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Knight of the Order of Constantine. The Order was first founded in 343 BC by the Roman Emperor Constantine, but received its official rules and statutes in 1190 by Isaac Ange Comnene (1155-1204), Emperor of Constantinople, the Order was also known as the Order of the Angelics, the Order of the Dory Knights or the Constantine militia of Saint George. It consisted of three rows for its members: Grand Cross, knight and brother serving; The insignia of the order is a red cross made of four flowers of lilies, surrounded by a golden border. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Knight of the Order of Constantine. The Order was first founded in 343 BC by the Roman Emperor Constantine, but received its official rules and statutes in 1190 by Isaac Ange Comnene (1155-1204), Emperor of Constantinople, the Order was also known as the Order of the Angelics, the Order of the Dory Knights or the Constantine militia of Saint George. It consisted of three rows for its members: Grand Cross, knight and brother serving; The insignia of the order is a red cross made of four flowers of lilies, surrounded by a golden border. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4708525: Knight of the Order of Constantine. The Order was first founded in 343 BC by the Roman Emperor Constantine, but received its official rules and statutes in 1190 by Isaac Ange Comnene (1155-1204), Emperor of Constantinople, the Order was also known as the Order of the Angelics, the Order of the Dory Knights or the Constantine militia of Saint George. It consisted of three rows for its members: Grand Cross, knight and brother serving; The insignia of the order is a red cross made of four flowers of lilies, surrounded by a golden border. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

Norman infantry: infantry with spear and shield, saddler and two crossbaletriers carrying armor or chest. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Norman infantry: infantry with spear and shield, saddler and two crossbaletriers carrying armor or chest. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4708168: Norman infantry: infantry with spear and shield, saddler and two crossbaletriers carrying armor or chest. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

Portrait of composer and poet John Cage, 1982.
Portrait of composer and poet John Cage, 1982.

MME4708195: Portrait of composer and poet John Cage, 1982., Mencarini, Marcello / Bridgeman Images

Knights fighting on horseback, sword duel during a tournament. Both are armed with their sword and shield, but without a helm, the most dangerous battle in a tournament. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Knights fighting on horseback, sword duel during a tournament. Both are armed with their sword and shield, but without a helm, the most dangerous battle in a tournament. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4708268: Knights fighting on horseback, sword duel during a tournament. Both are armed with their sword and shield, but without a helm, the most dangerous battle in a tournament. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

Knight of the Order of Aviz, in ceremonial dress. A Portuguese military religious order, after the conquest of Aviz (Portugal), a military fortress was built and became the mother house of the order, who first called themselves the Knights of St. Benedict d'Aviz until they adopted the Benedictine rule in 1162. They were subject to the rules and the Cistercian costume, wearing a white coat and a green lysee flower cross, although this illustration clearly shows a red Cistercian cross on the chest of his coat. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Knight of the Order of Aviz, in ceremonial dress. A Portuguese military religious order, after the conquest of Aviz (Portugal), a military fortress was built and became the mother house of the order, who first called themselves the Knights of St. Benedict d'Aviz until they adopted the Benedictine rule in 1162. They were subject to the rules and the Cistercian costume, wearing a white coat and a green lysee flower cross, although this illustration clearly shows a red Cistercian cross on the chest of his coat. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4708503: Knight of the Order of Aviz, in ceremonial dress. A Portuguese military religious order, after the conquest of Aviz (Portugal), a military fortress was built and became the mother house of the order, who first called themselves the Knights of St. Benedict d'Aviz until they adopted the Benedictine rule in 1162. They were subject to the rules and the Cistercian costume, wearing a white coat and a green lysee flower cross, although this illustration clearly shows a red Cistercian cross on the chest of his coat. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

Knight of the Order of St. Catherine and Knight of the Order of the Sword. The Order of St. Catherine was founded by the Christian princes to protect the pelerins of Mount Sinai, who came to venerate the relics of St. Catherine, but also to protect them from desecration from the 11th to the 15th centuries. However, according to the Catholic encyclopedia, the knights of St. Catherine were not an order, nor secular, nor regal. The order of the Sword, or the sword-bearers, was a military order in order to prepare the crusade against the Prussian peers in the 13th century (uncarried out crusade).
Knight of the Order of St. Catherine and Knight of the Order of the Sword. The Order of St. Catherine was founded by the Christian princes to protect the pelerins of Mount Sinai, who came to venerate the relics of St. Catherine, but also to protect them from desecration from the 11th to the 15th centuries. However, according to the Catholic encyclopedia, the knights of St. Catherine were not an order, nor secular, nor regal. The order of the Sword, or the sword-bearers, was a military order in order to prepare the crusade against the Prussian peers in the 13th century (uncarried out crusade).

