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13773 Search Results for sword

King Charles I on Horseback
King Charles I on Horseback

USB1161655: King Charles I on Horseback, Dyck, Anthony van (1599-1641) (after) / Bridgeman Images

ID: USB1161655

King Charles I on Horseback

Dyck, Anthony van (1599-1641) (after)

John Buckle (d.1818)
John Buckle (d.1818)

USB1163002: John Buckle (d.1818), Catton, Charles, I (1728-98) / Bridgeman Images

ID: USB1163002

John Buckle (d.1818)

Catton, Charles, I (1728-98)

Apotheosis of the King of Rome (Apoteosi del re di Roma), by Giuseppe Bernardino Bison, 1811, 19th Century, oil on canvas
Apotheosis of the King of Rome (Apoteosi del re di Roma), by Giuseppe Bernardino Bison, 1811, 19th Century, oil on canvas

ELC1190961: Apotheosis of the King of Rome (Apoteosi del re di Roma), by Giuseppe Bernardino Bison, 1811, 19th Century, oil on canvas, Bison, Giuseppe Bernardino (1762-1844) / Bridgeman Images

ID: ELC1190961

Apotheosis of the King of Rome (Apoteosi del re di Roma), by Giuseppe Bernardino Bison, 1811, 19th Century, oil on canvas

Bison, Giuseppe Bernardino (1762-1844)

‘Liberation of Europe: Special service troops fight their way inland from French beaches’, June 1944 (b/w photo)
‘Liberation of Europe: Special service troops fight their way inland from French beaches’, June 1944 (b/w photo)

NAM5922490: ‘Liberation of Europe: Special service troops fight their way inland from French beaches’, June 1944 (b/w photo), Unknown photographer, (20th century) / Bridgeman Images

ID: NAM5922490

‘Liberation of Europe: Special service troops fight their way inland from French beaches’, June 1944 (b/w photo)

Unknown photographer, (20th century)

Study for the oil painting by William Barns Wollen, ‘The flag: Albuhera, May 16, 1811’ (charcoal and wash)
Study for the oil painting by William Barns Wollen, ‘The flag: Albuhera, May 16, 1811’ (charcoal and wash)

NAM5927182: Study for the oil painting by William Barns Wollen, ‘The flag: Albuhera, May 16, 1811’ (charcoal and wash), Wollen, William Barnes (1857-1936) / Bridgeman Images

ID: NAM5927182

Study for the oil painting by William Barns Wollen, ‘The flag: Albuhera, May 16, 1811’ (charcoal and wash)

Wollen, William Barnes (1857-1936)

Allegory of war. She holds a lightning and a nude sword and breaks under her feet gold and silver vases and a statue of the god Plutus which is symbolized by a horn of abundance and a blindfold. At the bottom, the walls of a ruined city. Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection.
Allegory of war. She holds a lightning and a nude sword and breaks under her feet gold and silver vases and a statue of the god Plutus which is symbolized by a horn of abundance and a blindfold. At the bottom, the walls of a ruined city. Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection.

XEE4135592: Allegory of war. She holds a lightning and a nude sword and breaks under her feet gold and silver vases and a statue of the god Plutus which is symbolized by a horn of abundance and a blindfold. At the bottom, the walls of a ruined city. Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection., Austrian School, (19th century) / Bridgeman Images

ID: XEE4135592

Allegory of war. She holds a lightning and a nude sword and breaks under her feet gold and silver vases and a statue of the god Plutus which is symbolized by a horn of abundance and a blindfold. At the bottom, the walls of a ruined city. Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection.

Austrian School, (19th century)

Nebulae NGC 1973 - 1975 - 1977 in Orion - The reflection nebulae NGC 1973 - 75 - 77 in Orion - Reflection nebulae located just north of the Great Orion Nebula. This group of nebulous stars is just half a degree north of the much brighter Orion Nebula and has largely been ignored because of it. The group of stars here appear as a single star to the unaided eye, the northernmost 'star' in the sword of Orion. Most of the blue nebulosity is starlight scattered by dust, while some of the stars are sufficiently hot to excite the wisps of hydrogen that linger here and create a distinctive red glow
Nebulae NGC 1973 - 1975 - 1977 in Orion - The reflection nebulae NGC 1973 - 75 - 77 in Orion - Reflection nebulae located just north of the Great Orion Nebula. This group of nebulous stars is just half a degree north of the much brighter Orion Nebula and has largely been ignored because of it. The group of stars here appear as a single star to the unaided eye, the northernmost 'star' in the sword of Orion. Most of the blue nebulosity is starlight scattered by dust, while some of the stars are sufficiently hot to excite the wisps of hydrogen that linger here and create a distinctive red glow

