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Representation of the opera “Giulio Sabino” by Giuseppe Sarti (1729-1802) in Vienna in 1785. On stage Caterina (Katharina) Cavalieri and the castrate Luigi Marchesi. Milan
Representation of the opera “Giulio Sabino” by Giuseppe Sarti (1729-1802) in Vienna in 1785. On stage Caterina (Katharina) Cavalieri and the castrate Luigi Marchesi. Milan

GIA4763732: Representation of the opera “Giulio Sabino” by Giuseppe Sarti (1729-1802) in Vienna in 1785. On stage Caterina (Katharina) Cavalieri and the castrate Luigi Marchesi. Milan, Unknown artist, (18th century) / Bridgeman Images

ID: GIA4763732

Representation of the opera “Giulio Sabino” by Giuseppe Sarti (1729-1802) in Vienna in 1785. On stage Caterina (Katharina) Cavalieri and the castrate Luigi Marchesi. Milan

Unknown artist, (18th century)

Egypt, Alexandria: Coal port, transhipment system, boat train wagon E.S.R, 1900
Egypt, Alexandria: Coal port, transhipment system, boat train wagon E.S.R, 1900

LUX4763825: Egypt, Alexandria: Coal port, transhipment system, boat train wagon E.S.R, 1900 / Bridgeman Images

ID: LUX4763825

Egypt, Alexandria: Coal port, transhipment system, boat train wagon E.S.R, 1900

Meteorite rain on Niagara waterfalls on the night of November 12-13, 1833.
Meteorite rain on Niagara waterfalls on the night of November 12-13, 1833.

GIA4763654: Meteorite rain on Niagara waterfalls on the night of November 12-13, 1833. / Bridgeman Images

ID: GIA4763654

Meteorite rain on Niagara waterfalls on the night of November 12-13, 1833.

Greece, La Sude, Suda, Crete: Embarking mules by French soldiers on the dock of the arsenal, 1908
Greece, La Sude, Suda, Crete: Embarking mules by French soldiers on the dock of the arsenal, 1908

LUX4763688: Greece, La Sude, Suda, Crete: Embarking mules by French soldiers on the dock of the arsenal, 1908 / Bridgeman Images

ID: LUX4763688

Greece, La Sude, Suda, Crete: Embarking mules by French soldiers on the dock of the arsenal, 1908

Morocco, Meknes, Mekhnes: The street of carpenters, an alley lined with wooden stalls and small houses with many passers-by and traders. In the background, the mosquee, 1900
Morocco, Meknes, Mekhnes: The street of carpenters, an alley lined with wooden stalls and small houses with many passers-by and traders. In the background, the mosquee, 1900

LUX4764036: Morocco, Meknes, Mekhnes: The street of carpenters, an alley lined with wooden stalls and small houses with many passers-by and traders. In the background, the mosquee, 1900 / Bridgeman Images

ID: LUX4764036

Morocco, Meknes, Mekhnes: The street of carpenters, an alley lined with wooden stalls and small houses with many passers-by and traders. In the background, the mosquee, 1900

Egypt, Luxor: Ruins of the columns of Karnak in restoration with rails. Degreation of the temple of Mut, the temple of Amon by Georges Legrain and the temple of Ramses III, 1895
Egypt, Luxor: Ruins of the columns of Karnak in restoration with rails. Degreation of the temple of Mut, the temple of Amon by Georges Legrain and the temple of Ramses III, 1895

LUX4764104: Egypt, Luxor: Ruins of the columns of Karnak in restoration with rails. Degreation of the temple of Mut, the temple of Amon by Georges Legrain and the temple of Ramses III, 1895 / Bridgeman Images

ID: LUX4764104

Egypt, Luxor: Ruins of the columns of Karnak in restoration with rails. Degreation of the temple of Mut, the temple of Amon by Georges Legrain and the temple of Ramses III, 1895