FLO4708528: Knight of the Order of St. Catherine and Knight of the Order of the Sword. The Order of St. Catherine was founded by the Christian princes to protect the pelerins of Mount Sinai, who came to venerate the relics of St. Catherine, but also to protect them from desecration from the 11th to the 15th centuries. However, according to the Catholic encyclopedia, the knights of St. Catherine were not an order, nor secular, nor regal. The order of the Sword, or the sword-bearers, was a military order in order to prepare the crusade against the Prussian peers in the 13th century (uncarried out crusade). / Bridgeman Images

Portrait of American comedian and director John Cassavetes in 1984.
Portrait of American comedian and director John Cassavetes in 1984.

MME4708564: Portrait of American comedian and director John Cassavetes in 1984., Mencarini, Marcello / Bridgeman Images

Portrait of the writer Carlo Cassola in 1979.
Portrait of the writer Carlo Cassola in 1979.

MME4708591: Portrait of the writer Carlo Cassola in 1979., Mencarini, Marcello / Bridgeman Images

Panoramic view of the archeological site of Ostia antica (Ostia), ancient port of ancient Rome. Italy
Panoramic view of the archeological site of Ostia antica (Ostia), ancient port of ancient Rome. Italy

MME4708744: Panoramic view of the archeological site of Ostia antica (Ostia), ancient port of ancient Rome. Italy, Mencarini, Marcello / Bridgeman Images

Panoramic view of the forum of Trajan (foro traiano), Rome Italy
Panoramic view of the forum of Trajan (foro traiano), Rome Italy

MME4708899: Panoramic view of the forum of Trajan (foro traiano), Rome Italy, Mencarini, Marcello / Bridgeman Images

Portrait of the French realizer Claude Chabrol in 1988.
Portrait of the French realizer Claude Chabrol in 1988.

MME4708656: Portrait of the French realizer Claude Chabrol in 1988., Mencarini, Marcello / Bridgeman Images

Panoramic view of the column of Marc Aurele (Marc-Aurele or Marco Aurelio) on Piazza Colonna, Rome
Panoramic view of the column of Marc Aurele (Marc-Aurele or Marco Aurelio) on Piazza Colonna, Rome

MME4709052: Panoramic view of the column of Marc Aurele (Marc-Aurele or Marco Aurelio) on Piazza Colonna, Rome, Mencarini, Marcello / Bridgeman Images

Chrysoberyl cat's eye raw (partly polished)). Chromolithography, in Precious Stones and Gems by Edwin Streeter, published in London, England, by George Bell and Sons, 1892.
Chrysoberyl cat's eye raw (partly polished)). Chromolithography, in Precious Stones and Gems by Edwin Streeter, published in London, England, by George Bell and Sons, 1892.

FLO4709200: Chrysoberyl cat's eye raw (partly polished)). Chromolithography, in Precious Stones and Gems by Edwin Streeter, published in London, England, by George Bell and Sons, 1892. / Bridgeman Images

Jazz saxophonist Ornette Coleman on stage in 1980.
Jazz saxophonist Ornette Coleman on stage in 1980.

MME4709268: Jazz saxophonist Ornette Coleman on stage in 1980., Mencarini, Marcello / Bridgeman Images

Gentlemen's watch in 18-carat gold case. Chromolithograph from Edwin Street's Gems Catalog, Bond Street, London, circa 1895.
Gentlemen's watch in 18-carat gold case. Chromolithograph from Edwin Street's Gems Catalog, Bond Street, London, circa 1895.

FLO4709374: Gentlemen's watch in 18-carat gold case. Chromolithograph from Edwin Street's Gems Catalog, Bond Street, London, circa 1895. / Bridgeman Images

Ladies' watch in 18-carat gold case. Chromolithograph from Edwin Street's Gems Catalog, Bond Street, London, circa 1895
Ladies' watch in 18-carat gold case. Chromolithograph from Edwin Street's Gems Catalog, Bond Street, London, circa 1895

FLO4709395: Ladies' watch in 18-carat gold case. Chromolithograph from Edwin Street's Gems Catalog, Bond Street, London, circa 1895 / Bridgeman Images

Diamond combs and head ornaments, wings, sword hilts, etc. Chromolithograph from Edwin Street's Gems Catalog, Bond Street, London, circa 1895.
Diamond combs and head ornaments, wings, sword hilts, etc. Chromolithograph from Edwin Street's Gems Catalog, Bond Street, London, circa 1895.

