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13714 Search Results for sword

English commando troops landing from landing craft on Sword Beach during the Normandy Landings, 6th June 1944 (b/w photo)
English commando troops landing from landing craft on Sword Beach during the Normandy Landings, 6th June 1944 (b/w photo)

TAD1748895: English commando troops landing from landing craft on Sword Beach during the Normandy Landings, 6th June 1944 (b/w photo), Unknown photographer, (20th century) / Bridgeman Images

ID: TAD1748895

English commando troops landing from landing craft on Sword Beach during the Normandy Landings, 6th June 1944 (b/w photo)

Unknown photographer, (20th century)

Henry VI, King of England, presenting a sword to John Talbot, Earl of Shrewsbury, 15th Century (coloured engraving)
Henry VI, King of England, presenting a sword to John Talbot, Earl of Shrewsbury, 15th Century (coloured engraving)

LLM972956: Henry VI, King of England, presenting a sword to John Talbot, Earl of Shrewsbury, 15th Century (coloured engraving), English School, (19th century) / Bridgeman Images

ID: LLM972956

Henry VI, King of England, presenting a sword to John Talbot, Earl of Shrewsbury, 15th Century (coloured engraving)

English School, (19th century)

David Bearing the Head of Goliath, 1643
David Bearing the Head of Goliath, 1643

BOO73404: David Bearing the Head of Goliath, 1643, Oost, Jacob van (1601-71) / Bridgeman Images

ID: BOO73404

David Bearing the Head of Goliath, 1643

Oost, Jacob van (1601-71)

Portrait of King James VI (1566-1625) of Scotland and I of England and Ireland, 1607 (oil on panel)
Portrait of King James VI (1566-1625) of Scotland and I of England and Ireland, 1607 (oil on panel)

MOU244392: Portrait of King James VI (1566-1625) of Scotland and I of England and Ireland, 1607 (oil on panel), English School, (17th century) / Bridgeman Images

ID: MOU244392

Portrait of King James VI (1566-1625) of Scotland and I of England and Ireland, 1607 (oil on panel)

English School, (17th century)

St. Louis, study for a painting done in 1888, 1883 (oil on panel)
St. Louis, study for a painting done in 1888, 1883 (oil on panel)

ZEN142495: St. Louis, study for a painting done in 1888, 1883 (oil on panel), Merson, Luc-Oliver (1846-1920) / Bridgeman Images

ID: ZEN142495

St. Louis, study for a painting done in 1888, 1883 (oil on panel)

Merson, Luc-Oliver (1846-1920)

Gaulish warriors swearing an oath, from a protective sleeve for school books, late 19th century (colour litho)
Gaulish warriors swearing an oath, from a protective sleeve for school books, late 19th century (colour litho)

CHT177843: Gaulish warriors swearing an oath, from a protective sleeve for school books, late 19th century (colour litho), Feist, H. and Louis, R. (19th century) / Bridgeman Images

ID: CHT177843

Gaulish warriors swearing an oath, from a protective sleeve for school books, late 19th century (colour litho)

Feist, H. and Louis, R. (19th century)

Kabuki actor, Ichikawa Danjuro V in character as Ashiya Doman, leaning on his sword and looking to his right, 1776 (woodblock print on paper)
Kabuki actor, Ichikawa Danjuro V in character as Ashiya Doman, leaning on his sword and looking to his right, 1776 (woodblock print on paper)

MAI6404886: Kabuki actor, Ichikawa Danjuro V in character as Ashiya Doman, leaning on his sword and looking to his right, 1776 (woodblock print on paper), Katsukawa Shunko (1743-1812) / Bridgeman Images

ID: MAI6404886

Kabuki actor, Ichikawa Danjuro V in character as Ashiya Doman, leaning on his sword and looking to his right, 1776 (woodblock print on paper)

Katsukawa Shunko (1743-1812)

French soldier, holding telegram (coloured photo)
French soldier, holding telegram (coloured photo)

LLM978906: French soldier, holding telegram (coloured photo), French Photographer, (20th century) / Bridgeman Images

ID: LLM978906

French soldier, holding telegram (coloured photo)

French Photographer, (20th century)

'As good a man as he, sir, whoe'er I am', Henry IV, Part II, 1936 (litho)
'As good a man as he, sir, whoe'er I am', Henry IV, Part II, 1936 (litho)

