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White wormwood, Artemisia herba-alba, and wild chamomile. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.
White wormwood, Artemisia herba-alba, and wild chamomile. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.

FLO4667884: White wormwood, Artemisia herba-alba, and wild chamomile. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript. / Bridgeman Images

ID: FLO4667884

White wormwood, Artemisia herba-alba, and wild chamomile. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.

View of an architect's workshop. Fresco by Bernardino Barbatelli dit il Poccetti (1548-1612) 17th century Galleria degli Uffizi (Offices) Florence
View of an architect's workshop. Fresco by Bernardino Barbatelli dit il Poccetti (1548-1612) 17th century Galleria degli Uffizi (Offices) Florence

LRI4667965: View of an architect's workshop. Fresco by Bernardino Barbatelli dit il Poccetti (1548-1612) 17th century Galleria degli Uffizi (Offices) Florence, Poccetti, Bernardino Barbatelli (1542/8-1612) / Bridgeman Images

ID: LRI4667965

View of an architect's workshop. Fresco by Bernardino Barbatelli dit il Poccetti (1548-1612) 17th century Galleria degli Uffizi (Offices) Florence

Poccetti, Bernardino Barbatelli (1542/8-1612)

Mint lime corean and agastache fennel (or anise hyssop, anisee hyssop or large hyssop) - Japanese print by Kanen Iwasaki (1786-1842), from Honzo Zufu, illustrative guide to medicinal plants, 1884 - Korean mint, Agastache rugosa (Lophanthus rugosus Fisch.) and anise hysch. Sop, Agastache foeniculum (Lophanthus anisatus) - Colour printed woodblock engraving by Kan'en Iwasaki, from “” Honzo Zufu”””, 1884
Mint lime corean and agastache fennel (or anise hyssop, anisee hyssop or large hyssop) - Japanese print by Kanen Iwasaki (1786-1842), from Honzo Zufu, illustrative guide to medicinal plants, 1884 - Korean mint, Agastache rugosa (Lophanthus rugosus Fisch.) and anise hysch. Sop, Agastache foeniculum (Lophanthus anisatus) - Colour printed woodblock engraving by Kan'en Iwasaki, from “” Honzo Zufu”””, 1884

FLO4647202: Mint lime corean and agastache fennel (or anise hyssop, anisee hyssop or large hyssop) - Japanese print by Kanen Iwasaki (1786-1842), from Honzo Zufu, illustrative guide to medicinal plants, 1884 - Korean mint, Agastache rugosa (Lophanthus rugosus Fisch.) and anise hysch. Sop, Agastache foeniculum (Lophanthus anisatus) - Colour printed woodblock engraving by Kan'en Iwasaki, from “” Honzo Zufu”””, 1884 / Bridgeman Images

ID: FLO4647202

Mint lime corean and agastache fennel (or anise hyssop, anisee hyssop or large hyssop) - Japanese print by Kanen Iwasaki (1786-1842), from Honzo Zufu, illustrative guide to medicinal plants, 1884 - Korean mint, Agastache rugosa (Lophanthus rugosus Fisch.) and anise hysch. Sop, Agastache foeniculum (Lophanthus anisatus) - Colour printed woodblock engraving by Kan'en Iwasaki, from “” Honzo Zufu”””, 1884

Variety of camelias from Japan (Thea japonica Nois): Toushishi, with ecarlate flowers. Eau forte en couleurs, woodcut by Kanen Iwasaki (1786-1842) botanist, entomology and Japanese zoology, published in Honzo Zufu, in 1884, an illustrative guide to Mždicinal plants.
Variety of camelias from Japan (Thea japonica Nois): Toushishi, with ecarlate flowers. Eau forte en couleurs, woodcut by Kanen Iwasaki (1786-1842) botanist, entomology and Japanese zoology, published in Honzo Zufu, in 1884, an illustrative guide to Mždicinal plants.

