Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

41915 Search Results for medieval or gothic or late medieval

Cartoon for the Baptism of Edwin (c.585-633) King of Northumbria and Deira, 1879-91 (coloured chalks & pastel)
Cartoon for the Baptism of Edwin (c.585-633) King of Northumbria and Deira, 1879-91 (coloured chalks & pastel)

NGV123384: Cartoon for the Baptism of Edwin (c.585-633) King of Northumbria and Deira, 1879-91 (coloured chalks & pastel), Brown, Ford Madox (1821-93) / Bridgeman Images

St. Brigid's Well (photo)
St. Brigid's Well (photo)

HGP386938: St. Brigid's Well (photo) / Bridgeman Images

Picking fruit, from 'Opus Ruralium Commodorum' by Pietro Crescenzi (1230-1321) (vellum)
Picking fruit, from 'Opus Ruralium Commodorum' by Pietro Crescenzi (1230-1321) (vellum)

XIR192412: Picking fruit, from 'Opus Ruralium Commodorum' by Pietro Crescenzi (1230-1321) (vellum), Czech School, (16th century) / Bridgeman Images

Picture carpet depicting a banquet of savages and the storming of Minneburg, c.1420 (textile)
Picture carpet depicting a banquet of savages and the storming of Minneburg, c.1420 (textile)

GNM283919: Picture carpet depicting a banquet of savages and the storming of Minneburg, c.1420 (textile), German School, (15th century) / Bridgeman Images

'Say it is done, and I will love thee, and prefer thee for it', 1890 (colour litho)
'Say it is done, and I will love thee, and prefer thee for it', 1890 (colour litho)

KWE428126: 'Say it is done, and I will love thee, and prefer thee for it', 1890 (colour litho), Robert Dudley / Bridgeman Images

The Coronation of Charles VII in Reims, c.1900 (colour litho)
The Coronation of Charles VII in Reims, c.1900 (colour litho)

CHT420055: The Coronation of Charles VII in Reims, c.1900 (colour litho), French School, (20th century) / Bridgeman Images

Joan of Arc recognises King Charles VII hidden among his courtesans in Chinon, 25 February 1429, illustration from 'Jeanne d'Arc', c.1910 (colour litho)
Joan of Arc recognises King Charles VII hidden among his courtesans in Chinon, 25 February 1429, illustration from 'Jeanne d'Arc', c.1910 (colour litho)

CHT420075: Joan of Arc recognises King Charles VII hidden among his courtesans in Chinon, 25 February 1429, illustration from 'Jeanne d'Arc', c.1910 (colour litho), Boutet de Monvel, Louis Maurice (1851-1913) / Bridgeman Images

Eleanor of Aquitaine, Queen of Henry II, printed by Henry G. Bohn, 1856 (colour engraving)
Eleanor of Aquitaine, Queen of Henry II, printed by Henry G. Bohn, 1856 (colour engraving)

DGC1200294: Eleanor of Aquitaine, Queen of Henry II, printed by Henry G. Bohn, 1856 (colour engraving), English School, (19th century) / Bridgeman Images

English archers at The Battle Of Agincourt (colour litho)
English archers at The Battle Of Agincourt (colour litho)

LAL5197153: English archers at The Battle Of Agincourt (colour litho), McBride, Angus (1931-2007) / Bridgeman Images

On the Way to the Green Chapel, from 'Stories of the Days of King Arthur' by Charles Henry Hanson, pub.1898 (engraving)
On the Way to the Green Chapel, from 'Stories of the Days of King Arthur' by Charles Henry Hanson, pub.1898 (engraving)

STC3587818: On the Way to the Green Chapel, from 'Stories of the Days of King Arthur' by Charles Henry Hanson, pub.1898 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Columbus's letter on the discovery of Hispaniola and Cuba
Columbus's letter on the discovery of Hispaniola and Cuba

XLA3761531: Columbus's letter on the discovery of Hispaniola and Cuba / Bridgeman Images

Adoration of the Magi (Bethleem, Jesus in arms of her mother Virgin Mary), illumination from
Adoration of the Magi (Bethleem, Jesus in arms of her mother Virgin Mary), illumination from

PVD1693589: Adoration of the Magi (Bethleem, Jesus in arms of her mother Virgin Mary), illumination from "Les Tres Riches Heures du duc de Berry" 15th century, coll. Musee Conde Chantilly / Bridgeman Images

Coin (reverse) c.534-548 (gold)
Coin (reverse) c.534-548 (gold)

FIT984808: Coin (reverse) c.534-548 (gold), Ostrogothic (6th century) / Bridgeman Images

