1. Home
  2. Search Results

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

2502262 Search Results

Portrait of Elzeario Pizzoni, Italian composer. 18th century (painting)
Portrait of Elzeario Pizzoni, Italian composer. 18th century (painting)

LRI4627393: Portrait of Elzeario Pizzoni, Italian composer. 18th century (painting), Unknown artist, (18th century) / Bridgeman Images

ID: LRI4627393

Portrait of Elzeario Pizzoni, Italian composer. 18th century (painting)

Unknown artist, (18th century)

Portrait of Antonio Sarti, italian musician (painting, 19th century)
Portrait of Antonio Sarti, italian musician (painting, 19th century)

LRI4627497: Portrait of Antonio Sarti, italian musician (painting, 19th century), Unknown Artist, (19th century) / Bridgeman Images

ID: LRI4627497

Portrait of Antonio Sarti, italian musician (painting, 19th century)

Unknown Artist, (19th century)

Portrait of Tommaso Antonio Vitali Modoni, Italian composer and violinist. 18th century (painting)
Portrait of Tommaso Antonio Vitali Modoni, Italian composer and violinist. 18th century (painting)

LRI4627554: Portrait of Tommaso Antonio Vitali Modoni, Italian composer and violinist. 18th century (painting), Unknown artist, (18th century) / Bridgeman Images

ID: LRI4627554

Portrait of Tommaso Antonio Vitali Modoni, Italian composer and violinist. 18th century (painting)

Unknown artist, (18th century)

Portrait of Francesco Durante (1684-1755), organist and master of the Neapolitan chapel Anonymous painting. 18th century Bologna, Civico Museo Bibliografico Musicale
Portrait of Francesco Durante (1684-1755), organist and master of the Neapolitan chapel Anonymous painting. 18th century Bologna, Civico Museo Bibliografico Musicale

LRI4627106: Portrait of Francesco Durante (1684-1755), organist and master of the Neapolitan chapel Anonymous painting. 18th century Bologna, Civico Museo Bibliografico Musicale, Unknown artist, (18th century) / Bridgeman Images

ID: LRI4627106

Portrait of Francesco Durante (1684-1755), organist and master of the Neapolitan chapel Anonymous painting. 18th century Bologna, Civico Museo Bibliografico Musicale

Unknown artist, (18th century)

Portrait of italian composer Paolo Grua (1754-1833) Anonymous painting. 18th century. Bologna, Civico museo Museo Bibliografico
Portrait of italian composer Paolo Grua (1754-1833) Anonymous painting. 18th century. Bologna, Civico museo Museo Bibliografico

LRI4627356: Portrait of italian composer Paolo Grua (1754-1833) Anonymous painting. 18th century. Bologna, Civico museo Museo Bibliografico, Unknown artist, (18th century) / Bridgeman Images

ID: LRI4627356

Portrait of italian composer Paolo Grua (1754-1833) Anonymous painting. 18th century. Bologna, Civico museo Museo Bibliografico

Unknown artist, (18th century)

Portrait of Giovanni Paolo Colonna, Italian composer and organist (painting, 17th century)
Portrait of Giovanni Paolo Colonna, Italian composer and organist (painting, 17th century)

LRI4627150: Portrait of Giovanni Paolo Colonna, Italian composer and organist (painting, 17th century), Unknown Artist, (17th century) / Bridgeman Images

ID: LRI4627150

Portrait of Giovanni Paolo Colonna, Italian composer and organist (painting, 17th century)

Unknown Artist, (17th century)

Portrait of father Francesco Antonio Calegari, Italian baroque music theorist, composer and priest (painting, 18th century)
Portrait of father Francesco Antonio Calegari, Italian baroque music theorist, composer and priest (painting, 18th century)

LRI4627221: Portrait of father Francesco Antonio Calegari, Italian baroque music theorist, composer and priest (painting, 18th century), Unknown artist, (18th century) / Bridgeman Images

ID: LRI4627221

Portrait of father Francesco Antonio Calegari, Italian baroque music theorist, composer and priest (painting, 18th century)