FLO4647312: Variety of camelias from Japan (Thea japonica Nois): Toushishi, with ecarlate flowers. Eau forte en couleurs, woodcut by Kanen Iwasaki (1786-1842) botanist, entomology and Japanese zoology, published in Honzo Zufu, in 1884, an illustrative guide to Mždicinal plants. / Bridgeman Images

ID: FLO4647312

Variety of camelias from Japan (Thea japonica Nois): Toushishi, with ecarlate flowers. Eau forte en couleurs, woodcut by Kanen Iwasaki (1786-1842) botanist, entomology and Japanese zoology, published in Honzo Zufu, in 1884, an illustrative guide to Mždicinal plants.

Variety of camelias from Japan (Thea japonica Nois): Tagasode, with white and pink flowers. Eau forte en couleurs, woodcut by Kanen Iwasaki (1786-1842) botanist, entomology and Japanese zoology, published in Honzo Zufu, in 1884, an illustrative guide to medicinal plants.
Variety of camelias from Japan (Thea japonica Nois): Tagasode, with white and pink flowers. Eau forte en couleurs, woodcut by Kanen Iwasaki (1786-1842) botanist, entomology and Japanese zoology, published in Honzo Zufu, in 1884, an illustrative guide to medicinal plants.

FLO4647373: Variety of camelias from Japan (Thea japonica Nois): Tagasode, with white and pink flowers. Eau forte en couleurs, woodcut by Kanen Iwasaki (1786-1842) botanist, entomology and Japanese zoology, published in Honzo Zufu, in 1884, an illustrative guide to medicinal plants. / Bridgeman Images

ID: FLO4647373

Variety of camelias from Japan (Thea japonica Nois): Tagasode, with white and pink flowers. Eau forte en couleurs, woodcut by Kanen Iwasaki (1786-1842) botanist, entomology and Japanese zoology, published in Honzo Zufu, in 1884, an illustrative guide to medicinal plants.

Large leaf of Anthurium with white veins (Anthurium crystallinum). Chromolithography by P.de Pannemaeker, published in 1873 in Ghent (Belgium), in L'Illustration Horticole by Jean Linden (1817-1898) explorer, botanist and Belgian horticulturist.
Large leaf of Anthurium with white veins (Anthurium crystallinum). Chromolithography by P.de Pannemaeker, published in 1873 in Ghent (Belgium), in L'Illustration Horticole by Jean Linden (1817-1898) explorer, botanist and Belgian horticulturist.

FLO4647541: Large leaf of Anthurium with white veins (Anthurium crystallinum). Chromolithography by P.de Pannemaeker, published in 1873 in Ghent (Belgium), in L'Illustration Horticole by Jean Linden (1817-1898) explorer, botanist and Belgian horticulturist. / Bridgeman Images

ID: FLO4647541

Large leaf of Anthurium with white veins (Anthurium crystallinum). Chromolithography by P.de Pannemaeker, published in 1873 in Ghent (Belgium), in L'Illustration Horticole by Jean Linden (1817-1898) explorer, botanist and Belgian horticulturist.

Wonderful playing the game of blind man's buff. A blindfolded woman runs in a garden as one woman strokes her hand and another grabs her muslin dress. Another woman crouches near a chair and covers her head with a shawl. It can be played inside, or in a defined exterior. The blindfolded person has to guess the name of the person who touches her.” Illustration by Dominique Bosio. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
Wonderful playing the game of blind man's buff. A blindfolded woman runs in a garden as one woman strokes her hand and another grabs her muslin dress. Another woman crouches near a chair and covers her head with a shawl. It can be played inside, or in a defined exterior. The blindfolded person has to guess the name of the person who touches her.” Illustration by Dominique Bosio. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.

