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Earth seen by satellite - Earth seen by satellite - Earth seen by satellite centree on the Pacific Ocean. Image recomposed from Terra satellite data. Global Earth centered on Pacific Ocean seen by satellite Terra
Earth seen by satellite - Earth seen by satellite - Earth seen by satellite centree on the Pacific Ocean. Image recomposed from Terra satellite data. Global Earth centered on Pacific Ocean seen by satellite Terra

PIX4631960: Earth seen by satellite - Earth seen by satellite - Earth seen by satellite centree on the Pacific Ocean. Image recomposed from Terra satellite data. Global Earth centered on Pacific Ocean seen by satellite Terra / Bridgeman Images

English actor Frederick Lemaitre as Fabien in Le Docteur Noir by Anicet Bourgeoise, Theatre de la Porte St. Martin, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.
English actor Frederick Lemaitre as Fabien in Le Docteur Noir by Anicet Bourgeoise, Theatre de la Porte St. Martin, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

FLO4631977: English actor Frederick Lemaitre as Fabien in Le Docteur Noir by Anicet Bourgeoise, Theatre de la Porte St. Martin, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846. / Bridgeman Images

Earth by satellite - Asia and Australia - Earth from space. Asia and Australia - Image of the Earth recomposed from data obtained by different satellites. Composite image of the Earth combining data from different satellite sensors
Earth by satellite - Asia and Australia - Earth from space. Asia and Australia - Image of the Earth recomposed from data obtained by different satellites. Composite image of the Earth combining data from different satellite sensors

PIX4631978: Earth by satellite - Asia and Australia - Earth from space. Asia and Australia - Image of the Earth recomposed from data obtained by different satellites. Composite image of the Earth combining data from different satellite sensors / Bridgeman Images

Miss Angelina Grave as the Countess in Le Docteur Noir by Anicet Bourgeoise, Theatre de la Porte St. Martin, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.
Miss Angelina Grave as the Countess in Le Docteur Noir by Anicet Bourgeoise, Theatre de la Porte St. Martin, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

FLO4631992: Miss Angelina Grave as the Countess in Le Docteur Noir by Anicet Bourgeoise, Theatre de la Porte St. Martin, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846. / Bridgeman Images

Earth seen by satellite DSCOVR - Earth seen by satellite DSCOVR - Earth photo obtained by satellite Deep Space Climate Observatory (DSCOVR) on July 6, 2015. This satellite, launched on 11 February 2015, and placed in orbit 1.6 million km, at the point of Lagrange L1 (about 4 times farther than the orbit of the Moon), allows us to obtain views of the Earth as a whole. The journey has been a long one for the Deep Space Climate Observatory (DSCOVR). Once known as Triana, the satellite was conceived in 1998 to provide continuous views of Earth, to monitor the solar wind, and to measure fluctuations in Earth's albedo. The mission was put on hold in 2001, and the partly - built satellite ended up in storage for several years with an uncertain future. In 2008, the National Oceanic and Atmospheric Administration (NOAA), NASA, and the U.S. Air Force decided to refurbish and update the spacecraft for launch
Earth seen by satellite DSCOVR - Earth seen by satellite DSCOVR - Earth photo obtained by satellite Deep Space Climate Observatory (DSCOVR) on July 6, 2015. This satellite, launched on 11 February 2015, and placed in orbit 1.6 million km, at the point of Lagrange L1 (about 4 times farther than the orbit of the Moon), allows us to obtain views of the Earth as a whole. The journey has been a long one for the Deep Space Climate Observatory (DSCOVR). Once known as Triana, the satellite was conceived in 1998 to provide continuous views of Earth, to monitor the solar wind, and to measure fluctuations in Earth's albedo. The mission was put on hold in 2001, and the partly - built satellite ended up in storage for several years with an uncertain future. In 2008, the National Oceanic and Atmospheric Administration (NOAA), NASA, and the U.S. Air Force decided to refurbish and update the spacecraft for launch

PIX4632004: Earth seen by satellite DSCOVR - Earth seen by satellite DSCOVR - Earth photo obtained by satellite Deep Space Climate Observatory (DSCOVR) on July 6, 2015. This satellite, launched on 11 February 2015, and placed in orbit 1.6 million km, at the point of Lagrange L1 (about 4 times farther than the orbit of the Moon), allows us to obtain views of the Earth as a whole. The journey has been a long one for the Deep Space Climate Observatory (DSCOVR). Once known as Triana, the satellite was conceived in 1998 to provide continuous views of Earth, to monitor the solar wind, and to measure fluctuations in Earth's albedo. The mission was put on hold in 2001, and the partly - built satellite ended up in storage for several years with an uncertain future. In 2008, the National Oceanic and Atmospheric Administration (NOAA), NASA, and the U.S. Air Force decided to refurbish and update the spacecraft for launch / Bridgeman Images

Miss Rose Cheri or Rose Marie Cizos in Clarisse Harlowe by Dumanoir and Guillard, Theatre du Gymnasium Dramatique, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.
Miss Rose Cheri or Rose Marie Cizos in Clarisse Harlowe by Dumanoir and Guillard, Theatre du Gymnasium Dramatique, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

FLO4632060: Miss Rose Cheri or Rose Marie Cizos in Clarisse Harlowe by Dumanoir and Guillard, Theatre du Gymnasium Dramatique, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846. / Bridgeman Images