DMA1067106: 'As good a man as he, sir, whoe'er I am', Henry IV, Part II, 1936 (litho), Kent, Rockwell (1882-1971) / Bridgeman Images

ID: DMA1067106

'As good a man as he, sir, whoe'er I am', Henry IV, Part II, 1936 (litho)

Kent, Rockwell (1882-1971)

Pyramus and Thisbe. (The two Babylonians loved each other despite the opposition of their families, decidating to flee together, they meet at the foot of a murier. Arriving Pyramus believes that her friend was devoured by a lioness and stab herself with despair. Thisbee returns to find Pyramus dead and stab himself.) Anonymous painting, oil on wood, circa 1505. German Art (Nuremberg), 16th century. Colmar Museum.
Pyramus and Thisbe. (The two Babylonians loved each other despite the opposition of their families, decidating to flee together, they meet at the foot of a murier. Arriving Pyramus believes that her friend was devoured by a lioness and stab herself with despair. Thisbee returns to find Pyramus dead and stab himself.) Anonymous painting, oil on wood, circa 1505. German Art (Nuremberg), 16th century. Colmar Museum.

LSE4315257: Pyramus and Thisbe. (The two Babylonians loved each other despite the opposition of their families, decidating to flee together, they meet at the foot of a murier. Arriving Pyramus believes that her friend was devoured by a lioness and stab herself with despair. Thisbee returns to find Pyramus dead and stab himself.) Anonymous painting, oil on wood, circa 1505. German Art (Nuremberg), 16th century. Colmar Museum., German School, (16th century) / Bridgeman Images

ID: LSE4315257

Pyramus and Thisbe. (The two Babylonians loved each other despite the opposition of their families, decidating to flee together, they meet at the foot of a murier. Arriving Pyramus believes that her friend was devoured by a lioness and stab herself with despair. Thisbee returns to find Pyramus dead and stab himself.) Anonymous painting, oil on wood, circa 1505. German Art (Nuremberg), 16th century. Colmar Museum.

German School, (16th century)

St. Paul, c.1891 (stained glass)
St. Paul, c.1891 (stained glass)

CCX3475569: St. Paul, c.1891 (stained glass), Brown, John William (1842-1928) / Bridgeman Images

ID: CCX3475569

St. Paul, c.1891 (stained glass)

Brown, John William (1842-1928)

Tapestry, The Anniversary of Hector's Death, from Tournai, c.1470-80 (wool & silk)
Tapestry, The Anniversary of Hector's Death, from Tournai, c.1470-80 (wool & silk)

GLS3576121: Tapestry, The Anniversary of Hector's Death, from Tournai, c.1470-80 (wool & silk), Belgian School, (15th century) / Bridgeman Images

ID: GLS3576121

Tapestry, The Anniversary of Hector's Death, from Tournai, c.1470-80 (wool & silk)

Belgian School, (15th century)

Wing shooting world Championship of the
Wing shooting world Championship of the

FAF3568483: Wing shooting world Championship of the "Tiro a Volo Lazio" club in Parioli, Rome; Ettore Stacchini photographed with other personalities, Unknown photographer, (20th century) / Bridgeman Images

ID: FAF3568483

Wing shooting world Championship of the "Tiro a Volo Lazio" club in Parioli, Rome; Ettore Stacchini photographed with other personalities

Unknown photographer, (20th century)

Anglo Saxon flag 53, swords 54,55, slingshot 56, magisterial staffs 57,58, 74, lances 59-63, daggers 64,65, double headed axe of the Danes called a Bipennis 66, Danish axes 67,68, Anglo Saxon scepters 69-73, and an Anglo Saxon sword with bejeweled handle and scabbard 75. Handcoloured copperplate engraving by Paul Weindl from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,””” Chez Collignon, Metz, 1810.
Anglo Saxon flag 53, swords 54,55, slingshot 56, magisterial staffs 57,58, 74, lances 59-63, daggers 64,65, double headed axe of the Danes called a Bipennis 66, Danish axes 67,68, Anglo Saxon scepters 69-73, and an Anglo Saxon sword with bejeweled handle and scabbard 75. Handcoloured copperplate engraving by Paul Weindl from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,””” Chez Collignon, Metz, 1810.