Greece, Chania, Crete: Crete's military campaign, international shooting competition, between the different occupying armed forces, social encounters of military families and curious people before the test, 1908
Greece, Chania, Crete: Crete's military campaign, international shooting competition, between the different occupying armed forces, social encounters of military families and curious people before the test, 1908

LUX4764187: Greece, Chania, Crete: Crete's military campaign, international shooting competition, between the different occupying armed forces, social encounters of military families and curious people before the test, 1908 / Bridgeman Images

ID: LUX4764187

Greece, Chania, Crete: Crete's military campaign, international shooting competition, between the different occupying armed forces, social encounters of military families and curious people before the test, 1908

Greece, Therissos (Theriso, Therisso), CR: Crete's military campaign, soldiers pass through the village in the middle of the mountains. House, inhabitants and dry linen in the branches of a tree, 1908
Greece, Therissos (Theriso, Therisso), CR: Crete's military campaign, soldiers pass through the village in the middle of the mountains. House, inhabitants and dry linen in the branches of a tree, 1908

LUX4764254: Greece, Therissos (Theriso, Therisso), CR: Crete's military campaign, soldiers pass through the village in the middle of the mountains. House, inhabitants and dry linen in the branches of a tree, 1908 / Bridgeman Images

ID: LUX4764254

Greece, Therissos (Theriso, Therisso), CR: Crete's military campaign, soldiers pass through the village in the middle of the mountains. House, inhabitants and dry linen in the branches of a tree, 1908

Padua, the Pedrocchi caffè built by architect Giuseppe Jappelli (1826 - 1842).
Padua, the Pedrocchi caffè built by architect Giuseppe Jappelli (1826 - 1842).

GIA4764298: Padua, the Pedrocchi caffè built by architect Giuseppe Jappelli (1826 - 1842)., Jappelli, Giuseppe (1783-1852) / Bridgeman Images

ID: GIA4764298

Padua, the Pedrocchi caffè built by architect Giuseppe Jappelli (1826 - 1842).

Jappelli, Giuseppe (1783-1852)

Greece, Chania, Crete: Crete Military Campaign, Italian National Feast, Games, Neapolitan Orchestra and Military Disguises as Woman, 1908
Greece, Chania, Crete: Crete Military Campaign, Italian National Feast, Games, Neapolitan Orchestra and Military Disguises as Woman, 1908

LUX4764377: Greece, Chania, Crete: Crete Military Campaign, Italian National Feast, Games, Neapolitan Orchestra and Military Disguises as Woman, 1908 / Bridgeman Images

ID: LUX4764377

Greece, Chania, Crete: Crete Military Campaign, Italian National Feast, Games, Neapolitan Orchestra and Military Disguises as Woman, 1908

Frame bicycle model.
Frame bicycle model.

GIA4764427: Frame bicycle model., Unknown Artist, (19th century) / Bridgeman Images

ID: GIA4764427

Frame bicycle model.

Unknown Artist, (19th century)

18th century copper still. Dim: 38 cm high and 27 cm diameter. Musee de l'hospice Saint-Roch, Issoudun. Mandatory mention:
18th century copper still. Dim: 38 cm high and 27 cm diameter. Musee de l'hospice Saint-Roch, Issoudun. Mandatory mention:

JEB4892935: 18th century copper still. Dim: 38 cm high and 27 cm diameter. Musee de l'hospice Saint-Roch, Issoudun. Mandatory mention: / Bridgeman Images

ID: JEB4892935

18th century copper still. Dim: 38 cm high and 27 cm diameter. Musee de l'hospice Saint-Roch, Issoudun. Mandatory mention:

Portrait of man age 31. Originally covered with another Portrait of Man in the 17th century. Anonymous Dutch painting, 1596. Oil on canvas. Dim: 61x49cm. Musee de l'hospice Saint-Roch, Issoudun. Mandatory mention:
Portrait of man age 31. Originally covered with another Portrait of Man in the 17th century. Anonymous Dutch painting, 1596. Oil on canvas. Dim: 61x49cm. Musee de l'hospice Saint-Roch, Issoudun. Mandatory mention:

JEB4892949: Portrait of man age 31. Originally covered with another Portrait of Man in the 17th century. Anonymous Dutch painting, 1596. Oil on canvas. Dim: 61x49cm. Musee de l'hospice Saint-Roch, Issoudun. Mandatory mention: / Bridgeman Images

ID: JEB4892949

Portrait of man age 31. Originally covered with another Portrait of Man in the 17th century. Anonymous Dutch painting, 1596. Oil on canvas. Dim: 61x49cm. Musee de l'hospice Saint-Roch, Issoudun. Mandatory mention:

Cover of “”
Cover of “”

ICA4892744: Cover of “” "L'Assiette au Beurre"””, number 181, Satirique en couleurs, 1904_9_17: Belgium, Silver, Love - Leopold II (lithograph), Ostoya, Georges d' (Dochinsky or Sochinsky) (1878-1937) / Bridgeman Images

ID: ICA4892744

Cover of “” "L'Assiette au Beurre"””, number 181, Satirique en couleurs, 1904_9_17: Belgium, Silver, Love - Leopold II (lithograph)

Ostoya, Georges d' (Dochinsky or Sochinsky) (1878-1937)

Feodalite: peasants (serfs) working in their field with a hoe and a shovel. 12th century. Coloring engraving.
Feodalite: peasants (serfs) working in their field with a hoe and a shovel. 12th century. Coloring engraving.

NWI4892833: Feodalite: peasants (serfs) working in their field with a hoe and a shovel. 12th century. Coloring engraving. / Bridgeman Images

ID: NWI4892833

Feodalite: peasants (serfs) working in their field with a hoe and a shovel. 12th century. Coloring engraving.

L'Assiette au Beurre', number 183, Satirical in Colors, 1904_10_8
L'Assiette au Beurre', number 183, Satirical in Colors, 1904_10_8

ICA4892969: L'Assiette au Beurre', number 183, Satirical in Colors, 1904_10_8, Camara, Leal de (1877-1948) / Bridgeman Images

ID: ICA4892969

L'Assiette au Beurre', number 183, Satirical in Colors, 1904_10_8

Camara, Leal de (1877-1948)

L'Assiette au Beurre, number 178, Satirique en Couleurs, 1904_8_27: “” I have only spiritual children, they eat only bread to seal”” - Anticlericalism - Betity of the religious, Marriage of the religious - Cures (lithograph)
L'Assiette au Beurre, number 178, Satirique en Couleurs, 1904_8_27: “” I have only spiritual children, they eat only bread to seal”” - Anticlericalism - Betity of the religious, Marriage of the religious - Cures (lithograph)

ICA4892278: L'Assiette au Beurre, number 178, Satirique en Couleurs, 1904_8_27: “” I have only spiritual children, they eat only bread to seal”” - Anticlericalism - Betity of the religious, Marriage of the religious - Cures (lithograph), Jossot, Henri Gustave (1866-1951) / Bridgeman Images

ID: ICA4892278

L'Assiette au Beurre, number 178, Satirique en Couleurs, 1904_8_27: “” I have only spiritual children, they eat only bread to seal”” - Anticlericalism - Betity of the religious, Marriage of the religious - Cures (lithograph)

Jossot, Henri Gustave (1866-1951)

L'Assiette au Beurre, number 178, Satirique en couleurs, 1904_8_27: “” My father was damaged”” - Medical, Paternite (lithograph)
L'Assiette au Beurre, number 178, Satirique en couleurs, 1904_8_27: “” My father was damaged”” - Medical, Paternite (lithograph)

