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Winches, pulleys and other machinery, early 19th century. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Winches, pulleys and other machinery, early 19th century. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4591468: Winches, pulleys and other machinery, early 19th century. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4591468

Winches, pulleys and other machinery, early 19th century. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

Henry Maudslay's revolutionary screw-cutting lathe, 1800. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1815.
Henry Maudslay's revolutionary screw-cutting lathe, 1800. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1815.

FLO4591502: Henry Maudslay's revolutionary screw-cutting lathe, 1800. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1815. / Bridgeman Images

ID: FLO4591502

Henry Maudslay's revolutionary screw-cutting lathe, 1800. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1815.

Water-powered mills: common breast mill 1, Dr. Barker's mill 3 and the portable or hand mill 4. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1819.
Water-powered mills: common breast mill 1, Dr. Barker's mill 3 and the portable or hand mill 4. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1819.

FLO4591548: Water-powered mills: common breast mill 1, Dr. Barker's mill 3 and the portable or hand mill 4. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1819. / Bridgeman Images

ID: FLO4591548

Water-powered mills: common breast mill 1, Dr. Barker's mill 3 and the portable or hand mill 4. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1819.

Plan and elevation of an iron forge, with chafery, finery, blowing engine, and balling or pudding furnace. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1811.
Plan and elevation of an iron forge, with chafery, finery, blowing engine, and balling or pudding furnace. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1811.

FLO4591615: Plan and elevation of an iron forge, with chafery, finery, blowing engine, and balling or pudding furnace. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1811. / Bridgeman Images

ID: FLO4591615

Plan and elevation of an iron forge, with chafery, finery, blowing engine, and balling or pudding furnace. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1811.

Furnace for enamelling watch dial plates and Henry Bone (1755-1834)'s enamelling furnace. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1811.
Furnace for enamelling watch dial plates and Henry Bone (1755-1834)'s enamelling furnace. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1811.

FLO4591908: Furnace for enamelling watch dial plates and Henry Bone (1755-1834)'s enamelling furnace. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1811. / Bridgeman Images

ID: FLO4591908

Furnace for enamelling watch dial plates and Henry Bone (1755-1834)'s enamelling furnace. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1811.

Plans and sections of a deviling machine, used for tearing rags in cotton manufacture, 18th century. Copperplate engraving by Wilson Lowry after a drawing by James Burton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1811.
Plans and sections of a deviling machine, used for tearing rags in cotton manufacture, 18th century. Copperplate engraving by Wilson Lowry after a drawing by James Burton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1811.

FLO4591951: Plans and sections of a deviling machine, used for tearing rags in cotton manufacture, 18th century. Copperplate engraving by Wilson Lowry after a drawing by James Burton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1811. / Bridgeman Images

ID: FLO4591951

Plans and sections of a deviling machine, used for tearing rags in cotton manufacture, 18th century. Copperplate engraving by Wilson Lowry after a drawing by James Burton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1811.

Anatomy of the human eye showing eyeball, cornea, lens, optic nerve, etc.CopperPlate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Anatomy of the human eye showing eyeball, cornea, lens, optic nerve, etc.CopperPlate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4591962: Anatomy of the human eye showing eyeball, cornea, lens, optic nerve, etc.CopperPlate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4591962

Anatomy of the human eye showing eyeball, cornea, lens, optic nerve, etc.CopperPlate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

Robert Salmon (1763-1821)'s weighing machine or Poidometer, 18th century. Illustration and copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1803.
Robert Salmon (1763-1821)'s weighing machine or Poidometer, 18th century. Illustration and copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1803.

FLO4592211: Robert Salmon (1763-1821)'s weighing machine or Poidometer, 18th century. Illustration and copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1803. / Bridgeman Images

ID: FLO4592211

Robert Salmon (1763-1821)'s weighing machine or Poidometer, 18th century. Illustration and copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1803.