FLO4702291: Anglo Saxon flag 53, swords 54,55, slingshot 56, magisterial staffs 57,58, 74, lances 59-63, daggers 64,65, double headed axe of the Danes called a Bipennis 66, Danish axes 67,68, Anglo Saxon scepters 69-73, and an Anglo Saxon sword with bejeweled handle and scabbard 75. Handcoloured copperplate engraving by Paul Weindl from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,””” Chez Collignon, Metz, 1810. / Bridgeman Images

ID: FLO4702291

Anglo Saxon flag 53, swords 54,55, slingshot 56, magisterial staffs 57,58, 74, lances 59-63, daggers 64,65, double headed axe of the Danes called a Bipennis 66, Danish axes 67,68, Anglo Saxon scepters 69-73, and an Anglo Saxon sword with bejeweled handle and scabbard 75. Handcoloured copperplate engraving by Paul Weindl from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,””” Chez Collignon, Metz, 1810.

Napoleon Bonaparte (1799-1804) prime consul putting back his sword in its scabbard after the peace treaty of Amiens 1802, engraving
Napoleon Bonaparte (1799-1804) prime consul putting back his sword in its scabbard after the peace treaty of Amiens 1802, engraving

PVD1687146: Napoleon Bonaparte (1799-1804) prime consul putting back his sword in its scabbard after the peace treaty of Amiens 1802, engraving / Bridgeman Images

ID: PVD1687146

Napoleon Bonaparte (1799-1804) prime consul putting back his sword in its scabbard after the peace treaty of Amiens 1802, engraving

An Ottoman Horseman (oil on canvas)
An Ottoman Horseman (oil on canvas)

SFA413713: An Ottoman Horseman (oil on canvas), Chernetsov, Grigori Grigor'evich (1801-65) / Bridgeman Images

ID: SFA413713

An Ottoman Horseman (oil on canvas)

Chernetsov, Grigori Grigor'evich (1801-65)

A Chinese infantryman, illustration from 'Le Costume Ancien et Moderne' by Giulio Ferrario, published c.1820s-30s (colour litho)
A Chinese infantryman, illustration from 'Le Costume Ancien et Moderne' by Giulio Ferrario, published c.1820s-30s (colour litho)

STC232561: A Chinese infantryman, illustration from 'Le Costume Ancien et Moderne' by Giulio Ferrario, published c.1820s-30s (colour litho), Bigatti, Giovanni (19th century) / Bridgeman Images

ID: STC232561

A Chinese infantryman, illustration from 'Le Costume Ancien et Moderne' by Giulio Ferrario, published c.1820s-30s (colour litho)

Bigatti, Giovanni (19th century)

The knight battles the dragon (chromolitho)
The knight battles the dragon (chromolitho)

LLR735734: The knight battles the dragon (chromolitho), European School, (19th century) / Bridgeman Images

ID: LLR735734

The knight battles the dragon (chromolitho)

European School, (19th century)

Saint Michael sculpture in Notre Dame de Bayeux cathedral , Bayeux, France
Saint Michael sculpture in Notre Dame de Bayeux cathedral , Bayeux, France

GNG5261378: Saint Michael sculpture in Notre Dame de Bayeux cathedral , Bayeux, France / Bridgeman Images

ID: GNG5261378

Saint Michael sculpture in Notre Dame de Bayeux cathedral , Bayeux, France

Land of Legend
Land of Legend

LAL304442: Land of Legend, English School, (20th century) / Bridgeman Images

ID: LAL304442

Land of Legend

English School, (20th century)

Kabuki Actor, 18th century (woodblock print)
Kabuki Actor, 18th century (woodblock print)

MAM713486: Kabuki Actor, 18th century (woodblock print), Shunsho, Katsukawa (1726-93) / Bridgeman Images

ID: MAM713486

Kabuki Actor, 18th century (woodblock print)

Shunsho, Katsukawa (1726-93)

Wing shooting world Championship of the
Wing shooting world Championship of the

FAF3568481: Wing shooting world Championship of the "Tiro a Volo Lazio" club in Parioli, Rome; Ettore Stacchini photographed with military authorities, Unknown photographer, (20th century) / Bridgeman Images

ID: FAF3568481

Wing shooting world Championship of the "Tiro a Volo Lazio" club in Parioli, Rome; Ettore Stacchini photographed with military authorities

Unknown photographer, (20th century)

Wing shooting world Championship of the
Wing shooting world Championship of the

FAF3568482: Wing shooting world Championship of the "Tiro a Volo Lazio" club in Parioli, Rome; Ettore Stacchini photographed with military authorities, Unknown photographer, (20th century) / Bridgeman Images

