became the episcopal palace, residence of the Archeveques of Albi, today housing the Musee Toulouse Lautrec. Photography, KIM Youngtae, Albi, Tarn, Midi Pyrenees.

YOU4418783: View of the garden of the Palais de la Berbie and the town of Albi on the outskirts of the Tarn, fortress of the 13th century became the episcopal palace, residence of the Archeveques of Albi, today housing the Musee Toulouse Lautrec. Photography, KIM Youngtae, Albi, Tarn, Midi Pyrenees. / Bridgeman Images

Monumental staircase of the Chateau de Blois, Staircase with a polygonal plan originally occupied the centre of the Francois 1st wing of the chateau built between 1515 and 1520, whose architectural decor illustrates the Italian influence and the first French Renaissance, the chateau of Blois is one of the chateaux of the Loire. Photography, KIM Youngtae, Blois, Loir et Cher, Centre.
Monumental staircase of the Chateau de Blois, Staircase with a polygonal plan originally occupied the centre of the Francois 1st wing of the chateau built between 1515 and 1520, whose architectural decor illustrates the Italian influence and the first French Renaissance, the chateau of Blois is one of the chateaux of the Loire. Photography, KIM Youngtae, Blois, Loir et Cher, Centre.

YOU4418881: Monumental staircase of the Chateau de Blois, Staircase with a polygonal plan originally occupied the centre of the Francois 1st wing of the chateau built between 1515 and 1520, whose architectural decor illustrates the Italian influence and the first French Renaissance, the chateau of Blois is one of the chateaux of the Loire. Photography, KIM Youngtae, Blois, Loir et Cher, Centre. / Bridgeman Images

Statue of Honore of Balzac (1799-1850), French writer, Bronze sculpture by Auguste Rodin (1840-1917). Photography, KIM Youngtae, Paris.
Statue of Honore of Balzac (1799-1850), French writer, Bronze sculpture by Auguste Rodin (1840-1917). Photography, KIM Youngtae, Paris.

YOU4418671: Statue of Honore of Balzac (1799-1850), French writer, Bronze sculpture by Auguste Rodin (1840-1917). Photography, KIM Youngtae, Paris., Rodin, Auguste (1840-1917) / Bridgeman Images

Statue of Louis II of Bourbon Conde (marble)
Statue of Louis II of Bourbon Conde (marble)

YOU4418693: Statue of Louis II of Bourbon Conde (marble), Coysevox, Antoine (1640-1720) / Bridgeman Images

Statue of Valentine Visconti (1370-1408), Duchess of Orleans, Wife of Louis of France (1372-1407), Duke of Orleans, mother of Charles of Orleans (1394-1465), known for his poetic work composed during his 25 years of captivity in England. Marble sculpture by Victor Huguenin (1802-1860), installed in the Luxembourg Garden in Paris., Paris.
Statue of Valentine Visconti (1370-1408), Duchess of Orleans, Wife of Louis of France (1372-1407), Duke of Orleans, mother of Charles of Orleans (1394-1465), known for his poetic work composed during his 25 years of captivity in England. Marble sculpture by Victor Huguenin (1802-1860), installed in the Luxembourg Garden in Paris., Paris.

YOU4418766: Statue of Valentine Visconti (1370-1408), Duchess of Orleans, Wife of Louis of France (1372-1407), Duke of Orleans, mother of Charles of Orleans (1394-1465), known for his poetic work composed during his 25 years of captivity in England. Marble sculpture by Victor Huguenin (1802-1860), installed in the Luxembourg Garden in Paris., Paris., Huguenin, Victor (1802-1860) / Bridgeman Images

Representation of the Act as a woman holding a sceptre. (The Law as a young woman, holding a sceptre). From “Mythology of Youth” by Pierre Blanchard 1803.
Representation of the Act as a woman holding a sceptre. (The Law as a young woman, holding a sceptre). From “Mythology of Youth” by Pierre Blanchard 1803.

