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13773 Search Results for sword

A Gentleman traditionally identified as Sir Philip Sydney (w/c on vellum)
A Gentleman traditionally identified as Sir Philip Sydney (w/c on vellum)

PTC3075906: A Gentleman traditionally identified as Sir Philip Sydney (w/c on vellum), Oliver, Isaac (c.1565-1617) (after) / Bridgeman Images

Iris fetide or Iris Leg or stink sword (Iris foetidissima). Lithograph from “Afbeelding der Artseny-Gewassen” by Johannes Zorn (1739-1799), Netherlands, 1796. Stinking iris, Iris foetidissima. Handcoloured copperplate botanical engraving from J. Zorn's “Afbeelding der Artseny-Gewassen,” Amsterdam, 1796.
Iris fetide or Iris Leg or stink sword (Iris foetidissima). Lithograph from “Afbeelding der Artseny-Gewassen” by Johannes Zorn (1739-1799), Netherlands, 1796. Stinking iris, Iris foetidissima. Handcoloured copperplate botanical engraving from J. Zorn's “Afbeelding der Artseny-Gewassen,” Amsterdam, 1796.

FLO4734163: Iris fetide or Iris Leg or stink sword (Iris foetidissima). Lithograph from “Afbeelding der Artseny-Gewassen” by Johannes Zorn (1739-1799), Netherlands, 1796. Stinking iris, Iris foetidissima. Handcoloured copperplate botanical engraving from J. Zorn's “Afbeelding der Artseny-Gewassen,” Amsterdam, 1796. / Bridgeman Images

Charlemagne, King of France, Caroligian Emperor, 742-814. He wears an imperial crown in the oriental style, a short tunic, a chlamys cape, sword, stockings and shoes. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Charlemagne, King of France, Caroligian Emperor, 742-814. He wears an imperial crown in the oriental style, a short tunic, a chlamys cape, sword, stockings and shoes. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673797: Charlemagne, King of France, Caroligian Emperor, 742-814. He wears an imperial crown in the oriental style, a short tunic, a chlamys cape, sword, stockings and shoes. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

Bronze statue of Kaiser William II, 1910
Bronze statue of Kaiser William II, 1910

SZT5174813: Bronze statue of Kaiser William II, 1910 / Bridgeman Images

Tribute to the defender of Andrianople, Czar Ferdinand I of Bulgaria gives back to Shukri Pasha the sword of the glorious defeated, front cover illustration from 'Le Petit Journal', supplement illustre, 13th April 1913 (colour litho)
Tribute to the defender of Andrianople, Czar Ferdinand I of Bulgaria gives back to Shukri Pasha the sword of the glorious defeated, front cover illustration from 'Le Petit Journal', supplement illustre, 13th April 1913 (colour litho)

XIR414772: Tribute to the defender of Andrianople, Czar Ferdinand I of Bulgaria gives back to Shukri Pasha the sword of the glorious defeated, front cover illustration from 'Le Petit Journal', supplement illustre, 13th April 1913 (colour litho), French School, (20th century) / Bridgeman Images

Chua Thiep Long buddhist pagoda. The Great Tonsure: the Buddha cuts his hair with his sword. Then he changed his prince's clothes for a beggar's robe. Then he began his quest for enlightenment Thay Ninh. Vietnam
Chua Thiep Long buddhist pagoda. The Great Tonsure: the Buddha cuts his hair with his sword. Then he changed his prince's clothes for a beggar's robe. Then he began his quest for enlightenment Thay Ninh. Vietnam

GNG5301687: Chua Thiep Long buddhist pagoda. The Great Tonsure: the Buddha cuts his hair with his sword. Then he changed his prince's clothes for a beggar's robe. Then he began his quest for enlightenment Thay Ninh. Vietnam / Bridgeman Images

