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13737 Search Results for sword

Letter W: Saint Wenceslas (c.907-935), in Alphabet des saints, 1932 (engraving)
Letter W: Saint Wenceslas (c.907-935), in Alphabet des saints, 1932 (engraving)

DUV4202412: Letter W: Saint Wenceslas (c.907-935), in Alphabet des saints, 1932 (engraving), Neziere, Raymond de la (1865-1953) / Bridgeman Images

ID: DUV4202412

Letter W: Saint Wenceslas (c.907-935), in Alphabet des saints, 1932 (engraving)

Neziere, Raymond de la (1865-1953)

God on a lion - Chinese scroll, ink and painting (112x57 cm), between 1900 and 1950 - Musee de l'hospice Saint Roch, Issoudun - Mandatory mention
God on a lion - Chinese scroll, ink and painting (112x57 cm), between 1900 and 1950 - Musee de l'hospice Saint Roch, Issoudun - Mandatory mention

JEB4857211: God on a lion - Chinese scroll, ink and painting (112x57 cm), between 1900 and 1950 - Musee de l'hospice Saint Roch, Issoudun - Mandatory mention, Chinese School, (20th century) / Bridgeman Images

ID: JEB4857211

God on a lion - Chinese scroll, ink and painting (112x57 cm), between 1900 and 1950 - Musee de l'hospice Saint Roch, Issoudun - Mandatory mention

Chinese School, (20th century)

100-year war (1337-1453): the surrender of a city. A garrison surrender arms and demands the clemence of the victors. 14th century. Colouring engraving reproducing a miniature from the Middle Ages.
100-year war (1337-1453): the surrender of a city. A garrison surrender arms and demands the clemence of the victors. 14th century. Colouring engraving reproducing a miniature from the Middle Ages.

NWI4893500: 100-year war (1337-1453): the surrender of a city. A garrison surrender arms and demands the clemence of the victors. 14th century. Colouring engraving reproducing a miniature from the Middle Ages. / Bridgeman Images

ID: NWI4893500

100-year war (1337-1453): the surrender of a city. A garrison surrender arms and demands the clemence of the victors. 14th century. Colouring engraving reproducing a miniature from the Middle Ages.

Ardashir captures Ardavan, 1330-40 (ink, opaque watercolor and gold on paper)
Ardashir captures Ardavan, 1330-40 (ink, opaque watercolor and gold on paper)

FSG5932701: Ardashir captures Ardavan, 1330-40 (ink, opaque watercolor and gold on paper), Persian School, (14th century) / Bridgeman Images

ID: FSG5932701

Ardashir captures Ardavan, 1330-40 (ink, opaque watercolor and gold on paper)

Persian School, (14th century)

Gallo-Roman artefacts found by archaeologists (engraving)
Gallo-Roman artefacts found by archaeologists (engraving)

LLM5997480: Gallo-Roman artefacts found by archaeologists (engraving), French School, (19th century) / Bridgeman Images

ID: LLM5997480

Gallo-Roman artefacts found by archaeologists (engraving)

French School, (19th century)

Cock o' the North - man in traditional Scottish dress (colour litho)
Cock o' the North - man in traditional Scottish dress (colour litho)

LLM6000001: Cock o' the North - man in traditional Scottish dress (colour litho), Scottish School, (20th century) / Bridgeman Images

ID: LLM6000001

Cock o' the North - man in traditional Scottish dress (colour litho)

Scottish School, (20th century)

Rulers of Brandenburg (colour litho)
Rulers of Brandenburg (colour litho)

LLM725435: Rulers of Brandenburg (colour litho), German School, (19th century) / Bridgeman Images

ID: LLM725435

Rulers of Brandenburg (colour litho)

German School, (19th century)

Buffalo Bill's (1846-1917) Wild West Show at Windsor Castle, 1892 (coloured engraving)
Buffalo Bill's (1846-1917) Wild West Show at Windsor Castle, 1892 (coloured engraving)

PNP247812: Buffalo Bill's (1846-1917) Wild West Show at Windsor Castle, 1892 (coloured engraving), American School, (19th century) / Bridgeman Images

ID: PNP247812

Buffalo Bill's (1846-1917) Wild West Show at Windsor Castle, 1892 (coloured engraving)

American School, (19th century)

US Cavalry and Infantry, full dress, 1888 (colour litho)
US Cavalry and Infantry, full dress, 1888 (colour litho)

PNP245875: US Cavalry and Infantry, full dress, 1888 (colour litho), Ogden, Henry Alexander (1856-1936) (after) / Bridgeman Images

