1. Home
  2. Search Results

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

2502234 Search Results

Roman war machine for firing javelins (engraving) (b/w photo)
Roman war machine for firing javelins (engraving) (b/w photo)

XIR239597: Roman war machine for firing javelins (engraving) (b/w photo), French School, (16th century) / Bridgeman Images

ID: XIR239597

Roman war machine for firing javelins (engraving) (b/w photo)

French School, (16th century)

Oscillum depicting theatrical masks (stone)
Oscillum depicting theatrical masks (stone)

XIR237951: Oscillum depicting theatrical masks (stone), Roman, (1st century AD) / Bridgeman Images

ID: XIR237951

Oscillum depicting theatrical masks (stone)

Roman, (1st century AD)

Mausoleum to the Julii Family, c.30-20 BC (photo)
Mausoleum to the Julii Family, c.30-20 BC (photo)

XIR238753: Mausoleum to the Julii Family, c.30-20 BC (photo), Roman, (1st century BC) / Bridgeman Images

ID: XIR238753

Mausoleum to the Julii Family, c.30-20 BC (photo)

Roman, (1st century BC)

Design for London Bridge Approach (pen & ink and wash over graphite on paper)
Design for London Bridge Approach (pen & ink and wash over graphite on paper)

XYC237803: Design for London Bridge Approach (pen & ink and wash over graphite on paper), English School, (19th century) / Bridgeman Images

ID: XYC237803

Design for London Bridge Approach (pen & ink and wash over graphite on paper)

English School, (19th century)

Blue Jay, page from 'Elephant Folio' (1827-38) (engraving)
Blue Jay, page from 'Elephant Folio' (1827-38) (engraving)

XBP236180: Blue Jay, page from 'Elephant Folio' (1827-38) (engraving), Audubon, John James (1785-1851) / Bridgeman Images

ID: XBP236180

Blue Jay, page from 'Elephant Folio' (1827-38) (engraving)

Audubon, John James (1785-1851)

A panel from an eight fold screen depicting famous stories of China (natural pigments on paper)
A panel from an eight fold screen depicting famous stories of China (natural pigments on paper)

GAH238507: A panel from an eight fold screen depicting famous stories of China (natural pigments on paper), Chinese School / Bridgeman Images

ID: GAH238507

A panel from an eight fold screen depicting famous stories of China (natural pigments on paper)

Chinese School

Window depicting St. Blaise listening to his condemnation, Ile de France Workshop (stained glass)
Window depicting St. Blaise listening to his condemnation, Ile de France Workshop (stained glass)

XIR238226: Window depicting St. Blaise listening to his condemnation, Ile de France Workshop (stained glass), French School, (13th century) / Bridgeman Images

ID: XIR238226

Window depicting St. Blaise listening to his condemnation, Ile de France Workshop (stained glass)

French School, (13th century)

'Look at my Servant, Sirs..... with my False Teeth he can Break Iron!' (colour litho)
'Look at my Servant, Sirs..... with my False Teeth he can Break Iron!' (colour litho)

CHT235300: 'Look at my Servant, Sirs..... with my False Teeth he can Break Iron!' (colour litho), French School, (19th century) / Bridgeman Images

ID: CHT235300

'Look at my Servant, Sirs..... with my False Teeth he can Break Iron!' (colour litho)

French School, (19th century)

The Sisters, c.1800 (oil on canvas)
The Sisters, c.1800 (oil on canvas)

NGW238925: The Sisters, c.1800 (oil on canvas), English School, (19th century) / Bridgeman Images

ID: NGW238925

The Sisters, c.1800 (oil on canvas)

English School, (19th century)

Statuette for women to show their doctor to avoid getting undressed (ivory)
Statuette for women to show their doctor to avoid getting undressed (ivory)

CHT235151: Statuette for women to show their doctor to avoid getting undressed (ivory), Chinese School / Bridgeman Images

ID: CHT235151

Statuette for women to show their doctor to avoid getting undressed (ivory)

Chinese School

Back of a throne, from Usumacinta, from the Saenz Collection, Puebla, Mexico, Late Classic Period (600-900 AD) (stone)
Back of a throne, from Usumacinta, from the Saenz Collection, Puebla, Mexico, Late Classic Period (600-900 AD) (stone)

JPC238284: Back of a throne, from Usumacinta, from the Saenz Collection, Puebla, Mexico, Late Classic Period (600-900 AD) (stone), Mayan / Bridgeman Images