Electrical equipment, 18th century. Medical machine for electrifying the teeth, thunder house, torpedo, brush, and connecting frame of the Teylerian battery. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Electrical equipment, 18th century. Medical machine for electrifying the teeth, thunder house, torpedo, brush, and connecting frame of the Teylerian battery. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4592222: Electrical equipment, 18th century. Medical machine for electrifying the teeth, thunder house, torpedo, brush, and connecting frame of the Teylerian battery. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4592222

Electrical equipment, 18th century. Medical machine for electrifying the teeth, thunder house, torpedo, brush, and connecting frame of the Teylerian battery. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

Cutting engines, 18th century, including a rose engine lathe or figure lathe made by Holtzapffell & Deyerlien. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1816.
Cutting engines, 18th century, including a rose engine lathe or figure lathe made by Holtzapffell & Deyerlien. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1816.

FLO4592253: Cutting engines, 18th century, including a rose engine lathe or figure lathe made by Holtzapffell & Deyerlien. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1816. / Bridgeman Images

ID: FLO4592253

Cutting engines, 18th century, including a rose engine lathe or figure lathe made by Holtzapffell & Deyerlien. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1816.

Plan and section of the great wheel of Jesse Ramsden (1735-1800)'s circular dividing engine, 1773. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810.
Plan and section of the great wheel of Jesse Ramsden (1735-1800)'s circular dividing engine, 1773. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810.

FLO4592322: Plan and section of the great wheel of Jesse Ramsden (1735-1800)'s circular dividing engine, 1773. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810. / Bridgeman Images

ID: FLO4592322

Plan and section of the great wheel of Jesse Ramsden (1735-1800)'s circular dividing engine, 1773. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810.

Face-turning lathe and riveting hammer, Block Machinery at Portsmouth naval harbour, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812.
Face-turning lathe and riveting hammer, Block Machinery at Portsmouth naval harbour, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812.

FLO4592425: Face-turning lathe and riveting hammer, Block Machinery at Portsmouth naval harbour, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812. / Bridgeman Images

ID: FLO4592425

Face-turning lathe and riveting hammer, Block Machinery at Portsmouth naval harbour, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812.

Sawing machine at Portsmouth naval harbour, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812.
Sawing machine at Portsmouth naval harbour, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812.

FLO4592439: Sawing machine at Portsmouth naval harbour, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812. / Bridgeman Images

ID: FLO4592439

Sawing machine at Portsmouth naval harbour, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812.

Samnite warriors. 4th century BC (Tomb painting)
Samnite warriors. 4th century BC (Tomb painting)

LRI4592501: Samnite warriors. 4th century BC (Tomb painting), Roman, (4th century BC) / Bridgeman Images

ID: LRI4592501

Samnite warriors. 4th century BC (Tomb painting)

Roman, (4th century BC)

Cup with Egyptian motifs. 1st century
Cup with Egyptian motifs. 1st century

LRI4592560: Cup with Egyptian motifs. 1st century, Roman, (1st century AD) / Bridgeman Images

ID: LRI4592560

Cup with Egyptian motifs. 1st century

Roman, (1st century AD)

Plan and elevation of a sugar mill, 19th century. Copperplate engraving by W. Lowry after an Illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1816.
Plan and elevation of a sugar mill, 19th century. Copperplate engraving by W. Lowry after an Illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1816.

FLO4592869: Plan and elevation of a sugar mill, 19th century. Copperplate engraving by W. Lowry after an Illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1816. / Bridgeman Images

ID: FLO4592869

Plan and elevation of a sugar mill, 19th century. Copperplate engraving by W. Lowry after an Illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1816.

Reduced model of Villa Adriana (Hadrian), 118-134 (photography)
Reduced model of Villa Adriana (Hadrian), 118-134 (photography)

LRI4593244: Reduced model of Villa Adriana (Hadrian), 118-134 (photography), Anonymous / Bridgeman Images

ID: LRI4593244

Reduced model of Villa Adriana (Hadrian), 118-134 (photography)

Anonymous

Etruscan civilization: “” The magistrate of Perugia Aulus Metellus says the Speaker or the Arringatore”” Bronze sculpture, 1st century BC From Pila, Italy Dim 179 cm - Florence, Museo Archeologico - Aule Metele (Aulus Metellus), also known as The Orator (L'Arringatore) (detail) - Bronze sculpture (H.179 cm), from Pila, from Pila, from Pila, from Pila, from Pila, Italy, 1st century BC, Etruscan art - Archeological Museum, Naples, Italy
Etruscan civilization: “” The magistrate of Perugia Aulus Metellus says the Speaker or the Arringatore”” Bronze sculpture, 1st century BC From Pila, Italy Dim 179 cm - Florence, Museo Archeologico - Aule Metele (Aulus Metellus), also known as The Orator (L'Arringatore) (detail) - Bronze sculpture (H.179 cm), from Pila, from Pila, from Pila, from Pila, from Pila, Italy, 1st century BC, Etruscan art - Archeological Museum, Naples, Italy