Faux de Verzy - Marne - Dwarf Beech - Faux de Verzy - France - Tortuosa (Fagus Sylvatica var Tortuosa). This remarkable tree is a rare beech variety with contorted branches and trunk, the origin of which remains unknown. The Faux site has been classified nationally since 1932. It became a State Biological Reserve in 1981. Dwarf Beech (Fagus sylvatica Tortuosa Group). Marne, Champagne-Ardenne, France
Faux de Verzy - Marne - Dwarf Beech - Faux de Verzy - France - Tortuosa (Fagus Sylvatica var Tortuosa). This remarkable tree is a rare beech variety with contorted branches and trunk, the origin of which remains unknown. The Faux site has been classified nationally since 1932. It became a State Biological Reserve in 1981. Dwarf Beech (Fagus sylvatica Tortuosa Group). Marne, Champagne-Ardenne, France

PIX4638579: Faux de Verzy - Marne - Dwarf Beech - Faux de Verzy - France - Tortuosa (Fagus Sylvatica var Tortuosa). This remarkable tree is a rare beech variety with contorted branches and trunk, the origin of which remains unknown. The Faux site has been classified nationally since 1932. It became a State Biological Reserve in 1981. Dwarf Beech (Fagus sylvatica Tortuosa Group). Marne, Champagne-Ardenne, France / Bridgeman Images

Faux de Verzy - Marne - Dwarf Beech - Faux de Verzy - France - Tortuosa (Fagus Sylvatica var Tortuosa). This remarkable tree is a rare beech variety with contorted branches and trunk, the origin of which remains unknown. The Faux site has been classified nationally since 1932. It became a State Biological Reserve in 1981. Dwarf Beech (Fagus sylvatica Tortuosa Group). Marne, Champagne-Ardenne, France
Faux de Verzy - Marne - Dwarf Beech - Faux de Verzy - France - Tortuosa (Fagus Sylvatica var Tortuosa). This remarkable tree is a rare beech variety with contorted branches and trunk, the origin of which remains unknown. The Faux site has been classified nationally since 1932. It became a State Biological Reserve in 1981. Dwarf Beech (Fagus sylvatica Tortuosa Group). Marne, Champagne-Ardenne, France

PIX4638581: Faux de Verzy - Marne - Dwarf Beech - Faux de Verzy - France - Tortuosa (Fagus Sylvatica var Tortuosa). This remarkable tree is a rare beech variety with contorted branches and trunk, the origin of which remains unknown. The Faux site has been classified nationally since 1932. It became a State Biological Reserve in 1981. Dwarf Beech (Fagus sylvatica Tortuosa Group). Marne, Champagne-Ardenne, France / Bridgeman Images

Faux de Verzy - Marne - Dwarf Beech - Faux de Verzy - France - Tortuosa (Fagus Sylvatica var Tortuosa). This remarkable tree is a rare beech variety with contorted branches and trunk, the origin of which remains unknown. The Faux site has been classified nationally since 1932. It became a State Biological Reserve in 1981. Dwarf Beech (Fagus sylvatica Tortuosa Group). Marne, Champagne-Ardenne, France
Faux de Verzy - Marne - Dwarf Beech - Faux de Verzy - France - Tortuosa (Fagus Sylvatica var Tortuosa). This remarkable tree is a rare beech variety with contorted branches and trunk, the origin of which remains unknown. The Faux site has been classified nationally since 1932. It became a State Biological Reserve in 1981. Dwarf Beech (Fagus sylvatica Tortuosa Group). Marne, Champagne-Ardenne, France

PIX4638590: Faux de Verzy - Marne - Dwarf Beech - Faux de Verzy - France - Tortuosa (Fagus Sylvatica var Tortuosa). This remarkable tree is a rare beech variety with contorted branches and trunk, the origin of which remains unknown. The Faux site has been classified nationally since 1932. It became a State Biological Reserve in 1981. Dwarf Beech (Fagus sylvatica Tortuosa Group). Marne, Champagne-Ardenne, France / Bridgeman Images

Faux de Verzy - Marne - Dwarf Beech - Faux de Verzy - France - Tortuosa (Fagus Sylvatica var Tortuosa). This remarkable tree is a rare beech variety with contorted branches and trunk, the origin of which remains unknown. The Faux site has been classified nationally since 1932. It became a State Biological Reserve in 1981. Dwarf Beech (Fagus sylvatica Tortuosa Group). Marne, Champagne-Ardenne, France
Faux de Verzy - Marne - Dwarf Beech - Faux de Verzy - France - Tortuosa (Fagus Sylvatica var Tortuosa). This remarkable tree is a rare beech variety with contorted branches and trunk, the origin of which remains unknown. The Faux site has been classified nationally since 1932. It became a State Biological Reserve in 1981. Dwarf Beech (Fagus sylvatica Tortuosa Group). Marne, Champagne-Ardenne, France

PIX4638626: Faux de Verzy - Marne - Dwarf Beech - Faux de Verzy - France - Tortuosa (Fagus Sylvatica var Tortuosa). This remarkable tree is a rare beech variety with contorted branches and trunk, the origin of which remains unknown. The Faux site has been classified nationally since 1932. It became a State Biological Reserve in 1981. Dwarf Beech (Fagus sylvatica Tortuosa Group). Marne, Champagne-Ardenne, France / Bridgeman Images

Anne Savage, second wife of Thomas Lord Berkeley. Lady in Waiting to Queen Anne Boleyn. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884.
Anne Savage, second wife of Thomas Lord Berkeley. Lady in Waiting to Queen Anne Boleyn. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884.

