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Lake Harney Peaks, Near Custer City, S.D., on B. & M. Ry
Lake Harney Peaks, Near Custer City, S.D., on B. & M. Ry

LZT1013571: Lake Harney Peaks, Near Custer City, S.D., on B. & M. Ry, Grabill, John C. H. (fl. late 19th century) / Bridgeman Images

Devil's Tower. From W[Est] Side Showing Millions of Tons of Fallen Rock. Tower 800 Feet High from Its Base
Devil's Tower. From W[Est] Side Showing Millions of Tons of Fallen Rock. Tower 800 Feet High from Its Base

LZT1013577: Devil's Tower. From W[Est] Side Showing Millions of Tons of Fallen Rock. Tower 800 Feet High from Its Base, Grabill, John C. H. (fl. late 19th century) / Bridgeman Images

Mess Scene on Round Up
Mess Scene on Round Up

LZT1013595: Mess Scene on Round Up, Grabill, John C. H. (fl. late 19th century) / Bridgeman Images

The Interview. Standing Elk, No. 1; Running Hog, No. 2; Little Wolf, No. 3; Col. Oelrich, No. 4; Interpreter, No. 5
The Interview. Standing Elk, No. 1; Running Hog, No. 2; Little Wolf, No. 3; Col. Oelrich, No. 4; Interpreter, No. 5

LZT1013602: The Interview. Standing Elk, No. 1; Running Hog, No. 2; Little Wolf, No. 3; Col. Oelrich, No. 4; Interpreter, No. 5, Grabill, John C. H. (fl. late 19th century) / Bridgeman Images

Indian Chiefs and U.S. Officials. Two Strike. Crow Dog. Short Bull. High Hawk. Two Lance. Kicking Bear. Good Voice. Thunder Hawk.  Rocky Bear.  Young Man Afraid of His Horse.  American Horse. W.F. Cody (Buffalo Bill). Maj. J.M. Burk. J.C. Craiger. J. Mcdonald. J.G. Worth. Taken at Pine Ridge
Indian Chiefs and U.S. Officials. Two Strike. Crow Dog. Short Bull. High Hawk. Two Lance. Kicking Bear. Good Voice. Thunder Hawk.  Rocky Bear.  Young Man Afraid of His Horse.  American Horse. W.F. Cody (Buffalo Bill). Maj. J.M. Burk. J.C. Craiger. J. Mcdonald. J.G. Worth. Taken at Pine Ridge

LZT1013606: Indian Chiefs and U.S. Officials. Two Strike. Crow Dog. Short Bull. High Hawk. Two Lance. Kicking Bear. Good Voice. Thunder Hawk. Rocky Bear. Young Man Afraid of His Horse. American Horse. W.F. Cody (Buffalo Bill). Maj. J.M. Burk. J.C. Craiger. J. Mcdonald. J.G. Worth. Taken at Pine Ridge, American School, (19th century) / Bridgeman Images

The Interior. Clean Up Day at the Deadwood Terra Gold Stamp Mill, One of the Homestake Mills, Terraville, Dakota
The Interior. Clean Up Day at the Deadwood Terra Gold Stamp Mill, One of the Homestake Mills, Terraville, Dakota

LZT1013611: The Interior. Clean Up Day at the Deadwood Terra Gold Stamp Mill, One of the Homestake Mills, Terraville, Dakota, Grabill, John C. H. (fl. late 19th century) / Bridgeman Images

The Deadwood Coach
The Deadwood Coach

LZT1013625: The Deadwood Coach, Grabill, John C. H. (fl. late 19th century) / Bridgeman Images

Deadwood. From Mt. Moriah
Deadwood. From Mt. Moriah

LZT1013633: Deadwood. From Mt. Moriah, Grabill, John C. H. (fl. late 19th century) / Bridgeman Images

Company C, 3rd U.S. Infantry Near Fort Meade, So. Dak.
Company C, 3rd U.S. Infantry Near Fort Meade, So. Dak.

LZT1013664: Company C, 3rd U.S. Infantry Near Fort Meade, So. Dak., Grabill, John C. H. (fl. late 19th century) / Bridgeman Images

The Virgin and Child
The Virgin and Child

LZT1013745: The Virgin and Child, Coriolano, Bartolomeo (c.1599-c.1676) / Bridgeman Images

Sibyll Holding a Tablet, Between 1630 and 1655
Sibyll Holding a Tablet, Between 1630 and 1655

LZT1013752: Sibyll Holding a Tablet, Between 1630 and 1655, Coriolano, Bartolomeo (c.1599-c.1676) / Bridgeman Images

Jason Returning with the Golden Fleece, in Mantoua. Chiaroscuro Woodcut, Print Showing Jason Wearing Armor and Holding Sword in Right Hand, Returning to His Ship on the Left with Right Arm Raised and Carrying the Golden Fleece Over His Left Arm.
Jason Returning with the Golden Fleece, in Mantoua. Chiaroscuro Woodcut, Print Showing Jason Wearing Armor and Holding Sword in Right Hand, Returning to His Ship on the Left with Right Arm Raised and Carrying the Golden Fleece Over His Left Arm.