Joseph on the Flight into Egypt, possibly from the Abbey Church of St. Germain des Pres in Paris, c. 1247 (stained glass)
Joseph on the Flight into Egypt, possibly from the Abbey Church of St. Germain des Pres in Paris, c. 1247 (stained glass)

GNM284501: Joseph on the Flight into Egypt, possibly from the Abbey Church of St. Germain des Pres in Paris, c. 1247 (stained glass), French School, (13th century) / Bridgeman Images

Scandinavian Costumes and Objects up until 1200, late 19th century (colour litho)
Scandinavian Costumes and Objects up until 1200, late 19th century (colour litho)

CHT163199: Scandinavian Costumes and Objects up until 1200, late 19th century (colour litho), Hottenroth, Friedrich (b.1840) / Bridgeman Images

Robert Browning 's The Pied Piper of Hamelin
Robert Browning 's The Pied Piper of Hamelin

XLA3751639: Robert Browning 's The Pied Piper of Hamelin, Robinson, Thomas Heath (1869-1954) / Bridgeman Images

Ludlow Castle, Shropshire, 1792 (oil on canvas)
Ludlow Castle, Shropshire, 1792 (oil on canvas)

MAN278069: Ludlow Castle, Shropshire, 1792 (oil on canvas), Ibbetson, Julius Caesar (1759-1817) / Bridgeman Images

Matilda - Dante, Purgatorio, Canto 28, 1859 (oil on canvas)
Matilda - Dante, Purgatorio, Canto 28, 1859 (oil on canvas)

CH401641: Matilda - Dante, Purgatorio, Canto 28, 1859 (oil on canvas), Leslie, George Dunlop (1835-1921) / Bridgeman Images

The Entry into Jerusalem, 15th century
The Entry into Jerusalem, 15th century

TRK2961968: The Entry into Jerusalem, 15th century, Master of the Thuizon Altarpiece (fl.15th century) / Bridgeman Images

Portrait of Queen Elisabeth wife of Henry VII - in “” Cassell's illustrated history of England”, vol. II, by William Howitt, 1857.
Portrait of Queen Elisabeth wife of Henry VII - in “” Cassell's illustrated history of England”, vol. II, by William Howitt, 1857.

XEE4114766: Portrait of Queen Elisabeth wife of Henry VII - in “” Cassell's illustrated history of England”, vol. II, by William Howitt, 1857., British School, (19th century) / Bridgeman Images

Portrait of Charles VII (1403 - 1461), King of France.
Portrait of Charles VII (1403 - 1461), King of France.

XEE4116356: Portrait of Charles VII (1403 - 1461), King of France., Massard, Leopold (1812-1889) / Bridgeman Images

Richard accepts the Crown of England and becomes Richard III, 1483 (Richard (1452-1485) was invited to assume the crown by the Duke of Buckingham (1455-1483) after the marriage between the late King Edward IV and Elizabeth Grey was declared void by having being brought about by witchcraft and sorcery, Richard accepted and became Richard III, 1483) Illustration from “” A Chronicle-of-England”” by James Doyle, 1864 Private collection
Richard accepts the Crown of England and becomes Richard III, 1483 (Richard (1452-1485) was invited to assume the crown by the Duke of Buckingham (1455-1483) after the marriage between the late King Edward IV and Elizabeth Grey was declared void by having being brought about by witchcraft and sorcery, Richard accepted and became Richard III, 1483) Illustration from “” A Chronicle-of-England”” by James Doyle, 1864 Private collection

ELD4872863: Richard accepts the Crown of England and becomes Richard III, 1483 (Richard (1452-1485) was invited to assume the crown by the Duke of Buckingham (1455-1483) after the marriage between the late King Edward IV and Elizabeth Grey was declared void by having being brought about by witchcraft and sorcery, Richard accepted and became Richard III, 1483) Illustration from “” A Chronicle-of-England”” by James Doyle, 1864 Private collection / Bridgeman Images

Edward, the Black Prince at the Battle of Crécy
Edward, the Black Prince at the Battle of Crécy

XLF3783870: Edward, the Black Prince at the Battle of Crécy / Bridgeman Images

Operating table and surgical instruments, from 'Das Buch der Cirugia', published Strasbourg, 1497 (litho) (b/w photo)
Operating table and surgical instruments, from 'Das Buch der Cirugia', published Strasbourg, 1497 (litho) (b/w photo)

STC214624: Operating table and surgical instruments, from 'Das Buch der Cirugia', published Strasbourg, 1497 (litho) (b/w photo), Brunschwig, Hieronymus (1450-c.1512) / Bridgeman Images

