EVC5970787: Flight to Fury by Monte Hellman, 1964 / Bridgeman Images

EVC5970975: 42nd STREET, Bebe Daniels, in an ivory velvet gown with chiffon sleeves by Orry-Kelly, 1933 / Bridgeman Images

EVC5970793: FLUKE, director Carlo Carlei (rear) wit from left: Fluke the dog, Nancy Travis, Max Pomeranc on set, 1995 / Bridgeman Images

EVC5970799: FLIRTING WITH FATE, from left: Joe E. Brown, Beverly Roberts, 1938 / Bridgeman Images

EVC5971016: FORT TI, George Montgomery, 1953 / Bridgeman Images

EVC5970817: FOREVER AND A DAY, center, from left, Herbert Marshall, Ruth Warrick, Kent Smith, 1943 / Bridgeman Images

EVC5971090: FRENCHMAN'S CREEK, Cecil Kellaway, 1944 / Bridgeman Images

EVC5971120: Friday Foster by Arthur Marks, 1975 / Bridgeman Images

EVC5971132: FROM HELL TO HEAVEN, from left, David Manners, Adrienne Ames, Clarence Muse, 1933 / Bridgeman Images

EVC5971150: director Robert Aldrich, Gene Wilder on set, 1979 (b/w photo) / Bridgeman Images

EVC5971195: FRIENDLY PERSUASION, from left: director William Wyler (seated), camera operator Emmett Bergholz on location in a corn field, 1956 / Bridgeman Images

EVC5971198: FRIENDLY PERSUASION, Robert Middleton, 1956 / Bridgeman Images

EVC5971204: FRIENDLY PERSUASION, from left, Marjorie Main, Gary Cooper, 1956 / Bridgeman Images

EVC5971222: FROM THIS DAY FORWARD, Joan Fontaine, 1946 / Bridgeman Images

EVC5971237: FULL CONFESSION, from left, Victor McLaglen, Robert Homans, 1939 / Bridgeman Images

EVC5971252: THE FUGITIVE KIND, Anna Magnani, 1959 / Bridgeman Images

EVC5971273: FULL OF LIFE, Judy Holliday, 1956 / Bridgeman Images

EVC5971309: The Gay Deceivers by Bruce Kessler, 1969 / Bridgeman Images

EVC5971315: GAILY, GAILY, from left, producer Hal Ashby, director Norman Jewison, on-set, 1969 / Bridgeman Images

EVC5971318: GASOLINE GUS, from left: author George Pattullo, Roscoe 'Fatty' Arbuckle, director James Cruze on set, 1921 / Bridgeman Images

EVC5971342: Gambit by Ronald Neame, 1966 / Bridgeman Images

EVC5971354: GAMES, from left, producer George Edwards, Simone Signoret, director Curtis Harrington, on-set, 1967 (photo) / Bridgeman Images

EVC5971357: THE GANGSTER, Belita, 1947 / Bridgeman Images

EVC5971049: FRANKENSTEIN, from left, Colin Clive, Boris Karloff, 1931 / Bridgeman Images

EVC5971061: Frantic by Roman Polanski, 1988 / Bridgeman Images

EVC5971064: Frankenstein and the Monster from Hell by Terence Fisher, 1974 / Bridgeman Images

EVC5971094: FRONTIER DAYS, from left, Robert Shayne, Dorothy Malone, 1945 / Bridgeman Images

EVC5971097: Fraulein Doktor by Alberto Lattuada, 1969 / Bridgeman Images

EVC5971121: Friday Foster by Arthur Marks, 1975 / Bridgeman Images

EVC5971130: FROM HELL TO HEAVEN, from left, Carole Lombard, Sidney Blackmer, 1933 / Bridgeman Images

EVC5971133: FROM HELL TO HEAVEN, from left, Adrienne Ames, David Manners, 1933 / Bridgeman Images

EVC5971139: Friday by F. Gary Gray, 1995 / Bridgeman Images

EVC5971145: FRIEDA, David Farrar, 1947 / Bridgeman Images

EVC5971029: FORT VENGEANCE, from left, James Craig, Emory Parnell, Michael Granger, Rita Moreno, 1953 / Bridgeman Images

EVC5971032: FOOTLOOSE WIDOWS, Louise Fazenda, 1926 / Bridgeman Images

EVC5971157: FRISCO LIL, from left, Minor Watson, Irene Hervey, Milburn Stone, 1942 / Bridgeman Images