ID: PNP245875

US Cavalry and Infantry, full dress, 1888 (colour litho)

Ogden, Henry Alexander (1856-1936) (after)

Portrait of a twenty–year–old Japanese man named Saganami Hisashi, a samurai and member of the 1864 Ikeda mission to France, employed as a personal attendant of one of the assistant envoys, 1864 (albumen print)
Portrait of a twenty–year–old Japanese man named Saganami Hisashi, a samurai and member of the 1864 Ikeda mission to France, employed as a personal attendant of one of the assistant envoys, 1864 (albumen print)

PRM479249: Portrait of a twenty–year–old Japanese man named Saganami Hisashi, a samurai and member of the 1864 Ikeda mission to France, employed as a personal attendant of one of the assistant envoys, 1864 (albumen print), Potteau, Jacques-Philippe (1807-76) / Bridgeman Images

ID: PRM479249

Portrait of a twenty–year–old Japanese man named Saganami Hisashi, a samurai and member of the 1864 Ikeda mission to France, employed as a personal attendant of one of the assistant envoys, 1864 (albumen print)

Potteau, Jacques-Philippe (1807-76)

Portrait of a sixteen–year–old Japanese youth named Miyake Shūzō, a samurai and member of the 1864 Ikeda mission to France, employed as a personal attendant of the first secretary, 1864 (albumen print)
Portrait of a sixteen–year–old Japanese youth named Miyake Shūzō, a samurai and member of the 1864 Ikeda mission to France, employed as a personal attendant of the first secretary, 1864 (albumen print)

PRM479253: Portrait of a sixteen–year–old Japanese youth named Miyake Shūzō, a samurai and member of the 1864 Ikeda mission to France, employed as a personal attendant of the first secretary, 1864 (albumen print), Potteau, Jacques-Philippe (1807-76) / Bridgeman Images

ID: PRM479253

Portrait of a sixteen–year–old Japanese youth named Miyake Shūzō, a samurai and member of the 1864 Ikeda mission to France, employed as a personal attendant of the first secretary, 1864 (albumen print)

Potteau, Jacques-Philippe (1807-76)

Edward of England (1894-1972) King Edward VIII in 1936 then Duke of Windsor here young c. 1910
Edward of England (1894-1972) King Edward VIII in 1936 then Duke of Windsor here young c. 1910

XRH1699833: Edward of England (1894-1972) King Edward VIII in 1936 then Duke of Windsor here young c. 1910, Unknown photographer, (20th century) / Bridgeman Images

ID: XRH1699833

Edward of England (1894-1972) King Edward VIII in 1936 then Duke of Windsor here young c. 1910

Unknown photographer, (20th century)

Costume of Albrecht von Hohenlohe, died 1319, 1889 (chromolithograph)
Costume of Albrecht von Hohenlohe, died 1319, 1889 (chromolithograph)

FLO5912605: Costume of Albrecht von Hohenlohe, died 1319, 1889 (chromolithograph) / Bridgeman Images

ID: FLO5912605

Costume of Albrecht von Hohenlohe, died 1319, 1889 (chromolithograph)

Gentleman-Trooper, Hyde's Troop, Backus's Regiment of Connecticut Light Horse in 1776, 2017 (w/c & gouache on paper)
Gentleman-Trooper, Hyde's Troop, Backus's Regiment of Connecticut Light Horse in 1776, 2017 (w/c & gouache on paper)

DTA3600158: Gentleman-Trooper, Hyde's Troop, Backus's Regiment of Connecticut Light Horse in 1776, 2017 (w/c & gouache on paper) , Troiani, Don (b.1949) / Bridgeman Images

ID: DTA3600158

Gentleman-Trooper, Hyde's Troop, Backus's Regiment of Connecticut Light Horse in 1776, 2017 (w/c & gouache on paper)

Troiani, Don (b.1949)

The emperor. Sitting on a throne, in the presence of his courtiers, the emperor seems to be listening, or doing justice, to a poor man who is kneeling before him and complains against his rich oppressor, whom the emperor, holding the sword of justice, seems to consider with an angry face. Behind him, death puts his hand on his crown. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.
The emperor. Sitting on a throne, in the presence of his courtiers, the emperor seems to be listening, or doing justice, to a poor man who is kneeling before him and complains against his rich oppressor, whom the emperor, holding the sword of justice, seems to consider with an angry face. Behind him, death puts his hand on his crown. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.