PIX4618057: Nebulae NGC 1973 - 1975 - 1977 in Orion - The reflection nebulae NGC 1973 - 75 - 77 in Orion - Reflection nebulae located just north of the Great Orion Nebula. This group of nebulous stars is just half a degree north of the much brighter Orion Nebula and has largely been ignored because of it. The group of stars here appear as a single star to the unaided eye, the northernmost 'star' in the sword of Orion. Most of the blue nebulosity is starlight scattered by dust, while some of the stars are sufficiently hot to excite the wisps of hydrogen that linger here and create a distinctive red glow / Bridgeman Images

ID: PIX4618057

Nebulae NGC 1973 - 1975 - 1977 in Orion - The reflection nebulae NGC 1973 - 75 - 77 in Orion - Reflection nebulae located just north of the Great Orion Nebula. This group of nebulous stars is just half a degree north of the much brighter Orion Nebula and has largely been ignored because of it. The group of stars here appear as a single star to the unaided eye, the northernmost 'star' in the sword of Orion. Most of the blue nebulosity is starlight scattered by dust, while some of the stars are sufficiently hot to excite the wisps of hydrogen that linger here and create a distinctive red glow

Imaginary Monument to Thomas Fitzwilliam (d.1513) and John Fitzwilliam (b.before 1498 - d.1513)
Imaginary Monument to Thomas Fitzwilliam (d.1513) and John Fitzwilliam (b.before 1498 - d.1513)

USB1157785: Imaginary Monument to Thomas Fitzwilliam (d.1513) and John Fitzwilliam (b.before 1498 - d.1513), English School, (18th century) / Bridgeman Images

ID: USB1157785

Imaginary Monument to Thomas Fitzwilliam (d.1513) and John Fitzwilliam (b.before 1498 - d.1513)

English School, (18th century)

The west rose window depicting a scene from the Book of Revelation: Christ enthroned on a rainbow surrounded by seven golden candlesticks and the seven churches of Asia. In His mouth is the sharp two edged sword. His hair is white as snow white wool, His eyes flame like fire and His face like the sun in full strength. Above His right hand are the seven stars (1.11 16). (stained glass)
The west rose window depicting a scene from the Book of Revelation: Christ enthroned on a rainbow surrounded by seven golden candlesticks and the seven churches of Asia. In His mouth is the sharp two edged sword. His hair is white as snow white wool, His eyes flame like fire and His face like the sun in full strength. Above His right hand are the seven stars (1.11 16). (stained glass)

PC721658: The west rose window depicting a scene from the Book of Revelation: Christ enthroned on a rainbow surrounded by seven golden candlesticks and the seven churches of Asia. In His mouth is the sharp two edged sword. His hair is white as snow white wool, His eyes flame like fire and His face like the sun in full strength. Above His right hand are the seven stars (1.11 16). (stained glass), French School, (15th century) / Bridgeman Images

ID: PC721658

The west rose window depicting a scene from the Book of Revelation: Christ enthroned on a rainbow surrounded by seven golden candlesticks and the seven churches of Asia. In His mouth is the sharp two edged sword. His hair is white as snow white wool, His eyes flame like fire and His face like the sun in full strength. Above His right hand are the seven stars (1.11 16). (stained glass)

French School, (15th century)

The Card Players
The Card Players

USB1161217: The Card Players, Rombouts, Theodor (1597-1637) (after) / Bridgeman Images

ID: USB1161217

The Card Players

Rombouts, Theodor (1597-1637) (after)

English basket-hilted broadsword, 1610 circa (metal)
English basket-hilted broadsword, 1610 circa (metal)

NAM5923415: English basket-hilted broadsword, 1610 circa (metal), English School, (17th century) / Bridgeman Images

ID: NAM5923415

English basket-hilted broadsword, 1610 circa (metal)

English School, (17th century)

Le Morte Darthur - compiled by Thomas Malory
Le Morte Darthur - compiled by Thomas Malory

XLA3761327: Le Morte Darthur - compiled by Thomas Malory, Flint, William Russell (1880-1969) / Bridgeman Images