FLO4638629: Anne Savage, second wife of Thomas Lord Berkeley. Lady in Waiting to Queen Anne Boleyn. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884. / Bridgeman Images

Painted lady butterfly, Vanessa cardui, and marmoress or marbled white butterfly, Melanargia galathea. Handcoloured lithograph after an illustration by Moses Harris from “The Aurelian; a Natural History of English Moths and Butterflies,””” new edition edited by J. O. Westwood, published by Henry Bohn, London, 1840.
Painted lady butterfly, Vanessa cardui, and marmoress or marbled white butterfly, Melanargia galathea. Handcoloured lithograph after an illustration by Moses Harris from “The Aurelian; a Natural History of English Moths and Butterflies,””” new edition edited by J. O. Westwood, published by Henry Bohn, London, 1840.

FLO4638645: Painted lady butterfly, Vanessa cardui, and marmoress or marbled white butterfly, Melanargia galathea. Handcoloured lithograph after an illustration by Moses Harris from “The Aurelian; a Natural History of English Moths and Butterflies,””” new edition edited by J. O. Westwood, published by Henry Bohn, London, 1840. / Bridgeman Images

Faux de Verzy - Marne - Dwarf Beech - Faux de Verzy - France - Tortuosa (Fagus Sylvatica var Tortuosa). This remarkable tree is a rare beech variety with contorted branches and trunk, the origin of which remains unknown. The Faux site has been classified nationally since 1932. It became a State Biological Reserve in 1981. Dwarf Beech (Fagus sylvatica Tortuosa Group). Marne, Champagne-Ardenne, France
Faux de Verzy - Marne - Dwarf Beech - Faux de Verzy - France - Tortuosa (Fagus Sylvatica var Tortuosa). This remarkable tree is a rare beech variety with contorted branches and trunk, the origin of which remains unknown. The Faux site has been classified nationally since 1932. It became a State Biological Reserve in 1981. Dwarf Beech (Fagus sylvatica Tortuosa Group). Marne, Champagne-Ardenne, France

PIX4638650: Faux de Verzy - Marne - Dwarf Beech - Faux de Verzy - France - Tortuosa (Fagus Sylvatica var Tortuosa). This remarkable tree is a rare beech variety with contorted branches and trunk, the origin of which remains unknown. The Faux site has been classified nationally since 1932. It became a State Biological Reserve in 1981. Dwarf Beech (Fagus sylvatica Tortuosa Group). Marne, Champagne-Ardenne, France / Bridgeman Images

Portrait of an unknown sitter, c. 1532. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884.
Portrait of an unknown sitter, c. 1532. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884.

FLO4638658: Portrait of an unknown sitter, c. 1532. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884. / Bridgeman Images

Faux de Verzy - Marne - Dwarf Beech - Faux de Verzy - France - Tortuosa (Fagus Sylvatica var Tortuosa). This remarkable tree is a rare beech variety with contorted branches and trunk, the origin of which remains unknown. The Faux site has been classified nationally since 1932. It became a State Biological Reserve in 1981. Dwarf Beech (Fagus sylvatica Tortuosa Group). Marne, Champagne-Ardenne, France
Faux de Verzy - Marne - Dwarf Beech - Faux de Verzy - France - Tortuosa (Fagus Sylvatica var Tortuosa). This remarkable tree is a rare beech variety with contorted branches and trunk, the origin of which remains unknown. The Faux site has been classified nationally since 1932. It became a State Biological Reserve in 1981. Dwarf Beech (Fagus sylvatica Tortuosa Group). Marne, Champagne-Ardenne, France

PIX4638661: Faux de Verzy - Marne - Dwarf Beech - Faux de Verzy - France - Tortuosa (Fagus Sylvatica var Tortuosa). This remarkable tree is a rare beech variety with contorted branches and trunk, the origin of which remains unknown. The Faux site has been classified nationally since 1932. It became a State Biological Reserve in 1981. Dwarf Beech (Fagus sylvatica Tortuosa Group). Marne, Champagne-Ardenne, France / Bridgeman Images

Vines of the Old College of Jesuites - Reims - Three hundred years old vines - Reims - Three hundred years old vines - Reims - Three feet of three hundred hundred years old vines among the oldest vineyards in France (330 years old), classified as historical monuments. Scriptures testify to their presence in 1678. Vines among the oldest in France - Ancien College des Jesuites - Reims, Champagne-Ardenne
Vines of the Old College of Jesuites - Reims - Three hundred years old vines - Reims - Three hundred years old vines - Reims - Three feet of three hundred hundred years old vines among the oldest vineyards in France (330 years old), classified as historical monuments. Scriptures testify to their presence in 1678. Vines among the oldest in France - Ancien College des Jesuites - Reims, Champagne-Ardenne

PIX4638679: Vines of the Old College of Jesuites - Reims - Three hundred years old vines - Reims - Three hundred years old vines - Reims - Three feet of three hundred hundred years old vines among the oldest vineyards in France (330 years old), classified as historical monuments. Scriptures testify to their presence in 1678. Vines among the oldest in France - Ancien College des Jesuites - Reims, Champagne-Ardenne / Bridgeman Images

Peppered moth, Biston betularia, and red underwing moth, Catocala nupta, on oak and willow branches. Handcoloured lithograph after an illustration by Moses Harris from “The Aurelian; a Natural History of English Moths and Butterflies,””” new edition edited by J. O. Westwood, published by Henry Bohn, London, 1840.
Peppered moth, Biston betularia, and red underwing moth, Catocala nupta, on oak and willow branches. Handcoloured lithograph after an illustration by Moses Harris from “The Aurelian; a Natural History of English Moths and Butterflies,””” new edition edited by J. O. Westwood, published by Henry Bohn, London, 1840.