XEE4417306: Representation of the Act as a woman holding a sceptre. (The Law as a young woman, holding a sceptre). From “Mythology of Youth” by Pierre Blanchard 1803., French School, (19th century) / Bridgeman Images

Representation of Parques (Cabinets), Clotho, Lachesis and Atropos, deities of human destiny, from birth to death, as very old women spinning. (Parcae, Clotho, Lachesis and Atropos, personification of human destiny, represented as old women spinning). From “Mythology of Youth” by Pierre Blanchard 1803.
Representation of Parques (Cabinets), Clotho, Lachesis and Atropos, deities of human destiny, from birth to death, as very old women spinning. (Parcae, Clotho, Lachesis and Atropos, personification of human destiny, represented as old women spinning). From “Mythology of Youth” by Pierre Blanchard 1803.

XEE4417317: Representation of Parques (Cabinets), Clotho, Lachesis and Atropos, deities of human destiny, from birth to death, as very old women spinning. (Parcae, Clotho, Lachesis and Atropos, personification of human destiny, represented as old women spinning). From “Mythology of Youth” by Pierre Blanchard 1803., French School, (19th century) / Bridgeman Images

Sacred (Coronation) of Charlemagne (742 - 814) in 800 by Pope Leo III. - Illumination of manuscript from the Middle Ages (ref. 512, 089v) Request permission from the Municipal Library of Toulouse (tel: 05 62 27 66 66)
Sacred (Coronation) of Charlemagne (742 - 814) in 800 by Pope Leo III. - Illumination of manuscript from the Middle Ages (ref. 512, 089v) Request permission from the Municipal Library of Toulouse (tel: 05 62 27 66 66)

LSE4416972: Sacred (Coronation) of Charlemagne (742 - 814) in 800 by Pope Leo III. - Illumination of manuscript from the Middle Ages (ref. 512, 089v) Request permission from the Municipal Library of Toulouse (tel: 05 62 27 66 66), Unknown Artist, (14th century) / Bridgeman Images

Oedipus solves the riddle of the sphinx who throw herself from her high rock. From “Mythology of Youth” by Pierre Blanchard 1803.
Oedipus solves the riddle of the sphinx who throw herself from her high rock. From “Mythology of Youth” by Pierre Blanchard 1803.

XEE4417393: Oedipus solves the riddle of the sphinx who throw herself from her high rock. From “Mythology of Youth” by Pierre Blanchard 1803., French School, (19th century) / Bridgeman Images

A representation of the goddess of chance Fortune (Fortuna), she decides the good and evil of human beings, holds a horn of abundance, and stands on a wheel. (Representation of Fortuna, goddess of luck, she decides about what happen to human beings, she holds a cornucopia and stand on a wheel). From “Mythology of Youth” by Pierre Blanchard 1803.
A representation of the goddess of chance Fortune (Fortuna), she decides the good and evil of human beings, holds a horn of abundance, and stands on a wheel. (Representation of Fortuna, goddess of luck, she decides about what happen to human beings, she holds a cornucopia and stand on a wheel). From “Mythology of Youth” by Pierre Blanchard 1803.

XEE4417358: A representation of the goddess of chance Fortune (Fortuna), she decides the good and evil of human beings, holds a horn of abundance, and stands on a wheel. (Representation of Fortuna, goddess of luck, she decides about what happen to human beings, she holds a cornucopia and stand on a wheel). From “Mythology of Youth” by Pierre Blanchard 1803., French School, (19th century) / Bridgeman Images

Saigon courthouse built in 1884. Architect: Alfred Foulhoux.
Saigon courthouse built in 1884. Architect: Alfred Foulhoux.

LSE4417578: Saigon courthouse built in 1884. Architect: Alfred Foulhoux., Foulhoux, Alfred (1840-1892) / Bridgeman Images

Binh Tay march in Cholon (Saigon), built around 1925.
Binh Tay march in Cholon (Saigon), built around 1925.

