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Orchid: miniature variety of leptotes - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Two-coloured leptotes orchid, Leptotes bicolor - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1833
Orchid: miniature variety of leptotes - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Two-coloured leptotes orchid, Leptotes bicolor - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1833

FLO4678997: Orchid: miniature variety of leptotes - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Two-coloured leptotes orchid, Leptotes bicolor - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1833, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

ID: FLO4678997

Orchid: miniature variety of leptotes - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Two-coloured leptotes orchid, Leptotes bicolor - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1833

Edwards, Sydenham Teast (c.1768-1819)

The Princess Royal, Victoria Adelaide Mary Louisa, sitting for a portrait in Buckingham Palace. The painter Winterhalter before the easel, and Queen Victoria and Prince Albert watching. Steel engraving by W. Radclyffe after an illustration by J. Gilbert from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.
The Princess Royal, Victoria Adelaide Mary Louisa, sitting for a portrait in Buckingham Palace. The painter Winterhalter before the easel, and Queen Victoria and Prince Albert watching. Steel engraving by W. Radclyffe after an illustration by J. Gilbert from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.

FLO4669470: The Princess Royal, Victoria Adelaide Mary Louisa, sitting for a portrait in Buckingham Palace. The painter Winterhalter before the easel, and Queen Victoria and Prince Albert watching. Steel engraving by W. Radclyffe after an illustration by J. Gilbert from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841. / Bridgeman Images

ID: FLO4669470

The Princess Royal, Victoria Adelaide Mary Louisa, sitting for a portrait in Buckingham Palace. The painter Winterhalter before the easel, and Queen Victoria and Prince Albert watching. Steel engraving by W. Radclyffe after an illustration by J. Gilbert from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.

Purple Lupine Variete - Engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Silver or white-leaved lupine, Lupinus albifrons - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “The Botanical Register,” London, Ridgway, 1833
Purple Lupine Variete - Engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Silver or white-leaved lupine, Lupinus albifrons - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “The Botanical Register,” London, Ridgway, 1833

FLO4679083: Purple Lupine Variete - Engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Silver or white-leaved lupine, Lupinus albifrons - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “The Botanical Register,” London, Ridgway, 1833, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

ID: FLO4679083

Purple Lupine Variete - Engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Silver or white-leaved lupine, Lupinus albifrons - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “The Botanical Register,” London, Ridgway, 1833

Edwards, Sydenham Teast (c.1768-1819)

Japan and Australia: Earth- Illustration - Earth from space. Artwork
Japan and Australia: Earth- Illustration - Earth from space. Artwork

PIX4669542: Japan and Australia: Earth- Illustration - Earth from space. Artwork / Bridgeman Images

ID: PIX4669542

Japan and Australia: Earth- Illustration - Earth from space. Artwork

Watching a bad actor with a weak voice in a performance of Racine's Bajazet. Handcoloured copperplate drawn and etched by John Augustus Atkinson from Illustrations of the Miseries of Human Life, William Miller, London, 1807.
Watching a bad actor with a weak voice in a performance of Racine's Bajazet. Handcoloured copperplate drawn and etched by John Augustus Atkinson from Illustrations of the Miseries of Human Life, William Miller, London, 1807.

FLO4679173: Watching a bad actor with a weak voice in a performance of Racine's Bajazet. Handcoloured copperplate drawn and etched by John Augustus Atkinson from Illustrations of the Miseries of Human Life, William Miller, London, 1807. / Bridgeman Images

ID: FLO4679173

Watching a bad actor with a weak voice in a performance of Racine's Bajazet. Handcoloured copperplate drawn and etched by John Augustus Atkinson from Illustrations of the Miseries of Human Life, William Miller, London, 1807.

Portrait of Sarah Bernhardt. Painting by Giuseppe De Nittis (1846-1884), 1884. Oil on canvas. Galleria d'Arte Moderna, Milan
Portrait of Sarah Bernhardt. Painting by Giuseppe De Nittis (1846-1884), 1884. Oil on canvas. Galleria d'Arte Moderna, Milan

LRI4669579: Portrait of Sarah Bernhardt. Painting by Giuseppe De Nittis (1846-1884), 1884. Oil on canvas. Galleria d'Arte Moderna, Milan, Nittis, Giuseppe or Joseph de (1846-84) / Bridgeman Images

ID: LRI4669579

Portrait of Sarah Bernhardt. Painting by Giuseppe De Nittis (1846-1884), 1884. Oil on canvas. Galleria d'Arte Moderna, Milan

Nittis, Giuseppe or Joseph de (1846-84)

The Norman Chapel of St. John the Evangelist or Caesar's Chapel in the White Tower or Keep of the Tower of London. Steel engraving by Henry Melville after an illustration by B. Sly from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.
The Norman Chapel of St. John the Evangelist or Caesar's Chapel in the White Tower or Keep of the Tower of London. Steel engraving by Henry Melville after an illustration by B. Sly from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.