Ms 479 St. Matthew, from 'The Gospels of the Abbey of Cysoing' (vellum)
Ms 479 St. Matthew, from 'The Gospels of the Abbey of Cysoing' (vellum)

XIR269519: Ms 479 St. Matthew, from 'The Gospels of the Abbey of Cysoing' (vellum), French School, (12th century) / Bridgeman Images

MS.3 f.308 Illuminated initial 'V' beginning the Book of Zephaniah, from the Lambeth Bible, Canterbury, c.1140-50 (vellum)
MS.3 f.308 Illuminated initial 'V' beginning the Book of Zephaniah, from the Lambeth Bible, Canterbury, c.1140-50 (vellum)

LAM141721: MS.3 f.308 Illuminated initial 'V' beginning the Book of Zephaniah, from the Lambeth Bible, Canterbury, c.1140-50 (vellum), English School, (12th century) / Bridgeman Images

St. Brendan's Cathedral (photo)
St. Brendan's Cathedral (photo)

HGP371392: St. Brendan's Cathedral (photo) / Bridgeman Images

Troubadour and Barbe, illustration from 'The History of Protestantism' by James Aitken Wylie (1808-1890), pub. 1878 (engraving)
Troubadour and Barbe, illustration from 'The History of Protestantism' by James Aitken Wylie (1808-1890), pub. 1878 (engraving)

STC619620: Troubadour and Barbe, illustration from 'The History of Protestantism' by James Aitken Wylie (1808-1890), pub. 1878 (engraving), English School, (19th century) / Bridgeman Images

William the Conqueror at Hastings, engraved by James Basire (1769-1822), 1816-19 (hand-coloured engraving)
William the Conqueror at Hastings, engraved by James Basire (1769-1822), 1816-19 (hand-coloured engraving)

SOA1765204: William the Conqueror at Hastings, engraved by James Basire (1769-1822), 1816-19 (hand-coloured engraving), Stothard, Charles Alfred (1786-1821) (after) / Bridgeman Images

The Archimedes Palimpsest (pen & ink on vellum) (see also 491773-84)
The Archimedes Palimpsest (pen & ink on vellum) (see also 491773-84)

CH491780: The Archimedes Palimpsest (pen & ink on vellum) (see also 491773-84), Greek School / Bridgeman Images

Seventh Crusade (1248-1254). Conquest of Damietta (June 7, 1249) by Saint Louis (1214-1270) (colour engraving)
Seventh Crusade (1248-1254). Conquest of Damietta (June 7, 1249) by Saint Louis (1214-1270) (colour engraving)

TRK1775900: Seventh Crusade (1248-1254). Conquest of Damietta (June 7, 1249) by Saint Louis (1214-1270) (colour engraving) / Bridgeman Images

Triumphal entry of Ferdinand III (c.1201-1252)  in Seville after the surrender of the city (coloured engraving)
Triumphal entry of Ferdinand III (c.1201-1252)  in Seville after the surrender of the city (coloured engraving)

TRK2637226: Triumphal entry of Ferdinand III (c.1201-1252) in Seville after the surrender of the city (coloured engraving) / Bridgeman Images

Montparnasse Blues, 1922-25 (oil on canvas)
Montparnasse Blues, 1922-25 (oil on canvas)

IMJ403316: Montparnasse Blues, 1922-25 (oil on canvas), Dongen, Kees van (1877-1968) / Bridgeman Images

Paradiso, Canto 8 : Charles Martel addresses Dante and Beatrice, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Paradiso, Canto 8 : Charles Martel addresses Dante and Beatrice, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745749: Paradiso, Canto 8 : Charles Martel addresses Dante and Beatrice, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Demon at the feet of Powers, detail of the rood screen, St. Michael's Church, Barton Turf, Norfolk, UK (tempera on wood) (see also 443833, 443834 and 443838 to 443845)
Demon at the feet of Powers, detail of the rood screen, St. Michael's Church, Barton Turf, Norfolk, UK (tempera on wood) (see also 443833, 443834 and 443838 to 443845)

HGP443832: Demon at the feet of Powers, detail of the rood screen, St. Michael's Church, Barton Turf, Norfolk, UK (tempera on wood) (see also 443833, 443834 and 443838 to 443845), English School / Bridgeman Images

Gargoyle, Chateau de Meillant, Loire Valley, France (b/w photo)
Gargoyle, Chateau de Meillant, Loire Valley, France (b/w photo)

TMA396413: Gargoyle, Chateau de Meillant, Loire Valley, France (b/w photo) / Bridgeman Images


Back to top