LSE4417587: Binh Tay march in Cholon (Saigon), built around 1925. / Bridgeman Images

Portrait of Armand Jean du Plessis Cardinal de Richelieu (oil on canvas)
Portrait of Armand Jean du Plessis Cardinal de Richelieu (oil on canvas)

YOU4418233: Portrait of Armand Jean du Plessis Cardinal de Richelieu (oil on canvas), Champaigne, Philippe de (1602-74) / Bridgeman Images

French presidential candidate Emmanuel Macron meeting of the
French presidential candidate Emmanuel Macron meeting of the

YAC4418083: French presidential candidate Emmanuel Macron meeting of the "Mouvement En Marche" in Paris Bercy April 17, 2017 (photo), Coupannec, Yannick / Bridgeman Images

Zodiac Aquarius, 135, 001r: Application for authorization to the Municipal Library of Toulouse (tel: 05 62 27 66 66)
Zodiac Aquarius, 135, 001r: Application for authorization to the Municipal Library of Toulouse (tel: 05 62 27 66 66)

LSE4416900: Zodiac Aquarius, 135, 001r: Application for authorization to the Municipal Library of Toulouse (tel: 05 62 27 66 66), Unknown Artist, (15th century) / Bridgeman Images

Representation of Neptune, god of the seas, he holds a trident. (The God of the sea Neptune, he holds a trident). From “Mythology of Youth” by Pierre Blanchard 1803.
Representation of Neptune, god of the seas, he holds a trident. (The God of the sea Neptune, he holds a trident). From “Mythology of Youth” by Pierre Blanchard 1803.

XEE4417313: Representation of Neptune, god of the seas, he holds a trident. (The God of the sea Neptune, he holds a trident). From “Mythology of Youth” by Pierre Blanchard 1803., French School, (19th century) / Bridgeman Images

Representation of Hercules decoching a poisoned arrow to the centaur Nessus (Nessos) who kidnaps his wife Dejanire (Hercules (Heracles) shot a poisoned arrow to the centaur Nessus who attempt to kidnap Deianira) From “” Mythologie de la jeunesse “” by Pierre Blanchard 1803.
Representation of Hercules decoching a poisoned arrow to the centaur Nessus (Nessos) who kidnaps his wife Dejanire (Hercules (Heracles) shot a poisoned arrow to the centaur Nessus who attempt to kidnap Deianira) From “” Mythologie de la jeunesse “” by Pierre Blanchard 1803.

XEE4417390: Representation of Hercules decoching a poisoned arrow to the centaur Nessus (Nessos) who kidnaps his wife Dejanire (Hercules (Heracles) shot a poisoned arrow to the centaur Nessus who attempt to kidnap Deianira) From “” Mythologie de la jeunesse “” by Pierre Blanchard 1803., French School, (19th century) / Bridgeman Images

Serie Inside life, Writers in their window, Paul Verlaine (1844-1896), 14 rue Nicolet in the 18th arrondissement in Paris. Photomontage, KIM Youngtae. Careful! Image cannot be cropped without permission request
Serie Inside life, Writers in their window, Paul Verlaine (1844-1896), 14 rue Nicolet in the 18th arrondissement in Paris. Photomontage, KIM Youngtae. Careful! Image cannot be cropped without permission request

YOU4419517: Serie Inside life, Writers in their window, Paul Verlaine (1844-1896), 14 rue Nicolet in the 18th arrondissement in Paris. Photomontage, KIM Youngtae. Careful! Image cannot be cropped without permission request / Bridgeman Images

Serie Inside life, Writers in their window, Gerard de Nerval (1808-1855), chateau des Brouillards from the allee des Brouillards in the 18th arrondissement in Paris. Photomontage, KIM Youngtae. Careful! Image cannot be cropped without permission request
Serie Inside life, Writers in their window, Gerard de Nerval (1808-1855), chateau des Brouillards from the allee des Brouillards in the 18th arrondissement in Paris. Photomontage, KIM Youngtae. Careful! Image cannot be cropped without permission request