Obverse of coin (bronze) depicting helmeted Turk sitting cross-legged holding a sword behind his head in right hand and a helmeted severed head in left hand. minted by Husam al-Din Yuluq Arslan (1184-1201)
Obverse of coin (bronze) depicting helmeted Turk sitting cross-legged holding a sword behind his head in right hand and a helmeted severed head in left hand. minted by Husam al-Din Yuluq Arslan (1184-1201)

BAL58456: Obverse of coin (bronze) depicting helmeted Turk sitting cross-legged holding a sword behind his head in right hand and a helmeted severed head in left hand. minted by Husam al-Din Yuluq Arslan (1184-1201), Turkish School (12th century) / Bridgeman Images

MS 300 f.200v-201r, Suffrage to St Andrew and Suffrage to the Apostles, from the Psalter and Hours of Isabella of France, Paris, c.1265-70 (pen & ink and tempera on parchment)
MS 300 f.200v-201r, Suffrage to St Andrew and Suffrage to the Apostles, from the Psalter and Hours of Isabella of France, Paris, c.1265-70 (pen & ink and tempera on parchment)

FIT5911907: MS 300 f.200v-201r, Suffrage to St Andrew and Suffrage to the Apostles, from the Psalter and Hours of Isabella of France, Paris, c.1265-70 (pen & ink and tempera on parchment), French School, (13th century) / Bridgeman Images

Sergeant Major A.G. Lynch DCM, c.1920-40 (oil on canvas)
Sergeant Major A.G. Lynch DCM, c.1920-40 (oil on canvas)

HSP1781600: Sergeant Major A.G. Lynch DCM, c.1920-40 (oil on canvas), Ahlefeldt-Laurvigen, Ingegerd (1900-86) / Bridgeman Images

World War II Advertisement - Danly Machine Specialties Incorporated
World War II Advertisement - Danly Machine Specialties Incorporated

SIC871221: World War II Advertisement - Danly Machine Specialties Incorporated / Bridgeman Images

Admiral Lord Rodney toby jug, c.1782 (creamware)
Admiral Lord Rodney toby jug, c.1782 (creamware)

CH438319: Admiral Lord Rodney toby jug, c.1782 (creamware), English School, (18th century) / Bridgeman Images

Lilliputian-Substitutes, Equipping for Public Service, published by Hannah Humphrey in 1801 (hand-coloured etching)
Lilliputian-Substitutes, Equipping for Public Service, published by Hannah Humphrey in 1801 (hand-coloured etching)

NCO190411: Lilliputian-Substitutes, Equipping for Public Service, published by Hannah Humphrey in 1801 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Chushingura. Act 2  (Nidanme), 19th century (woodblock print on paper)
Chushingura. Act 2  (Nidanme), 19th century (woodblock print on paper)

MAI6404890: Chushingura. Act 2 (Nidanme), 19th century (woodblock print on paper), Toyokuni, Utagawa (1769-1825) / Bridgeman Images

Portrait of Thomas Howard, Earl of Arundel, K.G. (1586-1646) (oil on panel)
Portrait of Thomas Howard, Earl of Arundel, K.G. (1586-1646) (oil on panel)

BLH7207470: Portrait of Thomas Howard, Earl of Arundel, K.G. (1586-1646) (oil on panel), Mytens, Daniel (c.1590-a.1648) (circle of) / Bridgeman Images

Paul Milliet 's opera
Paul Milliet 's opera

XLE3777562: Paul Milliet 's opera / Bridgeman Images

Rosenkavalier - Richard Strauss
Rosenkavalier - Richard Strauss

XLE3771802: Rosenkavalier - Richard Strauss / Bridgeman Images

Lib - Friendship Force - The Killingworth Sword Dancers entertain the crowd in Stone Mountain Park's Memorial Hall, 16 miles east of Atlanta, USA. Nearly 400 Geordies and their Atlanta hosts watched two performances by the dancers before a tour through the 3,200 acre park and an evening picnic, c. 14 July, 1977 (b/w photo)
Lib - Friendship Force - The Killingworth Sword Dancers entertain the crowd in Stone Mountain Park's Memorial Hall, 16 miles east of Atlanta, USA. Nearly 400 Geordies and their Atlanta hosts watched two performances by the dancers before a tour through the 3,200 acre park and an evening picnic, c. 14 July, 1977 (b/w photo)