ID: JPC238284

Back of a throne, from Usumacinta, from the Saenz Collection, Puebla, Mexico, Late Classic Period (600-900 AD) (stone)

Mayan

Water Carriers in Constantinople, c.1895 (colour litho)
Water Carriers in Constantinople, c.1895 (colour litho)

CHT237177: Water Carriers in Constantinople, c.1895 (colour litho), French School, (19th century) / Bridgeman Images

ID: CHT237177

Water Carriers in Constantinople, c.1895 (colour litho)

French School, (19th century)

Hygieia, from a collection of portraits of physicians by the Hungarian doctor, Sambucus, 1574 (coloured engraving)
Hygieia, from a collection of portraits of physicians by the Hungarian doctor, Sambucus, 1574 (coloured engraving)

CHT235115: Hygieia, from a collection of portraits of physicians by the Hungarian doctor, Sambucus, 1574 (coloured engraving), Hungarian School, (16th century) / Bridgeman Images

ID: CHT235115

Hygieia, from a collection of portraits of physicians by the Hungarian doctor, Sambucus, 1574 (coloured engraving)

Hungarian School, (16th century)

The Plague of Guebwiller in 1348, from 'The Legends of Alsace' by Georges Spetz, 1905 (colour litho)
The Plague of Guebwiller in 1348, from 'The Legends of Alsace' by Georges Spetz, 1905 (colour litho)

CHT235313: The Plague of Guebwiller in 1348, from 'The Legends of Alsace' by Georges Spetz, 1905 (colour litho), Schnug, Leon (fl.1905) / Bridgeman Images

ID: CHT235313

The Plague of Guebwiller in 1348, from 'The Legends of Alsace' by Georges Spetz, 1905 (colour litho)

Schnug, Leon (fl.1905)

Telemachus leaving the Isle of Calypso, illustration from 'The Adventures of Telemachus' by Francois de Salignac de la Mothe Fenelon (1651-1715) engraved by Jacques de Favanne (1716-1770) (engraving)
Telemachus leaving the Isle of Calypso, illustration from 'The Adventures of Telemachus' by Francois de Salignac de la Mothe Fenelon (1651-1715) engraved by Jacques de Favanne (1716-1770) (engraving)

CHT239757: Telemachus leaving the Isle of Calypso, illustration from 'The Adventures of Telemachus' by Francois de Salignac de la Mothe Fenelon (1651-1715) engraved by Jacques de Favanne (1716-1770) (engraving), Favanne, Henri Antoine de (1668-1752) (after) / Bridgeman Images

ID: CHT239757

Telemachus leaving the Isle of Calypso, illustration from 'The Adventures of Telemachus' by Francois de Salignac de la Mothe Fenelon (1651-1715) engraved by Jacques de Favanne (1716-1770) (engraving)

Favanne, Henri Antoine de (1668-1752) (after)

Syphilus Bacillus, from a book by Max von Niessen, Leipzig, 1908 (colour litho)
Syphilus Bacillus, from a book by Max von Niessen, Leipzig, 1908 (colour litho)

CHT236063: Syphilus Bacillus, from a book by Max von Niessen, Leipzig, 1908 (colour litho), German School, (20th century) / Bridgeman Images

ID: CHT236063

Syphilus Bacillus, from a book by Max von Niessen, Leipzig, 1908 (colour litho)

German School, (20th century)

Altar T (right side) commemorating 'First Katum', the coming to power of Yax Pac, from Copan, Honduras (stone)
Altar T (right side) commemorating 'First Katum', the coming to power of Yax Pac, from Copan, Honduras (stone)

JPC238283: Altar T (right side) commemorating 'First Katum', the coming to power of Yax Pac, from Copan, Honduras (stone), Mayan / Bridgeman Images

ID: JPC238283

Altar T (right side) commemorating 'First Katum', the coming to power of Yax Pac, from Copan, Honduras (stone)

Mayan

Boats at Braydon, 1825 (etching)
Boats at Braydon, 1825 (etching)

XYC237817: Boats at Braydon, 1825 (etching), Stannard, Joseph (1797-1830) / Bridgeman Images

ID: XYC237817

Boats at Braydon, 1825 (etching)

Stannard, Joseph (1797-1830)

Cottages in a Landscape (oil on panel)
Cottages in a Landscape (oil on panel)