ID: XLA3761327

Le Morte Darthur - compiled by Thomas Malory

Flint, William Russell (1880-1969)

King Charles II (1630-1685), as a boy (after Van Dyck)
King Charles II (1630-1685), as a boy (after Van Dyck)

USB1157308: King Charles II (1630-1685), as a boy (after Van Dyck), Lucas, John Seymour (1849-1923) / Bridgeman Images

ID: USB1157308

King Charles II (1630-1685), as a boy (after Van Dyck)

Lucas, John Seymour (1849-1923)

Lieutenant-General Richard Onslow (d.1760)
Lieutenant-General Richard Onslow (d.1760)

USB1161717: Lieutenant-General Richard Onslow (d.1760), Hysing, Hans (1678-1753) / Bridgeman Images

ID: USB1161717

Lieutenant-General Richard Onslow (d.1760)

Hysing, Hans (1678-1753)

Buff coat worn by Major Thomas Sanders, 1640 circa (leather)
Buff coat worn by Major Thomas Sanders, 1640 circa (leather)

NAM5924970: Buff coat worn by Major Thomas Sanders, 1640 circa (leather), English School, (17th century) / Bridgeman Images

ID: NAM5924970

Buff coat worn by Major Thomas Sanders, 1640 circa (leather)

English School, (17th century)

English basket-hilted broadsword, 1610 circa (metal)
English basket-hilted broadsword, 1610 circa (metal)

NAM5923416: English basket-hilted broadsword, 1610 circa (metal), English School, (17th century) / Bridgeman Images

ID: NAM5923416

English basket-hilted broadsword, 1610 circa (metal)

English School, (17th century)

Allegory of piety. The burning flame on his head and his position on the altar marks the exces of God's love. The stork is the attribute of family love and the sword shows that it is ready to support the weakest. The horn of abundance in which children seek fruit means the love of one's neighbour. Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection.
Allegory of piety. The burning flame on his head and his position on the altar marks the exces of God's love. The stork is the attribute of family love and the sword shows that it is ready to support the weakest. The horn of abundance in which children seek fruit means the love of one's neighbour. Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection.

XEE4135910: Allegory of piety. The burning flame on his head and his position on the altar marks the exces of God's love. The stork is the attribute of family love and the sword shows that it is ready to support the weakest. The horn of abundance in which children seek fruit means the love of one's neighbour. Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection., Austrian School, (19th century) / Bridgeman Images

ID: XEE4135910

Allegory of piety. The burning flame on his head and his position on the altar marks the exces of God's love. The stork is the attribute of family love and the sword shows that it is ready to support the weakest. The horn of abundance in which children seek fruit means the love of one's neighbour. Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection.

Austrian School, (19th century)

Buff coat worn by Major Thomas Sanders, 1640 circa (leather)
Buff coat worn by Major Thomas Sanders, 1640 circa (leather)

NAM5924972: Buff coat worn by Major Thomas Sanders, 1640 circa (leather), English School, (17th century) / Bridgeman Images

ID: NAM5924972

Buff coat worn by Major Thomas Sanders, 1640 circa (leather)

English School, (17th century)

English basket-hilted broadsword, 1610 circa (metal)
English basket-hilted broadsword, 1610 circa (metal)

NAM5923417: English basket-hilted broadsword, 1610 circa (metal), English School, (17th century) / Bridgeman Images

ID: NAM5923417

English basket-hilted broadsword, 1610 circa (metal)

English School, (17th century)

David with the Head of Goliath
David with the Head of Goliath

USB1158846: David with the Head of Goliath, Italian School, (17th century) / Bridgeman Images

ID: USB1158846

David with the Head of Goliath

Italian School, (17th century)

Buff coat worn by Major Thomas Sanders, 1640 circa (leather)
Buff coat worn by Major Thomas Sanders, 1640 circa (leather)

NAM5924969: Buff coat worn by Major Thomas Sanders, 1640 circa (leather), English School, (17th century) / Bridgeman Images

ID: NAM5924969

Buff coat worn by Major Thomas Sanders, 1640 circa (leather)

English School, (17th century)

Evelyn Waugh, 1963 (b/w photo)
Evelyn Waugh, 1963 (b/w photo)