FLO4669700: The Norman Chapel of St. John the Evangelist or Caesar's Chapel in the White Tower or Keep of the Tower of London. Steel engraving by Henry Melville after an illustration by B. Sly from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841. / Bridgeman Images

ID: FLO4669700

The Norman Chapel of St. John the Evangelist or Caesar's Chapel in the White Tower or Keep of the Tower of London. Steel engraving by Henry Melville after an illustration by B. Sly from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.

Portrait of King Richard II (1367-1400), King of England, in crown, tunic and armour. Handcoloured copperplate engraving from John Wilkes' Encyclopedia Londinensis, 1804.
Portrait of King Richard II (1367-1400), King of England, in crown, tunic and armour. Handcoloured copperplate engraving from John Wilkes' Encyclopedia Londinensis, 1804.

FLO4669823: Portrait of King Richard II (1367-1400), King of England, in crown, tunic and armour. Handcoloured copperplate engraving from John Wilkes' Encyclopedia Londinensis, 1804. / Bridgeman Images

ID: FLO4669823

Portrait of King Richard II (1367-1400), King of England, in crown, tunic and armour. Handcoloured copperplate engraving from John Wilkes' Encyclopedia Londinensis, 1804.

Saw-leaved boronia, Boronia serrulata, crenated, Boronia crenulata, willow-leaved crowea, Crowea saligna, and box-leaved eriostemon, Eriostemon buxifolium. Handfinished chromolithograph by Noel Humphreys after an illustration by Jane Loudon from Mrs. Jane Loudon's Ladies Flower Garden or Ornamental Greenhouse Plants, William S. Orr, London, 1849.
Saw-leaved boronia, Boronia serrulata, crenated, Boronia crenulata, willow-leaved crowea, Crowea saligna, and box-leaved eriostemon, Eriostemon buxifolium. Handfinished chromolithograph by Noel Humphreys after an illustration by Jane Loudon from Mrs. Jane Loudon's Ladies Flower Garden or Ornamental Greenhouse Plants, William S. Orr, London, 1849.

FLO4669951: Saw-leaved boronia, Boronia serrulata, crenated, Boronia crenulata, willow-leaved crowea, Crowea saligna, and box-leaved eriostemon, Eriostemon buxifolium. Handfinished chromolithograph by Noel Humphreys after an illustration by Jane Loudon from Mrs. Jane Loudon's Ladies Flower Garden or Ornamental Greenhouse Plants, William S. Orr, London, 1849. / Bridgeman Images

ID: FLO4669951

Saw-leaved boronia, Boronia serrulata, crenated, Boronia crenulata, willow-leaved crowea, Crowea saligna, and box-leaved eriostemon, Eriostemon buxifolium. Handfinished chromolithograph by Noel Humphreys after an illustration by Jane Loudon from Mrs. Jane Loudon's Ladies Flower Garden or Ornamental Greenhouse Plants, William S. Orr, London, 1849.

Regate at the Ponte di Rialto in Venice, detail of the docks (Painting, 16th century)
Regate at the Ponte di Rialto in Venice, detail of the docks (Painting, 16th century)

LRI4649093: Regate at the Ponte di Rialto in Venice, detail of the docks (Painting, 16th century), Heintz, Joseph (1564-1609) / Bridgeman Images

ID: LRI4649093

Regate at the Ponte di Rialto in Venice, detail of the docks (Painting, 16th century)

Heintz, Joseph (1564-1609)