FLO4677834: Wonderful playing the game of blind man's buff. A blindfolded woman runs in a garden as one woman strokes her hand and another grabs her muslin dress. Another woman crouches near a chair and covers her head with a shawl. It can be played inside, or in a defined exterior. The blindfolded person has to guess the name of the person who touches her.” Illustration by Dominique Bosio. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817. / Bridgeman Images

ID: FLO4677834

Wonderful playing the game of blind man's buff. A blindfolded woman runs in a garden as one woman strokes her hand and another grabs her muslin dress. Another woman crouches near a chair and covers her head with a shawl. It can be played inside, or in a defined exterior. The blindfolded person has to guess the name of the person who touches her.” Illustration by Dominique Bosio. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.

Millinery shop workers. Women in lowcut muslin dresses trying on hats, holding a hat box, fixing feathers to a headdress and reading a notebook at the counter. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
Millinery shop workers. Women in lowcut muslin dresses trying on hats, holding a hat box, fixing feathers to a headdress and reading a notebook at the counter. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.

FLO4677958: Millinery shop workers. Women in lowcut muslin dresses trying on hats, holding a hat box, fixing feathers to a headdress and reading a notebook at the counter. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817. / Bridgeman Images

ID: FLO4677958

Millinery shop workers. Women in lowcut muslin dresses trying on hats, holding a hat box, fixing feathers to a headdress and reading a notebook at the counter. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.

Plane tree, Platanus species, and heath, Erica species. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.
Plane tree, Platanus species, and heath, Erica species. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.

FLO4668266: Plane tree, Platanus species, and heath, Erica species. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript. / Bridgeman Images

ID: FLO4668266

Plane tree, Platanus species, and heath, Erica species. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.

Daffodil varieties, Narcissus poeticus. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.
Daffodil varieties, Narcissus poeticus. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.

FLO4668422: Daffodil varieties, Narcissus poeticus. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript. / Bridgeman Images

ID: FLO4668422

Daffodil varieties, Narcissus poeticus. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.

Green-winged orchid, Orchis morio. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.
Green-winged orchid, Orchis morio. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.

FLO4668482: Green-winged orchid, Orchis morio. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript. / Bridgeman Images

ID: FLO4668482

Green-winged orchid, Orchis morio. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.

Early-purple orchid, Orchis mascula. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.
Early-purple orchid, Orchis mascula. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.

FLO4668503: Early-purple orchid, Orchis mascula. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript. / Bridgeman Images

ID: FLO4668503

Early-purple orchid, Orchis mascula. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.

Crownvetch, Securigera securidaca, and Greek cyclamen, Cyclamen graecum. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.
Crownvetch, Securigera securidaca, and Greek cyclamen, Cyclamen graecum. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.

FLO4668680: Crownvetch, Securigera securidaca, and Greek cyclamen, Cyclamen graecum. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript. / Bridgeman Images

ID: FLO4668680

Crownvetch, Securigera securidaca, and Greek cyclamen, Cyclamen graecum. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.

Purple-ear sparkling, Praxilla iolata (Petasophora iolata). Handcoloured steel engraving from W.C.L. Martin's A General History of Humming-birds or the Trochilidae.
Purple-ear sparkling, Praxilla iolata (Petasophora iolata). Handcoloured steel engraving from W.C.L. Martin's A General History of Humming-birds or the Trochilidae.

FLO4647857: Purple-ear sparkling, Praxilla iolata (Petasophora iolata). Handcoloured steel engraving from W.C.L. Martin's A General History of Humming-birds or the Trochilidae. / Bridgeman Images

ID: FLO4647857

Purple-ear sparkling, Praxilla iolata (Petasophora iolata). Handcoloured steel engraving from W.C.L. Martin's A General History of Humming-birds or the Trochilidae.

Bronze-tailed thornbill, Chalcostigma heteropogon (Ramphomicron heteropogon). Handcoloured steel engraving from W.C.L. Martin's A General History of Humming-birds or the Trochilidae.
Bronze-tailed thornbill, Chalcostigma heteropogon (Ramphomicron heteropogon). Handcoloured steel engraving from W.C.L. Martin's A General History of Humming-birds or the Trochilidae.