ICA4892296: L'Assiette au Beurre, number 178, Satirique en couleurs, 1904_8_27: “” My father was damaged”” - Medical, Paternite (lithograph), Jossot, Henri Gustave (1866-1951) / Bridgeman Images

ID: ICA4892296

L'Assiette au Beurre, number 178, Satirique en couleurs, 1904_8_27: “” My father was damaged”” - Medical, Paternite (lithograph)

Jossot, Henri Gustave (1866-1951)

Portrait of King Albert I of Belgium (1875-1934) published in Le pelerin” on the occasion of his death on February 17, 1934” (Portrait of king of belgium Albert I, illustration in front page of Le pelerin french newspaper, 25th february 1934) Private collection
Portrait of King Albert I of Belgium (1875-1934) published in Le pelerin” on the occasion of his death on February 17, 1934” (Portrait of king of belgium Albert I, illustration in front page of Le pelerin french newspaper, 25th february 1934) Private collection

ELD4893079: Portrait of King Albert I of Belgium (1875-1934) published in Le pelerin” on the occasion of his death on February 17, 1934” (Portrait of king of belgium Albert I, illustration in front page of Le pelerin french newspaper, 25th february 1934) Private collection / Bridgeman Images

ID: ELD4893079

Portrait of King Albert I of Belgium (1875-1934) published in Le pelerin” on the occasion of his death on February 17, 1934” (Portrait of king of belgium Albert I, illustration in front page of Le pelerin french newspaper, 25th february 1934) Private collection

Illustration by Albert Robida (1848-1926) for the Cover of La Caricature (1880), 1886-3-6 - Revue decadente et pessimiste - Medical, Literature, Naturalisme
Illustration by Albert Robida (1848-1926) for the Cover of La Caricature (1880), 1886-3-6 - Revue decadente et pessimiste - Medical, Literature, Naturalisme

ICA4893132: Illustration by Albert Robida (1848-1926) for the Cover of La Caricature (1880), 1886-3-6 - Revue decadente et pessimiste - Medical, Literature, Naturalisme, Robida, Albert (1848-1926) / Bridgeman Images

ID: ICA4893132

Illustration by Albert Robida (1848-1926) for the Cover of La Caricature (1880), 1886-3-6 - Revue decadente et pessimiste - Medical, Literature, Naturalisme

Robida, Albert (1848-1926)

Ivry sur Seine, wood trains (Timber rafting on the Seine river, Ivry-sur-Seine) Drawing by Gustave Fraipont (1849-1923) draws from “La seine a travers Paris” by Saint-Juirs, 1890 Collection privee
Ivry sur Seine, wood trains (Timber rafting on the Seine river, Ivry-sur-Seine) Drawing by Gustave Fraipont (1849-1923) draws from “La seine a travers Paris” by Saint-Juirs, 1890 Collection privee

ELD4893185: Ivry sur Seine, wood trains (Timber rafting on the Seine river, Ivry-sur-Seine) Drawing by Gustave Fraipont (1849-1923) draws from “La seine a travers Paris” by Saint-Juirs, 1890 Collection privee, Fraipont, Gustave (1849-1923) / Bridgeman Images

ID: ELD4893185

Ivry sur Seine, wood trains (Timber rafting on the Seine river, Ivry-sur-Seine) Drawing by Gustave Fraipont (1849-1923) draws from “La seine a travers Paris” by Saint-Juirs, 1890 Collection privee

Fraipont, Gustave (1849-1923)

French economy and globalization: imports of foreign products (California apples) to the detriment of domestic producers (Normandy) who find the barriers closed while the Californian train passes freely through customs (free movement of goods and competition) (French economic politic and globalization (globalisation); Californian apples imported from United states causing bankruptcy of small local producers who wait behind the barriers while the american train passes freely Customs) From Le pelerin”” 24th June 1934 Private collection
French economy and globalization: imports of foreign products (California apples) to the detriment of domestic producers (Normandy) who find the barriers closed while the Californian train passes freely through customs (free movement of goods and competition) (French economic politic and globalization (globalisation); Californian apples imported from United states causing bankruptcy of small local producers who wait behind the barriers while the american train passes freely Customs) From Le pelerin”” 24th June 1934 Private collection