Desprez rose, hybrid of the hazelnut (Rosa chinensis and Rosa moschata), raised by Monsieur Desprez of Yebles in 1830. Chromolithograph drawn and lithographed after nature by F. Grobon from Hippolyte Jamain and Eugene Forney's “” Les Roses,” Paris, J. Rothschild, 1873. Jamain was a rose grower and Forney a professor of arboriculture. Francois Frederic GROBON (1815-1901) ran his own atelier and illustrated “” Fleurs” after Redoute with his brother Anthelme as the Grobon freres.
Desprez rose, hybrid of the hazelnut (Rosa chinensis and Rosa moschata), raised by Monsieur Desprez of Yebles in 1830. Chromolithograph drawn and lithographed after nature by F. Grobon from Hippolyte Jamain and Eugene Forney's “” Les Roses,” Paris, J. Rothschild, 1873. Jamain was a rose grower and Forney a professor of arboriculture. Francois Frederic GROBON (1815-1901) ran his own atelier and illustrated “” Fleurs” after Redoute with his brother Anthelme as the Grobon freres.

FLO4649299: Desprez rose, hybrid of the hazelnut (Rosa chinensis and Rosa moschata), raised by Monsieur Desprez of Yebles in 1830. Chromolithograph drawn and lithographed after nature by F. Grobon from Hippolyte Jamain and Eugene Forney's “” Les Roses,” Paris, J. Rothschild, 1873. Jamain was a rose grower and Forney a professor of arboriculture. Francois Frederic GROBON (1815-1901) ran his own atelier and illustrated “” Fleurs” after Redoute with his brother Anthelme as the Grobon freres. / Bridgeman Images

ID: FLO4649299

Desprez rose, hybrid of the hazelnut (Rosa chinensis and Rosa moschata), raised by Monsieur Desprez of Yebles in 1830. Chromolithograph drawn and lithographed after nature by F. Grobon from Hippolyte Jamain and Eugene Forney's “” Les Roses,” Paris, J. Rothschild, 1873. Jamain was a rose grower and Forney a professor of arboriculture. Francois Frederic GROBON (1815-1901) ran his own atelier and illustrated “” Fleurs” after Redoute with his brother Anthelme as the Grobon freres.

Louis van Houtte rose, hybrid variety raised by Monsieur Lacharme in Lyon in 1869 and dedicated to the famous Belgian nursery owner. Chromolithograph drawn and lithographed after nature by F. Grobon from Hippolyte Jamain and Eugene Forney's “” Les Roses,” Paris, J. Rothschild, 1873. Jamain was a rose grower and Forney a professor of arboriculture. Franã§ois
Louis van Houtte rose, hybrid variety raised by Monsieur Lacharme in Lyon in 1869 and dedicated to the famous Belgian nursery owner. Chromolithograph drawn and lithographed after nature by F. Grobon from Hippolyte Jamain and Eugene Forney's “” Les Roses,” Paris, J. Rothschild, 1873. Jamain was a rose grower and Forney a professor of arboriculture. Franã§ois

FLO4649628: Louis van Houtte rose, hybrid variety raised by Monsieur Lacharme in Lyon in 1869 and dedicated to the famous Belgian nursery owner. Chromolithograph drawn and lithographed after nature by F. Grobon from Hippolyte Jamain and Eugene Forney's “” Les Roses,” Paris, J. Rothschild, 1873. Jamain was a rose grower and Forney a professor of arboriculture. Franã§ois / Bridgeman Images

ID: FLO4649628

Louis van Houtte rose, hybrid variety raised by Monsieur Lacharme in Lyon in 1869 and dedicated to the famous Belgian nursery owner. Chromolithograph drawn and lithographed after nature by F. Grobon from Hippolyte Jamain and Eugene Forney's “” Les Roses,” Paris, J. Rothschild, 1873. Jamain was a rose grower and Forney a professor of arboriculture. Franã§ois

Fox, Extirpated Species, Cerdocyon mesoleucus - Lithograph by Colonel Charles Hamilton Smith to illustrate Naturalist's Library: Dogs by Sir William Jardine, W. H Lizars Edition, Edinburgh, Scotland, 1839
Fox, Extirpated Species, Cerdocyon mesoleucus - Lithograph by Colonel Charles Hamilton Smith to illustrate Naturalist's Library: Dogs by Sir William Jardine, W. H Lizars Edition, Edinburgh, Scotland, 1839

FLO4649651: Fox, Extirpated Species, Cerdocyon mesoleucus - Lithograph by Colonel Charles Hamilton Smith to illustrate Naturalist's Library: Dogs by Sir William Jardine, W. H Lizars Edition, Edinburgh, Scotland, 1839 / Bridgeman Images