FLO4638685: Peppered moth, Biston betularia, and red underwing moth, Catocala nupta, on oak and willow branches. Handcoloured lithograph after an illustration by Moses Harris from “The Aurelian; a Natural History of English Moths and Butterflies,””” new edition edited by J. O. Westwood, published by Henry Bohn, London, 1840. / Bridgeman Images

Vines of the Old College of Jesuites - Reims - Three hundred years old vines - Reims - Three hundred years old vines - Reims - Three feet of three hundred hundred years old vines among the oldest vineyards in France (330 years old), classified as historical monuments. Scriptures testify to their presence in 1678. Vines among the oldest in France - Ancien College des Jesuites - Reims, Champagne-Ardenne
Vines of the Old College of Jesuites - Reims - Three hundred years old vines - Reims - Three hundred years old vines - Reims - Three feet of three hundred hundred years old vines among the oldest vineyards in France (330 years old), classified as historical monuments. Scriptures testify to their presence in 1678. Vines among the oldest in France - Ancien College des Jesuites - Reims, Champagne-Ardenne

PIX4638687: Vines of the Old College of Jesuites - Reims - Three hundred years old vines - Reims - Three hundred years old vines - Reims - Three feet of three hundred hundred years old vines among the oldest vineyards in France (330 years old), classified as historical monuments. Scriptures testify to their presence in 1678. Vines among the oldest in France - Ancien College des Jesuites - Reims, Champagne-Ardenne / Bridgeman Images

Apollo 11: lunar rock - Apollo 11: lunar rock: basaltic lunar rock brought back by astronauts from the Apollo 11 mission. Sample 10057 dcoup for analysis. Lunar basalt sample. The sample number is 10057, Split 30. This rock was among the samples collected by astronauts Neil A. Armstrong and Edwin E. Aldrin Jr. during their lunar surface extravehicular activity on July 20, 1969.
Apollo 11: lunar rock - Apollo 11: lunar rock: basaltic lunar rock brought back by astronauts from the Apollo 11 mission. Sample 10057 dcoup for analysis. Lunar basalt sample. The sample number is 10057, Split 30. This rock was among the samples collected by astronauts Neil A. Armstrong and Edwin E. Aldrin Jr. during their lunar surface extravehicular activity on July 20, 1969.

PIX4638710: Apollo 11: lunar rock - Apollo 11: lunar rock: basaltic lunar rock brought back by astronauts from the Apollo 11 mission. Sample 10057 dcoup for analysis. Lunar basalt sample. The sample number is 10057, Split 30. This rock was among the samples collected by astronauts Neil A. Armstrong and Edwin E. Aldrin Jr. during their lunar surface extravehicular activity on July 20, 1969. / Bridgeman Images

Lime-speck pug, Eupithecia centaureata, on a French marigold, Tagetes patula, and light crimson underwing, Catocala promissa, on an oak branch, Quercus robur. Handcoloured lithograph after an illustration by Moses Harris from “The Aurelian; a Natural History of English Moths and Butterflies,””” new edition edited by J. O. Westwood, published by Henry Bohn, London, 1840.
Lime-speck pug, Eupithecia centaureata, on a French marigold, Tagetes patula, and light crimson underwing, Catocala promissa, on an oak branch, Quercus robur. Handcoloured lithograph after an illustration by Moses Harris from “The Aurelian; a Natural History of English Moths and Butterflies,””” new edition edited by J. O. Westwood, published by Henry Bohn, London, 1840.

FLO4638725: Lime-speck pug, Eupithecia centaureata, on a French marigold, Tagetes patula, and light crimson underwing, Catocala promissa, on an oak branch, Quercus robur. Handcoloured lithograph after an illustration by Moses Harris from “The Aurelian; a Natural History of English Moths and Butterflies,””” new edition edited by J. O. Westwood, published by Henry Bohn, London, 1840. / Bridgeman Images

Lunar base -Illustration - Lunar base - Illustration - Artist's view of a lunar base with inflatable habitat, a solar power supply system, and an oxygen extraction system. An inflatable habitat similar to this could represent part of an outpost, forerunner to a permanent inhabited lunar base. The artist has depicted here, along with the inflatable habitat a construction shack and related solar shield, connecting tunnel regolith bags for radiation protection, thermal radiation experimental six-legged walker, solar power system for the lunar oxygen pilot plant and other elements
Lunar base -Illustration - Lunar base - Illustration - Artist's view of a lunar base with inflatable habitat, a solar power supply system, and an oxygen extraction system. An inflatable habitat similar to this could represent part of an outpost, forerunner to a permanent inhabited lunar base. The artist has depicted here, along with the inflatable habitat a construction shack and related solar shield, connecting tunnel regolith bags for radiation protection, thermal radiation experimental six-legged walker, solar power system for the lunar oxygen pilot plant and other elements

