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4363 Search Results for Da Vinci

The Tavola Strozzi, 1472-3 (tempera on panel)
The Tavola Strozzi, 1472-3 (tempera on panel)

XIR349728: The Tavola Strozzi, 1472-3 (tempera on panel), Rosselli, Francesco (1445-c.1513) (attr.) / Bridgeman Images

Instant Result, 1980 (acrylic on canvas)
Instant Result, 1980 (acrylic on canvas)

GDE213325: Instant Result, 1980 (acrylic on canvas), Dean, Graham (b.1951) / Bridgeman Images

Composition sketch for The Adoration of the Magi, 1481 (pen and ink on paper)
Composition sketch for The Adoration of the Magi, 1481 (pen and ink on paper)

XAL152901: Composition sketch for The Adoration of the Magi, 1481 (pen and ink on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Portrait of a Musician, 1485-90 (tempera & oil on panel)
Portrait of a Musician, 1485-90 (tempera & oil on panel)

MEV5044343: Portrait of a Musician, 1485-90 (tempera & oil on panel), Vinci, Leonardo da (1452-1519) / Bridgeman Images

The anatomy of the neck, c.1512-13 (pen & ink on blue paper)
The anatomy of the neck, c.1512-13 (pen & ink on blue paper)

ROC427467: The anatomy of the neck, c.1512-13 (pen & ink on blue paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Studies of military tank-like machines; including one at the top with horses pulling a contraption with revolving scythes, c.1485 (pen & ink and brown wash on paper)
Studies of military tank-like machines; including one at the top with horses pulling a contraption with revolving scythes, c.1485 (pen & ink and brown wash on paper)

XJF311683: Studies of military tank-like machines; including one at the top with horses pulling a contraption with revolving scythes, c.1485 (pen & ink and brown wash on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Portrait of Leonard de Vinci (Leonardo da Vinci) (1452-1519). engraving of 1859 in “” the galleries of Europe - Italy”” by Armandaud (engraving)
Portrait of Leonard de Vinci (Leonardo da Vinci) (1452-1519). engraving of 1859 in “” the galleries of Europe - Italy”” by Armandaud (engraving)

XEE4191949: Portrait of Leonard de Vinci (Leonardo da Vinci) (1452-1519). engraving of 1859 in “” the galleries of Europe - Italy”” by Armandaud (engraving), Anonymous / Bridgeman Images

Leonardo da Vinci (1452-1519) engraving)
Leonardo da Vinci (1452-1519) engraving)

KWE166431: Leonardo da Vinci (1452-1519) engraving), English School, (19th century) / Bridgeman Images

Head of St. James in the Last Supper and architectural sketches, c.1495 (red chalk, pen & ink on paper)
Head of St. James in the Last Supper and architectural sketches, c.1495 (red chalk, pen & ink on paper)

ROC427439: Head of St. James in the Last Supper and architectural sketches, c.1495 (red chalk, pen & ink on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

A design for a costume of an imaginary beast, c.1517-18 (black chalk with pen & ink on paper)
A design for a costume of an imaginary beast, c.1517-18 (black chalk with pen & ink on paper)

ROC412168: A design for a costume of an imaginary beast, c.1517-18 (black chalk with pen & ink on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

A bird's-eye view of western Tuscany, c.1503-34 (pen & ink with wash and gouache over chalk on paper)
A bird's-eye view of western Tuscany, c.1503-34 (pen & ink with wash and gouache over chalk on paper)