MPX5157395: Lib - Friendship Force - The Killingworth Sword Dancers entertain the crowd in Stone Mountain Park's Memorial Hall, 16 miles east of Atlanta, USA. Nearly 400 Geordies and their Atlanta hosts watched two performances by the dancers before a tour through the 3,200 acre park and an evening picnic, c. 14 July, 1977 (b/w photo) / Bridgeman Images

The Dream of Lancelot,  (coloured chalks on buff paper)
The Dream of Lancelot,  (coloured chalks on buff paper)

CH1199598: The Dream of Lancelot, (coloured chalks on buff paper), Burne-Jones, Edward Coley (1833-98) / Bridgeman Images

Swords -- Fighting Blades of Europe
Swords -- Fighting Blades of Europe

LAL304376: Swords -- Fighting Blades of Europe, Escott, Dan (1928-87) / Bridgeman Images

Maximilian Christopher Miller, the German Giant, 8 feet tall, exhibited at London fairs. He wears a Hungarian jacket, fancy cap with plume of feathers and carries a gilt sceptre and falchion sword. Copperplate engraving by R. Grave from John Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, Young, London, 1819.
Maximilian Christopher Miller, the German Giant, 8 feet tall, exhibited at London fairs. He wears a Hungarian jacket, fancy cap with plume of feathers and carries a gilt sceptre and falchion sword. Copperplate engraving by R. Grave from John Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, Young, London, 1819.

FLO4602857: Maximilian Christopher Miller, the German Giant, 8 feet tall, exhibited at London fairs. He wears a Hungarian jacket, fancy cap with plume of feathers and carries a gilt sceptre and falchion sword. Copperplate engraving by R. Grave from John Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, Young, London, 1819. / Bridgeman Images

Mirror, 300-275 BC (bronze)
Mirror, 300-275 BC (bronze)

BST2822056: Mirror, 300-275 BC (bronze), Etruscan (3rd century BC) / Bridgeman Images

Commemorative funeral procession of the martyrdom of Hossein, in Schusha (Transcaucasia, Russia), the men move in line, inflicting torture and beating their head with a sword. Engraving to illustrate the voyage in the provinces of the Caucasus, by Basile Vereschaguine, in 1864-1865, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.
Commemorative funeral procession of the martyrdom of Hossein, in Schusha (Transcaucasia, Russia), the men move in line, inflicting torture and beating their head with a sword. Engraving to illustrate the voyage in the provinces of the Caucasus, by Basile Vereschaguine, in 1864-1865, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

LSE4328588: Commemorative funeral procession of the martyrdom of Hossein, in Schusha (Transcaucasia, Russia), the men move in line, inflicting torture and beating their head with a sword. Engraving to illustrate the voyage in the provinces of the Caucasus, by Basile Vereschaguine, in 1864-1865, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

The training of Japanese warriors in sword and spear combat, in a kind of arena surrounded by stretched canvas. Engraving to illustrate the voyage to Japan, in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “” Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.
The training of Japanese warriors in sword and spear combat, in a kind of arena surrounded by stretched canvas. Engraving to illustrate the voyage to Japan, in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “” Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.