MGP872788: Evelyn Waugh, 1963 (b/w photo), Gerson, Mark / Bridgeman Images

ID: MGP872788

Evelyn Waugh, 1963 (b/w photo)

Gerson, Mark

Buff coat worn by Major Thomas Sanders, 1640 circa (leather)
Buff coat worn by Major Thomas Sanders, 1640 circa (leather)

NAM5924968: Buff coat worn by Major Thomas Sanders, 1640 circa (leather), English School, (17th century) / Bridgeman Images

ID: NAM5924968

Buff coat worn by Major Thomas Sanders, 1640 circa (leather)

English School, (17th century)

Buff coat worn by Major Thomas Sanders, 1640 circa (leather)
Buff coat worn by Major Thomas Sanders, 1640 circa (leather)

NAM5924971: Buff coat worn by Major Thomas Sanders, 1640 circa (leather), English School, (17th century) / Bridgeman Images

ID: NAM5924971

Buff coat worn by Major Thomas Sanders, 1640 circa (leather)

English School, (17th century)

Buff coat worn by Major Thomas Sanders, 1640 circa (leather)
Buff coat worn by Major Thomas Sanders, 1640 circa (leather)

NAM5924973: Buff coat worn by Major Thomas Sanders, 1640 circa (leather), English School, (17th century) / Bridgeman Images

ID: NAM5924973

Buff coat worn by Major Thomas Sanders, 1640 circa (leather)

English School, (17th century)

David kills Goliath (colour litho)
David kills Goliath (colour litho)

PRX3116737: David kills Goliath (colour litho), Ebbinghaus, Wilhelm (1864-1951) / Bridgeman Images

ID: PRX3116737

David kills Goliath (colour litho)

Ebbinghaus, Wilhelm (1864-1951)

Soldiers of the 3rd Sappers and Miners Lance, Naik, Brahman of Oudh. Jemadah, Dekhani Mahratti, illustration for 'Armies of India' by Major G.F. MacMunn, published in 1911, 1908 (w/c on paper)99:male; Indian; soldier; sepoy; turban; military uniform; costume; full length; portrait; distinguished; British Empire; Imperial history; standing; regiment; spade; worker; gun; rifle; sword; Indian army; British Raj; Asian;
Soldiers of the 3rd Sappers and Miners Lance, Naik, Brahman of Oudh. Jemadah, Dekhani Mahratti, illustration for 'Armies of India' by Major G.F. MacMunn, published in 1911, 1908 (w/c on paper)99:male; Indian; soldier; sepoy; turban; military uniform; costume; full length; portrait; distinguished; British Empire; Imperial history; standing; regiment; spade; worker; gun; rifle; sword; Indian army; British Raj; Asian;

NAM310787: Soldiers of the 3rd Sappers and Miners Lance, Naik, Brahman of Oudh. Jemadah, Dekhani Mahratti, illustration for 'Armies of India' by Major G.F. MacMunn, published in 1911, 1908 (w/c on paper)99:male; Indian; soldier; sepoy; turban; military uniform; costume; full length; portrait; distinguished; British Empire; Imperial history; standing; regiment; spade; worker; gun; rifle; sword; Indian army; British Raj; Asian;, Lovett, Alfred Crowdy (1862-1919) / Bridgeman Images

ID: NAM310787

Soldiers of the 3rd Sappers and Miners Lance, Naik, Brahman of Oudh. Jemadah, Dekhani Mahratti, illustration for 'Armies of India' by Major G.F. MacMunn, published in 1911, 1908 (w/c on paper)99:male; Indian; soldier; sepoy; turban; military uniform; costume; full length; portrait; distinguished; British Empire; Imperial history; standing; regiment; spade; worker; gun; rifle; sword; Indian army; British Raj; Asian;

Lovett, Alfred Crowdy (1862-1919)

Sandaime Onoe Kikugoro No Oboshi Yuranosuke, the Actor Onoe Kikugoro III in the Role of Oboshi Yuranosuke. [Between 1824 and 1830], 1 Print : Woodcut, Color ; 38.5 X 26 ., Print Shows a Full-Length Portrait of Onoi Kikugoro, Actor, Facing Left, Holding Sword in Right Hand, Wearing Robe, in the Role of Oboshi Yuranosuke, One of the 47 Ronin, in His Farewell Performace. Greeting and Poem Written above Image.
Sandaime Onoe Kikugoro No Oboshi Yuranosuke, the Actor Onoe Kikugoro III in the Role of Oboshi Yuranosuke. [Between 1824 and 1830], 1 Print : Woodcut, Color ; 38.5 X 26 ., Print Shows a Full-Length Portrait of Onoi Kikugoro, Actor, Facing Left, Holding Sword in Right Hand, Wearing Robe, in the Role of Oboshi Yuranosuke, One of the 47 Ronin, in His Farewell Performace. Greeting and Poem Written above Image.