FLO4647892: Bronze-tailed thornbill, Chalcostigma heteropogon (Ramphomicron heteropogon). Handcoloured steel engraving from W.C.L. Martin's A General History of Humming-birds or the Trochilidae. / Bridgeman Images

ID: FLO4647892

Bronze-tailed thornbill, Chalcostigma heteropogon (Ramphomicron heteropogon). Handcoloured steel engraving from W.C.L. Martin's A General History of Humming-birds or the Trochilidae.

C. Nicollier and JF. Clervoy in the shuttle Discovery STS-103 - 1999 - C. Nicollier and JF. Clervoy in weightlessness 12/1999 - (19 - 27 December 1999) - - - Astronauts Claude Nicollier (left) and Jean - Francois Clervoy, mission specialists representing the European Space Agency (ESA), move about on Discovery's mid deck in a manner they could not duplicate in Earth - bound training. A photography
C. Nicollier and JF. Clervoy in the shuttle Discovery STS-103 - 1999 - C. Nicollier and JF. Clervoy in weightlessness 12/1999 - (19 - 27 December 1999) - - - Astronauts Claude Nicollier (left) and Jean - Francois Clervoy, mission specialists representing the European Space Agency (ESA), move about on Discovery's mid deck in a manner they could not duplicate in Earth - bound training. A photography

PIX4647909: C. Nicollier and JF. Clervoy in the shuttle Discovery STS-103 - 1999 - C. Nicollier and JF. Clervoy in weightlessness 12/1999 - (19 - 27 December 1999) - - - Astronauts Claude Nicollier (left) and Jean - Francois Clervoy, mission specialists representing the European Space Agency (ESA), move about on Discovery's mid deck in a manner they could not duplicate in Earth - bound training. A photography / Bridgeman Images

ID: PIX4647909

C. Nicollier and JF. Clervoy in the shuttle Discovery STS-103 - 1999 - C. Nicollier and JF. Clervoy in weightlessness 12/1999 - (19 - 27 December 1999) - - - Astronauts Claude Nicollier (left) and Jean - Francois Clervoy, mission specialists representing the European Space Agency (ESA), move about on Discovery's mid deck in a manner they could not duplicate in Earth - bound training. A photography

Japanese wild ginger, Asarum caulescens Maxim. Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901.
Japanese wild ginger, Asarum caulescens Maxim. Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901.

FLO4648025: Japanese wild ginger, Asarum caulescens Maxim. Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901. / Bridgeman Images

ID: FLO4648025

Japanese wild ginger, Asarum caulescens Maxim. Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901.

Kangiku or winter chrysanthemum, Chrysanthemum indicum (Chrysantheme of India). Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901.
Kangiku or winter chrysanthemum, Chrysanthemum indicum (Chrysantheme of India). Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901.

FLO4648105: Kangiku or winter chrysanthemum, Chrysanthemum indicum (Chrysantheme of India). Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901. / Bridgeman Images

ID: FLO4648105

Kangiku or winter chrysanthemum, Chrysanthemum indicum (Chrysantheme of India). Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901.

Higuruma or sunflower, Helianthus annuus. Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901.
Higuruma or sunflower, Helianthus annuus. Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901.

FLO4648181: Higuruma or sunflower, Helianthus annuus. Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901. / Bridgeman Images

ID: FLO4648181

Higuruma or sunflower, Helianthus annuus. Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901.

Shakunage or Japanese Rhododendron species. Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901.
Shakunage or Japanese Rhododendron species. Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901.

FLO4648215: Shakunage or Japanese Rhododendron species. Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901. / Bridgeman Images

ID: FLO4648215

Shakunage or Japanese Rhododendron species. Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901.