Unknown artist, (18th century)

Portrait of italian composer Bonifazio Graziani (1604/1605-1664) Anonymous painting. 18th century. Bologna, Civico museo Museo Bibliografico
Portrait of italian composer Bonifazio Graziani (1604/1605-1664) Anonymous painting. 18th century. Bologna, Civico museo Museo Bibliografico

LRI4627263: Portrait of italian composer Bonifazio Graziani (1604/1605-1664) Anonymous painting. 18th century. Bologna, Civico museo Museo Bibliografico, Unknown artist, (18th century) / Bridgeman Images

ID: LRI4627263

Portrait of italian composer Bonifazio Graziani (1604/1605-1664) Anonymous painting. 18th century. Bologna, Civico museo Museo Bibliografico

Unknown artist, (18th century)

Portrait of Giovenale Sacchi, Italian musicologist. 18th century (painting)
Portrait of Giovenale Sacchi, Italian musicologist. 18th century (painting)

LRI4627473: Portrait of Giovenale Sacchi, Italian musicologist. 18th century (painting), Unknown artist, (18th century) / Bridgeman Images

ID: LRI4627473

Portrait of Giovenale Sacchi, Italian musicologist. 18th century (painting)

Unknown artist, (18th century)

Frontispice of the score 'The Messiah' (The Messiah) by naturalised English German composer George Frederick Handel (Georg Friedrich Handel, 1685-1759) Editions Ricordi, 1846. Bologna, Civico Museo Bibliografico Musicale
Frontispice of the score 'The Messiah' (The Messiah) by naturalised English German composer George Frederick Handel (Georg Friedrich Handel, 1685-1759) Editions Ricordi, 1846. Bologna, Civico Museo Bibliografico Musicale

LRI4627983: Frontispice of the score 'The Messiah' (The Messiah) by naturalised English German composer George Frederick Handel (Georg Friedrich Handel, 1685-1759) Editions Ricordi, 1846. Bologna, Civico Museo Bibliografico Musicale, Unknown Artist, (19th century) / Bridgeman Images

ID: LRI4627983

Frontispice of the score 'The Messiah' (The Messiah) by naturalised English German composer George Frederick Handel (Georg Friedrich Handel, 1685-1759) Editions Ricordi, 1846. Bologna, Civico Museo Bibliografico Musicale

Unknown Artist, (19th century)

Portrait of Carlo Zanolini, Italian organist. 18th century (painting)
Portrait of Carlo Zanolini, Italian organist. 18th century (painting)

LRI4627651: Portrait of Carlo Zanolini, Italian organist. 18th century (painting), Unknown artist, (18th century) / Bridgeman Images

ID: LRI4627651

Portrait of Carlo Zanolini, Italian organist. 18th century (painting)

Unknown artist, (18th century)

Portrait of a flute player (painting, 18th century)
Portrait of a flute player (painting, 18th century)

LRI4627678: Portrait of a flute player (painting, 18th century), Unknown artist, (18th century) / Bridgeman Images

ID: LRI4627678

Portrait of a flute player (painting, 18th century)

Unknown artist, (18th century)

Portrait of Italian composer Felice Anerio (Engraving, 1594)
Portrait of Italian composer Felice Anerio (Engraving, 1594)

LRI4628201: Portrait of Italian composer Felice Anerio (Engraving, 1594), Unknown Artist, (16th century) / Bridgeman Images

ID: LRI4628201

Portrait of Italian composer Felice Anerio (Engraving, 1594)

Unknown Artist, (16th century)

Portrait of italian composer and theorician Giovanni Maria Artusi. 17th century (painting)
Portrait of italian composer and theorician Giovanni Maria Artusi. 17th century (painting)

LRI4628223: Portrait of italian composer and theorician Giovanni Maria Artusi. 17th century (painting), Unknown Artist, (17th century) / Bridgeman Images

ID: LRI4628223

Portrait of italian composer and theorician Giovanni Maria Artusi. 17th century (painting)