LZT1111850: Sandaime Onoe Kikugoro No Oboshi Yuranosuke, the Actor Onoe Kikugoro III in the Role of Oboshi Yuranosuke. [Between 1824 and 1830], 1 Print : Woodcut, Color ; 38.5 X 26 ., Print Shows a Full-Length Portrait of Onoi Kikugoro, Actor, Facing Left, Holding Sword in Right Hand, Wearing Robe, in the Role of Oboshi Yuranosuke, One of the 47 Ronin, in His Farewell Performace. Greeting and Poem Written above Image., Toyokuni, Utagawa (1769-1825) / Bridgeman Images

ID: LZT1111850

Sandaime Onoe Kikugoro No Oboshi Yuranosuke, the Actor Onoe Kikugoro III in the Role of Oboshi Yuranosuke. [Between 1824 and 1830], 1 Print : Woodcut, Color ; 38.5 X 26 ., Print Shows a Full-Length Portrait of Onoi Kikugoro, Actor, Facing Left, Holding Sword in Right Hand, Wearing Robe, in the Role of Oboshi Yuranosuke, One of the 47 Ronin, in His Farewell Performace. Greeting and Poem Written above Image.

Toyokuni, Utagawa (1769-1825)

Sir Thomas Hervey (c.1515/20 - 1575)
Sir Thomas Hervey (c.1515/20 - 1575)

USB1156599: Sir Thomas Hervey (c.1515/20 - 1575), English School, (17th century) / Bridgeman Images

ID: USB1156599

Sir Thomas Hervey (c.1515/20 - 1575)

English School, (17th century)

A Son of Sir John Hobart, 3rd Bt (1627-1683), either Henry Hobart, later Sir Henry Hobart, 4th Bt MP (c.1658-1698) or John Hobart, later Brigidier-General John Hobart (c.1659-1734)
A Son of Sir John Hobart, 3rd Bt (1627-1683), either Henry Hobart, later Sir Henry Hobart, 4th Bt MP (c.1658-1698) or John Hobart, later Brigidier-General John Hobart (c.1659-1734)

USB1160871: A Son of Sir John Hobart, 3rd Bt (1627-1683), either Henry Hobart, later Sir Henry Hobart, 4th Bt MP (c.1658-1698) or John Hobart, later Brigidier-General John Hobart (c.1659-1734), English School, (17th century) / Bridgeman Images

ID: USB1160871

A Son of Sir John Hobart, 3rd Bt (1627-1683), either Henry Hobart, later Sir Henry Hobart, 4th Bt MP (c.1658-1698) or John Hobart, later Brigidier-General John Hobart (c.1659-1734)

English School, (17th century)

An Unknown Man in Armour
An Unknown Man in Armour

USB1162578: An Unknown Man in Armour, French School, (17th century) / Bridgeman Images

ID: USB1162578

An Unknown Man in Armour

French School, (17th century)

Costumes of the inhabitants of Ceylon (Sri Lanka): couple of Sinhalese (Sinhalese or Sinhalese) and an indigenous vedda wearing a feather skirt, a fur cape and two dogs. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Costumes of the natives of Ceylon (Sri Lanka): Sinhalese man with sword and cane, and indigenous Vedda man with feather skirt, bow and arrows, fur cape, and two dogs on leashes. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
Costumes of the inhabitants of Ceylon (Sri Lanka): couple of Sinhalese (Sinhalese or Sinhalese) and an indigenous vedda wearing a feather skirt, a fur cape and two dogs. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Costumes of the natives of Ceylon (Sri Lanka): Sinhalese man with sword and cane, and indigenous Vedda man with feather skirt, bow and arrows, fur cape, and two dogs on leashes. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4634230: Costumes of the inhabitants of Ceylon (Sri Lanka): couple of Sinhalese (Sinhalese or Sinhalese) and an indigenous vedda wearing a feather skirt, a fur cape and two dogs. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Costumes of the natives of Ceylon (Sri Lanka): Sinhalese man with sword and cane, and indigenous Vedda man with feather skirt, bow and arrows, fur cape, and two dogs on leashes. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

