Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

17370 Search Results for literary

Avant et après - drawing
Avant et après - drawing

COU6356584: Avant et après - drawing "Décorative personne", 1903 (pen and black ink on wove paper), Gauguin, Paul (1848-1903) / Bridgeman Images

Avant et après - text and two drawings of a girl's head, 1903 (pen and black ink (text), black chalk and black wash (drawing) on wove paper)
Avant et après - text and two drawings of a girl's head, 1903 (pen and black ink (text), black chalk and black wash (drawing) on wove paper)

COU6356605: Avant et après - text and two drawings of a girl's head, 1903 (pen and black ink (text), black chalk and black wash (drawing) on wove paper), Gauguin, Paul (1848-1903) / Bridgeman Images

Avant et après - Description of Gauguin's stay with Vincent van Gogh in Arles (P. 9), 1903 (pen and black ink on wove paper)
Avant et après - Description of Gauguin's stay with Vincent van Gogh in Arles (P. 9), 1903 (pen and black ink on wove paper)

COU6356615: Avant et après - Description of Gauguin's stay with Vincent van Gogh in Arles (P. 9), 1903 (pen and black ink on wove paper), Gauguin, Paul (1848-1903) / Bridgeman Images

Avant et après - Description of Gauguin's stay with Vincent van Gogh in Arles (P. 10), 1903 (pen and black ink on wove paper)
Avant et après - Description of Gauguin's stay with Vincent van Gogh in Arles (P. 10), 1903 (pen and black ink on wove paper)

COU6356619: Avant et après - Description of Gauguin's stay with Vincent van Gogh in Arles (P. 10), 1903 (pen and black ink on wove paper), Gauguin, Paul (1848-1903) / Bridgeman Images

Lunettes representing the myth of Eros and Anteros, detail of the vault, Aula Costabiliana o Hall of the Treasure (fresco)
Lunettes representing the myth of Eros and Anteros, detail of the vault, Aula Costabiliana o Hall of the Treasure (fresco)

GRL3707404: Lunettes representing the myth of Eros and Anteros, detail of the vault, Aula Costabiliana o Hall of the Treasure (fresco), Garofalo, Benvenuto Tisi da (1481-1559) / Bridgeman Images

Lunettes representing the myth of Eros and Anteros, detail of the vault, Aula Costabiliana o Hall of the Treasure (fresco)
Lunettes representing the myth of Eros and Anteros, detail of the vault, Aula Costabiliana o Hall of the Treasure (fresco)

GRL3707405: Lunettes representing the myth of Eros and Anteros, detail of the vault, Aula Costabiliana o Hall of the Treasure (fresco), Garofalo, Benvenuto Tisi da (1481-1559) / Bridgeman Images

Lunettes representing the myth of Eros and Anteros, detail of the vault, Aula Costabiliana o Hall of the Treasure (fresco)
Lunettes representing the myth of Eros and Anteros, detail of the vault, Aula Costabiliana o Hall of the Treasure (fresco)

GRL3707406: Lunettes representing the myth of Eros and Anteros, detail of the vault, Aula Costabiliana o Hall of the Treasure (fresco), Garofalo, Benvenuto Tisi da (1481-1559) / Bridgeman Images

Avant et après - Te tamari ('The child'), 1903 (traced monotype printed in black ink (recto), only a few lines from recto traced in graphite and pen and black ink (verso) on wove paper, laid down on album page with the right side free, the left edge is now unevenly folded over)
Avant et après - Te tamari ('The child'), 1903 (traced monotype printed in black ink (recto), only a few lines from recto traced in graphite and pen and black ink (verso) on wove paper, laid down on album page with the right side free, the left edge is now unevenly folded over)

COU6356594: Avant et après - Te tamari ('The child'), 1903 (traced monotype printed in black ink (recto), only a few lines from recto traced in graphite and pen and black ink (verso) on wove paper, laid down on album page with the right side free, the left edge is now unevenly folded over), Gauguin, Paul (1848-1903) / Bridgeman Images