LZT1013762: Jason Returning with the Golden Fleece, in Mantoua. Chiaroscuro Woodcut, Print Showing Jason Wearing Armor and Holding Sword in Right Hand, Returning to His Ship on the Left with Right Arm Raised and Carrying the Golden Fleece Over His Left Arm., Unknown Artist, (19th century) / Bridgeman Images

Two Nude Men: One Standing, One Reclining, Between 1500 and 1551
Two Nude Men: One Standing, One Reclining, Between 1500 and 1551

LZT1013781: Two Nude Men: One Standing, One Reclining, Between 1500 and 1551, Beccafumi, Domenico (1484-1551) / Bridgeman Images

St. Peter, Between 1500 and 1552
St. Peter, Between 1500 and 1552

LZT1013784: St. Peter, Between 1500 and 1552, Beccafumi, Domenico (1484-1551) / Bridgeman Images

The Philosopher Diogenes and the Allegory of Astronomy, Between 1530 and 1550. Chiaroscuro Woodcut, Allegorical Print Showing a Seated Man Thinking and Another Figure Looking at a Globe.
The Philosopher Diogenes and the Allegory of Astronomy, Between 1530 and 1550. Chiaroscuro Woodcut, Allegorical Print Showing a Seated Man Thinking and Another Figure Looking at a Globe.

LZT1013791: The Philosopher Diogenes and the Allegory of Astronomy, Between 1530 and 1550. Chiaroscuro Woodcut, Allegorical Print Showing a Seated Man Thinking and Another Figure Looking at a Globe., Unknown Artist, (19th century) / Bridgeman Images

Tunis, La Porte De France, Tunisia (b/w photo)
Tunis, La Porte De France, Tunisia (b/w photo)

LZT1013845: Tunis, La Porte De France, Tunisia (b/w photo), Neurdein, Etienne (1832-p.1915) & Neurdein, Louis Antonin (1846-p. 1915) / Bridgeman Images

Constantine, Moors, Algiers (b/w photo)
Constantine, Moors, Algiers (b/w photo)

LZT1013854: Constantine, Moors, Algiers (b/w photo), Neurdein, Etienne (1832-p.1915) & Neurdein, Louis Antonin (1846-p. 1915) / Bridgeman Images

Tlemcen, the Largest Mosque in Algiers (b/w photo)
Tlemcen, the Largest Mosque in Algiers (b/w photo)

LZT1013860: Tlemcen, the Largest Mosque in Algiers (b/w photo), Neurdein, Etienne (1832-p.1915) & Neurdein, Louis Antonin (1846-p. 1915) / Bridgeman Images

Tlemcen, Interior of the Mosque of Sidi Bou Medina, Algiers (b/w photo)
Tlemcen, Interior of the Mosque of Sidi Bou Medina, Algiers (b/w photo)

LZT1013869: Tlemcen, Interior of the Mosque of Sidi Bou Medina, Algiers (b/w photo), Neurdein, Etienne (1832-p.1915) & Neurdein, Louis Antonin (1846-p. 1915) / Bridgeman Images

Tlemcen Djama Mosque Bab Zir, Algiers (b/w photo)
Tlemcen Djama Mosque Bab Zir, Algiers (b/w photo)

LZT1013872: Tlemcen Djama Mosque Bab Zir, Algiers (b/w photo), Neurdein, Etienne (1832-p.1915) & Neurdein, Louis Antonin (1846-p. 1915) / Bridgeman Images

Burnet House, Hotel Burnet, Cincinnati, Ohio, Onken's Lithography, Between 1850 and 1860, US, USA, America
Burnet House, Hotel Burnet, Cincinnati, Ohio, Onken's Lithography, Between 1850 and 1860, US, USA, America

LZT1013899: Burnet House, Hotel Burnet, Cincinnati, Ohio, Onken's Lithography, Between 1850 and 1860, US, USA, America, American School, (19th century) / Bridgeman Images

Bird's Eye View of Los Angeles, California by Britton & Rey, Circa 1888, US, USA, America
Bird's Eye View of Los Angeles, California by Britton & Rey, Circa 1888, US, USA, America

LZT1013902: Bird's Eye View of Los Angeles, California by Britton & Rey, Circa 1888, US, USA, America, American School, (19th century) / Bridgeman Images

Bird's Eye View of Wason Car Manufacturing Co., Circa 1872, US, USA, America
Bird's Eye View of Wason Car Manufacturing Co., Circa 1872, US, USA, America

LZT1013913: Bird's Eye View of Wason Car Manufacturing Co., Circa 1872, US, USA, America, Parsons, Charles (1821-1910) / Bridgeman Images

The Port of New York, Birds Eye View from the Battery, Looking South, Circa 1892, US, USA, America
The Port of New York, Birds Eye View from the Battery, Looking South, Circa 1892, US, USA, America