Unknown Artist, (17th century)

Portrait of Gregorio Ballabene, Italian Kapellmeister, 18th century (painting)
Portrait of Gregorio Ballabene, Italian Kapellmeister, 18th century (painting)

LRI4628281: Portrait of Gregorio Ballabene, Italian Kapellmeister, 18th century (painting), Unknown artist, (18th century) / Bridgeman Images

ID: LRI4628281

Portrait of Gregorio Ballabene, Italian Kapellmeister, 18th century (painting)

Unknown artist, (18th century)

Frontispice of the first German edition of the score of the Symphony n. 1 in C major by German composer Ludwig van Beethoven (1770-1827) (1799-1800). Bonn, 1822 Bologna, Civico Museo Bibliografico Musicale
Frontispice of the first German edition of the score of the Symphony n. 1 in C major by German composer Ludwig van Beethoven (1770-1827) (1799-1800). Bonn, 1822 Bologna, Civico Museo Bibliografico Musicale

LRI4628145: Frontispice of the first German edition of the score of the Symphony n. 1 in C major by German composer Ludwig van Beethoven (1770-1827) (1799-1800). Bonn, 1822 Bologna, Civico Museo Bibliografico Musicale, Unknown Artist, (19th century) / Bridgeman Images

ID: LRI4628145

Frontispice of the first German edition of the score of the Symphony n. 1 in C major by German composer Ludwig van Beethoven (1770-1827) (1799-1800). Bonn, 1822 Bologna, Civico Museo Bibliografico Musicale

Unknown Artist, (19th century)

Page from Il melone, discorso armonico, with portraits of the author, Ercole Bottrigari (engraving, 16th century)
Page from Il melone, discorso armonico, with portraits of the author, Ercole Bottrigari (engraving, 16th century)

LRI4628465: Page from Il melone, discorso armonico, with portraits of the author, Ercole Bottrigari (engraving, 16th century), Unknown Artist, (16th century) / Bridgeman Images

ID: LRI4628465

Page from Il melone, discorso armonico, with portraits of the author, Ercole Bottrigari (engraving, 16th century)

Unknown Artist, (16th century)

The tomb of the eveque Antonio d'Orso (? -1321) directed by Tino di Camaino (ca. 1285-1337), Cathedrale de Santa Maria del Fiore (Duomo), Florence
The tomb of the eveque Antonio d'Orso (? -1321) directed by Tino di Camaino (ca. 1285-1337), Cathedrale de Santa Maria del Fiore (Duomo), Florence

LRI4626794: The tomb of the eveque Antonio d'Orso (? -1321) directed by Tino di Camaino (ca. 1285-1337), Cathedrale de Santa Maria del Fiore (Duomo), Florence, Tino di Camaino (c.1280-1337) / Bridgeman Images

ID: LRI4626794

The tomb of the eveque Antonio d'Orso (? -1321) directed by Tino di Camaino (ca. 1285-1337), Cathedrale de Santa Maria del Fiore (Duomo), Florence

Tino di Camaino (c.1280-1337)

The Chapter house, 1140
The Chapter house, 1140

LRI4626661: The Chapter house, 1140, Italian School, (12th century) / Bridgeman Images

ID: LRI4626661

The Chapter house, 1140

Italian School, (12th century)

Gold guilder. 1250-1300 Museo Nazionale del Bargello Florence
Gold guilder. 1250-1300 Museo Nazionale del Bargello Florence

LRI4625132: Gold guilder. 1250-1300 Museo Nazionale del Bargello Florence, Unknown Artist, (13th century) / Bridgeman Images

ID: LRI4625132

Gold guilder. 1250-1300 Museo Nazionale del Bargello Florence

Unknown Artist, (13th century)

Immeuble Les Pins, 2 rue Albin Haller (Architect Emile Andre, 1912) in Nancy (Meurthe et Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.
Immeuble Les Pins, 2 rue Albin Haller (Architect Emile Andre, 1912) in Nancy (Meurthe et Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.