FLO4709279: Diamond combs and head ornaments, wings, sword hilts, etc. Chromolithograph from Edwin Street's Gems Catalog, Bond Street, London, circa 1895. / Bridgeman Images

View of the basin of St. Mark (San Marco) from the traghetto (ferry), Venice. Italy Panoramic Photo
View of the basin of St. Mark (San Marco) from the traghetto (ferry), Venice. Italy Panoramic Photo

MME4709186: View of the basin of St. Mark (San Marco) from the traghetto (ferry), Venice. Italy Panoramic Photo, Mencarini, Marcello / Bridgeman Images

Portrait of the German composer Karlheinz Stockhausen, 1989.
Portrait of the German composer Karlheinz Stockhausen, 1989.

MME4705077: Portrait of the German composer Karlheinz Stockhausen, 1989., Mencarini, Marcello / Bridgeman Images

Portrait of Italian director Giorgio Strehler in 1979.
Portrait of Italian director Giorgio Strehler in 1979.

MME4705161: Portrait of Italian director Giorgio Strehler in 1979., Mencarini, Marcello / Bridgeman Images

A young woman of Friesland. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837
A young woman of Friesland. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837

FLO4705236: A young woman of Friesland. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837 / Bridgeman Images

Portrait of the German composer Karlheinz Stockhausen, 1995.
Portrait of the German composer Karlheinz Stockhausen, 1995.

MME4705023: Portrait of the German composer Karlheinz Stockhausen, 1995., Mencarini, Marcello / Bridgeman Images

Woman of Dalmatia. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837
Woman of Dalmatia. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837

FLO4705332: Woman of Dalmatia. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837 / Bridgeman Images

Portrait of Italian director Giorgio Strehler in 1979.
Portrait of Italian director Giorgio Strehler in 1979.

MME4705215: Portrait of Italian director Giorgio Strehler in 1979., Mencarini, Marcello / Bridgeman Images

Portrait of German comedian Horst Tappert (interpret by Inspector Derrick in the series of the same name)
Portrait of German comedian Horst Tappert (interpret by Inspector Derrick in the series of the same name)

MME4705501: Portrait of German comedian Horst Tappert (interpret by Inspector Derrick in the series of the same name), Mencarini, Marcello / Bridgeman Images

Portrait of British conductor Jeffrey Tate in 1995
Portrait of British conductor Jeffrey Tate in 1995

MME4705538: Portrait of British conductor Jeffrey Tate in 1995, Mencarini, Marcello / Bridgeman Images

English standard-bearer in baggy long breeches 1588. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.
English standard-bearer in baggy long breeches 1588. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.

FLO4705635: English standard-bearer in baggy long breeches 1588. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757. / Bridgeman Images

Eccentric dress of a French count, 1399. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.
Eccentric dress of a French count, 1399. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.

FLO4705866: Eccentric dress of a French count, 1399. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757. / Bridgeman Images

Spanish artist Antoni Tapies in Venice in 1993.
Spanish artist Antoni Tapies in Venice in 1993.

MME4705423: Spanish artist Antoni Tapies in Venice in 1993., Mencarini, Marcello / Bridgeman Images

Swiss army officer, 1588. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.
Swiss army officer, 1588. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.

FLO4705483: Swiss army officer, 1588. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757. / Bridgeman Images

Portrait of German comedian Horst Tappert (interpreter of Inspector Derrick in the series of the same name) posing with two gendarmes.
Portrait of German comedian Horst Tappert (interpreter of Inspector Derrick in the series of the same name) posing with two gendarmes.

MME4705511: Portrait of German comedian Horst Tappert (interpreter of Inspector Derrick in the series of the same name) posing with two gendarmes., Mencarini, Marcello / Bridgeman Images

Portrait of jazz trumpeter Luigi Toth.
Portrait of jazz trumpeter Luigi Toth.

MME4705753: Portrait of jazz trumpeter Luigi Toth., Mencarini, Marcello / Bridgeman Images

Woman of Bayern, 1581, and a German army captain, 1588. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.
Woman of Bayern, 1581, and a German army captain, 1588. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.

FLO4705622: Woman of Bayern, 1581, and a German army captain, 1588. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757. / Bridgeman Images

Italy, Florence, Uffizi Gallery, Niobiden hall, image date: circa 1910. Carl Simon Archive
Italy, Florence, Uffizi Gallery, Niobiden hall, image date: circa 1910. Carl Simon Archive

UTD4705845: Italy, Florence, Uffizi Gallery, Niobiden hall, image date: circa 1910. Carl Simon Archive, Simon, Carl (1873-1952) / Bridgeman Images

Jazz pianist McCoy Tiner in concert in 1995.
Jazz pianist McCoy Tiner in concert in 1995.

MME4705723: Jazz pianist McCoy Tiner in concert in 1995., Mencarini, Marcello / Bridgeman Images

Portrait of American composer David Tudor around 1980.
Portrait of American composer David Tudor around 1980.

MME4705880: Portrait of American composer David Tudor around 1980., Mencarini, Marcello / Bridgeman Images


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