ID: FLO4634230

Costumes of the inhabitants of Ceylon (Sri Lanka): couple of Sinhalese (Sinhalese or Sinhalese) and an indigenous vedda wearing a feather skirt, a fur cape and two dogs. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Costumes of the natives of Ceylon (Sri Lanka): Sinhalese man with sword and cane, and indigenous Vedda man with feather skirt, bow and arrows, fur cape, and two dogs on leashes. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

Malaysia / China: Carving of Deng Zhong, depicting his role in the 16th Century Ming Dynasty novel 'Fengshen Yanyi' ('Investiture of the Gods'). From Ping Sien Si Temple, Pasir Panjang Laut
Malaysia / China: Carving of Deng Zhong, depicting his role in the 16th Century Ming Dynasty novel 'Fengshen Yanyi' ('Investiture of the Gods'). From Ping Sien Si Temple, Pasir Panjang Laut

PFH3277932: Malaysia / China: Carving of Deng Zhong, depicting his role in the 16th Century Ming Dynasty novel 'Fengshen Yanyi' ('Investiture of the Gods'). From Ping Sien Si Temple, Pasir Panjang Laut / Bridgeman Images

ID: PFH3277932

Malaysia / China: Carving of Deng Zhong, depicting his role in the 16th Century Ming Dynasty novel 'Fengshen Yanyi' ('Investiture of the Gods'). From Ping Sien Si Temple, Pasir Panjang Laut

Enfield revolver .38 inch No 2 Mk I, Lieutenant K Baxter, Middlesex Regiment, 1944
Enfield revolver .38 inch No 2 Mk I, Lieutenant K Baxter, Middlesex Regiment, 1944

NAM5921198: Enfield revolver .38 inch No 2 Mk I, Lieutenant K Baxter, Middlesex Regiment, 1944, English School, (20th century) / Bridgeman Images

ID: NAM5921198

Enfield revolver .38 inch No 2 Mk I, Lieutenant K Baxter, Middlesex Regiment, 1944

English School, (20th century)

Death of Athaliah - Bible
Death of Athaliah - Bible

XLF3779977: Death of Athaliah - Bible, Dore, Gustave (1832-83) / Bridgeman Images

ID: XLF3779977

Death of Athaliah - Bible

Dore, Gustave (1832-83)

Costume d'un homme de la nobility german, 15th century - German nobleman, 15th century - He wears a red hat tied with green ribbon, hood and collar embroidered in gold, white robe with gold hem, red stockings and grey boots with silver spurs, red belt and sword in white scabbard - (In the original, the collar is yellow, the robe blue and boots yellow -) From a painting by Pinturicchio showing the introduction of Eleanor of Portugal to Frederick III, Piccolomini Library, Duomo, Siena - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Costume d'un homme de la nobility german, 15th century - German nobleman, 15th century - He wears a red hat tied with green ribbon, hood and collar embroidered in gold, white robe with gold hem, red stockings and grey boots with silver spurs, red belt and sword in white scabbard - (In the original, the collar is yellow, the robe blue and boots yellow -) From a painting by Pinturicchio showing the introduction of Eleanor of Portugal to Frederick III, Piccolomini Library, Duomo, Siena - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4676603: Costume d'un homme de la nobility german, 15th century - German nobleman, 15th century - He wears a red hat tied with green ribbon, hood and collar embroidered in gold, white robe with gold hem, red stockings and grey boots with silver spurs, red belt and sword in white scabbard - (In the original, the collar is yellow, the robe blue and boots yellow -) From a painting by Pinturicchio showing the introduction of Eleanor of Portugal to Frederick III, Piccolomini Library, Duomo, Siena - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images

ID: FLO4676603

Costume d'un homme de la nobility german, 15th century - German nobleman, 15th century - He wears a red hat tied with green ribbon, hood and collar embroidered in gold, white robe with gold hem, red stockings and grey boots with silver spurs, red belt and sword in white scabbard - (In the original, the collar is yellow, the robe blue and boots yellow -) From a painting by Pinturicchio showing the introduction of Eleanor of Portugal to Frederick III, Piccolomini Library, Duomo, Siena - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Mercuri, Paolo (1804-84)


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