LBY4641100: Immeuble Les Pins, 2 rue Albin Haller (Architect Emile Andre, 1912) in Nancy (Meurthe et Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today., André, Emile (1871-1933) / Bridgeman Images

ID: LBY4641100

Immeuble Les Pins, 2 rue Albin Haller (Architect Emile Andre, 1912) in Nancy (Meurthe et Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.

André, Emile (1871-1933)

The Chamber of Commerce, 40 Rue Pointcarre (Architect Toussaint et Marchal, 1908) in Nancy (Meurthe et Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, iron, architecture, etc. are part of this vast movement of renovation of decorative arts that still marks the city today.
The Chamber of Commerce, 40 Rue Pointcarre (Architect Toussaint et Marchal, 1908) in Nancy (Meurthe et Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, iron, architecture, etc. are part of this vast movement of renovation of decorative arts that still marks the city today.

LBY4640700: The Chamber of Commerce, 40 Rue Pointcarre (Architect Toussaint et Marchal, 1908) in Nancy (Meurthe et Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, iron, architecture, etc. are part of this vast movement of renovation of decorative arts that still marks the city today., Marchal, Louis (1879-1954) / Bridgeman Images

ID: LBY4640700

The Chamber of Commerce, 40 Rue Pointcarre (Architect Toussaint et Marchal, 1908) in Nancy (Meurthe et Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, iron, architecture, etc. are part of this vast movement of renovation of decorative arts that still marks the city today.

Marchal, Louis (1879-1954)

La Maison Ramel 25 rue Felix Faure (architect Emile Andre, 1904) in Nancy (Meurthe et Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.
La Maison Ramel 25 rue Felix Faure (architect Emile Andre, 1904) in Nancy (Meurthe et Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.

LBY4640982: La Maison Ramel 25 rue Felix Faure (architect Emile Andre, 1904) in Nancy (Meurthe et Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today., André, Emile (1871-1933) / Bridgeman Images

ID: LBY4640982

La Maison Ramel 25 rue Felix Faure (architect Emile Andre, 1904) in Nancy (Meurthe et Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.

André, Emile (1871-1933)

Maison Houot, 92 to Quai Le lorrain (architect Emile Andre, 1903) in Nancy (Meurthe et Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.
Maison Houot, 92 to Quai Le lorrain (architect Emile Andre, 1903) in Nancy (Meurthe et Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.

LBY4640532: Maison Houot, 92 to Quai Le lorrain (architect Emile Andre, 1903) in Nancy (Meurthe et Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today., André, Emile (1871-1933) / Bridgeman Images

ID: LBY4640532

Maison Houot, 92 to Quai Le lorrain (architect Emile Andre, 1903) in Nancy (Meurthe et Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.

André, Emile (1871-1933)

La Maison Houot, 92 bis Quai le Lorrain in Nancy (Meurthe and Moselle). Architect Emile Andre (1871-1933), 1903.
La Maison Houot, 92 bis Quai le Lorrain in Nancy (Meurthe and Moselle). Architect Emile Andre (1871-1933), 1903.

LBY4641257: La Maison Houot, 92 bis Quai le Lorrain in Nancy (Meurthe and Moselle). Architect Emile Andre (1871-1933), 1903., André, Emile (1871-1933) / Bridgeman Images

ID: LBY4641257

La Maison Houot, 92 bis Quai le Lorrain in Nancy (Meurthe and Moselle). Architect Emile Andre (1871-1933), 1903.

André, Emile (1871-1933)

The Lombard building, 69 Foch Avenue in Nancy (Meurthe and Moselle). Architect Emile Andre (1871-1933), 1903. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.
The Lombard building, 69 Foch Avenue in Nancy (Meurthe and Moselle). Architect Emile Andre (1871-1933), 1903. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.

LBY4640445: The Lombard building, 69 Foch Avenue in Nancy (Meurthe and Moselle). Architect Emile Andre (1871-1933), 1903. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today., André, Emile (1871-1933) / Bridgeman Images

ID: LBY4640445

The Lombard building, 69 Foch Avenue in Nancy (Meurthe and Moselle). Architect Emile Andre (1871-1933), 1903. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.

