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I turned to Him, saying: 'I put my trust in you… not dwelling on the past'., 2000 (w/c on paper)
I turned to Him, saying: 'I put my trust in you… not dwelling on the past'., 2000 (w/c on paper)

WNG6335677: I turned to Him, saying: 'I put my trust in you… not dwelling on the past'., 2000 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

ID: WNG6335677

I turned to Him, saying: 'I put my trust in you… not dwelling on the past'., 2000 (w/c on paper)

Wang, Elizabeth (1942-2016)

In my nothingness I can expect everything I need from God, since by His grace and mercy He created me, and sent His Son to die for me., 2001 (w/c on paper)
In my nothingness I can expect everything I need from God, since by His grace and mercy He created me, and sent His Son to die for me., 2001 (w/c on paper)

WNG6335699: In my nothingness I can expect everything I need from God, since by His grace and mercy He created me, and sent His Son to die for me., 2001 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

ID: WNG6335699

In my nothingness I can expect everything I need from God, since by His grace and mercy He created me, and sent His Son to die for me., 2001 (w/c on paper)

Wang, Elizabeth (1942-2016)

Christ's glory (offered by us in the Holy Sacrifice) embraces the infinite God and spills over upon those who offer it., 2001 (w/c on paper)
Christ's glory (offered by us in the Holy Sacrifice) embraces the infinite God and spills over upon those who offer it., 2001 (w/c on paper)

WNG6335745: Christ's glory (offered by us in the Holy Sacrifice) embraces the infinite God and spills over upon those who offer it., 2001 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

ID: WNG6335745

Christ's glory (offered by us in the Holy Sacrifice) embraces the infinite God and spills over upon those who offer it., 2001 (w/c on paper)

Wang, Elizabeth (1942-2016)

Christ is truly Present, but it is as if a veil hides Him from our gaze., 2001 (w/c on paper)
Christ is truly Present, but it is as if a veil hides Him from our gaze., 2001 (w/c on paper)

WNG6335778: Christ is truly Present, but it is as if a veil hides Him from our gaze., 2001 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

ID: WNG6335778

Christ is truly Present, but it is as if a veil hides Him from our gaze., 2001 (w/c on paper)

Wang, Elizabeth (1942-2016)

The Holy Spirit pierces the veil at the Holy Mass, and reveals to us the mystery of Christ's sufferings., 2000 (w/c on paper)
The Holy Spirit pierces the veil at the Holy Mass, and reveals to us the mystery of Christ's sufferings., 2000 (w/c on paper)

WNG6335793: The Holy Spirit pierces the veil at the Holy Mass, and reveals to us the mystery of Christ's sufferings., 2000 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

ID: WNG6335793

The Holy Spirit pierces the veil at the Holy Mass, and reveals to us the mystery of Christ's sufferings., 2000 (w/c on paper)

Wang, Elizabeth (1942-2016)

Angels worship wherever Christ is present, darkness or cold not withstanding., 2001 (w/c on paper)
Angels worship wherever Christ is present, darkness or cold not withstanding., 2001 (w/c on paper)

WNG6335799: Angels worship wherever Christ is present, darkness or cold not withstanding., 2001 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

ID: WNG6335799

Angels worship wherever Christ is present, darkness or cold not withstanding., 2001 (w/c on paper)

Wang, Elizabeth (1942-2016)

View of Our Lady of the Light of Perugia 2/3, c.1900-1940 (engraving on copper)
View of Our Lady of the Light of Perugia 2/3, c.1900-1940 (engraving on copper)

GNU6351096: View of Our Lady of the Light of Perugia 2/3, c.1900-1940 (engraving on copper) / Bridgeman Images

ID: GNU6351096

View of Our Lady of the Light of Perugia 2/3, c.1900-1940 (engraving on copper)

Pendulum Clock, c.1800-1900 (wood, glass and metal)
Pendulum Clock, c.1800-1900 (wood, glass and metal)

GNU6351135: Pendulum Clock, c.1800-1900 (wood, glass and metal) / Bridgeman Images

ID: GNU6351135

Pendulum Clock, c.1800-1900 (wood, glass and metal)