Avant et après - Hue Coco, 1903 (traced monotype printed in black ink (recto), graphite (verso) on wove paper, laid down on album page in horizontal orientation )
Avant et après - Hue Coco, 1903 (traced monotype printed in black ink (recto), graphite (verso) on wove paper, laid down on album page in horizontal orientation )

COU6356591: Avant et après - Hue Coco, 1903 (traced monotype printed in black ink (recto), graphite (verso) on wove paper, laid down on album page in horizontal orientation ), Gauguin, Paul (1848-1903) / Bridgeman Images

Avant et après - Head of a Marquesan woman, 1903 (traced monotype printed in black ink on wove paper, laid down on album page; no drawing on the verso)
Avant et après - Head of a Marquesan woman, 1903 (traced monotype printed in black ink on wove paper, laid down on album page; no drawing on the verso)

COU6356595: Avant et après - Head of a Marquesan woman, 1903 (traced monotype printed in black ink on wove paper, laid down on album page; no drawing on the verso), Gauguin, Paul (1848-1903) / Bridgeman Images

Avant et après - Seated woman, cat with kittens and a pig, 1903 (traced monotype printed in black ink on wove paper, laid down on album page; oriented horizontally with lower edge toward the gutter; limited view of verso, presumably no verso drawing)
Avant et après - Seated woman, cat with kittens and a pig, 1903 (traced monotype printed in black ink on wove paper, laid down on album page; oriented horizontally with lower edge toward the gutter; limited view of verso, presumably no verso drawing)

COU6356618: Avant et après - Seated woman, cat with kittens and a pig, 1903 (traced monotype printed in black ink on wove paper, laid down on album page; oriented horizontally with lower edge toward the gutter; limited view of verso, presumably no verso drawing), Gauguin, Paul (1848-1903) / Bridgeman Images

Avant et après - On en mange, 1903 (traced monotype printed in black ink on wove paper, trimmed around outline of the image and laid down on album page, unable to lift to see verso)
Avant et après - On en mange, 1903 (traced monotype printed in black ink on wove paper, trimmed around outline of the image and laid down on album page, unable to lift to see verso)

COU6356593: Avant et après - On en mange, 1903 (traced monotype printed in black ink on wove paper, trimmed around outline of the image and laid down on album page, unable to lift to see verso), Gauguin, Paul (1848-1903) / Bridgeman Images

Avant et après - Woman carrying an urn on her shoulder and two heads from L'Appel, 1903 (traced monotype printed in black ink on wove paper, laid down on album page; has horizontal orientation and so lower edge is toward the gutter; unable to lift to see verso)
Avant et après - Woman carrying an urn on her shoulder and two heads from L'Appel, 1903 (traced monotype printed in black ink on wove paper, laid down on album page; has horizontal orientation and so lower edge is toward the gutter; unable to lift to see verso)

COU6356617: Avant et après - Woman carrying an urn on her shoulder and two heads from L'Appel, 1903 (traced monotype printed in black ink on wove paper, laid down on album page; has horizontal orientation and so lower edge is toward the gutter; unable to lift to see verso), Gauguin, Paul (1848-1903) / Bridgeman Images

Avant et après - Les anges à tout le monde, 1903 (traced monotype printed in black ink on wove paper, laid down on album page; verso blank)
Avant et après - Les anges à tout le monde, 1903 (traced monotype printed in black ink on wove paper, laid down on album page; verso blank)

COU6356596: Avant et après - Les anges à tout le monde, 1903 (traced monotype printed in black ink on wove paper, laid down on album page; verso blank), Gauguin, Paul (1848-1903) / Bridgeman Images

Avant et après - Nativity fragment, 1903 (traced monotype printed in black ink on blue-ruled notebook paper, oriented horizontally on album page; white bodycolour added to cover prominent brown stains caused by adhesive; unable to lift to see verso)
Avant et après - Nativity fragment, 1903 (traced monotype printed in black ink on blue-ruled notebook paper, oriented horizontally on album page; white bodycolour added to cover prominent brown stains caused by adhesive; unable to lift to see verso)