ELD4892500: French economy and globalization: imports of foreign products (California apples) to the detriment of domestic producers (Normandy) who find the barriers closed while the Californian train passes freely through customs (free movement of goods and competition) (French economic politic and globalization (globalisation); Californian apples imported from United states causing bankruptcy of small local producers who wait behind the barriers while the american train passes freely Customs) From Le pelerin”” 24th June 1934 Private collection / Bridgeman Images

ID: ELD4892500

French economy and globalization: imports of foreign products (California apples) to the detriment of domestic producers (Normandy) who find the barriers closed while the Californian train passes freely through customs (free movement of goods and competition) (French economic politic and globalization (globalisation); Californian apples imported from United states causing bankruptcy of small local producers who wait behind the barriers while the american train passes freely Customs) From Le pelerin”” 24th June 1934 Private collection

View of Ivry sur Seine (Ivry-sur-Seine) Drawing by Gustave Fraipont (1849-1923) from Saint-Juirs, 1890 Private collection
View of Ivry sur Seine (Ivry-sur-Seine) Drawing by Gustave Fraipont (1849-1923) from Saint-Juirs, 1890 Private collection

ELD4893165: View of Ivry sur Seine (Ivry-sur-Seine) Drawing by Gustave Fraipont (1849-1923) from Saint-Juirs, 1890 Private collection, Fraipont, Gustave (1849-1923) / Bridgeman Images

ID: ELD4893165

View of Ivry sur Seine (Ivry-sur-Seine) Drawing by Gustave Fraipont (1849-1923) from Saint-Juirs, 1890 Private collection

Fraipont, Gustave (1849-1923)

Middle Ages: Seal of the Merchant Corporation, Gloucester, England, circa 1200. Colour engraving of the 19th century.
Middle Ages: Seal of the Merchant Corporation, Gloucester, England, circa 1200. Colour engraving of the 19th century.

NWI4893291: Middle Ages: Seal of the Merchant Corporation, Gloucester, England, circa 1200. Colour engraving of the 19th century. / Bridgeman Images

ID: NWI4893291

Middle Ages: Seal of the Merchant Corporation, Gloucester, England, circa 1200. Colour engraving of the 19th century.

View of the water crane of quai d'Austerlitz and Salpetriere, 13th district in Paris Drawing by Gustave Fraipont (1849-1923) draws from Saint-Juirs, 1890 Private collection
View of the water crane of quai d'Austerlitz and Salpetriere, 13th district in Paris Drawing by Gustave Fraipont (1849-1923) draws from Saint-Juirs, 1890 Private collection

ELD4893340: View of the water crane of quai d'Austerlitz and Salpetriere, 13th district in Paris Drawing by Gustave Fraipont (1849-1923) draws from Saint-Juirs, 1890 Private collection, Fraipont, Gustave (1849-1923) / Bridgeman Images

ID: ELD4893340

View of the water crane of quai d'Austerlitz and Salpetriere, 13th district in Paris Drawing by Gustave Fraipont (1849-1923) draws from Saint-Juirs, 1890 Private collection

Fraipont, Gustave (1849-1923)

Sunday strollers on the seine in Bas-Meudon (Meudon-sur-Seine) Drawing by Gustave Fraipont (1849-1923) from Saint-Juirs, 1890 Private collection
Sunday strollers on the seine in Bas-Meudon (Meudon-sur-Seine) Drawing by Gustave Fraipont (1849-1923) from Saint-Juirs, 1890 Private collection

ELD4893442: Sunday strollers on the seine in Bas-Meudon (Meudon-sur-Seine) Drawing by Gustave Fraipont (1849-1923) from Saint-Juirs, 1890 Private collection, Fraipont, Gustave (1849-1923) / Bridgeman Images

ID: ELD4893442

Sunday strollers on the seine in Bas-Meudon (Meudon-sur-Seine) Drawing by Gustave Fraipont (1849-1923) from Saint-Juirs, 1890 Private collection

Fraipont, Gustave (1849-1923)

Servants looking after an English princess from the 14th century.
Servants looking after an English princess from the 14th century.