FLO4675580: The emperor. Sitting on a throne, in the presence of his courtiers, the emperor seems to be listening, or doing justice, to a poor man who is kneeling before him and complains against his rich oppressor, whom the emperor, holding the sword of justice, seems to consider with an angry face. Behind him, death puts his hand on his crown. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860. / Bridgeman Images

ID: FLO4675580

The emperor. Sitting on a throne, in the presence of his courtiers, the emperor seems to be listening, or doing justice, to a poor man who is kneeling before him and complains against his rich oppressor, whom the emperor, holding the sword of justice, seems to consider with an angry face. Behind him, death puts his hand on his crown. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.

Anglo Saxon king on the battlefield, wearing a wreath and armor, reserved for members of the kingdoms in the 8th century. He wears a yellow shield and wields his sword over his head. Behind him, his squire wears a blue hat and a white tunic and holds a white ecu bordered by scarlet. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Anglo Saxon king on the battlefield, wearing a wreath and armor, reserved for members of the kingdoms in the 8th century. He wears a yellow shield and wields his sword over his head. Behind him, his squire wears a blue hat and a white tunic and holds a white ecu bordered by scarlet. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707366: Anglo Saxon king on the battlefield, wearing a wreath and armor, reserved for members of the kingdoms in the 8th century. He wears a yellow shield and wields his sword over his head. Behind him, his squire wears a blue hat and a white tunic and holds a white ecu bordered by scarlet. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707366

Anglo Saxon king on the battlefield, wearing a wreath and armor, reserved for members of the kingdoms in the 8th century. He wears a yellow shield and wields his sword over his head. Behind him, his squire wears a blue hat and a white tunic and holds a white ecu bordered by scarlet. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Portrait of Guy I (ca. 1020-1100), Count of Ponthieu, who to mark his high rank wears a coat. From the 8th century onwards, leather and mesh battles were introduced, and under the rebellion of Pepin Le Brif, the diversity of arms among the Franks was enrich, spears and slings (83,84) axes and arches, and the use of heaumes was more common (Figure 24 is a very unusual form). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Portrait of Guy I (ca. 1020-1100), Count of Ponthieu, who to mark his high rank wears a coat. From the 8th century onwards, leather and mesh battles were introduced, and under the rebellion of Pepin Le Brif, the diversity of arms among the Franks was enrich, spears and slings (83,84) axes and arches, and the use of heaumes was more common (Figure 24 is a very unusual form). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707660: Portrait of Guy I (ca. 1020-1100), Count of Ponthieu, who to mark his high rank wears a coat. From the 8th century onwards, leather and mesh battles were introduced, and under the rebellion of Pepin Le Brif, the diversity of arms among the Franks was enrich, spears and slings (83,84) axes and arches, and the use of heaumes was more common (Figure 24 is a very unusual form). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707660

Portrait of Guy I (ca. 1020-1100), Count of Ponthieu, who to mark his high rank wears a coat. From the 8th century onwards, leather and mesh battles were introduced, and under the rebellion of Pepin Le Brif, the diversity of arms among the Franks was enrich, spears and slings (83,84) axes and arches, and the use of heaumes was more common (Figure 24 is a very unusual form). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

French crossbowman, 14th century. He wears a helmet, cuirasset, skirt of cups, belt, stockings and knee pieces, and aims his crossbow at a target. From a print in the Gaignieres collection at the Bibliotheque du Roi. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
French crossbowman, 14th century. He wears a helmet, cuirasset, skirt of cups, belt, stockings and knee pieces, and aims his crossbow at a target. From a print in the Gaignieres collection at the Bibliotheque du Roi. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673575: French crossbowman, 14th century. He wears a helmet, cuirasset, skirt of cups, belt, stockings and knee pieces, and aims his crossbow at a target. From a print in the Gaignieres collection at the Bibliotheque du Roi. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4673575

French crossbowman, 14th century. He wears a helmet, cuirasset, skirt of cups, belt, stockings and knee pieces, and aims his crossbow at a target. From a print in the Gaignieres collection at the Bibliotheque du Roi. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

Massard, Leopold (1812-1889)

Sceptre, sword and hand of justice of Charlemagne. The gold sceptre is decorated pearls, rubies and sapphires, a fleur de liys and figure of the king. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Sceptre, sword and hand of justice of Charlemagne. The gold sceptre is decorated pearls, rubies and sapphires, a fleur de liys and figure of the king. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673793: Sceptre, sword and hand of justice of Charlemagne. The gold sceptre is decorated pearls, rubies and sapphires, a fleur de liys and figure of the king. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4673793