ID: FLO4649651

Fox, Extirpated Species, Cerdocyon mesoleucus - Lithograph by Colonel Charles Hamilton Smith to illustrate Naturalist's Library: Dogs by Sir William Jardine, W. H Lizars Edition, Edinburgh, Scotland, 1839

La fete de la Madonna dell'Arco a Naples (Feast of the Madonna of the Arch) Detail d'un vendeur de chestnuts (Chesnut seller) - Painting by Gaetano Gigante (1770-1840) 1825 Naples, Museo Nazionale di San Martino
La fete de la Madonna dell'Arco a Naples (Feast of the Madonna of the Arch) Detail d'un vendeur de chestnuts (Chesnut seller) - Painting by Gaetano Gigante (1770-1840) 1825 Naples, Museo Nazionale di San Martino

LRI4643672: La fete de la Madonna dell'Arco a Naples (Feast of the Madonna of the Arch) Detail d'un vendeur de chestnuts (Chesnut seller) - Painting by Gaetano Gigante (1770-1840) 1825 Naples, Museo Nazionale di San Martino, Gigante, Gaetano (1770-1840) / Bridgeman Images

ID: LRI4643672

La fete de la Madonna dell'Arco a Naples (Feast of the Madonna of the Arch) Detail d'un vendeur de chestnuts (Chesnut seller) - Painting by Gaetano Gigante (1770-1840) 1825 Naples, Museo Nazionale di San Martino

Gigante, Gaetano (1770-1840)

A Shipowner and a Lady detail of a genre painting, 18th (painting)
A Shipowner and a Lady detail of a genre painting, 18th (painting)

LRI4643752: A Shipowner and a Lady detail of a genre painting, 18th (painting), Fabris, Pietro (fl.1768-78) / Bridgeman Images

ID: LRI4643752

A Shipowner and a Lady detail of a genre painting, 18th (painting)

Fabris, Pietro (fl.1768-78)

Men and women in fashion of the 15th century - From the gold and polychrome decors of a wooden box, depicting the history of Agnes Hohenstaufen (1176-1204) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments from the Middle Ages at the end of the 18th century “”, published by Heinrich Keller, Frankfurt, 1883
Men and women in fashion of the 15th century - From the gold and polychrome decors of a wooden box, depicting the history of Agnes Hohenstaufen (1176-1204) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments from the Middle Ages at the end of the 18th century “”, published by Heinrich Keller, Frankfurt, 1883

FLO4643827: Men and women in fashion of the 15th century - From the gold and polychrome decors of a wooden box, depicting the history of Agnes Hohenstaufen (1176-1204) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments from the Middle Ages at the end of the 18th century “”, published by Heinrich Keller, Frankfurt, 1883 / Bridgeman Images

ID: FLO4643827

Men and women in fashion of the 15th century - From the gold and polychrome decors of a wooden box, depicting the history of Agnes Hohenstaufen (1176-1204) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments from the Middle Ages at the end of the 18th century “”, published by Heinrich Keller, Frankfurt, 1883

Knight in armor with shield decorates his coat of arms and his wife has his sides, wearing a high headdress, 1410-1460 - From the Museum of Drawings and Engraving Dresden (Germany) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his work “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century””, published by Heinrich Keller, Frankfurt, 1883
Knight in armor with shield decorates his coat of arms and his wife has his sides, wearing a high headdress, 1410-1460 - From the Museum of Drawings and Engraving Dresden (Germany) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his work “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century””, published by Heinrich Keller, Frankfurt, 1883

FLO4643831: Knight in armor with shield decorates his coat of arms and his wife has his sides, wearing a high headdress, 1410-1460 - From the Museum of Drawings and Engraving Dresden (Germany) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his work “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century””, published by Heinrich Keller, Frankfurt, 1883 / Bridgeman Images

ID: FLO4643831

Knight in armor with shield decorates his coat of arms and his wife has his sides, wearing a high headdress, 1410-1460 - From the Museum of Drawings and Engraving Dresden (Germany) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his work “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century””, published by Heinrich Keller, Frankfurt, 1883

Double mug, consisting of two agate bowls, assembled by silver gilt, from the castle of Erbach (Germany), 1434-1459 - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883
Double mug, consisting of two agate bowls, assembled by silver gilt, from the castle of Erbach (Germany), 1434-1459 - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883

FLO4643897: Double mug, consisting of two agate bowls, assembled by silver gilt, from the castle of Erbach (Germany), 1434-1459 - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883 / Bridgeman Images