Rikki-Tikki-Tavi, c.1950-1975 (chalcography)
Rikki-Tikki-Tavi, c.1950-1975 (chalcography)

GNU6351150: Rikki-Tikki-Tavi, c.1950-1975 (chalcography) / Bridgeman Images

ID: GNU6351150

Rikki-Tikki-Tavi, c.1950-1975 (chalcography)

Papal coat of arms of Pope Gregory XVI, c.1831-1844 (fresco applied on areolam)
Papal coat of arms of Pope Gregory XVI, c.1831-1844 (fresco applied on areolam)

GNU6351153: Papal coat of arms of Pope Gregory XVI, c.1831-1844 (fresco applied on areolam), Umbrian school, (19th century) / Bridgeman Images

ID: GNU6351153

Papal coat of arms of Pope Gregory XVI, c.1831-1844 (fresco applied on areolam)

Umbrian school, (19th century)

Annunciation, c.1600-1699 (oil on canvas)
Annunciation, c.1600-1699 (oil on canvas)

GNU6351177: Annunciation, c.1600-1699 (oil on canvas) / Bridgeman Images

ID: GNU6351177

Annunciation, c.1600-1699 (oil on canvas)

Saint Catherine of Siena; Madonna and Child Jesus, c.1600-1610 (oil on board)
Saint Catherine of Siena; Madonna and Child Jesus, c.1600-1610 (oil on board)

GNU6351210: Saint Catherine of Siena; Madonna and Child Jesus, c.1600-1610 (oil on board), Umbrian School, (17th century) / Bridgeman Images

ID: GNU6351210

Saint Catherine of Siena; Madonna and Child Jesus, c.1600-1610 (oil on board)

Umbrian School, (17th century)

St. Peter the Martyr, c.1600-1610 (oil on board)
St. Peter the Martyr, c.1600-1610 (oil on board)

GNU6351213: St. Peter the Martyr, c.1600-1610 (oil on board), Umbrian School, (17th century) / Bridgeman Images

ID: GNU6351213

St. Peter the Martyr, c.1600-1610 (oil on board)

Umbrian School, (17th century)

Lucerne, c.500-700 (terracotta)
Lucerne, c.500-700 (terracotta)

GNU6351243: Lucerne, c.500-700 (terracotta), Unknown artist, (6th-7th century) / Bridgeman Images

ID: GNU6351243

Lucerne, c.500-700 (terracotta)

Unknown artist, (6th-7th century)

Saint Lucia, c.1575-1600 (oil on canvas)
Saint Lucia, c.1575-1600 (oil on canvas)

GNU6351279: Saint Lucia, c.1575-1600 (oil on canvas), Central Italian School, (16th century) / Bridgeman Images

ID: GNU6351279

Saint Lucia, c.1575-1600 (oil on canvas)

Central Italian School, (16th century)

Angels and Saints, detail, c.1250-99 (fresco)
Angels and Saints, detail, c.1250-99 (fresco)

GNU6351286: Angels and Saints, detail, c.1250-99 (fresco), Master of the Reredos of Montelabate (14th century) / Bridgeman Images

ID: GNU6351286

Angels and Saints, detail, c.1250-99 (fresco)

Master of the Reredos of Montelabate (14th century)

Angels and Saints, detail, c.1250-99 (fresco)
Angels and Saints, detail, c.1250-99 (fresco)

GNU6351289: Angels and Saints, detail, c.1250-99 (fresco), Master of the Reredos of Montelabate (14th century) / Bridgeman Images

ID: GNU6351289

Angels and Saints, detail, c.1250-99 (fresco)

Master of the Reredos of Montelabate (14th century)

The sacred ibis of egyptians, 1868
The sacred ibis of egyptians, 1868

JAB6335054: The sacred ibis of egyptians, 1868, Unknown Artist, (19th century) / Bridgeman Images

ID: JAB6335054

The sacred ibis of egyptians, 1868

Unknown Artist, (19th century)

Piazzetta di San Giovanni del Fosso, bottom of the house Tarot, c.1905-1930 (watercolor design)
Piazzetta di San Giovanni del Fosso, bottom of the house Tarot, c.1905-1930 (watercolor design)