Sceptre, sword and hand of justice of Charlemagne. The gold sceptre is decorated pearls, rubies and sapphires, a fleur de liys and figure of the king. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

Massard, Leopold (1812-1889)

Philip III, Count of Evreux and King of Navarre, 1306-1343. He wears a crown, chainmail hauberk, tunic with coat of arms, spurs, and holds a sword. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Philip III, Count of Evreux and King of Navarre, 1306-1343. He wears a crown, chainmail hauberk, tunic with coat of arms, spurs, and holds a sword. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673324: Philip III, Count of Evreux and King of Navarre, 1306-1343. He wears a crown, chainmail hauberk, tunic with coat of arms, spurs, and holds a sword. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4673324

Philip III, Count of Evreux and King of Navarre, 1306-1343. He wears a crown, chainmail hauberk, tunic with coat of arms, spurs, and holds a sword. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

Massard, Leopold (1812-1889)

Warrior on Horseback, 1839-64 (woodblock print)
Warrior on Horseback, 1839-64 (woodblock print)

MAM713724: Warrior on Horseback, 1839-64 (woodblock print), Hiroshige, Utagawa II (1829-1869) / Bridgeman Images

ID: MAM713724

Warrior on Horseback, 1839-64 (woodblock print)

Hiroshige, Utagawa II (1829-1869)

Indre & Loire N* 260 - Chateau d'Use - 16th century stall - in the chapel of the chateau
Indre & Loire N* 260 - Chateau d'Use - 16th century stall - in the chapel of the chateau

GYS4989420: Indre & Loire N* 260 - Chateau d'Use - 16th century stall - in the chapel of the chateau / Bridgeman Images

ID: GYS4989420

Indre & Loire N* 260 - Chateau d'Use - 16th century stall - in the chapel of the chateau

Norman cavalry in chainmail armour with swords, shields and lances in combat, with a military tent at right
Norman cavalry in chainmail armour with swords, shields and lances in combat, with a military tent at right

FLO5323838: Norman cavalry in chainmail armour with swords, shields and lances in combat, with a military tent at right / Bridgeman Images

ID: FLO5323838

Norman cavalry in chainmail armour with swords, shields and lances in combat, with a military tent at right

Saint Peter and Saint Paul, c.1590 (oil on canvas)
Saint Peter and Saint Paul, c.1590 (oil on canvas)

FIA5400363: Saint Peter and Saint Paul, c.1590 (oil on canvas), Greco, El (Domenico Theotocopuli) (1541-1614) / Bridgeman Images

ID: FIA5400363

Saint Peter and Saint Paul, c.1590 (oil on canvas)

Greco, El (Domenico Theotocopuli) (1541-1614)

Frederick II (1712-86) the Great (oil on canvas)
Frederick II (1712-86) the Great (oil on canvas)

CND201647: Frederick II (1712-86) the Great (oil on canvas), French School, (18th century) / Bridgeman Images

ID: CND201647

Frederick II (1712-86) the Great (oil on canvas)

French School, (18th century)

The Siege of Ptolemais, illustration from 'Bibliotheque des Croisades' by J-F. Michaud, 1877 (litho)
The Siege of Ptolemais, illustration from 'Bibliotheque des Croisades' by J-F. Michaud, 1877 (litho)

KWE219457: The Siege of Ptolemais, illustration from 'Bibliotheque des Croisades' by J-F. Michaud, 1877 (litho), Dore, Gustave (1832-83) / Bridgeman Images

ID: KWE219457

The Siege of Ptolemais, illustration from 'Bibliotheque des Croisades' by J-F. Michaud, 1877 (litho)

Dore, Gustave (1832-83)

Title Page of 'Leviathan, or The Matter, Forme, & Power of a Common-Wealth Ecclesiasticall and Civill' by Thomas Hobbes, 1651 (engraving)
Title Page of 'Leviathan, or The Matter, Forme, & Power of a Common-Wealth Ecclesiasticall and Civill' by Thomas Hobbes, 1651 (engraving)

CH4969032: Title Page of 'Leviathan, or The Matter, Forme, & Power of a Common-Wealth Ecclesiasticall and Civill' by Thomas Hobbes, 1651 (engraving), Bosse, Abraham (1602-76) / Bridgeman Images

ID: CH4969032

Title Page of 'Leviathan, or The Matter, Forme, & Power of a Common-Wealth Ecclesiasticall and Civill' by Thomas Hobbes, 1651 (engraving)

Bosse, Abraham (1602-76)

King Arthur- Sir Bedivere throwing Excalibur.
King Arthur- Sir Bedivere throwing Excalibur.