YOU4419527: Serie Inside life, Writers in their window, Gerard de Nerval (1808-1855), chateau des Brouillards from the allee des Brouillards in the 18th arrondissement in Paris. Photomontage, KIM Youngtae. Careful! Image cannot be cropped without permission request / Bridgeman Images

Bust of Rembrandt Harmenszoon van Rijn (1606-1669), 1818 by Simon Mansion (1773-1854)
Bust of Rembrandt Harmenszoon van Rijn (1606-1669), 1818 by Simon Mansion (1773-1854)

YOU4419797: Bust of Rembrandt Harmenszoon van Rijn (1606-1669), 1818 by Simon Mansion (1773-1854) / Bridgeman Images

Serie Inside life, Writers in their window, Arthur Rimbaud (1854-1891), 14 rue Nicolet in the 18th arrondissement in Paris. Photomontage, KIM Youngtae. Careful! Image cannot be cropped without permission request
Serie Inside life, Writers in their window, Arthur Rimbaud (1854-1891), 14 rue Nicolet in the 18th arrondissement in Paris. Photomontage, KIM Youngtae. Careful! Image cannot be cropped without permission request

YOU4419520: Serie Inside life, Writers in their window, Arthur Rimbaud (1854-1891), 14 rue Nicolet in the 18th arrondissement in Paris. Photomontage, KIM Youngtae. Careful! Image cannot be cropped without permission request / Bridgeman Images

View of the theatre of Marcellus in Rome, Roman civil architecture, construction dating from the 1st century BC, undertaken under Cesar and completed under Augustus and dediee to his nephew, Transform into a fortress, then into a palace for the Orsini, the last floor was added in the 16th century. Photography, KIM Youngtae, Rome, Lazio, Italy.
View of the theatre of Marcellus in Rome, Roman civil architecture, construction dating from the 1st century BC, undertaken under Cesar and completed under Augustus and dediee to his nephew, Transform into a fortress, then into a palace for the Orsini, the last floor was added in the 16th century. Photography, KIM Youngtae, Rome, Lazio, Italy.

YOU4419559: View of the theatre of Marcellus in Rome, Roman civil architecture, construction dating from the 1st century BC, undertaken under Cesar and completed under Augustus and dediee to his nephew, Transform into a fortress, then into a palace for the Orsini, the last floor was added in the 16th century. Photography, KIM Youngtae, Rome, Lazio, Italy. / Bridgeman Images

Facade of the Church of St. John the Baptist of Florentines (San Giovanni Battista dei Fiorentini), Italian religious architecture of Baroque style,
Facade of the Church of St. John the Baptist of Florentines (San Giovanni Battista dei Fiorentini), Italian religious architecture of Baroque style,

YOU4419574: Facade of the Church of St. John the Baptist of Florentines (San Giovanni Battista dei Fiorentini), Italian religious architecture of Baroque style, / Bridgeman Images

View of the nave of the church of Gesu (Chiesa del Gesu) in Rome, the main church of the company of Jesus founded by Ignatius de Loyola (1491-1556), The central vault decoree of the fresco in trompe l'oeil, The Triumph of the name of Jesus (Il Trionfo del nome di Gesu), made by Il Battista Gaulli dit Baciccio (1639-1709), The dome designed by Giacomo della Porta (1533-1602), Art of the Contre Reforme, Italian religious architecture in Baroque style dating from the 16th century. Photography, KIM Youngtae, Rome, Lazio, Italy.
View of the nave of the church of Gesu (Chiesa del Gesu) in Rome, the main church of the company of Jesus founded by Ignatius de Loyola (1491-1556), The central vault decoree of the fresco in trompe l'oeil, The Triumph of the name of Jesus (Il Trionfo del nome di Gesu), made by Il Battista Gaulli dit Baciccio (1639-1709), The dome designed by Giacomo della Porta (1533-1602), Art of the Contre Reforme, Italian religious architecture in Baroque style dating from the 16th century. Photography, KIM Youngtae, Rome, Lazio, Italy.