GNU6351407: Piazzetta di San Giovanni del Fosso, bottom of the house Tarot, c.1905-1930 (watercolor design) / Bridgeman Images

ID: GNU6351407

Piazzetta di San Giovanni del Fosso, bottom of the house Tarot, c.1905-1930 (watercolor design)

Coleoptera: Gorgus bispinosus, 1860
Coleoptera: Gorgus bispinosus, 1860

JAB6335074: Coleoptera: Gorgus bispinosus, 1860, Unknown Artist, (19th century) / Bridgeman Images

ID: JAB6335074

Coleoptera: Gorgus bispinosus, 1860

Unknown Artist, (19th century)

Paul Otchakovsky-Laurens and Christian Bourgois, 1991 (b/w photo)
Paul Otchakovsky-Laurens and Christian Bourgois, 1991 (b/w photo)

MLO6351463: Paul Otchakovsky-Laurens and Christian Bourgois, 1991 (b/w photo), Monier, Louis / Bridgeman Images

ID: MLO6351463

Paul Otchakovsky-Laurens and Christian Bourgois, 1991 (b/w photo)

Monier, Louis

Alvaro Mutis (b/w photo)
Alvaro Mutis (b/w photo)

MLO6351472: Alvaro Mutis (b/w photo), Monier, Louis / Bridgeman Images

ID: MLO6351472

Alvaro Mutis (b/w photo)

Monier, Louis

C. Nery (b/w photo)
C. Nery (b/w photo)

MLO6351490: C. Nery (b/w photo), Monier, Louis / Bridgeman Images

ID: MLO6351490

C. Nery (b/w photo)

Monier, Louis

Frederic Musso (photo)
Frederic Musso (photo)

MLO6351529: Frederic Musso (photo), Monier, Louis / Bridgeman Images

ID: MLO6351529

Frederic Musso (photo)

Monier, Louis

Portrait of Jean Daniel, 1960s (b/w photo)
Portrait of Jean Daniel, 1960s (b/w photo)

MLO6351565: Portrait of Jean Daniel, 1960s (b/w photo), Monier, Louis / Bridgeman Images

ID: MLO6351565

Portrait of Jean Daniel, 1960s (b/w photo)

Monier, Louis

Rural civilization late 14th century: Blade merchant traveling to France. Italo-French Alpine Trails. Late 14th century, 2020 (photo)
Rural civilization late 14th century: Blade merchant traveling to France. Italo-French Alpine Trails. Late 14th century, 2020 (photo)

BSI6335140: Rural civilization late 14th century: Blade merchant traveling to France. Italo-French Alpine Trails. Late 14th century, 2020 (photo), Balossini, Camillo / Bridgeman Images

ID: BSI6335140

Rural civilization late 14th century: Blade merchant traveling to France. Italo-French Alpine Trails. Late 14th century, 2020 (photo)

Balossini, Camillo

Philippe Labro, Arthur Miller and François Perier, 1988 (b/w photo)
Philippe Labro, Arthur Miller and François Perier, 1988 (b/w photo)

MLO6351610: Philippe Labro, Arthur Miller and François Perier, 1988 (b/w photo), Monier, Louis / Bridgeman Images

ID: MLO6351610

Philippe Labro, Arthur Miller and François Perier, 1988 (b/w photo)

Monier, Louis

Tracy Chevalier (photo)
Tracy Chevalier (photo)

MLO6351649: Tracy Chevalier (photo), Monier, Louis / Bridgeman Images

ID: MLO6351649

Tracy Chevalier (photo)

Monier, Louis

Philippe Labro, Arthur Miller and François Perier, 1988 (b/w photo)
Philippe Labro, Arthur Miller and François Perier, 1988 (b/w photo)

MLO6351711: Philippe Labro, Arthur Miller and François Perier, 1988 (b/w photo), Monier, Louis / Bridgeman Images

ID: MLO6351711

Philippe Labro, Arthur Miller and François Perier, 1988 (b/w photo)

Monier, Louis

Christ stood beside the priest who was reading the Holy Gospel to us all, which was Christ's own word., 2000 (w/c on paper)
Christ stood beside the priest who was reading the Holy Gospel to us all, which was Christ's own word., 2000 (w/c on paper)