NWI4893554: Servants looking after an English princess from the 14th century. / Bridgeman Images

ID: NWI4893554

Servants looking after an English princess from the 14th century.

View of the Canal de la Villette in Paris Drawing by Gustave Fraipont (1849-1923) from Saint-Juirs, 1890 Private collection
View of the Canal de la Villette in Paris Drawing by Gustave Fraipont (1849-1923) from Saint-Juirs, 1890 Private collection

ELD4893404: View of the Canal de la Villette in Paris Drawing by Gustave Fraipont (1849-1923) from Saint-Juirs, 1890 Private collection, Fraipont, Gustave (1849-1923) / Bridgeman Images

ID: ELD4893404

View of the Canal de la Villette in Paris Drawing by Gustave Fraipont (1849-1923) from Saint-Juirs, 1890 Private collection

Fraipont, Gustave (1849-1923)

100-year war (1337-1453): the surrender of a city. A garrison surrender arms and demands the clemence of the victors. 14th century. Colouring engraving reproducing a miniature from the Middle Ages.
100-year war (1337-1453): the surrender of a city. A garrison surrender arms and demands the clemence of the victors. 14th century. Colouring engraving reproducing a miniature from the Middle Ages.

NWI4893500: 100-year war (1337-1453): the surrender of a city. A garrison surrender arms and demands the clemence of the victors. 14th century. Colouring engraving reproducing a miniature from the Middle Ages. / Bridgeman Images

ID: NWI4893500

100-year war (1337-1453): the surrender of a city. A garrison surrender arms and demands the clemence of the victors. 14th century. Colouring engraving reproducing a miniature from the Middle Ages.

Cover of “”
Cover of “”

ICA4893508: Cover of “” "L'Assiette au Beurre"””, number 193, Satirique en couleurs, 1904_12_9: Automobile (lithograph), Gose, Xavier (1876-1915) / Bridgeman Images

ID: ICA4893508

Cover of “” "L'Assiette au Beurre"””, number 193, Satirique en couleurs, 1904_12_9: Automobile (lithograph)

Gose, Xavier (1876-1915)

Fountain erigee in 1814 “La Font Vieio”” and the bust of Nostradamus (Michel de Nostre Dame, Nostrre-Dame or Nostredame, 1503-1566) by Ambroise Liotard de Lambesc in 1859. Saint Remy de Provence (Saint-Remy-de-Provence).
Fountain erigee in 1814 “La Font Vieio”” and the bust of Nostradamus (Michel de Nostre Dame, Nostrre-Dame or Nostredame, 1503-1566) by Ambroise Liotard de Lambesc in 1859. Saint Remy de Provence (Saint-Remy-de-Provence).

JEB4893530: Fountain erigee in 1814 “La Font Vieio”” and the bust of Nostradamus (Michel de Nostre Dame, Nostrre-Dame or Nostredame, 1503-1566) by Ambroise Liotard de Lambesc in 1859. Saint Remy de Provence (Saint-Remy-de-Provence). / Bridgeman Images

ID: JEB4893530

Fountain erigee in 1814 “La Font Vieio”” and the bust of Nostradamus (Michel de Nostre Dame, Nostrre-Dame or Nostredame, 1503-1566) by Ambroise Liotard de Lambesc in 1859. Saint Remy de Provence (Saint-Remy-de-Provence).