ID: FLO4643897

Double mug, consisting of two agate bowls, assembled by silver gilt, from the castle of Erbach (Germany), 1434-1459 - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883

King Charles VII of France, known as the Victorious (1403-1461), standing before an angel kneeling holding his coat of arms, according to the diary of the Knights of Ehingen of the Stuttgart Library (Germany) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his work “Costumes, handicrafts, and instruments from the Middle Ages to the End of the 18th century”, published by Heinrich Keller, Frankfurt, 1883
King Charles VII of France, known as the Victorious (1403-1461), standing before an angel kneeling holding his coat of arms, according to the diary of the Knights of Ehingen of the Stuttgart Library (Germany) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his work “Costumes, handicrafts, and instruments from the Middle Ages to the End of the 18th century”, published by Heinrich Keller, Frankfurt, 1883

FLO4643947: King Charles VII of France, known as the Victorious (1403-1461), standing before an angel kneeling holding his coat of arms, according to the diary of the Knights of Ehingen of the Stuttgart Library (Germany) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his work “Costumes, handicrafts, and instruments from the Middle Ages to the End of the 18th century”, published by Heinrich Keller, Frankfurt, 1883 / Bridgeman Images

ID: FLO4643947

King Charles VII of France, known as the Victorious (1403-1461), standing before an angel kneeling holding his coat of arms, according to the diary of the Knights of Ehingen of the Stuttgart Library (Germany) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his work “Costumes, handicrafts, and instruments from the Middle Ages to the End of the 18th century”, published by Heinrich Keller, Frankfurt, 1883

Last session of the Senate of the Republic of Venice at the time of its entry into the Kingdom of Italy in 1866 (painting)
Last session of the Senate of the Republic of Venice at the time of its entry into the Kingdom of Italy in 1866 (painting)

LRI4644029: Last session of the Senate of the Republic of Venice at the time of its entry into the Kingdom of Italy in 1866 (painting), Jacovacci, Francesco (1838-1908) / Bridgeman Images

ID: LRI4644029

Last session of the Senate of the Republic of Venice at the time of its entry into the Kingdom of Italy in 1866 (painting)

Jacovacci, Francesco (1838-1908)

Crimson red flowers of Gilia coronopifolia. Illustration by Augusta Innes Withers (1793-1877), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.
Crimson red flowers of Gilia coronopifolia. Illustration by Augusta Innes Withers (1793-1877), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.

FLO4674797: Crimson red flowers of Gilia coronopifolia. Illustration by Augusta Innes Withers (1793-1877), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings. / Bridgeman Images

ID: FLO4674797

Crimson red flowers of Gilia coronopifolia. Illustration by Augusta Innes Withers (1793-1877), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.

Orchid variete, Paphinia (Maxillaria) cristata, endemic species in northern South America. A pendant inflorescence with a star-shaped flower, crimson red colour with white stripes. Illustration by Augusta Innes Withers (1793-1877), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.
Orchid variete, Paphinia (Maxillaria) cristata, endemic species in northern South America. A pendant inflorescence with a star-shaped flower, crimson red colour with white stripes. Illustration by Augusta Innes Withers (1793-1877), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.

FLO4674851: Orchid variete, Paphinia (Maxillaria) cristata, endemic species in northern South America. A pendant inflorescence with a star-shaped flower, crimson red colour with white stripes. Illustration by Augusta Innes Withers (1793-1877), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings. / Bridgeman Images

ID: FLO4674851

Orchid variete, Paphinia (Maxillaria) cristata, endemic species in northern South America. A pendant inflorescence with a star-shaped flower, crimson red colour with white stripes. Illustration by Augusta Innes Withers (1793-1877), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.

Variete of mimosas (Acacia pubescens). Elegant shrub, with fern-like leaves and a multitude of bright yellow flowers. Represented from Australia, in a few years, this plant quickly acclimated to the European climate. Illustration by Jane Taylor (active 1836-1842), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.
Variete of mimosas (Acacia pubescens). Elegant shrub, with fern-like leaves and a multitude of bright yellow flowers. Represented from Australia, in a few years, this plant quickly acclimated to the European climate. Illustration by Jane Taylor (active 1836-1842), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.