Sir Guy de Bryan, First Baron Bryan, English military commander and admiral, 1319-1390, and Bernarbo Visconti, Lord of Milan, Italian soldier and statesman, 1354-1385. Guy de Bryan wears mixed armour of chainmail and plate, short hauberk, brasselbow vandykes, gauntlets, chausses, and bassinet with camail. Visconti wears mixed armour, with chainmail hauberk and thighs, knee pads, jambs or steel boots and spurs. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
Sir Guy de Bryan, First Baron Bryan, English military commander and admiral, 1319-1390, and Bernarbo Visconti, Lord of Milan, Italian soldier and statesman, 1354-1385. Guy de Bryan wears mixed armour of chainmail and plate, short hauberk, brasselbow vandykes, gauntlets, chausses, and bassinet with camail. Visconti wears mixed armour, with chainmail hauberk and thighs, knee pads, jambs or steel boots and spurs. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678203: Sir Guy de Bryan, First Baron Bryan, English military commander and admiral, 1319-1390, and Bernarbo Visconti, Lord of Milan, Italian soldier and statesman, 1354-1385. Guy de Bryan wears mixed armour of chainmail and plate, short hauberk, brasselbow vandykes, gauntlets, chausses, and bassinet with camail. Visconti wears mixed armour, with chainmail hauberk and thighs, knee pads, jambs or steel boots and spurs. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

ID: FLO4678203

Sir Guy de Bryan, First Baron Bryan, English military commander and admiral, 1319-1390, and Bernarbo Visconti, Lord of Milan, Italian soldier and statesman, 1354-1385. Guy de Bryan wears mixed armour of chainmail and plate, short hauberk, brasselbow vandykes, gauntlets, chausses, and bassinet with camail. Visconti wears mixed armour, with chainmail hauberk and thighs, knee pads, jambs or steel boots and spurs. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

A knight of the Blanchfront Family, 1397. He wears a suit of armour with a visored bassinet, silk camail, ornamented mamillieres, round cuffed gauntlets, hauberk, belts ornamented with rosettes, shoulders and elbows with roundels. After a monument in Alvechurch. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
A knight of the Blanchfront Family, 1397. He wears a suit of armour with a visored bassinet, silk camail, ornamented mamillieres, round cuffed gauntlets, hauberk, belts ornamented with rosettes, shoulders and elbows with roundels. After a monument in Alvechurch. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678217: A knight of the Blanchfront Family, 1397. He wears a suit of armour with a visored bassinet, silk camail, ornamented mamillieres, round cuffed gauntlets, hauberk, belts ornamented with rosettes, shoulders and elbows with roundels. After a monument in Alvechurch. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

ID: FLO4678217

A knight of the Blanchfront Family, 1397. He wears a suit of armour with a visored bassinet, silk camail, ornamented mamillieres, round cuffed gauntlets, hauberk, belts ornamented with rosettes, shoulders and elbows with roundels. After a monument in Alvechurch. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

Alexander I King of Scotland - Alexander I, King of Scotland, 1107. Alexander the Fierce, 1078-1124. He wears a helmet, hauberk tunic with hood, rides a horse and carries a lance with pennant and targe shield. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
Alexander I King of Scotland - Alexander I, King of Scotland, 1107. Alexander the Fierce, 1078-1124. He wears a helmet, hauberk tunic with hood, rides a horse and carries a lance with pennant and targe shield. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678322: Alexander I King of Scotland - Alexander I, King of Scotland, 1107. Alexander the Fierce, 1078-1124. He wears a helmet, hauberk tunic with hood, rides a horse and carries a lance with pennant and targe shield. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

ID: FLO4678322

Alexander I King of Scotland - Alexander I, King of Scotland, 1107. Alexander the Fierce, 1078-1124. He wears a helmet, hauberk tunic with hood, rides a horse and carries a lance with pennant and targe shield. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