PIX4638743: Lunar base -Illustration - Lunar base - Illustration - Artist's view of a lunar base with inflatable habitat, a solar power supply system, and an oxygen extraction system. An inflatable habitat similar to this could represent part of an outpost, forerunner to a permanent inhabited lunar base. The artist has depicted here, along with the inflatable habitat a construction shack and related solar shield, connecting tunnel regolith bags for radiation protection, thermal radiation experimental six-legged walker, solar power system for the lunar oxygen pilot plant and other elements / Bridgeman Images

Oxygen plant on the Moon-Artist view - Lunar oxygen factory - Artist view - Artist view of a plant on the Moon providing oxygen from the lunar basement
Oxygen plant on the Moon-Artist view - Lunar oxygen factory - Artist view - Artist view of a plant on the Moon providing oxygen from the lunar basement

PIX4638779: Oxygen plant on the Moon-Artist view - Lunar oxygen factory - Artist view - Artist view of a plant on the Moon providing oxygen from the lunar basement / Bridgeman Images

Greasy fritillary, Euphydryas aurinia, high brown fritillary, Fabriciana adippe, treble-bar moth, Aplocera plagiata, speckled yellow, Pseudopanthera macularia, and crimson and gold moth, Pyrausta purpuralis, on devil's bit scabious, Succisa pratensis, and violet, Viola tricolor. Handcoloured lithograph after an illustration by Moses Harris from “The Aurelian; a Natural History of English Moths and Butterflies,””” new edition edited by J. O. Westwood, published by Henry Bohn, London, 1840.
Greasy fritillary, Euphydryas aurinia, high brown fritillary, Fabriciana adippe, treble-bar moth, Aplocera plagiata, speckled yellow, Pseudopanthera macularia, and crimson and gold moth, Pyrausta purpuralis, on devil's bit scabious, Succisa pratensis, and violet, Viola tricolor. Handcoloured lithograph after an illustration by Moses Harris from “The Aurelian; a Natural History of English Moths and Butterflies,””” new edition edited by J. O. Westwood, published by Henry Bohn, London, 1840.

FLO4638784: Greasy fritillary, Euphydryas aurinia, high brown fritillary, Fabriciana adippe, treble-bar moth, Aplocera plagiata, speckled yellow, Pseudopanthera macularia, and crimson and gold moth, Pyrausta purpuralis, on devil's bit scabious, Succisa pratensis, and violet, Viola tricolor. Handcoloured lithograph after an illustration by Moses Harris from “The Aurelian; a Natural History of English Moths and Butterflies,””” new edition edited by J. O. Westwood, published by Henry Bohn, London, 1840. / Bridgeman Images

Exploration of the Moon-Artist's View - Lunar exploration - Illustratio
Exploration of the Moon-Artist's View - Lunar exploration - Illustratio

PIX4638804: Exploration of the Moon-Artist's View - Lunar exploration - Illustratio / Bridgeman Images

Figure of eight moth, Diloba caeruleocephala, white admiral, Limenitis arthemis, chimney sweeper, Odezia atrata, red arches moth, Callimorpha miniata, brown plumed moth, Pterophorus pterodactylus, scarce silver-lines, Bena bicolorana, and snout moth, Hypena proboscidalis, on the cralis ab apple tree, Malus sylvestris. Handcoloured lithograph after an illustration by Moses Harris from “The Aurelian; a Natural History of English Moths and Butterflies,””” new edition edited by J. O. Westwood, published by Henry Bohn, London, 1840.
Figure of eight moth, Diloba caeruleocephala, white admiral, Limenitis arthemis, chimney sweeper, Odezia atrata, red arches moth, Callimorpha miniata, brown plumed moth, Pterophorus pterodactylus, scarce silver-lines, Bena bicolorana, and snout moth, Hypena proboscidalis, on the cralis ab apple tree, Malus sylvestris. Handcoloured lithograph after an illustration by Moses Harris from “The Aurelian; a Natural History of English Moths and Butterflies,””” new edition edited by J. O. Westwood, published by Henry Bohn, London, 1840.

FLO4638810: Figure of eight moth, Diloba caeruleocephala, white admiral, Limenitis arthemis, chimney sweeper, Odezia atrata, red arches moth, Callimorpha miniata, brown plumed moth, Pterophorus pterodactylus, scarce silver-lines, Bena bicolorana, and snout moth, Hypena proboscidalis, on the cralis ab apple tree, Malus sylvestris. Handcoloured lithograph after an illustration by Moses Harris from “The Aurelian; a Natural History of English Moths and Butterflies,””” new edition edited by J. O. Westwood, published by Henry Bohn, London, 1840. / Bridgeman Images

Great or oak eggar moth, Lasiocampa quercus, brimstone moth, Opisthograptis luteolata, and clouded yellow butterfly, Colias croceus, china mark likeness, Scopula olivalis, wood white butterfly, Leptidea sinapis, on hawthorn leaves, Crataegus monogyna. Handcoloured lithograph after an illustration by Moses Harris from “The Aurelian; a Natural History of English Moths and Butterflies,””” new edition edited by J. O. Westwood, published by Henry Bohn, London, 1840.
Great or oak eggar moth, Lasiocampa quercus, brimstone moth, Opisthograptis luteolata, and clouded yellow butterfly, Colias croceus, china mark likeness, Scopula olivalis, wood white butterfly, Leptidea sinapis, on hawthorn leaves, Crataegus monogyna. Handcoloured lithograph after an illustration by Moses Harris from “The Aurelian; a Natural History of English Moths and Butterflies,””” new edition edited by J. O. Westwood, published by Henry Bohn, London, 1840.