FLO4674862: Variete of mimosas (Acacia pubescens). Elegant shrub, with fern-like leaves and a multitude of bright yellow flowers. Represented from Australia, in a few years, this plant quickly acclimated to the European climate. Illustration by Jane Taylor (active 1836-1842), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings. / Bridgeman Images

ID: FLO4674862

Variete of mimosas (Acacia pubescens). Elegant shrub, with fern-like leaves and a multitude of bright yellow flowers. Represented from Australia, in a few years, this plant quickly acclimated to the European climate. Illustration by Jane Taylor (active 1836-1842), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.

Chorizema cordatum, leguminous plant native to Australia, with bright green leaves and vermilion flowers, yellow and purple. Illustration by Augusta Innes Withers (1793-1877), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.
Chorizema cordatum, leguminous plant native to Australia, with bright green leaves and vermilion flowers, yellow and purple. Illustration by Augusta Innes Withers (1793-1877), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.

FLO4674992: Chorizema cordatum, leguminous plant native to Australia, with bright green leaves and vermilion flowers, yellow and purple. Illustration by Augusta Innes Withers (1793-1877), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings. / Bridgeman Images

ID: FLO4674992

Chorizema cordatum, leguminous plant native to Australia, with bright green leaves and vermilion flowers, yellow and purple. Illustration by Augusta Innes Withers (1793-1877), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.

Pear Saint Germain. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. St. Germain pear, Pyrus communis, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.
Pear Saint Germain. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. St. Germain pear, Pyrus communis, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.

FLO4675108: Pear Saint Germain. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. St. Germain pear, Pyrus communis, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons. / Bridgeman Images

ID: FLO4675108

Pear Saint Germain. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. St. Germain pear, Pyrus communis, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.

Apple Bedfordshire Foundling. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Bedfordshire Foundling apple, Malus domestica, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.
Apple Bedfordshire Foundling. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Bedfordshire Foundling apple, Malus domestica, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.

FLO4675126: Apple Bedfordshire Foundling. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Bedfordshire Foundling apple, Malus domestica, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons. / Bridgeman Images

ID: FLO4675126

Apple Bedfordshire Foundling. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Bedfordshire Foundling apple, Malus domestica, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.

Crassula obtusa (Crassula jasminea). South Africa. Handcoloured copperplate engraving by George Cooke after Thomas Shotter Boys from Conrad Loddiges' Botanical Cabinet, Hackney, 1825.
Crassula obtusa (Crassula jasminea). South Africa. Handcoloured copperplate engraving by George Cooke after Thomas Shotter Boys from Conrad Loddiges' Botanical Cabinet, Hackney, 1825.

FLO4664708: Crassula obtusa (Crassula jasminea). South Africa. Handcoloured copperplate engraving by George Cooke after Thomas Shotter Boys from Conrad Loddiges' Botanical Cabinet, Hackney, 1825. / Bridgeman Images

ID: FLO4664708

Crassula obtusa (Crassula jasminea). South Africa. Handcoloured copperplate engraving by George Cooke after Thomas Shotter Boys from Conrad Loddiges' Botanical Cabinet, Hackney, 1825.

Tridentea gemmiflora (Stapelia moschata). Handcoloured copperplate engraving by George Cooke from Conrad Loddiges' Botanical Cabinet, Hackney, 1825.
Tridentea gemmiflora (Stapelia moschata). Handcoloured copperplate engraving by George Cooke from Conrad Loddiges' Botanical Cabinet, Hackney, 1825.

FLO4664781: Tridentea gemmiflora (Stapelia moschata). Handcoloured copperplate engraving by George Cooke from Conrad Loddiges' Botanical Cabinet, Hackney, 1825. / Bridgeman Images

ID: FLO4664781

Tridentea gemmiflora (Stapelia moschata). Handcoloured copperplate engraving by George Cooke from Conrad Loddiges' Botanical Cabinet, Hackney, 1825.

Apple Woodshill. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Woodshill apple, Malus domestica, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.
Apple Woodshill. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Woodshill apple, Malus domestica, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.

FLO4675348: Apple Woodshill. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Woodshill apple, Malus domestica, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons. / Bridgeman Images

ID: FLO4675348

Apple Woodshill. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Woodshill apple, Malus domestica, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.

Scarlet wise, Salvia splendens. Handcoloured copperplate engraving by George Cooke from Conrad Loddiges' Botanical Cabinet, Hackney, 1825.
Scarlet wise, Salvia splendens. Handcoloured copperplate engraving by George Cooke from Conrad Loddiges' Botanical Cabinet, Hackney, 1825.