Butter Plate, number 194, Satirical in Colors, 1904_12_17
Butter Plate, number 194, Satirical in Colors, 1904_12_17

ICA4893580: Butter Plate, number 194, Satirical in Colors, 1904_12_17, Ostoya, Georges d' (Dochinsky or Sochinsky) (1878-1937) / Bridgeman Images

ID: ICA4893580

Butter Plate, number 194, Satirical in Colors, 1904_12_17

Ostoya, Georges d' (Dochinsky or Sochinsky) (1878-1937)

Conversation of musicians or Musicians and monkeys. Painting by Jose Silbert (1862-1939) 1892 cm 81x100 Mandatory mention: Collection fondation regards de Provence Marseille
Conversation of musicians or Musicians and monkeys. Painting by Jose Silbert (1862-1939) 1892 cm 81x100 Mandatory mention: Collection fondation regards de Provence Marseille

JEB4893807: Conversation of musicians or Musicians and monkeys. Painting by Jose Silbert (1862-1939) 1892 cm 81x100 Mandatory mention: Collection fondation regards de Provence Marseille / Bridgeman Images

ID: JEB4893807

Conversation of musicians or Musicians and monkeys. Painting by Jose Silbert (1862-1939) 1892 cm 81x100 Mandatory mention: Collection fondation regards de Provence Marseille

View of the quai d'ivry near the rue des fauconniers Drawing by Gustave Fraipont (1849-1923) draws from “La seine a travers Paris” by Saint-Juirs, 1890 Collection privee
View of the quai d'ivry near the rue des fauconniers Drawing by Gustave Fraipont (1849-1923) draws from “La seine a travers Paris” by Saint-Juirs, 1890 Collection privee

ELD4893234: View of the quai d'ivry near the rue des fauconniers Drawing by Gustave Fraipont (1849-1923) draws from “La seine a travers Paris” by Saint-Juirs, 1890 Collection privee, Fraipont, Gustave (1849-1923) / Bridgeman Images

ID: ELD4893234

View of the quai d'ivry near the rue des fauconniers Drawing by Gustave Fraipont (1849-1923) draws from “La seine a travers Paris” by Saint-Juirs, 1890 Collection privee

Fraipont, Gustave (1849-1923)

History of Indigenous Peoples: Native American Indian building a birch canoe on the edge of a watercourse. Colourful engraving of the 19th century.
History of Indigenous Peoples: Native American Indian building a birch canoe on the edge of a watercourse. Colourful engraving of the 19th century.

NWI4893755: History of Indigenous Peoples: Native American Indian building a birch canoe on the edge of a watercourse. Colourful engraving of the 19th century. / Bridgeman Images

ID: NWI4893755

History of Indigenous Peoples: Native American Indian building a birch canoe on the edge of a watercourse. Colourful engraving of the 19th century.

The Baou du Redon a Cassis. Painting by Achille-Emile (Achille Emile) Othon Friesz (1879-1949), 1909. Oil on canvas Dim: 53x64cm. Mandatory mention: Collection fondation regards de Provence, Marseille
The Baou du Redon a Cassis. Painting by Achille-Emile (Achille Emile) Othon Friesz (1879-1949), 1909. Oil on canvas Dim: 53x64cm. Mandatory mention: Collection fondation regards de Provence, Marseille

JEB4893852: The Baou du Redon a Cassis. Painting by Achille-Emile (Achille Emile) Othon Friesz (1879-1949), 1909. Oil on canvas Dim: 53x64cm. Mandatory mention: Collection fondation regards de Provence, Marseille, Friesz, Achille Emile Othon (1879-1949) / Bridgeman Images

ID: JEB4893852

The Baou du Redon a Cassis. Painting by Achille-Emile (Achille Emile) Othon Friesz (1879-1949), 1909. Oil on canvas Dim: 53x64cm. Mandatory mention: Collection fondation regards de Provence, Marseille

Friesz, Achille Emile Othon (1879-1949)


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