COU6356600: Avant et après - Nativity fragment, 1903 (traced monotype printed in black ink on blue-ruled notebook paper, oriented horizontally on album page; white bodycolour added to cover prominent brown stains caused by adhesive; unable to lift to see verso), Gauguin, Paul (1848-1903) / Bridgeman Images

Avant et après - Changement de résidence, 1903 (traced monotype printed in black ink on wove paper, laid down horizontally on album page; limited view of verso, shows no sign of any drawing)
Avant et après - Changement de résidence, 1903 (traced monotype printed in black ink on wove paper, laid down horizontally on album page; limited view of verso, shows no sign of any drawing)

COU6356597: Avant et après - Changement de résidence, 1903 (traced monotype printed in black ink on wove paper, laid down horizontally on album page; limited view of verso, shows no sign of any drawing), Gauguin, Paul (1848-1903) / Bridgeman Images

Avant et après, Atuana, Marquesas Islands, January- February 1903 (manuscript)
Avant et après, Atuana, Marquesas Islands, January- February 1903 (manuscript)

COU6356577: Avant et après, Atuana, Marquesas Islands, January- February 1903 (manuscript), Gauguin, Paul (1848-1903) / Bridgeman Images

Warrant from the Council of State to the Lord Mayor of London, desiring him and the Aldermen to attend the proclamation of Oliver Cromwell as Lord Protector of the Commonwealth of England, Scotland, Ireland & the Dominions on 19 December, 17 December, 1653 (pen and ink on paper)
Warrant from the Council of State to the Lord Mayor of London, desiring him and the Aldermen to attend the proclamation of Oliver Cromwell as Lord Protector of the Commonwealth of England, Scotland, Ireland & the Dominions on 19 December, 17 December, 1653 (pen and ink on paper)

KDC441034: Warrant from the Council of State to the Lord Mayor of London, desiring him and the Aldermen to attend the proclamation of Oliver Cromwell as Lord Protector of the Commonwealth of England, Scotland, Ireland & the Dominions on 19 December, 17 December, 1653 (pen and ink on paper) / Bridgeman Images

King William III and his army at the Siege of Namur, 1695 (oil on canvas)
King William III and his army at the Siege of Namur, 1695 (oil on canvas)

NAM5920458: King William III and his army at the Siege of Namur, 1695 (oil on canvas), Wyck, Jan (1640-1700) / Bridgeman Images

Rome, portico of the Church of Santa Maria in Cosmedin, 1980. Group of writers in town to attend the Second Festival of the Poets. Among others: Allen Ginsberg, Peter Orlowsky, Gregory Corso, Yevgeny Yevtushenko, Anne Waldman
Rome, portico of the Church of Santa Maria in Cosmedin, 1980. Group of writers in town to attend the Second Festival of the Poets. Among others: Allen Ginsberg, Peter Orlowsky, Gregory Corso, Yevgeny Yevtushenko, Anne Waldman

MME4746260: Rome, portico of the Church of Santa Maria in Cosmedin, 1980. Group of writers in town to attend the Second Festival of the Poets. Among others: Allen Ginsberg, Peter Orlowsky, Gregory Corso, Yevgeny Yevtushenko, Anne Waldman / Bridgeman Images

Emblem from House of the Centenario, floor, 1st Century (mosaic)
Emblem from House of the Centenario, floor, 1st Century (mosaic)

MEP4704547: Emblem from House of the Centenario, floor, 1st Century (mosaic) / Bridgeman Images

Lady Marian Margaret Compton, Viscountess Alford (1817-1888)
Lady Marian Margaret Compton, Viscountess Alford (1817-1888)

USB1160802: Lady Marian Margaret Compton, Viscountess Alford (1817-1888) / Bridgeman Images

The Shakespeare Sideboard, 1862-63 (wood)
The Shakespeare Sideboard, 1862-63 (wood)

TW3833257: The Shakespeare Sideboard, 1862-63 (wood), Robinson, Gerrard (1834-91) / Bridgeman Images