YOU4419593: View of the nave of the church of Gesu (Chiesa del Gesu) in Rome, the main church of the company of Jesus founded by Ignatius de Loyola (1491-1556), The central vault decoree of the fresco in trompe l'oeil, The Triumph of the name of Jesus (Il Trionfo del nome di Gesu), made by Il Battista Gaulli dit Baciccio (1639-1709), The dome designed by Giacomo della Porta (1533-1602), Art of the Contre Reforme, Italian religious architecture in Baroque style dating from the 16th century. Photography, KIM Youngtae, Rome, Lazio, Italy. / Bridgeman Images

Equestrian statue of Ferdinand I de Medicis (1549-1609), Grand Duke of Tuscany, son of Cosimo I of Medici and Eleonore of Toledo, During his stay in Rome as a cardinal, he founded the Villa Medicis. In 1587 he succeeded his brother in France, 1st of Medici, who died poisonous. Bronze sculpture Pietro Tacca (1577-1640), installed on Piazza della Santissima Annunziata in Florence. Photography, KIM Youngtae, Florence, Tuscany, Italy.
Equestrian statue of Ferdinand I de Medicis (1549-1609), Grand Duke of Tuscany, son of Cosimo I of Medici and Eleonore of Toledo, During his stay in Rome as a cardinal, he founded the Villa Medicis. In 1587 he succeeded his brother in France, 1st of Medici, who died poisonous. Bronze sculpture Pietro Tacca (1577-1640), installed on Piazza della Santissima Annunziata in Florence. Photography, KIM Youngtae, Florence, Tuscany, Italy.

YOU4419716: Equestrian statue of Ferdinand I de Medicis (1549-1609), Grand Duke of Tuscany, son of Cosimo I of Medici and Eleonore of Toledo, During his stay in Rome as a cardinal, he founded the Villa Medicis. In 1587 he succeeded his brother in France, 1st of Medici, who died poisonous. Bronze sculpture Pietro Tacca (1577-1640), installed on Piazza della Santissima Annunziata in Florence. Photography, KIM Youngtae, Florence, Tuscany, Italy., Tacca, Pietro (1577-1640) / Bridgeman Images

Statue of Francois Miron (1560-1609), French magistrate, prevot des merchants de Paris (1604-1609), under Henri IV, having as important duties the foundations of the aqueduct of Cachan and the first Samaritaine near the Louvre, Stone sculpture by Henri Frederic Iselin (1825-1905), adorning the facade of the hotel de Paris. Photography, KIM Youngtae, Paris.
Statue of Francois Miron (1560-1609), French magistrate, prevot des merchants de Paris (1604-1609), under Henri IV, having as important duties the foundations of the aqueduct of Cachan and the first Samaritaine near the Louvre, Stone sculpture by Henri Frederic Iselin (1825-1905), adorning the facade of the hotel de Paris. Photography, KIM Youngtae, Paris.

YOU4419523: Statue of Francois Miron (1560-1609), French magistrate, prevot des merchants de Paris (1604-1609), under Henri IV, having as important duties the foundations of the aqueduct of Cachan and the first Samaritaine near the Louvre, Stone sculpture by Henri Frederic Iselin (1825-1905), adorning the facade of the hotel de Paris. Photography, KIM Youngtae, Paris. / Bridgeman Images

Giotto's Bell Tower or Campanile, Piazza del Duomo, Cattedrale di Santa Maria del Fiore, Florence, 1334-59
Giotto's Bell Tower or Campanile, Piazza del Duomo, Cattedrale di Santa Maria del Fiore, Florence, 1334-59

YOU4419721: Giotto's Bell Tower or Campanile, Piazza del Duomo, Cattedrale di Santa Maria del Fiore, Florence, 1334-59, Giotto (Giotto di Bondone) (c.1266-1337) / Bridgeman Images