ROC480619: A bird's-eye view of western Tuscany, c.1503-34 (pen & ink with wash and gouache over chalk on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Two male profiles, an old man and a young man - The young man represents Gian Giacomo Caprotti dit Andrea Salai or Salaij (circa 1480-1524), Leonard's pupil and lover - Drawing a la sanguine by Leonardo da Vinci (Leonard de Vinci) (1452-1519) - Florence, Galleria degli Uffizi (Offices) - Two male profiles, old man and a young man - The young one is Gian Giacomo Caprotti da Oreno, better known as Andrea Salai (c. 1480-1524), pupil and lover of Leonardo - Red chalk on paper by Leonardo Da Vinci (1452-1519) - Galleria degli Uffizi, Florence (Italy)
Two male profiles, an old man and a young man - The young man represents Gian Giacomo Caprotti dit Andrea Salai or Salaij (circa 1480-1524), Leonard's pupil and lover - Drawing a la sanguine by Leonardo da Vinci (Leonard de Vinci) (1452-1519) - Florence, Galleria degli Uffizi (Offices) - Two male profiles, old man and a young man - The young one is Gian Giacomo Caprotti da Oreno, better known as Andrea Salai (c. 1480-1524), pupil and lover of Leonardo - Red chalk on paper by Leonardo Da Vinci (1452-1519) - Galleria degli Uffizi, Florence (Italy)

LRI4615986: Two male profiles, an old man and a young man - The young man represents Gian Giacomo Caprotti dit Andrea Salai or Salaij (circa 1480-1524), Leonard's pupil and lover - Drawing a la sanguine by Leonardo da Vinci (Leonard de Vinci) (1452-1519) - Florence, Galleria degli Uffizi (Offices) - Two male profiles, old man and a young man - The young one is Gian Giacomo Caprotti da Oreno, better known as Andrea Salai (c. 1480-1524), pupil and lover of Leonardo - Red chalk on paper by Leonardo Da Vinci (1452-1519) - Galleria degli Uffizi, Florence (Italy), Vinci, Leonardo da (1452-1519) / Bridgeman Images

A horse in profile, and from the front (metalpoint on paper)
A horse in profile, and from the front (metalpoint on paper)

ROC399220: A horse in profile, and from the front (metalpoint on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

The muscles of the shoulder and arm, c.1510 (pen & ink with wash over black chalk on paper)
The muscles of the shoulder and arm, c.1510 (pen & ink with wash over black chalk on paper)

ROC399269: The muscles of the shoulder and arm, c.1510 (pen & ink with wash over black chalk on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Seven Studies of Grotesque Faces (red chalk on paper)
Seven Studies of Grotesque Faces (red chalk on paper)

FTB104422: Seven Studies of Grotesque Faces (red chalk on paper), Vinci, Leonardo da (1452-1519) (attr.to) / Bridgeman Images

L.H.O.O.Q, Mona Lisa with moustache, 1930 (colour litho)
L.H.O.O.Q, Mona Lisa with moustache, 1930 (colour litho)

CPH230083: L.H.O.O.Q, Mona Lisa with moustache, 1930 (colour litho), Duchamp, Marcel (1887-1968) / Bridgeman Images

Neptune, c.1504-05 (chalk on paper)
Neptune, c.1504-05 (chalk on paper)

ROC427440: Neptune, c.1504-05 (chalk on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Codex Atlanticus, sheet 26 verso, 1478-1518 (pen & ink)
Codex Atlanticus, sheet 26 verso, 1478-1518 (pen & ink)

MEV5045218: Codex Atlanticus, sheet 26 verso, 1478-1518 (pen & ink), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Diagram of a mechanical wing, manuscript B, 1488-89 (pen & ink on paper) (b/w photo)
Diagram of a mechanical wing, manuscript B, 1488-89 (pen & ink on paper) (b/w photo)

XJF308792: Diagram of a mechanical wing, manuscript B, 1488-89 (pen & ink on paper) (b/w photo), Vinci, Leonardo da (1452-1519) / Bridgeman Images

The muscles of the shoulder and arm, and the bones of the foot, c.1510 (pen & ink with wash over black chalk on paper)
The muscles of the shoulder and arm, and the bones of the foot, c.1510 (pen & ink with wash over black chalk on paper)

ROC399277: The muscles of the shoulder and arm, and the bones of the foot, c.1510 (pen & ink with wash over black chalk on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

The vertebral column, c.1510 (pen & ink with wash, over traces of black chalk on paper)
The vertebral column, c.1510 (pen & ink with wash, over traces of black chalk on paper)

ROC409853: The vertebral column, c.1510 (pen & ink with wash, over traces of black chalk on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Reconstruction of da Vinci's design for a bicycle (wood)
Reconstruction of da Vinci's design for a bicycle (wood)