FLO4664967: Scarlet wise, Salvia splendens. Handcoloured copperplate engraving by George Cooke from Conrad Loddiges' Botanical Cabinet, Hackney, 1825. / Bridgeman Images

ID: FLO4664967

Scarlet wise, Salvia splendens. Handcoloured copperplate engraving by George Cooke from Conrad Loddiges' Botanical Cabinet, Hackney, 1825.

Anthurium harrisii (Pothos harrisii). Handcoloured copperplate engraving by George Cooke from Conrad Loddiges' Botanical Cabinet, Hackney, 1828.
Anthurium harrisii (Pothos harrisii). Handcoloured copperplate engraving by George Cooke from Conrad Loddiges' Botanical Cabinet, Hackney, 1828.

FLO4664990: Anthurium harrisii (Pothos harrisii). Handcoloured copperplate engraving by George Cooke from Conrad Loddiges' Botanical Cabinet, Hackney, 1828. / Bridgeman Images

ID: FLO4664990

Anthurium harrisii (Pothos harrisii). Handcoloured copperplate engraving by George Cooke from Conrad Loddiges' Botanical Cabinet, Hackney, 1828.

Hoya pallida. Handcoloured copperplate engraving by George Cooke from Conrad Loddiges' Botanical Cabinet, Hackney, 1828.
Hoya pallida. Handcoloured copperplate engraving by George Cooke from Conrad Loddiges' Botanical Cabinet, Hackney, 1828.

FLO4665058: Hoya pallida. Handcoloured copperplate engraving by George Cooke from Conrad Loddiges' Botanical Cabinet, Hackney, 1828. / Bridgeman Images

ID: FLO4665058

Hoya pallida. Handcoloured copperplate engraving by George Cooke from Conrad Loddiges' Botanical Cabinet, Hackney, 1828.

Old Neapolitan metiers: a pizza seller - 19th century watercolour - Naples Museo Nazionale di San Martino
Old Neapolitan metiers: a pizza seller - 19th century watercolour - Naples Museo Nazionale di San Martino

LRI4644219: Old Neapolitan metiers: a pizza seller - 19th century watercolour - Naples Museo Nazionale di San Martino, Italian School, (19th century) / Bridgeman Images

ID: LRI4644219

Old Neapolitan metiers: a pizza seller - 19th century watercolour - Naples Museo Nazionale di San Martino

Italian School, (19th century)

Helm called Beckehnaube or Bassinet, late 16th century, with engraved decoration. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by Johann Klipphahn. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.
Helm called Beckehnaube or Bassinet, late 16th century, with engraved decoration. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by Johann Klipphahn. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

FLO4644238: Helm called Beckehnaube or Bassinet, late 16th century, with engraved decoration. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by Johann Klipphahn. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher. / Bridgeman Images

ID: FLO4644238

Helm called Beckehnaube or Bassinet, late 16th century, with engraved decoration. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by Johann Klipphahn. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

Italian woven straw fan or Ventarola A, noble Venetian woman in a shell cloak B, noble Venetian C, and noble Genoan D. After paintings in a famous costume book by Jost Amman (1539-1591). Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by Johann Klipphahn. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.
Italian woven straw fan or Ventarola A, noble Venetian woman in a shell cloak B, noble Venetian C, and noble Genoan D. After paintings in a famous costume book by Jost Amman (1539-1591). Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by Johann Klipphahn. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

FLO4644266: Italian woven straw fan or Ventarola A, noble Venetian woman in a shell cloak B, noble Venetian C, and noble Genoan D. After paintings in a famous costume book by Jost Amman (1539-1591). Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by Johann Klipphahn. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher. / Bridgeman Images

ID: FLO4644266

Italian woven straw fan or Ventarola A, noble Venetian woman in a shell cloak B, noble Venetian C, and noble Genoan D. After paintings in a famous costume book by Jost Amman (1539-1591). Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by Johann Klipphahn. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

Heraldic shield of a gunmaster from an art book on the founding of Aschaffenburg, 1598. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.
Heraldic shield of a gunmaster from an art book on the founding of Aschaffenburg, 1598. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

FLO4644489: Heraldic shield of a gunmaster from an art book on the founding of Aschaffenburg, 1598. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher. / Bridgeman Images

ID: FLO4644489

Heraldic shield of a gunmaster from an art book on the founding of Aschaffenburg, 1598. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.


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