LRI4593318: Etruscan civilization: “” The magistrate of Perugia Aulus Metellus says the Speaker or the Arringatore”” Bronze sculpture, 1st century BC From Pila, Italy Dim 179 cm - Florence, Museo Archeologico - Aule Metele (Aulus Metellus), also known as The Orator (L'Arringatore) (detail) - Bronze sculpture (H.179 cm), from Pila, from Pila, from Pila, from Pila, from Pila, Italy, 1st century BC, Etruscan art - Archeological Museum, Naples, Italy, Etruscan, (1st century BC) / Bridgeman Images

ID: LRI4593318

Etruscan civilization: “” The magistrate of Perugia Aulus Metellus says the Speaker or the Arringatore”” Bronze sculpture, 1st century BC From Pila, Italy Dim 179 cm - Florence, Museo Archeologico - Aule Metele (Aulus Metellus), also known as The Orator (L'Arringatore) (detail) - Bronze sculpture (H.179 cm), from Pila, from Pila, from Pila, from Pila, from Pila, Italy, 1st century BC, Etruscan art - Archeological Museum, Naples, Italy

Etruscan, (1st century BC)

Equipment used in worsted manufacture: breaking frame, spinning frame and roving frame, 18th century. Copperplate engraving by Wilson Lowry after an Illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1809.
Equipment used in worsted manufacture: breaking frame, spinning frame and roving frame, 18th century. Copperplate engraving by Wilson Lowry after an Illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1809.

FLO4593340: Equipment used in worsted manufacture: breaking frame, spinning frame and roving frame, 18th century. Copperplate engraving by Wilson Lowry after an Illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1809. / Bridgeman Images

ID: FLO4593340

Equipment used in worsted manufacture: breaking frame, spinning frame and roving frame, 18th century. Copperplate engraving by Wilson Lowry after an Illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1809.

Etruscan art: warrior figure (Etruscan art, a warrior, bronze sculpture, from Brolio, Italy, 550 BC, Dim 36 cm) Bronze sculpture, From Brolio, Italy, 550 BC, Museo Archeologico
Etruscan art: warrior figure (Etruscan art, a warrior, bronze sculpture, from Brolio, Italy, 550 BC, Dim 36 cm) Bronze sculpture, From Brolio, Italy, 550 BC, Museo Archeologico

LRI4593367: Etruscan art: warrior figure (Etruscan art, a warrior, bronze sculpture, from Brolio, Italy, 550 BC, Dim 36 cm) Bronze sculpture, From Brolio, Italy, 550 BC, Museo Archeologico, Etruscan, (6th century BC) / Bridgeman Images

ID: LRI4593367

Etruscan art: warrior figure (Etruscan art, a warrior, bronze sculpture, from Brolio, Italy, 550 BC, Dim 36 cm) Bronze sculpture, From Brolio, Italy, 550 BC, Museo Archeologico

Etruscan, (6th century BC)

Terracotta krater representing a god and Eros, 350 BC
Terracotta krater representing a god and Eros, 350 BC

LRI4593452: Terracotta krater representing a god and Eros, 350 BC, Etruscan, (4th century BC) / Bridgeman Images

ID: LRI4593452

Terracotta krater representing a god and Eros, 350 BC

Etruscan, (4th century BC)

Etruscan civilization: “” gun offering figure”” Bronze sculpture, 625-600 BC Dim 12 cm (Etruscan art, offering figure, bronze sculpture, 625-600 BC, Dim 12 cm) Florence, Museo Archeologico
Etruscan civilization: “” gun offering figure”” Bronze sculpture, 625-600 BC Dim 12 cm (Etruscan art, offering figure, bronze sculpture, 625-600 BC, Dim 12 cm) Florence, Museo Archeologico