WNG6335340: Christ stood beside the priest who was reading the Holy Gospel to us all, which was Christ's own word., 2000 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

ID: WNG6335340

Christ stood beside the priest who was reading the Holy Gospel to us all, which was Christ's own word., 2000 (w/c on paper)

Wang, Elizabeth (1942-2016)

Through the Mass, every generation of God's people is present to the one Sacrifice to Christ as it is represented on the altar., 2001 (w/c on paper)
Through the Mass, every generation of God's people is present to the one Sacrifice to Christ as it is represented on the altar., 2001 (w/c on paper)

WNG6335426: Through the Mass, every generation of God's people is present to the one Sacrifice to Christ as it is represented on the altar., 2001 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

ID: WNG6335426

Through the Mass, every generation of God's people is present to the one Sacrifice to Christ as it is represented on the altar., 2001 (w/c on paper)

Wang, Elizabeth (1942-2016)

When we see God in Heaven we shall see the pure, infinite, perfect beauty from which this natural beauty is drawn, 2001 (w/c on paper)
When we see God in Heaven we shall see the pure, infinite, perfect beauty from which this natural beauty is drawn, 2001 (w/c on paper)

WNG6335507: When we see God in Heaven we shall see the pure, infinite, perfect beauty from which this natural beauty is drawn, 2001 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

ID: WNG6335507

When we see God in Heaven we shall see the pure, infinite, perfect beauty from which this natural beauty is drawn, 2001 (w/c on paper)

Wang, Elizabeth (1942-2016)

Heartache, humiliation and helplessness were the worst of Christ's sufferings; how few bear such sufferings for His sake., 2001 (w/c on paper)
Heartache, humiliation and helplessness were the worst of Christ's sufferings; how few bear such sufferings for His sake., 2001 (w/c on paper)

WNG6335519: Heartache, humiliation and helplessness were the worst of Christ's sufferings; how few bear such sufferings for His sake., 2001 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

ID: WNG6335519

Heartache, humiliation and helplessness were the worst of Christ's sufferings; how few bear such sufferings for His sake., 2001 (w/c on paper)

Wang, Elizabeth (1942-2016)

Once, sitting in prayer, making requests for myself and others, I was resting half into Heaven, it seemed, in utter peace., 2001 (w/c on paper)
Once, sitting in prayer, making requests for myself and others, I was resting half into Heaven, it seemed, in utter peace., 2001 (w/c on paper)

WNG6335528: Once, sitting in prayer, making requests for myself and others, I was resting half into Heaven, it seemed, in utter peace., 2001 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

ID: WNG6335528

Once, sitting in prayer, making requests for myself and others, I was resting half into Heaven, it seemed, in utter peace., 2001 (w/c on paper)

Wang, Elizabeth (1942-2016)

Through the Mass, every generation of God's people is present to the one Sacrifice to Christ as it is represented on the altar., 2001 (w/c on paper)
Through the Mass, every generation of God's people is present to the one Sacrifice to Christ as it is represented on the altar., 2001 (w/c on paper)

WNG6335534: Through the Mass, every generation of God's people is present to the one Sacrifice to Christ as it is represented on the altar., 2001 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

ID: WNG6335534

Through the Mass, every generation of God's people is present to the one Sacrifice to Christ as it is represented on the altar., 2001 (w/c on paper)

Wang, Elizabeth (1942-2016)

Daily life, XIII century: Small hamlet of the Tuscan Apennines: the notary; drafting of an act for the sale of a land, central Italy, Prato, Italy (photo)
Daily life, XIII century: Small hamlet of the Tuscan Apennines: the notary; drafting of an act for the sale of a land, central Italy, Prato, Italy (photo)

BSI6352055: Daily life, XIII century: Small hamlet of the Tuscan Apennines: the notary; drafting of an act for the sale of a land, central Italy, Prato, Italy (photo), Balossini, Camillo / Bridgeman Images

ID: BSI6352055

Daily life, XIII century: Small hamlet of the Tuscan Apennines: the notary; drafting of an act for the sale of a land, central Italy, Prato, Italy (photo)

Balossini, Camillo


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