LSE4326210: The training of Japanese warriors in sword and spear combat, in a kind of arena surrounded by stretched canvas. Engraving to illustrate the voyage to Japan, in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “” Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

Essex - Earls Colne Church -  Monument, 1824 (w/c on paper)
Essex - Earls Colne Church -  Monument, 1824 (w/c on paper)

WSL5895611: Essex - Earls Colne Church - Monument, 1824 (w/c on paper), Buckler, John Chessell (1793-1894) / Bridgeman Images

General John Egerton, 7th Earl of Bridgewater John Egerton (1753-1823)
General John Egerton, 7th Earl of Bridgewater John Egerton (1753-1823)

USB1158586: General John Egerton, 7th Earl of Bridgewater John Egerton (1753-1823), Owen, William (1769-1825) (after) / Bridgeman Images

A Battle Scene
A Battle Scene

USB1155820: A Battle Scene, Wyck, Jan (1640-1700) (style of) / Bridgeman Images

A suit of a Genoese demi-launcers' armour in the possession of Llewelyn Meyrick, 1543. Black armour with raised foliage; pauldrons, elbow-pieces and knee-pieces with raised lion's heads. Sword-breaking weapon. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
A suit of a Genoese demi-launcers' armour in the possession of Llewelyn Meyrick, 1543. Black armour with raised foliage; pauldrons, elbow-pieces and knee-pieces with raised lion's heads. Sword-breaking weapon. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678553: A suit of a Genoese demi-launcers' armour in the possession of Llewelyn Meyrick, 1543. Black armour with raised foliage; pauldrons, elbow-pieces and knee-pieces with raised lion's heads. Sword-breaking weapon. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

Under the razor of a madman! (colour litho)
Under the razor of a madman! (colour litho)

LLM2784896: Under the razor of a madman! (colour litho), Molino, Walter (1915-1997) / Bridgeman Images

At the beginning of the 20th century, school curricula were very linked to rural life. This excerpt from a reading book shows a country guard from the French countryside. However, in this lecture of village morality, highlighting the sound “” on” (phoneme), the text is not entirely in line with the image: indeed, if the guard seems to have a sword, he wears a cap and not a tricorn!
At the beginning of the 20th century, school curricula were very linked to rural life. This excerpt from a reading book shows a country guard from the French countryside. However, in this lecture of village morality, highlighting the sound “” on” (phoneme), the text is not entirely in line with the image: indeed, if the guard seems to have a sword, he wears a cap and not a tricorn!

PCT4277943: At the beginning of the 20th century, school curricula were very linked to rural life. This excerpt from a reading book shows a country guard from the French countryside. However, in this lecture of village morality, highlighting the sound “” on” (phoneme), the text is not entirely in line with the image: indeed, if the guard seems to have a sword, he wears a cap and not a tricorn! / Bridgeman Images

Thomas Middleton and William Rowley 's play 'Fair Quarrel', 1617 (engraving)
Thomas Middleton and William Rowley 's play 'Fair Quarrel', 1617 (engraving)

XLA3772608: Thomas Middleton and William Rowley 's play 'Fair Quarrel', 1617 (engraving) / Bridgeman Images

Branches of knowledge represented by  Aristotle (top left) represents Natural Philosophy, with Seneca representing Moral Philosophy on the right, the Emperor Justinian (top centre). The woman in the centre has a sword and a flowering branch issuing from her mouth (woodcut, 1508)
Branches of knowledge represented by  Aristotle (top left) represents Natural Philosophy, with Seneca representing Moral Philosophy on the right, the Emperor Justinian (top centre). The woman in the centre has a sword and a flowering branch issuing from her mouth (woodcut, 1508)

LRI4567953: Branches of knowledge represented by Aristotle (top left) represents Natural Philosophy, with Seneca representing Moral Philosophy on the right, the Emperor Justinian (top centre). The woman in the centre has a sword and a flowering branch issuing from her mouth (woodcut, 1508), Unknown Artist, (16th century) / Bridgeman Images

Evelyn Waugh, in his study at Combe Florey, 1963 (photo)
Evelyn Waugh, in his study at Combe Florey, 1963 (photo)

MGP617762: Evelyn Waugh, in his study at Combe Florey, 1963 (photo), Gerson, Mark / Bridgeman Images