FLO4638828: Great or oak eggar moth, Lasiocampa quercus, brimstone moth, Opisthograptis luteolata, and clouded yellow butterfly, Colias croceus, china mark likeness, Scopula olivalis, wood white butterfly, Leptidea sinapis, on hawthorn leaves, Crataegus monogyna. Handcoloured lithograph after an illustration by Moses Harris from “The Aurelian; a Natural History of English Moths and Butterflies,””” new edition edited by J. O. Westwood, published by Henry Bohn, London, 1840. / Bridgeman Images

Meadow brown butterfly, Maniola jurtina, wood lady or orange tip, Anthocharis cardamines, and grizzled skipper, Pyrgus alveolus. Handcoloured lithograph after an illustration by Moses Harris from “The Aurelian; a Natural History of English Moths and Butterflies,””” new edition edited by J. O. Westwood, published by Henry Bohn, London, 1840.
Meadow brown butterfly, Maniola jurtina, wood lady or orange tip, Anthocharis cardamines, and grizzled skipper, Pyrgus alveolus. Handcoloured lithograph after an illustration by Moses Harris from “The Aurelian; a Natural History of English Moths and Butterflies,””” new edition edited by J. O. Westwood, published by Henry Bohn, London, 1840.

FLO4638853: Meadow brown butterfly, Maniola jurtina, wood lady or orange tip, Anthocharis cardamines, and grizzled skipper, Pyrgus alveolus. Handcoloured lithograph after an illustration by Moses Harris from “The Aurelian; a Natural History of English Moths and Butterflies,””” new edition edited by J. O. Westwood, published by Henry Bohn, London, 1840. / Bridgeman Images

Silver-washed fritillary butterfly, Argynnis paphia, forester moth, Adscita statices, L. or gooseberry moth, Halia vauaria, small copper butterfly, Lycaena phlaeas, dingy skipper, Erynnis tages, and gooseberry bush, Ribes grossularia. Handcoloured lithograph after an illustration by Moses Harris from “The Aurelian; a Natural History of English Moths and Butterflies,””” new edition edited by J. O. Westwood, published by Henry Bohn, London, 1840.
Silver-washed fritillary butterfly, Argynnis paphia, forester moth, Adscita statices, L. or gooseberry moth, Halia vauaria, small copper butterfly, Lycaena phlaeas, dingy skipper, Erynnis tages, and gooseberry bush, Ribes grossularia. Handcoloured lithograph after an illustration by Moses Harris from “The Aurelian; a Natural History of English Moths and Butterflies,””” new edition edited by J. O. Westwood, published by Henry Bohn, London, 1840.

FLO4638862: Silver-washed fritillary butterfly, Argynnis paphia, forester moth, Adscita statices, L. or gooseberry moth, Halia vauaria, small copper butterfly, Lycaena phlaeas, dingy skipper, Erynnis tages, and gooseberry bush, Ribes grossularia. Handcoloured lithograph after an illustration by Moses Harris from “The Aurelian; a Natural History of English Moths and Butterflies,””” new edition edited by J. O. Westwood, published by Henry Bohn, London, 1840. / Bridgeman Images

A spaceship takes a lunar vehicle - Artist's view - Space tug and lunar lander in Earth orbit - A tug spacecraft in Earth orbit takes a lunar vehicle to the Moon. With the space tug firmly docked with the lunar lander, the two will function as a single spacecraft for the duration of a 3-day trip to the moon. The pair would likely spend some time in Earth orbit prior to departure, checking systems and preparing the lander for its eventual journey to the Moon's surface. The lunar lander pictured here has capacity for a crew of four plus cargo. The space tug itself could have a crew of two, making the total crew capacity of the joined spacecraft about the same as today's Space Shuttle
A spaceship takes a lunar vehicle - Artist's view - Space tug and lunar lander in Earth orbit - A tug spacecraft in Earth orbit takes a lunar vehicle to the Moon. With the space tug firmly docked with the lunar lander, the two will function as a single spacecraft for the duration of a 3-day trip to the moon. The pair would likely spend some time in Earth orbit prior to departure, checking systems and preparing the lander for its eventual journey to the Moon's surface. The lunar lander pictured here has capacity for a crew of four plus cargo. The space tug itself could have a crew of two, making the total crew capacity of the joined spacecraft about the same as today's Space Shuttle

PIX4638872: A spaceship takes a lunar vehicle - Artist's view - Space tug and lunar lander in Earth orbit - A tug spacecraft in Earth orbit takes a lunar vehicle to the Moon. With the space tug firmly docked with the lunar lander, the two will function as a single spacecraft for the duration of a 3-day trip to the moon. The pair would likely spend some time in Earth orbit prior to departure, checking systems and preparing the lander for its eventual journey to the Moon's surface. The lunar lander pictured here has capacity for a crew of four plus cargo. The space tug itself could have a crew of two, making the total crew capacity of the joined spacecraft about the same as today's Space Shuttle / Bridgeman Images