LRI4593400: Etruscan civilization: “” gun offering figure”” Bronze sculpture, 625-600 BC Dim 12 cm (Etruscan art, offering figure, bronze sculpture, 625-600 BC, Dim 12 cm) Florence, Museo Archeologico, Etruscan, (7th century BC) / Bridgeman Images

ID: LRI4593400

Etruscan civilization: “” gun offering figure”” Bronze sculpture, 625-600 BC Dim 12 cm (Etruscan art, offering figure, bronze sculpture, 625-600 BC, Dim 12 cm) Florence, Museo Archeologico

Etruscan, (7th century BC)

Architectural drawings of the Arch of Constantine and the Arch of Titus. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Architectural drawings of the Arch of Constantine and the Arch of Titus. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4593581: Architectural drawings of the Arch of Constantine and the Arch of Titus. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4593581

Architectural drawings of the Arch of Constantine and the Arch of Titus. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

Venere Italica. Marble sculpture, 1810
Venere Italica. Marble sculpture, 1810

LRI4594075: Venere Italica. Marble sculpture, 1810, Canova, Antonio (1757-1822) / Bridgeman Images

ID: LRI4594075

Venere Italica. Marble sculpture, 1810

Canova, Antonio (1757-1822)

Detail of Roman constructions (opus mixtum or Opus vagecum and Opus compositum) 5th century BC-1st century AD
Detail of Roman constructions (opus mixtum or Opus vagecum and Opus compositum) 5th century BC-1st century AD

LRI4593835: Detail of Roman constructions (opus mixtum or Opus vagecum and Opus compositum) 5th century BC-1st century AD, Roman / Bridgeman Images

ID: LRI4593835

Detail of Roman constructions (opus mixtum or Opus vagecum and Opus compositum) 5th century BC-1st century AD

Roman

Goudok Rebec fiddle with three strings, Gelaika pipes, double flutes of the ancients, hunting horn of Siberia, Rojok (rozhok) trumpet, and Batalaika (Balalaika) guitar with two strings. From the Russian Antiquities by M. Guthrie. Copperplate engraving by John Lee from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Goudok Rebec fiddle with three strings, Gelaika pipes, double flutes of the ancients, hunting horn of Siberia, Rojok (rozhok) trumpet, and Batalaika (Balalaika) guitar with two strings. From the Russian Antiquities by M. Guthrie. Copperplate engraving by John Lee from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4593957: Goudok Rebec fiddle with three strings, Gelaika pipes, double flutes of the ancients, hunting horn of Siberia, Rojok (rozhok) trumpet, and Batalaika (Balalaika) guitar with two strings. From the Russian Antiquities by M. Guthrie. Copperplate engraving by John Lee from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4593957

Goudok Rebec fiddle with three strings, Gelaika pipes, double flutes of the ancients, hunting horn of Siberia, Rojok (rozhok) trumpet, and Batalaika (Balalaika) guitar with two strings. From the Russian Antiquities by M. Guthrie. Copperplate engraving by John Lee from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

The harp of Brian Boromh (1,2), silver prize harp (3), and bell harp (4). Copperplate engraving from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
The harp of Brian Boromh (1,2), silver prize harp (3), and bell harp (4). Copperplate engraving from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4593969: The harp of Brian Boromh (1,2), silver prize harp (3), and bell harp (4). Copperplate engraving from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4593969

The harp of Brian Boromh (1,2), silver prize harp (3), and bell harp (4). Copperplate engraving from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

Perspective view of the improved orrery for mean motions built by British astronomer William Pearson. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Perspective view of the improved orrery for mean motions built by British astronomer William Pearson. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4593862: Perspective view of the improved orrery for mean motions built by British astronomer William Pearson. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4593862

Perspective view of the improved orrery for mean motions built by British astronomer William Pearson. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

Whirling table to demonstrate centrifugal force, and other astronomical instruments. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Whirling table to demonstrate centrifugal force, and other astronomical instruments. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4594204: Whirling table to demonstrate centrifugal force, and other astronomical instruments. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4594204

Whirling table to demonstrate centrifugal force, and other astronomical instruments. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

