FLO4734163: Iris fetide or Iris Leg or stink sword (Iris foetidissima). Lithograph from “Afbeelding der Artseny-Gewassen” by Johannes Zorn (1739-1799), Netherlands, 1796. Stinking iris, Iris foetidissima. Handcoloured copperplate botanical engraving from J. Zorn's “Afbeelding der Artseny-Gewassen,” Amsterdam, 1796. / Bridgeman Images
FLO4673797: Charlemagne, King of France, Caroligian Emperor, 742-814. He wears an imperial crown in the oriental style, a short tunic, a chlamys cape, sword, stockings and shoes. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images
MPX5157395: Lib - Friendship Force - The Killingworth Sword Dancers entertain the crowd in Stone Mountain Park's Memorial Hall, 16 miles east of Atlanta, USA. Nearly 400 Geordies and their Atlanta hosts watched two performances by the dancers before a tour through the 3,200 acre park and an evening picnic, c. 14 July, 1977 (b/w photo) / Bridgeman Images
FLO4602857: Maximilian Christopher Miller, the German Giant, 8 feet tall, exhibited at London fairs. He wears a Hungarian jacket, fancy cap with plume of feathers and carries a gilt sceptre and falchion sword. Copperplate engraving by R. Grave from John Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, Young, London, 1819. / Bridgeman Images
LSE4328588: Commemorative funeral procession of the martyrdom of Hossein, in Schusha (Transcaucasia, Russia), the men move in line, inflicting torture and beating their head with a sword. Engraving to illustrate the voyage in the provinces of the Caucasus, by Basile Vereschaguine, in 1864-1865, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images
LSE4326210: The training of Japanese warriors in sword and spear combat, in a kind of arena surrounded by stretched canvas. Engraving to illustrate the voyage to Japan, in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “” Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images
FLO4678553: A suit of a Genoese demi-launcers' armour in the possession of Llewelyn Meyrick, 1543. Black armour with raised foliage; pauldrons, elbow-pieces and knee-pieces with raised lion's heads. Sword-breaking weapon. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images
PCT4277943: At the beginning of the 20th century, school curricula were very linked to rural life. This excerpt from a reading book shows a country guard from the French countryside. However, in this lecture of village morality, highlighting the sound “” on” (phoneme), the text is not entirely in line with the image: indeed, if the guard seems to have a sword, he wears a cap and not a tricorn! / Bridgeman Images
LRI4567953: Branches of knowledge represented by Aristotle (top left) represents Natural Philosophy, with Seneca representing Moral Philosophy on the right, the Emperor Justinian (top centre). The woman in the centre has a sword and a flowering branch issuing from her mouth (woodcut, 1508), Unknown Artist, (16th century) / Bridgeman Images
HGP3526687: Simon Peter, St. Peter, cuts off ear of Malchus, servant of Caiaphas, with sword, in Garden of Gethsemane, for betraying Jesus, stained glass Passion Window by Adolph Didron of Paris, 1860, Feltwell, Norfolk, England, UK, The Easter Story, French School, (19th century) / Bridgeman Images
PCT4260936: Cartoon d'animaux - soldats: Grandville engraving, extracted from the book Private and Public Life of Animals (“Les animaux ints par eux memes”), Hetzel edition 1867 p. 561 - Chapter entitled “Tablets of the Giraffe”, written by Charles Nodier. Extract from the text: “” The occasion of these massacres is usually the sound nothing called a word, or the indefinable nothing called an idea. In the absence of the natural weapons that the wise forecast of Providence has denied to man, he has invented, for these horrific collisions, instruments of death that infallibly destroy all that they touch and which are generally copies of those whose nature has equipped the Animals for their defense; they are seen carrying alongside the thigh, with a sort of of pride, a long and pointed sword like that of the Unicorn or a curved and sharp sword like that of the Grasshopper.”, Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images