André, Emile (1871-1933)

The Lombard building, 69 Foch Avenue in Nancy (Meurthe and Moselle). Architect Emile Andre (1871-1933), 1903. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.
The Lombard building, 69 Foch Avenue in Nancy (Meurthe and Moselle). Architect Emile Andre (1871-1933), 1903. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.

LBY4640451: The Lombard building, 69 Foch Avenue in Nancy (Meurthe and Moselle). Architect Emile Andre (1871-1933), 1903. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today., André, Emile (1871-1933) / Bridgeman Images

ID: LBY4640451

The Lombard building, 69 Foch Avenue in Nancy (Meurthe and Moselle). Architect Emile Andre (1871-1933), 1903. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.

André, Emile (1871-1933)

Immeuble France Lanord, 71 avenue Foch in Nancy (Meurthe and Moselle). Architect Emile Andre (1871-1933), 1904. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.
Immeuble France Lanord, 71 avenue Foch in Nancy (Meurthe and Moselle). Architect Emile Andre (1871-1933), 1904. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.

LBY4640478: Immeuble France Lanord, 71 avenue Foch in Nancy (Meurthe and Moselle). Architect Emile Andre (1871-1933), 1904. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today., André, Emile (1871-1933) / Bridgeman Images

ID: LBY4640478

Immeuble France Lanord, 71 avenue Foch in Nancy (Meurthe and Moselle). Architect Emile Andre (1871-1933), 1904. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.

André, Emile (1871-1933)

The building of the Banque Renauld (BNP), 9 rue Chanzy in Nancy (Meurthe and Moselle). Architects Emile Andre (1871-1933) and Paul Charbonnier (1855-1963), 1910. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.
The building of the Banque Renauld (BNP), 9 rue Chanzy in Nancy (Meurthe and Moselle). Architects Emile Andre (1871-1933) and Paul Charbonnier (1855-1963), 1910. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.

LBY4641171: The building of the Banque Renauld (BNP), 9 rue Chanzy in Nancy (Meurthe and Moselle). Architects Emile Andre (1871-1933) and Paul Charbonnier (1855-1963), 1910. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today., André, Emile (1871-1933) / Bridgeman Images

ID: LBY4641171

The building of the Banque Renauld (BNP), 9 rue Chanzy in Nancy (Meurthe and Moselle). Architects Emile Andre (1871-1933) and Paul Charbonnier (1855-1963), 1910. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.

André, Emile (1871-1933)

Immeuble France Lanord et immeuble Lombar, 69 à 71 avenue Foch in Nancy (Meurthe et Moselle). Architect Emile Andre (1871-1933), 1903. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.
Immeuble France Lanord et immeuble Lombar, 69 à 71 avenue Foch in Nancy (Meurthe et Moselle). Architect Emile Andre (1871-1933), 1903. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.

LBY4640563: Immeuble France Lanord et immeuble Lombar, 69 à 71 avenue Foch in Nancy (Meurthe et Moselle). Architect Emile Andre (1871-1933), 1903. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today., André, Emile (1871-1933) / Bridgeman Images

ID: LBY4640563

Immeuble France Lanord et immeuble Lombar, 69 à 71 avenue Foch in Nancy (Meurthe et Moselle). Architect Emile Andre (1871-1933), 1903. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.

André, Emile (1871-1933)

La Villa Majorelle, 1 Rue Majorelle in Nancy (Meurthe and Moslle). Architect Henri Sauvage (1873-1932), 1898-1902. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.
La Villa Majorelle, 1 Rue Majorelle in Nancy (Meurthe and Moslle). Architect Henri Sauvage (1873-1932), 1898-1902. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.