XYC238421: Cottages in a Landscape (oil on panel), Churchyard, Thomas (1798-1865) / Bridgeman Images

ID: XYC238421

Cottages in a Landscape (oil on panel)

Churchyard, Thomas (1798-1865)

Dancer Looking at the Sole of her Right Foot (bronze)
Dancer Looking at the Sole of her Right Foot (bronze)

NGW238955: Dancer Looking at the Sole of her Right Foot (bronze), Degas, Edgar (1834-1917) / Bridgeman Images

ID: NGW238955

Dancer Looking at the Sole of her Right Foot (bronze)

Degas, Edgar (1834-1917)

A panel from an eight fold screen (natural pigments on paper)
A panel from an eight fold screen (natural pigments on paper)

GAH238515: A panel from an eight fold screen (natural pigments on paper), Korean School / Bridgeman Images

ID: GAH238515

A panel from an eight fold screen (natural pigments on paper)

Korean School

Madonna and Child with Saints Catherine of Alexandria and either George or Liberale (oil on panel)
Madonna and Child with Saints Catherine of Alexandria and either George or Liberale (oil on panel)

SHK239396: Madonna and Child with Saints Catherine of Alexandria and either George or Liberale (oil on panel), Carpaccio, Vittore (c.1450-1522/5) (attr.to) / Bridgeman Images

ID: SHK239396

Madonna and Child with Saints Catherine of Alexandria and either George or Liberale (oil on panel)

Carpaccio, Vittore (c.1450-1522/5) (attr.to)

Shylock gave her his keys and bid her guard the house, illustration from 'The Merchant of Venice' in 'Stories from Shakespeare: Retold by Thomas Carter' published c.1910 (colour litho)
Shylock gave her his keys and bid her guard the house, illustration from 'The Merchant of Venice' in 'Stories from Shakespeare: Retold by Thomas Carter' published c.1910 (colour litho)

IL239089: Shylock gave her his keys and bid her guard the house, illustration from 'The Merchant of Venice' in 'Stories from Shakespeare: Retold by Thomas Carter' published c.1910 (colour litho), Hammond, Gertrude E. Demain (1862-1952) / Bridgeman Images

ID: IL239089

Shylock gave her his keys and bid her guard the house, illustration from 'The Merchant of Venice' in 'Stories from Shakespeare: Retold by Thomas Carter' published c.1910 (colour litho)

Hammond, Gertrude E. Demain (1862-1952)

Gargoyle (stone)
Gargoyle (stone)

KW237468: Gargoyle (stone), Portuguese School / Bridgeman Images

ID: KW237468

Gargoyle (stone)

Portuguese School

Anatomy of the throat and jaw, from 'Manuel d'Anatomie descriptive du Corps Humain' by Jules Cloquet (1790-1883) 1825 (colour litho)
Anatomy of the throat and jaw, from 'Manuel d'Anatomie descriptive du Corps Humain' by Jules Cloquet (1790-1883) 1825 (colour litho)

CHT235093: Anatomy of the throat and jaw, from 'Manuel d'Anatomie descriptive du Corps Humain' by Jules Cloquet (1790-1883) 1825 (colour litho), Feillet, (fl.1825) / Bridgeman Images

ID: CHT235093

Anatomy of the throat and jaw, from 'Manuel d'Anatomie descriptive du Corps Humain' by Jules Cloquet (1790-1883) 1825 (colour litho)

Feillet, (fl.1825)

A Wooded River Landscape with Figures, Horse and Cart, 1692 (oil on canvas)
A Wooded River Landscape with Figures, Horse and Cart, 1692 (oil on canvas)

WES239436: A Wooded River Landscape with Figures, Horse and Cart, 1692 (oil on canvas), Siberechts, Jan (1627-1703) / Bridgeman Images

ID: WES239436

A Wooded River Landscape with Figures, Horse and Cart, 1692 (oil on canvas)

Siberechts, Jan (1627-1703)

Two panels of an eight fold screen depicting birds and flowers (natural pigments on paper)
Two panels of an eight fold screen depicting birds and flowers (natural pigments on paper)

GAH238089: Two panels of an eight fold screen depicting birds and flowers (natural pigments on paper), Korean School / Bridgeman Images

ID: GAH238089

Two panels of an eight fold screen depicting birds and flowers (natural pigments on paper)