XLF3780200: King Arthur- Sir Bedivere throwing Excalibur., Crane, Walter (1845-1915) / Bridgeman Images

ID: XLF3780200

King Arthur- Sir Bedivere throwing Excalibur.

Crane, Walter (1845-1915)

Christopher Columbus, on board his caravel, gestures to the island of Guanahani (San Salvador) on 12 October 1492 (oil on canvas)
Christopher Columbus, on board his caravel, gestures to the island of Guanahani (San Salvador) on 12 October 1492 (oil on canvas)

XPH324143: Christopher Columbus, on board his caravel, gestures to the island of Guanahani (San Salvador) on 12 October 1492 (oil on canvas), Spanish School / Bridgeman Images

ID: XPH324143

Christopher Columbus, on board his caravel, gestures to the island of Guanahani (San Salvador) on 12 October 1492 (oil on canvas)

Spanish School

Cato Uticensis, c.1795 (oil on canvas)
Cato Uticensis, c.1795 (oil on canvas)

FIA5363168: Cato Uticensis, c.1795 (oil on canvas), Lethiere, Guillaume (1760-1832) / Bridgeman Images

ID: FIA5363168

Cato Uticensis, c.1795 (oil on canvas)

Lethiere, Guillaume (1760-1832)

Madonna and Child with St. Anthony Abbot, St. John the Baptist, St. Lawrence and St. Julian, 1404 (tempera on panel)
Madonna and Child with St. Anthony Abbot, St. John the Baptist, St. Lawrence and St. Julian, 1404 (tempera on panel)

AII80543: Madonna and Child with St. Anthony Abbot, St. John the Baptist, St. Lawrence and St. Julian, 1404 (tempera on panel), Gerini, Lorenzo di Niccolo (fl.1392-1415) / Bridgeman Images

ID: AII80543

Madonna and Child with St. Anthony Abbot, St. John the Baptist, St. Lawrence and St. Julian, 1404 (tempera on panel)

Gerini, Lorenzo di Niccolo (fl.1392-1415)

Siegfried's battle with the dragon
Siegfried's battle with the dragon

LAL337348: Siegfried's battle with the dragon, Payne, Roger (b.1934) / Bridgeman Images

ID: LAL337348

Siegfried's battle with the dragon

Payne, Roger (b.1934)

King Louis-Philippe (oil on canvas)
King Louis-Philippe (oil on canvas)

XRH1715536: King Louis-Philippe (oil on canvas), Winterhalter, Franz Xaver (1805-73) / Bridgeman Images

ID: XRH1715536

King Louis-Philippe (oil on canvas)

Winterhalter, Franz Xaver (1805-73)

Lancelot du Lac combatant des chevaliers Miniature taken from “” Roman du Chevalier Tristan”” by Master Charles de Maine (Beroul version). 1440-1460. Chantilly, Conde Museum
Lancelot du Lac combatant des chevaliers Miniature taken from “” Roman du Chevalier Tristan”” by Master Charles de Maine (Beroul version). 1440-1460. Chantilly, Conde Museum

LRI4665495: Lancelot du Lac combatant des chevaliers Miniature taken from “” Roman du Chevalier Tristan”” by Master Charles de Maine (Beroul version). 1440-1460. Chantilly, Conde Museum, Charles du Maine Master (active 1450-1460) / Bridgeman Images

ID: LRI4665495

Lancelot du Lac combatant des chevaliers Miniature taken from “” Roman du Chevalier Tristan”” by Master Charles de Maine (Beroul version). 1440-1460. Chantilly, Conde Museum

Charles du Maine Master (active 1450-1460)

The Battle of Meanee, 17 February 1843, 1847 (oil on canvas)
The Battle of Meanee, 17 February 1843, 1847 (oil on canvas)

ROC424161: The Battle of Meanee, 17 February 1843, 1847 (oil on canvas), Armitage, Edward (1817-96) / Bridgeman Images

ID: ROC424161

The Battle of Meanee, 17 February 1843, 1847 (oil on canvas)

Armitage, Edward (1817-96)

The Three Archangels and Tobit (Painting, 15th century)
The Three Archangels and Tobit (Painting, 15th century)

LRI4576240: The Three Archangels and Tobit (Painting, 15th century), Botticini, Francesco (c.1446-97) / Bridgeman Images

ID: LRI4576240

The Three Archangels and Tobit (Painting, 15th century)

Botticini, Francesco (c.1446-97)


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