Astronomical chart of the Northern hemisphere. Copperplate engraving by Milton after a drawing by L. Hebert from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Astronomical chart of the Northern hemisphere. Copperplate engraving by Milton after a drawing by L. Hebert from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4594211: Astronomical chart of the Northern hemisphere. Copperplate engraving by Milton after a drawing by L. Hebert from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4594211

Astronomical chart of the Northern hemisphere. Copperplate engraving by Milton after a drawing by L. Hebert from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

Equatorial instrument (telescope) at Armagh made by Edward Troughton. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Equatorial instrument (telescope) at Armagh made by Edward Troughton. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4594248: Equatorial instrument (telescope) at Armagh made by Edward Troughton. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4594248

Equatorial instrument (telescope) at Armagh made by Edward Troughton. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

Hepatic Fistuline (Fistulina hepatica) - Chromolithography based on a drawing by Mordecai Cubitt Cooke (1825-1914), published in “A Plain and Easy Account of British Fungi””, edition Robert Hardwicke, London, 1862
Hepatic Fistuline (Fistulina hepatica) - Chromolithography based on a drawing by Mordecai Cubitt Cooke (1825-1914), published in “A Plain and Easy Account of British Fungi””, edition Robert Hardwicke, London, 1862

FLO4594448: Hepatic Fistuline (Fistulina hepatica) - Chromolithography based on a drawing by Mordecai Cubitt Cooke (1825-1914), published in “A Plain and Easy Account of British Fungi””, edition Robert Hardwicke, London, 1862 / Bridgeman Images

ID: FLO4594448

Hepatic Fistuline (Fistulina hepatica) - Chromolithography based on a drawing by Mordecai Cubitt Cooke (1825-1914), published in “A Plain and Easy Account of British Fungi””, edition Robert Hardwicke, London, 1862

Calligraphic title within garland of roses and leaves. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.
Calligraphic title within garland of roses and leaves. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.

FLO4594475: Calligraphic title within garland of roses and leaves. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840. / Bridgeman Images

ID: FLO4594475

Calligraphic title within garland of roses and leaves. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.

Fashion during the reign of King Henry V and early Henry VI, illustration from 'Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria', 1840 (colour litho)
Fashion during the reign of King Henry V and early Henry VI, illustration from 'Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria', 1840 (colour litho)

FLO4594591: Fashion during the reign of King Henry V and early Henry VI, illustration from 'Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria', 1840 (colour litho), English School, (19th century) / Bridgeman Images

ID: FLO4594591

Fashion during the reign of King Henry V and early Henry VI, illustration from 'Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria', 1840 (colour litho)

English School, (19th century)

Peach varieties, Prunus persica: Late Admirable, blossom, Double Mountain and Red Magdalen. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.
Peach varieties, Prunus persica: Late Admirable, blossom, Double Mountain and Red Magdalen. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.

FLO4595089: Peach varieties, Prunus persica: Late Admirable, blossom, Double Mountain and Red Magdalen. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797. / Bridgeman Images

ID: FLO4595089

Peach varieties, Prunus persica: Late Admirable, blossom, Double Mountain and Red Magdalen. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.

Dress of the reign of King George III, 1780. Gown and petticoat of pale lilac lutestring trimmed with gardenia or jessamine. Handkerchief and apron of chequered gauze. Hair ornament of pearls set in five pins in the form of stars diminishing in size. From a family wardrobe preserved. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.
Dress of the reign of King George III, 1780. Gown and petticoat of pale lilac lutestring trimmed with gardenia or jessamine. Handkerchief and apron of chequered gauze. Hair ornament of pearls set in five pins in the form of stars diminishing in size. From a family wardrobe preserved. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.

FLO4594862: Dress of the reign of King George III, 1780. Gown and petticoat of pale lilac lutestring trimmed with gardenia or jessamine. Handkerchief and apron of chequered gauze. Hair ornament of pearls set in five pins in the form of stars diminishing in size. From a family wardrobe preserved. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840. / Bridgeman Images

ID: FLO4594862

Dress of the reign of King George III, 1780. Gown and petticoat of pale lilac lutestring trimmed with gardenia or jessamine. Handkerchief and apron of chequered gauze. Hair ornament of pearls set in five pins in the form of stars diminishing in size. From a family wardrobe preserved. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.


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