Korean School

Covered tetrapod bowl, from Tikal, Peten, Guatemala, Early Classic Period (c.200-600 AD) (ceramic)
Covered tetrapod bowl, from Tikal, Peten, Guatemala, Early Classic Period (c.200-600 AD) (ceramic)

JPC238287: Covered tetrapod bowl, from Tikal, Peten, Guatemala, Early Classic Period (c.200-600 AD) (ceramic), Mayan / Bridgeman Images

ID: JPC238287

Covered tetrapod bowl, from Tikal, Peten, Guatemala, Early Classic Period (c.200-600 AD) (ceramic)

Mayan

Self Portrait (pen & ink on paper) (b/w photo)
Self Portrait (pen & ink on paper) (b/w photo)

CHT239732: Self Portrait (pen & ink on paper) (b/w photo), Vigny, Alfred de (1797-1863) / Bridgeman Images

ID: CHT239732

Self Portrait (pen & ink on paper) (b/w photo)

Vigny, Alfred de (1797-1863)

The Chateau de Frechines, engraved by C. Motte, c.1830-40 (litho)
The Chateau de Frechines, engraved by C. Motte, c.1830-40 (litho)

CHT236048: The Chateau de Frechines, engraved by C. Motte, c.1830-40 (litho), Pensee, Charles Francois Joseph (1799-1871) (after) / Bridgeman Images

ID: CHT236048

The Chateau de Frechines, engraved by C. Motte, c.1830-40 (litho)

Pensee, Charles Francois Joseph (1799-1871) (after)

The Battle of Wissembourg, 3rd-4th August 1870, 1892 (coloured engraving)
The Battle of Wissembourg, 3rd-4th August 1870, 1892 (coloured engraving)

PLT238260: The Battle of Wissembourg, 3rd-4th August 1870, 1892 (coloured engraving), Beuzon, Joseph Charles (fl.1892) (after) / Bridgeman Images

ID: PLT238260

The Battle of Wissembourg, 3rd-4th August 1870, 1892 (coloured engraving)

Beuzon, Joseph Charles (fl.1892) (after)

View of Long Lane, with pigs in pens in part of Old Smithfield Market, 1844 (w/c on paper)
View of Long Lane, with pigs in pens in part of Old Smithfield Market, 1844 (w/c on paper)

GHL239459: View of Long Lane, with pigs in pens in part of Old Smithfield Market, 1844 (w/c on paper) / Bridgeman Images

ID: GHL239459

View of Long Lane, with pigs in pens in part of Old Smithfield Market, 1844 (w/c on paper)

A staircase set in a wall, Late Post-Classic Period (photo)
A staircase set in a wall, Late Post-Classic Period (photo)

XBP236905: A staircase set in a wall, Late Post-Classic Period (photo), Pre-Columbian / Bridgeman Images

ID: XBP236905

A staircase set in a wall, Late Post-Classic Period (photo)

Pre-Columbian

Bernard Berenson (1865-1959) (b/w photo)
Bernard Berenson (1865-1959) (b/w photo)

LEE238456: Bernard Berenson (1865-1959) (b/w photo), Lees, David / Bridgeman Images

ID: LEE238456

Bernard Berenson (1865-1959) (b/w photo)

Lees, David

Sonia Orwell, Joy Batchelor and John Halas arrive at Idlewild airport for the opening of the animated film of 'Animal Farm' in January 1954 (b/w photo)
Sonia Orwell, Joy Batchelor and John Halas arrive at Idlewild airport for the opening of the animated film of 'Animal Farm' in January 1954 (b/w photo)

HBC235997: Sonia Orwell, Joy Batchelor and John Halas arrive at Idlewild airport for the opening of the animated film of 'Animal Farm' in January 1954 (b/w photo), English Photographer, (20th century) / Bridgeman Images

ID: HBC235997

Sonia Orwell, Joy Batchelor and John Halas arrive at Idlewild airport for the opening of the animated film of 'Animal Farm' in January 1954 (b/w photo)

English Photographer, (20th century)

Graves of Vincent and Theo van Gogh, Auvers-sur-Oise (photo)
Graves of Vincent and Theo van Gogh, Auvers-sur-Oise (photo)

XZO237382: Graves of Vincent and Theo van Gogh, Auvers-sur-Oise (photo) / Bridgeman Images

ID: XZO237382

Graves of Vincent and Theo van Gogh, Auvers-sur-Oise (photo)


Back to top