View of the central vault of the church of Gesu (Chiesa del Gesu) in Rome, the main church of the company of Jesus founded by Ignatius of Loyola (1491-1556), bearing The Triumph by the name of Jesus (Il Trionfo del nome di Gesu), fresco in trompe l'oeil made in the 17th century by Giovanni Battista dit Gaulli Il Baciccio (1639-1709), The dome designed by Giacomo della Porta (1533-1602), Art of the Counter Reform, Italian religious architecture in Baroque style dating from the 16th century. Photography, KIM Youngtae, Rome, Lazio, Italy.
View of the central vault of the church of Gesu (Chiesa del Gesu) in Rome, the main church of the company of Jesus founded by Ignatius of Loyola (1491-1556), bearing The Triumph by the name of Jesus (Il Trionfo del nome di Gesu), fresco in trompe l'oeil made in the 17th century by Giovanni Battista dit Gaulli Il Baciccio (1639-1709), The dome designed by Giacomo della Porta (1533-1602), Art of the Counter Reform, Italian religious architecture in Baroque style dating from the 16th century. Photography, KIM Youngtae, Rome, Lazio, Italy.

YOU4419767: View of the central vault of the church of Gesu (Chiesa del Gesu) in Rome, the main church of the company of Jesus founded by Ignatius of Loyola (1491-1556), bearing The Triumph by the name of Jesus (Il Trionfo del nome di Gesu), fresco in trompe l'oeil made in the 17th century by Giovanni Battista dit Gaulli Il Baciccio (1639-1709), The dome designed by Giacomo della Porta (1533-1602), Art of the Counter Reform, Italian religious architecture in Baroque style dating from the 16th century. Photography, KIM Youngtae, Rome, Lazio, Italy. / Bridgeman Images

View of the stadium of the Imperial Palace (Stadio della Domus Augustana) in the Palatine in Rome, Roman civil architecture, original garden, forming part of the whole palace built by Emperor Domitian (51-96), often called Hippodrome for its circus form, Theodoric the Great (circa 455-526), king of the Ostrogoths, organized foot races there. Photography, KIM Youngtae, Rome, Lazio, Italy.
View of the stadium of the Imperial Palace (Stadio della Domus Augustana) in the Palatine in Rome, Roman civil architecture, original garden, forming part of the whole palace built by Emperor Domitian (51-96), often called Hippodrome for its circus form, Theodoric the Great (circa 455-526), king of the Ostrogoths, organized foot races there. Photography, KIM Youngtae, Rome, Lazio, Italy.

YOU4419788: View of the stadium of the Imperial Palace (Stadio della Domus Augustana) in the Palatine in Rome, Roman civil architecture, original garden, forming part of the whole palace built by Emperor Domitian (51-96), often called Hippodrome for its circus form, Theodoric the Great (circa 455-526), king of the Ostrogoths, organized foot races there. Photography, KIM Youngtae, Rome, Lazio, Italy. / Bridgeman Images

View of the Ponte Vecchio in Florence, Italian Civil Architecture, Built in 1345 on the Arno River, the site of a bridge whose origins date back to the Roman era, Sureleve a level in 1565 with the addition of the Corridoio Vasariano, ensuring the safe movement of the Medici between Palazzo Vecchio and Palazzo Pitti. Photography, KIM Youngtae, Florence, Tuscany, Italy.
View of the Ponte Vecchio in Florence, Italian Civil Architecture, Built in 1345 on the Arno River, the site of a bridge whose origins date back to the Roman era, Sureleve a level in 1565 with the addition of the Corridoio Vasariano, ensuring the safe movement of the Medici between Palazzo Vecchio and Palazzo Pitti. Photography, KIM Youngtae, Florence, Tuscany, Italy.