LZT1013923: The Port of New York, Birds Eye View from the Battery, Looking South, Circa 1892, US, USA, America, Currier, N. (1813-88) and Ives, J.M. (1824-95) / Bridgeman Images

Bird's Eye View of the Great Suspension Bridge, Connecting the Cities of New York and Brooklyn from New York Looking South-East, Circa 1883, US, USA, America
Bird's Eye View of the Great Suspension Bridge, Connecting the Cities of New York and Brooklyn from New York Looking South-East, Circa 1883, US, USA, America

LZT1013927: Bird's Eye View of the Great Suspension Bridge, Connecting the Cities of New York and Brooklyn from New York Looking South-East, Circa 1883, US, USA, America, American School, (19th century) / Bridgeman Images

Birds Eye View of Jacksonville, Fla., Circa 1876, US, USA, America
Birds Eye View of Jacksonville, Fla., Circa 1876, US, USA, America

LZT1013930: Birds Eye View of Jacksonville, Fla., Circa 1876, US, USA, America, American School, (19th century) / Bridgeman Images

Bird's Eye View of Paterson, New Jersey Showing Railroad in the Foreground; Vignettes of Prominent Buildings and Natural Landmarks Form the Top and Bottom Borders, 1880, US, USA, America
Bird's Eye View of Paterson, New Jersey Showing Railroad in the Foreground; Vignettes of Prominent Buildings and Natural Landmarks Form the Top and Bottom Borders, 1880, US, USA, America

LZT1013936: Bird's Eye View of Paterson, New Jersey Showing Railroad in the Foreground; Vignettes of Prominent Buildings and Natural Landmarks Form the Top and Bottom Borders, 1880, US, USA, America, American School, (19th century) / Bridgeman Images

Bird's Eye View of Fairgrounds at the St. Louis Fair, Circa 1874, US, USA, America
Bird's Eye View of Fairgrounds at the St. Louis Fair, Circa 1874, US, USA, America

LZT1013958: Bird's Eye View of Fairgrounds at the St. Louis Fair, Circa 1874, US, USA, America, American School, (19th century) / Bridgeman Images

Bird's Eye View of New York City, New York, Showing Battery Park on the Right and Central Park on the Left; Also Visible Are the Foundations for the Brooklyn Bridge, 1876, US, USA, America
Bird's Eye View of New York City, New York, Showing Battery Park on the Right and Central Park on the Left; Also Visible Are the Foundations for the Brooklyn Bridge, 1876, US, USA, America

LZT1013977: Bird's Eye View of New York City, New York, Showing Battery Park on the Right and Central Park on the Left; Also Visible Are the Foundations for the Brooklyn Bridge, 1876, US, USA, America, American School, (19th century) / Bridgeman Images

The City of Baltimore City, Md. In 1880 View from Washington Monument Looking South A. Sachse & Co. Lithographers, US, USA, America
The City of Baltimore City, Md. In 1880 View from Washington Monument Looking South A. Sachse & Co. Lithographers, US, USA, America

LZT1013980: The City of Baltimore City, Md. In 1880 View from Washington Monument Looking South A. Sachse & Co. Lithographers, US, USA, America, American School, (19th century) / Bridgeman Images

Bird's Eye View of Port Townsend, Puget Sound, Washington Territory. From the North East, Circa 1878, US, USA, America
Bird's Eye View of Port Townsend, Puget Sound, Washington Territory. From the North East, Circa 1878, US, USA, America

LZT1014005: Bird's Eye View of Port Townsend, Puget Sound, Washington Territory. From the North East, Circa 1878, US, USA, America, American School, (19th century) / Bridgeman Images

The Grand Canon of the Colorado 1891 USA
The Grand Canon of the Colorado 1891 USA

LZT1014185: The Grand Canon of the Colorado 1891 USA, American School, (19th century) / Bridgeman Images

The Face of the American Fall in Winter USA 1891
The Face of the American Fall in Winter USA 1891

LZT1014191: The Face of the American Fall in Winter USA 1891, American School, (19th century) / Bridgeman Images

The Skipping Girl, 1867
The Skipping Girl, 1867

LZT1015101: The Skipping Girl, 1867, Thornycroft, Helen (1848-1937) / Bridgeman Images

The Blind Doe, from 'The Baby's Own Aesop', 1887 (colour litho)
The Blind Doe, from 'The Baby's Own Aesop', 1887 (colour litho)

LZT1017218: The Blind Doe, from 'The Baby's Own Aesop', 1887 (colour litho), Crane, Walter (1845-1915) / Bridgeman Images

The Herdsman's Vows, the Horse and the Ass, from 'The Baby's Own Aesop', 1887 (colour litho)
The Herdsman's Vows, the Horse and the Ass, from 'The Baby's Own Aesop', 1887 (colour litho)

LZT1017263: The Herdsman's Vows, the Horse and the Ass, from 'The Baby's Own Aesop', 1887 (colour litho), Crane, Walter (1845-1915) / Bridgeman Images


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