ID: FAF3568482

Wing shooting world Championship of the "Tiro a Volo Lazio" club in Parioli, Rome; Ettore Stacchini photographed with military authorities

Unknown photographer, (20th century)

Artaxerxes, Royal Opera House production
Artaxerxes, Royal Opera House production

LEL3844946: Artaxerxes, Royal Opera House production, Lewis, Laurie / Bridgeman Images

ID: LEL3844946

Artaxerxes, Royal Opera House production

Lewis, Laurie

Uniform of a ship’s ensign, enseigne de vaisseau, French Navy, 1844 (print)
Uniform of a ship’s ensign, enseigne de vaisseau, French Navy, 1844 (print)

FLO5912654: Uniform of a ship’s ensign, enseigne de vaisseau, French Navy, 1844 (print) / Bridgeman Images

ID: FLO5912654

Uniform of a ship’s ensign, enseigne de vaisseau, French Navy, 1844 (print)

Sir Walter Raleigh
Sir Walter Raleigh

LLM457883: Sir Walter Raleigh, Simpson, Joseph (1879-1939) / Bridgeman Images

ID: LLM457883

Sir Walter Raleigh

Simpson, Joseph (1879-1939)

Window depicting Adam and Eve expelled from the Garden of Eden, mid-15th century (stained glass)
Window depicting Adam and Eve expelled from the Garden of Eden, mid-15th century (stained glass)

XPC22029: Window depicting Adam and Eve expelled from the Garden of Eden, mid-15th century (stained glass), English School, (15th century) / Bridgeman Images

ID: XPC22029

Window depicting Adam and Eve expelled from the Garden of Eden, mid-15th century (stained glass)

English School, (15th century)

The Morning of the Duel (oil on canvas)
The Morning of the Duel (oil on canvas)

RAG493030: The Morning of the Duel (oil on canvas), Hughes, Talbot (1869-1942) / Bridgeman Images

ID: RAG493030

The Morning of the Duel (oil on canvas)

Hughes, Talbot (1869-1942)

Balaam's Ass
Balaam's Ass

BAL15555: Balaam's Ass, Bol, Hans (1534-93) / Bridgeman Images

ID: BAL15555

Balaam's Ass

Bol, Hans (1534-93)

Dewa Loka, from 'The History and Doctrine of Buddhism' by Edward Upham, 1829 (colour litho)
Dewa Loka, from 'The History and Doctrine of Buddhism' by Edward Upham, 1829 (colour litho)

STC414241: Dewa Loka, from 'The History and Doctrine of Buddhism' by Edward Upham, 1829 (colour litho), English School, (19th century) / Bridgeman Images

ID: STC414241

Dewa Loka, from 'The History and Doctrine of Buddhism' by Edward Upham, 1829 (colour litho)

English School, (19th century)

The Hunts of Maximilian, Capricorn, The Boar Hunt, detail of Maximilian I (1459-1519) Gobelins Factory (see also 138999) (tapestry) (b/w photo)
The Hunts of Maximilian, Capricorn, The Boar Hunt, detail of Maximilian I (1459-1519) Gobelins Factory (see also 138999) (tapestry) (b/w photo)

XIR345944: The Hunts of Maximilian, Capricorn, The Boar Hunt, detail of Maximilian I (1459-1519) Gobelins Factory (see also 138999) (tapestry) (b/w photo), Orley, Bernard van (c.1488-1541) (after) / Bridgeman Images

ID: XIR345944

The Hunts of Maximilian, Capricorn, The Boar Hunt, detail of Maximilian I (1459-1519) Gobelins Factory (see also 138999) (tapestry) (b/w photo)

Orley, Bernard van (c.1488-1541) (after)

St. Bavo and St. Amalberga of Maubeuge, mural from the crypt, c.1480-1540 (fresco)
St. Bavo and St. Amalberga of Maubeuge, mural from the crypt, c.1480-1540 (fresco)

XIR343441: St. Bavo and St. Amalberga of Maubeuge, mural from the crypt, c.1480-1540 (fresco), Flemish School / Bridgeman Images

ID: XIR343441

St. Bavo and St. Amalberga of Maubeuge, mural from the crypt, c.1480-1540 (fresco)