Richard de Vere, 11th Earl of Oxford, 1416, commander at the Battle of Agincourt. He wears a suit of armour with small pallettes, bassinet wreath and inscription on the forehead plate. Tilting helmet and shield with coat of arms (quarterly gules and or; a mullet argent) on the ground. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
Richard de Vere, 11th Earl of Oxford, 1416, commander at the Battle of Agincourt. He wears a suit of armour with small pallettes, bassinet wreath and inscription on the forehead plate. Tilting helmet and shield with coat of arms (quarterly gules and or; a mullet argent) on the ground. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678379: Richard de Vere, 11th Earl of Oxford, 1416, commander at the Battle of Agincourt. He wears a suit of armour with small pallettes, bassinet wreath and inscription on the forehead plate. Tilting helmet and shield with coat of arms (quarterly gules and or; a mullet argent) on the ground. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

ID: FLO4678379

Richard de Vere, 11th Earl of Oxford, 1416, commander at the Battle of Agincourt. He wears a suit of armour with small pallettes, bassinet wreath and inscription on the forehead plate. Tilting helmet and shield with coat of arms (quarterly gules and or; a mullet argent) on the ground. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

Sir John Cheney or Cheyne, the Vigorous Knight, Master of the Horse to King Edward IV, bodyguard to Henry VII, 1442-1499. In suit of plate armour with tiles, chainmail apron, helmet, and holding the banner of Henry VII, a red dragon on green and white field. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
Sir John Cheney or Cheyne, the Vigorous Knight, Master of the Horse to King Edward IV, bodyguard to Henry VII, 1442-1499. In suit of plate armour with tiles, chainmail apron, helmet, and holding the banner of Henry VII, a red dragon on green and white field. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678525: Sir John Cheney or Cheyne, the Vigorous Knight, Master of the Horse to King Edward IV, bodyguard to Henry VII, 1442-1499. In suit of plate armour with tiles, chainmail apron, helmet, and holding the banner of Henry VII, a red dragon on green and white field. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

ID: FLO4678525

Sir John Cheney or Cheyne, the Vigorous Knight, Master of the Horse to King Edward IV, bodyguard to Henry VII, 1442-1499. In suit of plate armour with tiles, chainmail apron, helmet, and holding the banner of Henry VII, a red dragon on green and white field. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

Peter II, Count of Savoy, Earl of Richmond, and a soldier. 1248. The Earl wears a chainmail hauberk and chausses, tunic, and carries a lance and shield with coat of arms. The footsoldier wears a cargan hood, carries an oucin and round shield. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
Peter II, Count of Savoy, Earl of Richmond, and a soldier. 1248. The Earl wears a chainmail hauberk and chausses, tunic, and carries a lance and shield with coat of arms. The footsoldier wears a cargan hood, carries an oucin and round shield. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678629: Peter II, Count of Savoy, Earl of Richmond, and a soldier. 1248. The Earl wears a chainmail hauberk and chausses, tunic, and carries a lance and shield with coat of arms. The footsoldier wears a cargan hood, carries an oucin and round shield. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

ID: FLO4678629

Peter II, Count of Savoy, Earl of Richmond, and a soldier. 1248. The Earl wears a chainmail hauberk and chausses, tunic, and carries a lance and shield with coat of arms. The footsoldier wears a cargan hood, carries an oucin and round shield. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

Delivery of the annual orations in the Great Hall, Christ's Hospital. Steel engraving by Henry Melville after an illustration by Llewellyn Jewitt from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.
Delivery of the annual orations in the Great Hall, Christ's Hospital. Steel engraving by Henry Melville after an illustration by Llewellyn Jewitt from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.

FLO4669211: Delivery of the annual orations in the Great Hall, Christ's Hospital. Steel engraving by Henry Melville after an illustration by Llewellyn Jewitt from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841. / Bridgeman Images

ID: FLO4669211

Delivery of the annual orations in the Great Hall, Christ's Hospital. Steel engraving by Henry Melville after an illustration by Llewellyn Jewitt from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.

Amadokoro or Solomon's seal, Polygonatum odoratum. Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901.
Amadokoro or Solomon's seal, Polygonatum odoratum. Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901.

FLO4648455: Amadokoro or Solomon's seal, Polygonatum odoratum. Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901. / Bridgeman Images

ID: FLO4648455

Amadokoro or Solomon's seal, Polygonatum odoratum. Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901.