LBY4640525: La Villa Majorelle, 1 Rue Majorelle in Nancy (Meurthe and Moslle). Architect Henri Sauvage (1873-1932), 1898-1902. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today., Sauvage, Henri (1873-1932) / Bridgeman Images

ID: LBY4640525

La Villa Majorelle, 1 Rue Majorelle in Nancy (Meurthe and Moslle). Architect Henri Sauvage (1873-1932), 1898-1902. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.

Sauvage, Henri (1873-1932)

The Chamber of Commerce, 40 Rue Pointcarre in Nancy (Meurthe and Moselle). Architects EmiletousSaint (1872-1914) and Louis Marchal (1879-1954), 1908. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.
The Chamber of Commerce, 40 Rue Pointcarre in Nancy (Meurthe and Moselle). Architects EmiletousSaint (1872-1914) and Louis Marchal (1879-1954), 1908. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.

LBY4640675: The Chamber of Commerce, 40 Rue Pointcarre in Nancy (Meurthe and Moselle). Architects EmiletousSaint (1872-1914) and Louis Marchal (1879-1954), 1908. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today., Marchal, Louis (1879-1954) / Bridgeman Images

ID: LBY4640675

The Chamber of Commerce, 40 Rue Pointcarre in Nancy (Meurthe and Moselle). Architects EmiletousSaint (1872-1914) and Louis Marchal (1879-1954), 1908. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.

Marchal, Louis (1879-1954)

Villa Majorelle, 1 Rue Majorelle in Nancy (Meurthe et Moselle). Architect Henri Sauvage (1873-1932), 1902. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.
Villa Majorelle, 1 Rue Majorelle in Nancy (Meurthe et Moselle). Architect Henri Sauvage (1873-1932), 1902. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.

LBY4640581: Villa Majorelle, 1 Rue Majorelle in Nancy (Meurthe et Moselle). Architect Henri Sauvage (1873-1932), 1902. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today., Sauvage, Henri (1873-1932) / Bridgeman Images

ID: LBY4640581

Villa Majorelle, 1 Rue Majorelle in Nancy (Meurthe et Moselle). Architect Henri Sauvage (1873-1932), 1902. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.

Sauvage, Henri (1873-1932)

A concierge lodge, 2 rue des Brices (architects Emile Andre and Joseph Hornecker, 1903) in Nancy (Meurthe and Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.
A concierge lodge, 2 rue des Brices (architects Emile Andre and Joseph Hornecker, 1903) in Nancy (Meurthe and Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.

LBY4640922: A concierge lodge, 2 rue des Brices (architects Emile Andre and Joseph Hornecker, 1903) in Nancy (Meurthe and Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today., André, Emile (1871-1933) / Bridgeman Images

ID: LBY4640922

A concierge lodge, 2 rue des Brices (architects Emile Andre and Joseph Hornecker, 1903) in Nancy (Meurthe and Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.

André, Emile (1871-1933)

Maison d'architecte detail, 28 rue des Brices (architect Charles Masson, 1913) La Maison Ramel 25 rue Felix Faure (architect Emile Andre, 1904) in Nancy (Meurthe et Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.
Maison d'architecte detail, 28 rue des Brices (architect Charles Masson, 1913) La Maison Ramel 25 rue Felix Faure (architect Emile Andre, 1904) in Nancy (Meurthe et Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.

LBY4640943: Maison d'architecte detail, 28 rue des Brices (architect Charles Masson, 1913) La Maison Ramel 25 rue Felix Faure (architect Emile Andre, 1904) in Nancy (Meurthe et Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today., André, Emile (1871-1933) / Bridgeman Images

ID: LBY4640943

Maison d'architecte detail, 28 rue des Brices (architect Charles Masson, 1913) La Maison Ramel 25 rue Felix Faure (architect Emile Andre, 1904) in Nancy (Meurthe et Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.

André, Emile (1871-1933)

Laocoon (fresco, 1st century AD)
Laocoon (fresco, 1st century AD)

LRI4642181: Laocoon (fresco, 1st century AD), Roman, (1st century AD) / Bridgeman Images

ID: LRI4642181

Laocoon (fresco, 1st century AD)

Roman, (1st century AD)


Back to top