Simon Peter, St. Peter, cuts off ear of Malchus, servant of Caiaphas, with sword, in Garden of Gethsemane, for betraying Jesus, stained glass Passion Window by Adolph Didron of Paris, 1860, Feltwell, Norfolk, England, UK, The Easter Story
Simon Peter, St. Peter, cuts off ear of Malchus, servant of Caiaphas, with sword, in Garden of Gethsemane, for betraying Jesus, stained glass Passion Window by Adolph Didron of Paris, 1860, Feltwell, Norfolk, England, UK, The Easter Story

HGP3526687: Simon Peter, St. Peter, cuts off ear of Malchus, servant of Caiaphas, with sword, in Garden of Gethsemane, for betraying Jesus, stained glass Passion Window by Adolph Didron of Paris, 1860, Feltwell, Norfolk, England, UK, The Easter Story, French School, (19th century) / Bridgeman Images

China: Lu Dongbin, one of the Daoist 'Eight Immortals'. A historical figure who is mentioned in the official 'History of Song', He is depicted  as being dressed as a scholar and he often bears a sword on his back that dispels evil spirits.
China: Lu Dongbin, one of the Daoist 'Eight Immortals'. A historical figure who is mentioned in the official 'History of Song', He is depicted  as being dressed as a scholar and he often bears a sword on his back that dispels evil spirits.

PFH1169099: China: Lu Dongbin, one of the Daoist 'Eight Immortals'. A historical figure who is mentioned in the official 'History of Song', He is depicted as being dressed as a scholar and he often bears a sword on his back that dispels evil spirits. / Bridgeman Images

Cartoon d'animaux - soldats: Grandville engraving, extracted from the book Private and Public Life of Animals (“Les animaux ints par eux memes”), Hetzel edition 1867 p. 561 - Chapter entitled “Tablets of the Giraffe”, written by Charles Nodier. Extract from the text: “” The occasion of these massacres is usually the sound nothing called a word, or the indefinable nothing called an idea. In the absence of the natural weapons that the wise forecast of Providence has denied to man, he has invented, for these horrific collisions, instruments of death that infallibly destroy all that they touch and which are generally copies of those whose nature has equipped the Animals for their defense; they are seen carrying alongside the thigh, with a sort of of pride, a long and pointed sword like that of the Unicorn or a curved and sharp sword like that of the Grasshopper.”
Cartoon d'animaux - soldats: Grandville engraving, extracted from the book Private and Public Life of Animals (“Les animaux ints par eux memes”), Hetzel edition 1867 p. 561 - Chapter entitled “Tablets of the Giraffe”, written by Charles Nodier. Extract from the text: “” The occasion of these massacres is usually the sound nothing called a word, or the indefinable nothing called an idea. In the absence of the natural weapons that the wise forecast of Providence has denied to man, he has invented, for these horrific collisions, instruments of death that infallibly destroy all that they touch and which are generally copies of those whose nature has equipped the Animals for their defense; they are seen carrying alongside the thigh, with a sort of of pride, a long and pointed sword like that of the Unicorn or a curved and sharp sword like that of the Grasshopper.”

PCT4260936: Cartoon d'animaux - soldats: Grandville engraving, extracted from the book Private and Public Life of Animals (“Les animaux ints par eux memes”), Hetzel edition 1867 p. 561 - Chapter entitled “Tablets of the Giraffe”, written by Charles Nodier. Extract from the text: “” The occasion of these massacres is usually the sound nothing called a word, or the indefinable nothing called an idea. In the absence of the natural weapons that the wise forecast of Providence has denied to man, he has invented, for these horrific collisions, instruments of death that infallibly destroy all that they touch and which are generally copies of those whose nature has equipped the Animals for their defense; they are seen carrying alongside the thigh, with a sort of of pride, a long and pointed sword like that of the Unicorn or a curved and sharp sword like that of the Grasshopper.”, Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

Evelyn Waugh with his wife, 1959 (photo)
Evelyn Waugh with his wife, 1959 (photo)

MGP617764: Evelyn Waugh with his wife, 1959 (photo), Gerson, Mark / Bridgeman Images


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