Lappet moth, Gastropacha quercifolia, Ealing's morning glory, Miselia oxyacanthae, November moth, Epirrita dilutata, red-necked footman, Atolmis rubricollis, spring usher moth, Agriopis leucophaearia, and bird-cherry ermine, Yponomeuta evonymella. Handcoloured lithograph after an illustration by Moses Harris from “The Aurelian; a Natural History of English Moths and Butterflies,””” new edition edited by J. O. Westwood, published by Henry Bohn, London, 1840.
Lappet moth, Gastropacha quercifolia, Ealing's morning glory, Miselia oxyacanthae, November moth, Epirrita dilutata, red-necked footman, Atolmis rubricollis, spring usher moth, Agriopis leucophaearia, and bird-cherry ermine, Yponomeuta evonymella. Handcoloured lithograph after an illustration by Moses Harris from “The Aurelian; a Natural History of English Moths and Butterflies,””” new edition edited by J. O. Westwood, published by Henry Bohn, London, 1840.

FLO4638903: Lappet moth, Gastropacha quercifolia, Ealing's morning glory, Miselia oxyacanthae, November moth, Epirrita dilutata, red-necked footman, Atolmis rubricollis, spring usher moth, Agriopis leucophaearia, and bird-cherry ermine, Yponomeuta evonymella. Handcoloured lithograph after an illustration by Moses Harris from “The Aurelian; a Natural History of English Moths and Butterflies,””” new edition edited by J. O. Westwood, published by Henry Bohn, London, 1840. / Bridgeman Images

Red admiral, Vanessa atalanta, and small magpie moth, Anania hortulata, feeding on mint leaves. Handcoloured lithograph after an illustration by Moses Harris from “The Aurelian; a Natural History of English Moths and Butterflies,””” new edition edited by J. O. Westwood, published by Henry Bohn, London, 1840.
Red admiral, Vanessa atalanta, and small magpie moth, Anania hortulata, feeding on mint leaves. Handcoloured lithograph after an illustration by Moses Harris from “The Aurelian; a Natural History of English Moths and Butterflies,””” new edition edited by J. O. Westwood, published by Henry Bohn, London, 1840.

FLO4638935: Red admiral, Vanessa atalanta, and small magpie moth, Anania hortulata, feeding on mint leaves. Handcoloured lithograph after an illustration by Moses Harris from “The Aurelian; a Natural History of English Moths and Butterflies,””” new edition edited by J. O. Westwood, published by Henry Bohn, London, 1840. / Bridgeman Images

Elephant hawk moth, Deilephila elpenor, white china mark moth, Cataclysta lemnata. An Ichneumon lentorius wasp (i) lays its eggs in the hawkmoth larva which hatches from the chrysalis (k). Handcoloured lithograph after an illustration by Moses Harris from “The Aurelian; a Natural History of English Moths and Butterflies,””” new edition edited by J. O. Westwood, published by Henry Bohn, London, 1840.
Elephant hawk moth, Deilephila elpenor, white china mark moth, Cataclysta lemnata. An Ichneumon lentorius wasp (i) lays its eggs in the hawkmoth larva which hatches from the chrysalis (k). Handcoloured lithograph after an illustration by Moses Harris from “The Aurelian; a Natural History of English Moths and Butterflies,””” new edition edited by J. O. Westwood, published by Henry Bohn, London, 1840.

FLO4638945: Elephant hawk moth, Deilephila elpenor, white china mark moth, Cataclysta lemnata. An Ichneumon lentorius wasp (i) lays its eggs in the hawkmoth larva which hatches from the chrysalis (k). Handcoloured lithograph after an illustration by Moses Harris from “The Aurelian; a Natural History of English Moths and Butterflies,””” new edition edited by J. O. Westwood, published by Henry Bohn, London, 1840. / Bridgeman Images

Prehistoric men spear weapons on the lookout for a glyptodon, a battleship mammal of the family Glyptodontidae, apparent to the current armadillo. Colour illustration by Heinrich Harder (1858-1935), in “” Tiere der Urwelt”” (Animals of Prehistory), texts by Wilhelm Bolsche (1861-1939), 1916, Hamburg (Germany). Image from a series of maps on prehistoric animals of the Reichardt Cocoa company in 1908.
Prehistoric men spear weapons on the lookout for a glyptodon, a battleship mammal of the family Glyptodontidae, apparent to the current armadillo. Colour illustration by Heinrich Harder (1858-1935), in “” Tiere der Urwelt”” (Animals of Prehistory), texts by Wilhelm Bolsche (1861-1939), 1916, Hamburg (Germany). Image from a series of maps on prehistoric animals of the Reichardt Cocoa company in 1908.