XOT366466: Reconstruction of da Vinci's design for a bicycle (wood), Vinci, Leonardo da (1452-1519) (after) / Bridgeman Images

The muscles and veins of the arm and torso, c.1510 (pen & ink with wash over black chalk on paper)
The muscles and veins of the arm and torso, c.1510 (pen & ink with wash over black chalk on paper)

ROC399268: The muscles and veins of the arm and torso, c.1510 (pen & ink with wash over black chalk on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

War machine (pencil on paper)
War machine (pencil on paper)

FTB165449: War machine (pencil on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Francois I (1494-1547) with Leonardo da Vinci (1452-1519) (oil on canvas)
Francois I (1494-1547) with Leonardo da Vinci (1452-1519) (oil on canvas)

XIR198845: Francois I (1494-1547) with Leonardo da Vinci (1452-1519) (oil on canvas), Fragonard, Alexandre Evariste (1780-1850) / Bridgeman Images

Angel Gabriel, from the Annunciation, 1472-75 (oil on panel) (detail) (post-restoration)
Angel Gabriel, from the Annunciation, 1472-75 (oil on panel) (detail) (post-restoration)

BEN140571: Angel Gabriel, from the Annunciation, 1472-75 (oil on panel) (detail) (post-restoration), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Study of the Wooden Framework with Casting Mould for the Sforza Horse, fol. 154v from the Codex Madrid II, c.1491-93 (pen & brown ink on paper)
Study of the Wooden Framework with Casting Mould for the Sforza Horse, fol. 154v from the Codex Madrid II, c.1491-93 (pen & brown ink on paper)

XJL186977: Study of the Wooden Framework with Casting Mould for the Sforza Horse, fol. 154v from the Codex Madrid II, c.1491-93 (pen & brown ink on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Study of a hand (red chalk on paper)
Study of a hand (red chalk on paper)

FTB165452: Study of a hand (red chalk on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Head of a Young Woman or Head of the Virgin, c.1490 (silverpoint on paper)
Head of a Young Woman or Head of the Virgin, c.1490 (silverpoint on paper)

XIR192492: Head of a Young Woman or Head of the Virgin, c.1490 (silverpoint on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

A Deluge, c.1517-18 (black chalk on paper)
A Deluge, c.1517-18 (black chalk on paper)

ROC2628782: A Deluge, c.1517-18 (black chalk on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

A male anatomical figure showing the viscera and principal vessels, c.1490 (pen & ink with wash over black chalk on paper)
A male anatomical figure showing the viscera and principal vessels, c.1490 (pen & ink with wash over black chalk on paper)

ROC405158: A male anatomical figure showing the viscera and principal vessels, c.1490 (pen & ink with wash over black chalk on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

The bones, muscles and tendons of the hand, c.1510 (pen & ink with wash over black chalk on paper)
The bones, muscles and tendons of the hand, c.1510 (pen & ink with wash over black chalk on paper)

ROC478430: The bones, muscles and tendons of the hand, c.1510 (pen & ink with wash over black chalk on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Three dancing figures and a study of a head (sepia & black ink on linen paper)
Three dancing figures and a study of a head (sepia & black ink on linen paper)

CPH256965: Three dancing figures and a study of a head (sepia & black ink on linen paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Two Heads in Profile, c.1500 (red chalk on paper)
Two Heads in Profile, c.1500 (red chalk on paper)

XAL152183: Two Heads in Profile, c.1500 (red chalk on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Colored Mona Lisa, 1963 (silkscreen inks & graphite on canvas)
Colored Mona Lisa, 1963 (silkscreen inks & graphite on canvas)

CH2633472: Colored Mona Lisa, 1963 (silkscreen inks & graphite on canvas), Warhol, Andy (1928-87) / Bridgeman Images

Studies of geometry, clouds, plants, engineering, c.1490 (pen & ink on paper)
Studies of geometry, clouds, plants, engineering, c.1490 (pen & ink on paper)

ROC478414: Studies of geometry, clouds, plants, engineering, c.1490 (pen & ink on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images


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