YOU4419804: View of the Ponte Vecchio in Florence, Italian Civil Architecture, Built in 1345 on the Arno River, the site of a bridge whose origins date back to the Roman era, Sureleve a level in 1565 with the addition of the Corridoio Vasariano, ensuring the safe movement of the Medici between Palazzo Vecchio and Palazzo Pitti. Photography, KIM Youngtae, Florence, Tuscany, Italy. / Bridgeman Images

First seal of Louis IX (Saint Louis), the figure sieging in majesty, 1226., Paris, Archives nationales.
First seal of Louis IX (Saint Louis), the figure sieging in majesty, 1226., Paris, Archives nationales.

YOU4419837: First seal of Louis IX (Saint Louis), the figure sieging in majesty, 1226., Paris, Archives nationales. / Bridgeman Images

Bust of Sainte Beuve, Charles Augustin (1804-1869), literary critic, French writer, sculpture by Denys Puech (1854-1942), installed at the Jardin du Luxembourg in Paris. Photography, KIM Youngtae, Paris, France.
Bust of Sainte Beuve, Charles Augustin (1804-1869), literary critic, French writer, sculpture by Denys Puech (1854-1942), installed at the Jardin du Luxembourg in Paris. Photography, KIM Youngtae, Paris, France.

YOU4419882: Bust of Sainte Beuve, Charles Augustin (1804-1869), literary critic, French writer, sculpture by Denys Puech (1854-1942), installed at the Jardin du Luxembourg in Paris. Photography, KIM Youngtae, Paris, France., Puech, Denys (1854-1942) / Bridgeman Images

Bust of Sulpice Guillaume Chevalier, dit Gavarni (1804-1866), French draughtsman, lithographer, known notably for his illustrations of the Carnival of Paris, Sculpture by Denys Puech (1854-1942), installed at Place Saint Georges in Paris, Photography, KIM Youngtae, Paris.
Bust of Sulpice Guillaume Chevalier, dit Gavarni (1804-1866), French draughtsman, lithographer, known notably for his illustrations of the Carnival of Paris, Sculpture by Denys Puech (1854-1942), installed at Place Saint Georges in Paris, Photography, KIM Youngtae, Paris.

YOU4419892: Bust of Sulpice Guillaume Chevalier, dit Gavarni (1804-1866), French draughtsman, lithographer, known notably for his illustrations of the Carnival of Paris, Sculpture by Denys Puech (1854-1942), installed at Place Saint Georges in Paris, Photography, KIM Youngtae, Paris., Puech, Denys (1854-1942) / Bridgeman Images

Facade of the Marais temple, church built on the plan of Francois Mansart (1598-1666), since 1802, affected to the Reformist cult, becoming a Protestant temple. French religious architecture in classical and baroque style. Photography, KIM Youngtae, Paris.
Facade of the Marais temple, church built on the plan of Francois Mansart (1598-1666), since 1802, affected to the Reformist cult, becoming a Protestant temple. French religious architecture in classical and baroque style. Photography, KIM Youngtae, Paris.

YOU4419954: Facade of the Marais temple, church built on the plan of Francois Mansart (1598-1666), since 1802, affected to the Reformist cult, becoming a Protestant temple. French religious architecture in classical and baroque style. Photography, KIM Youngtae, Paris. / Bridgeman Images

Les hommes sauves de la gueule du Leviathan, sculpture in oak from the southern Netherlands, dating from the 16th century. Photography, KIM Youngtae, Palais des beaux arts de Lille, Lille, France.
Les hommes sauves de la gueule du Leviathan, sculpture in oak from the southern Netherlands, dating from the 16th century. Photography, KIM Youngtae, Palais des beaux arts de Lille, Lille, France.

YOU4419984: Les hommes sauves de la gueule du Leviathan, sculpture in oak from the southern Netherlands, dating from the 16th century. Photography, KIM Youngtae, Palais des beaux arts de Lille, Lille, France. / Bridgeman Images

Entry of the Crusaders in Constantinople, 1841 (oil on canvas
Entry of the Crusaders in Constantinople, 1841 (oil on canvas

YOU4419833: Entry of the Crusaders in Constantinople, 1841 (oil on canvas, Delacroix, Ferdinand Victor Eugene (1798-1863) / Bridgeman Images


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