FLO4638984: Prehistoric men spear weapons on the lookout for a glyptodon, a battleship mammal of the family Glyptodontidae, apparent to the current armadillo. Colour illustration by Heinrich Harder (1858-1935), in “” Tiere der Urwelt”” (Animals of Prehistory), texts by Wilhelm Bolsche (1861-1939), 1916, Hamburg (Germany). Image from a series of maps on prehistoric animals of the Reichardt Cocoa company in 1908. / Bridgeman Images

Back to the Moon: artist's view from the start to the Moon - The Orion spacecraft onward to Moon - Lunar program Constellation. The module inhabited Orion is secured to the planing module in Earth orbit and propels to the moon through a stage of the Ares 5 rocket. Ares 5 is a cargo rocket that will be used around 2020 to carry the landing module as well as the various elements needed to build a base on the Moon. This is a NASA artist's rendering of the Orion crew exploration vehicle docking with the Altair lunar lander, contained within the earth departure stage of an Ares V rocket. This rendezvous will take place in low earth orbit before the earth departure stage, Orion and Altair make the transit towards the moon. The earth departure stage will be discarded on the way
Back to the Moon: artist's view from the start to the Moon - The Orion spacecraft onward to Moon - Lunar program Constellation. The module inhabited Orion is secured to the planing module in Earth orbit and propels to the moon through a stage of the Ares 5 rocket. Ares 5 is a cargo rocket that will be used around 2020 to carry the landing module as well as the various elements needed to build a base on the Moon. This is a NASA artist's rendering of the Orion crew exploration vehicle docking with the Altair lunar lander, contained within the earth departure stage of an Ares V rocket. This rendezvous will take place in low earth orbit before the earth departure stage, Orion and Altair make the transit towards the moon. The earth departure stage will be discarded on the way

PIX4638985: Back to the Moon: artist's view from the start to the Moon - The Orion spacecraft onward to Moon - Lunar program Constellation. The module inhabited Orion is secured to the planing module in Earth orbit and propels to the moon through a stage of the Ares 5 rocket. Ares 5 is a cargo rocket that will be used around 2020 to carry the landing module as well as the various elements needed to build a base on the Moon. This is a NASA artist's rendering of the Orion crew exploration vehicle docking with the Altair lunar lander, contained within the earth departure stage of an Ares V rocket. This rendezvous will take place in low earth orbit before the earth departure stage, Orion and Altair make the transit towards the moon. The earth departure stage will be discarded on the way / Bridgeman Images

Return to the Moon: arrival in lunar orbit - Artist view - The Orion spacecraft in lunar orbit - Artist view - Lunar program Constellation. The module resides Orion docks to the planing module in orbit around the Moon. Orion should be able to take a crew of four to six astronauts to the Moon in 2020. The Orion manned spacecraft, docked to the lunar module, in lunar orbit. The Nasa's Project Constellation plans to send human explorers back to the Moon by 2020, and then onward to Mars; each Orion spacecraft will carry a crew of four to six astronauts
Return to the Moon: arrival in lunar orbit - Artist view - The Orion spacecraft in lunar orbit - Artist view - Lunar program Constellation. The module resides Orion docks to the planing module in orbit around the Moon. Orion should be able to take a crew of four to six astronauts to the Moon in 2020. The Orion manned spacecraft, docked to the lunar module, in lunar orbit. The Nasa's Project Constellation plans to send human explorers back to the Moon by 2020, and then onward to Mars; each Orion spacecraft will carry a crew of four to six astronauts

PIX4638989: Return to the Moon: arrival in lunar orbit - Artist view - The Orion spacecraft in lunar orbit - Artist view - Lunar program Constellation. The module resides Orion docks to the planing module in orbit around the Moon. Orion should be able to take a crew of four to six astronauts to the Moon in 2020. The Orion manned spacecraft, docked to the lunar module, in lunar orbit. The Nasa's Project Constellation plans to send human explorers back to the Moon by 2020, and then onward to Mars; each Orion spacecraft will carry a crew of four to six astronauts / Bridgeman Images

Back to the Moon: Arrival in Lunar Orbit - Artist's View - The Orion and Altair spacecrafts in lunar orbit - Lunar Program Constellation. The module resides Orion docks to the Altair planing module in orbit around the Moon. Orion should be able to take a crew of astronauts to the Moon in 2020. The Orion manned spacecraft, docked to the lunar module Altair, in lunar orbit. The Nasa's Project Constellation plans to send human explorers back to the Moon by 2020, and then onward to Mars; each Orion spacecraft will carry a crew of four to six astronauts
Back to the Moon: Arrival in Lunar Orbit - Artist's View - The Orion and Altair spacecrafts in lunar orbit - Lunar Program Constellation. The module resides Orion docks to the Altair planing module in orbit around the Moon. Orion should be able to take a crew of astronauts to the Moon in 2020. The Orion manned spacecraft, docked to the lunar module Altair, in lunar orbit. The Nasa's Project Constellation plans to send human explorers back to the Moon by 2020, and then onward to Mars; each Orion spacecraft will carry a crew of four to six astronauts

PIX4639041: Back to the Moon: Arrival in Lunar Orbit - Artist's View - The Orion and Altair spacecrafts in lunar orbit - Lunar Program Constellation. The module resides Orion docks to the Altair planing module in orbit around the Moon. Orion should be able to take a crew of astronauts to the Moon in 2020. The Orion manned spacecraft, docked to the lunar module Altair, in lunar orbit. The Nasa's Project Constellation plans to send human explorers back to the Moon by 2020, and then onward to Mars; each Orion spacecraft will carry a crew of four to six astronauts / Bridgeman Images


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