Kanran orchid, Cymbidium kanran Makino. Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901.
Kanran orchid, Cymbidium kanran Makino. Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901.

FLO4648474: Kanran orchid, Cymbidium kanran Makino. Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901. / Bridgeman Images

ID: FLO4648474

Kanran orchid, Cymbidium kanran Makino. Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901.

Hama azami or beach thistle, Cirsium maritimum Makino. Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901.
Hama azami or beach thistle, Cirsium maritimum Makino. Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901.

FLO4648498: Hama azami or beach thistle, Cirsium maritimum Makino. Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901. / Bridgeman Images

ID: FLO4648498

Hama azami or beach thistle, Cirsium maritimum Makino. Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901.

Azami or thistle, Cirsium japonicum, and hiyokusou or speedwell, Veronica magna. Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901.
Azami or thistle, Cirsium japonicum, and hiyokusou or speedwell, Veronica magna. Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901.

FLO4648505: Azami or thistle, Cirsium japonicum, and hiyokusou or speedwell, Veronica magna. Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901. / Bridgeman Images

ID: FLO4648505

Azami or thistle, Cirsium japonicum, and hiyokusou or speedwell, Veronica magna. Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901.

Iwatabako, Conandron ramondioides. Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901.
Iwatabako, Conandron ramondioides. Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901.

FLO4648665: Iwatabako, Conandron ramondioides. Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901. / Bridgeman Images

ID: FLO4648665

Iwatabako, Conandron ramondioides. Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901.

Itachi sasage, Lathyrus davidii. Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901.
Itachi sasage, Lathyrus davidii. Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901.

FLO4648681: Itachi sasage, Lathyrus davidii. Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901. / Bridgeman Images

ID: FLO4648681

Itachi sasage, Lathyrus davidii. Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901.

Habusou or coffee senna, Senna occidentalis. Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901.
Habusou or coffee senna, Senna occidentalis. Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901.

FLO4648695: Habusou or coffee senna, Senna occidentalis. Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901. / Bridgeman Images

ID: FLO4648695

Habusou or coffee senna, Senna occidentalis. Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901.

Yamagobou or oyamabokuchi, Synurus pungens. Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901.
Yamagobou or oyamabokuchi, Synurus pungens. Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901.

FLO4648879: Yamagobou or oyamabokuchi, Synurus pungens. Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901. / Bridgeman Images

ID: FLO4648879

Yamagobou or oyamabokuchi, Synurus pungens. Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901.

Hybrid white rose, Imperatrice Eugenie, Empress Eugenie. Chromolithograph drawn and lithographed by L. Stroobant for “L'Illustration Horticole,”” Ghent, 1860. Ambroise Verschaffelt (1825 € ¿1886) was a distinguished Belgian horticulturist and author. He founded the L'Illustration Horticole at Ghent in 1854.
Hybrid white rose, Imperatrice Eugenie, Empress Eugenie. Chromolithograph drawn and lithographed by L. Stroobant for “L'Illustration Horticole,”” Ghent, 1860. Ambroise Verschaffelt (1825 € ¿1886) was a distinguished Belgian horticulturist and author. He founded the L'Illustration Horticole at Ghent in 1854.

FLO4648884: Hybrid white rose, Imperatrice Eugenie, Empress Eugenie. Chromolithograph drawn and lithographed by L. Stroobant for “L'Illustration Horticole,”” Ghent, 1860. Ambroise Verschaffelt (1825 € ¿1886) was a distinguished Belgian horticulturist and author. He founded the L'Illustration Horticole at Ghent in 1854. / Bridgeman Images

ID: FLO4648884

Hybrid white rose, Imperatrice Eugenie, Empress Eugenie. Chromolithograph drawn and lithographed by L. Stroobant for “L'Illustration Horticole,”” Ghent, 1860. Ambroise Verschaffelt (1825 € ¿1886) was a distinguished Belgian horticulturist and author. He founded the L'Illustration Horticole at Ghent in 1854.


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