Flemish School

Performance of 'Ruy Blas' (1838) by Victor Hugo (1802-85), with Paul Mounet (1847-1922) in the role of Don Salluste, Mounet-Sully (1841-1916) in the role of Ruy Blas, and Marthe Brandes (1862-1930) in the role of the Queen (L. to R.), revival at the Comedie Francaise 9th July 1895 (b/w photo)
Performance of 'Ruy Blas' (1838) by Victor Hugo (1802-85), with Paul Mounet (1847-1922) in the role of Don Salluste, Mounet-Sully (1841-1916) in the role of Ruy Blas, and Marthe Brandes (1862-1930) in the role of the Queen (L. to R.), revival at the Comedie Francaise 9th July 1895 (b/w photo)

CHT164059: Performance of 'Ruy Blas' (1838) by Victor Hugo (1802-85), with Paul Mounet (1847-1922) in the role of Don Salluste, Mounet-Sully (1841-1916) in the role of Ruy Blas, and Marthe Brandes (1862-1930) in the role of the Queen (L. to R.), revival at the Comedie Francaise 9th July 1895 (b/w photo), French School, (19th century) / Bridgeman Images

ID: CHT164059

Performance of 'Ruy Blas' (1838) by Victor Hugo (1802-85), with Paul Mounet (1847-1922) in the role of Don Salluste, Mounet-Sully (1841-1916) in the role of Ruy Blas, and Marthe Brandes (1862-1930) in the role of the Queen (L. to R.), revival at the Comedie Francaise 9th July 1895 (b/w photo)

French School, (19th century)

The Duke of Marlborough Defeats the French and Bavarians at the Battle of Blenheim, 2 August 1704, English playing card (engraving)
The Duke of Marlborough Defeats the French and Bavarians at the Battle of Blenheim, 2 August 1704, English playing card (engraving)

XJF119825: The Duke of Marlborough Defeats the French and Bavarians at the Battle of Blenheim, 2 August 1704, English playing card (engraving), English School, (18th century) / Bridgeman Images

ID: XJF119825

The Duke of Marlborough Defeats the French and Bavarians at the Battle of Blenheim, 2 August 1704, English playing card (engraving)

English School, (18th century)

The Southern Hemisphere (Plate XXVIII) Phoenix, Piscis Volans, Pavo et Indus, Apus Indica, Grus, Circinus, Dorado vel Xiphias, The Chameleon, Crux, Mons Mensae, Reticula Rhomboidalis, Octans Hadlienus, Musca Australis, from 'A Celestial Atlas' by Alexander Jamieson, pub. London 1822 (hand coloured engraving)
The Southern Hemisphere (Plate XXVIII) Phoenix, Piscis Volans, Pavo et Indus, Apus Indica, Grus, Circinus, Dorado vel Xiphias, The Chameleon, Crux, Mons Mensae, Reticula Rhomboidalis, Octans Hadlienus, Musca Australis, from 'A Celestial Atlas' by Alexander Jamieson, pub. London 1822 (hand coloured engraving)

STC956781: The Southern Hemisphere (Plate XXVIII) Phoenix, Piscis Volans, Pavo et Indus, Apus Indica, Grus, Circinus, Dorado vel Xiphias, The Chameleon, Crux, Mons Mensae, Reticula Rhomboidalis, Octans Hadlienus, Musca Australis, from 'A Celestial Atlas' by Alexander Jamieson, pub. London 1822 (hand coloured engraving), Jamieson, Alexander (fl.1820) / Bridgeman Images

ID: STC956781

The Southern Hemisphere (Plate XXVIII) Phoenix, Piscis Volans, Pavo et Indus, Apus Indica, Grus, Circinus, Dorado vel Xiphias, The Chameleon, Crux, Mons Mensae, Reticula Rhomboidalis, Octans Hadlienus, Musca Australis, from 'A Celestial Atlas' by Alexander Jamieson, pub. London 1822 (hand coloured engraving)

Jamieson, Alexander (fl.1820)

Victor Emmanuel III, the new King of Italy (colour litho)
Victor Emmanuel III, the new King of Italy (colour litho)

LLM2807815: Victor Emmanuel III, the new King of Italy (colour litho), Tofani, Oswaldo (1849-1915) (after) / Bridgeman Images

ID: LLM2807815

Victor Emmanuel III, the new King of Italy (colour litho)

Tofani, Oswaldo (1849-1915) (after)


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