Yves Berger
Yves Berger

MLO2175319: Yves Berger / Bridgeman Images

Yves Berger
Yves Berger

MLO2175308: Yves Berger / Bridgeman Images

Yves Berger
Yves Berger

MLO1971985: Yves Berger / Bridgeman Images

Florence, Palazzo Buondelmonti (photo)
Florence, Palazzo Buondelmonti (photo)

MME4730855: Florence, Palazzo Buondelmonti (photo) / Bridgeman Images

Florence, Palazzo Buondelmonti (photo)
Florence, Palazzo Buondelmonti (photo)

MME4730886: Florence, Palazzo Buondelmonti (photo) / Bridgeman Images

Calligraphy of a Tanka (ink on silk)
Calligraphy of a Tanka (ink on silk)

FZA370887: Calligraphy of a Tanka (ink on silk), Jusou (fl. 18th century) / Bridgeman Images

Fol.1r Court scene with scribes, from the 'Liber feudorum maior' (vellum)
Fol.1r Court scene with scribes, from the 'Liber feudorum maior' (vellum)

XJL62438: Fol.1r Court scene with scribes, from the 'Liber feudorum maior' (vellum), Spanish School, (12th century) / Bridgeman Images

A Wall Painting Competition between the Men of Rum and Chin, from the 'Khamsa' by Nizami Ganjavi, c.1465-75 (gouache on paper)
A Wall Painting Competition between the Men of Rum and Chin, from the 'Khamsa' by Nizami Ganjavi, c.1465-75 (gouache on paper)

FIT168080: A Wall Painting Competition between the Men of Rum and Chin, from the 'Khamsa' by Nizami Ganjavi, c.1465-75 (gouache on paper), Persian School, (15th century) / Bridgeman Images

Calligraphy of a Tanka by Abbot Jien (1155-1225) (ink on gilded paper)
Calligraphy of a Tanka by Abbot Jien (1155-1225) (ink on gilded paper)

FZA370891: Calligraphy of a Tanka by Abbot Jien (1155-1225) (ink on gilded paper), Japanese School, (18th century) / Bridgeman Images

Ms 599/1426 f.7v Dialectics and Zoroastrianism, (fl.1374) (vellum)
Ms 599/1426 f.7v Dialectics and Zoroastrianism, (fl.1374) (vellum)

CND161970: Ms 599/1426 f.7v Dialectics and Zoroastrianism, (fl.1374) (vellum), Italian School, (14th century) / Bridgeman Images

MS CCC 67 f.9v The Lover confides his sins to a Confessor, illumination in the style of Hermann Scheerre, written by John Gower (c.1325-1408) from the 'Confessio Amantis, (early 15th century)' (vellum)
MS CCC 67 f.9v The Lover confides his sins to a Confessor, illumination in the style of Hermann Scheerre, written by John Gower (c.1325-1408) from the 'Confessio Amantis, (early 15th century)' (vellum)

CCC95537: MS CCC 67 f.9v The Lover confides his sins to a Confessor, illumination in the style of Hermann Scheerre, written by John Gower (c.1325-1408) from the 'Confessio Amantis, (early 15th century)' (vellum) / Bridgeman Images

Ms 493 fol.1r The Works of Virgil with Commentary by Servius, The Bucolics, King sitting on his throne surrounded by his guards in front of a fortified town, France, 1469 (vellum)
Ms 493 fol.1r The Works of Virgil with Commentary by Servius, The Bucolics, King sitting on his throne surrounded by his guards in front of a fortified town, France, 1469 (vellum)

XIR50933: Ms 493 fol.1r The Works of Virgil with Commentary by Servius, The Bucolics, King sitting on his throne surrounded by his guards in front of a fortified town, France, 1469 (vellum), French School, (15th century) / Bridgeman Images

Ms C-860 f.43a Text of a poem from an album, c.1540-50 (vellum)
Ms C-860 f.43a Text of a poem from an album, c.1540-50 (vellum)

XIR158253: Ms C-860 f.43a Text of a poem from an album, c.1540-50 (vellum), Islamic School, (16th century) / Bridgeman Images


Back to top