DNA3796652:
Maria Ercolano as Arsaces (photo) / Bridgeman Images
ID: DNA3796652
Maria Ercolano as Arsaces (photo)
DNA3796655:
Maria Ercolano as Arsaces (photo) / Bridgeman Images
ID: DNA3796655
Maria Ercolano as Arsaces (photo)
DNA3796670:
Maria Ercolano as Arsaces (photo) / Bridgeman Images
ID: DNA3796670
Maria Ercolano as Arsaces (photo)
MEV5047636:
Da Vinci's knots, Italian school, (15th-16th century) / Bridgeman Images
ID: MEV5047636
Da Vinci's knots
Italian school, (15th-16th century)
MEV5047639:
Da Vinci's knots, Italian school, (15th-16th century) / Bridgeman Images
ID: MEV5047639
Da Vinci's knots
Italian school, (15th-16th century)
DNA3796638:
Marina de Liso as Partenope (photo) / Bridgeman Images
ID: DNA3796638
Marina de Liso as Partenope (photo)
DNA3796629:
Pino de Vittorio as Eurilla (photo) / Bridgeman Images
ID: DNA3796629
Pino de Vittorio as Eurilla (photo)
DNA3796661:
Maria Ercolano as Arsaces (photo) / Bridgeman Images
ID: DNA3796661
Maria Ercolano as Arsaces (photo)
DNA3796665:
Eufemia Tufano as Emilio (photo) / Bridgeman Images
ID: DNA3796665
Eufemia Tufano as Emilio (photo)
DNA3796671:
Maria Ercolano as Arsaces (photo) / Bridgeman Images
ID: DNA3796671
Maria Ercolano as Arsaces (photo)
DNA3796648:
Pino de Vittorio as Eurilla (photo) / Bridgeman Images
ID: DNA3796648
Pino de Vittorio as Eurilla (photo)
MEV5047640:
Da Vinci's knots, Italian school, (15th-16th century) / Bridgeman Images
ID: MEV5047640
Da Vinci's knots
Italian school, (15th-16th century)
DNA3796649:
Eufemia Tufano as Emilio (photo) / Bridgeman Images
ID: DNA3796649
Eufemia Tufano as Emilio (photo)
DNA3796676:
Pino de Vittorio as Eurilla (photo) / Bridgeman Images
ID: DNA3796676
Pino de Vittorio as Eurilla (photo)
DNA3796642:
Marina de Liso as Partenope and Maria Ercolano as Arsaces (photo) / Bridgeman Images
ID: DNA3796642
Marina de Liso as Partenope and Maria Ercolano as Arsaces (photo)
CH494361:
The Eucharist Vanquishes the Heathen Sacrifices, Brussels, second half of the 17th century (wool & silk), Rubens, Peter Paul (1577-1640) (after) / Bridgeman Images
ID: CH494361
The Eucharist Vanquishes the Heathen Sacrifices, Brussels, second half of the 17th century (wool & silk)
Rubens, Peter Paul (1577-1640) (after)
DNA3796634:
Marina de Liso as Partenope and Maria Ercolano as Arsaces (photo) / Bridgeman Images
ID: DNA3796634
Marina de Liso as Partenope and Maria Ercolano as Arsaces (photo)
LLM5228211:
Croquis de Leonard de Vinci (engraving), French School, (19th century) / Bridgeman Images
ID: LLM5228211
Croquis de Leonard de Vinci (engraving)
French School, (19th century)
DNA3796664:
Marina de Liso as Partenope and Maria Ercolano as Arsaces (photo) / Bridgeman Images
ID: DNA3796664
Marina de Liso as Partenope and Maria Ercolano as Arsaces (photo)
LLM5228208:
Croquis de Leonard de Vinci (engraving), French School, (19th century) / Bridgeman Images
ID: LLM5228208
Croquis de Leonard de Vinci (engraving)
French School, (19th century)
LLM5228213:
Croquis de Leonard de Vinci (engraving), French School, (19th century) / Bridgeman Images
ID: LLM5228213
Croquis de Leonard de Vinci (engraving)
French School, (19th century)
LLM1094621:
Portrait of Jerome Savonarola (engraving), French School, (19th century) / Bridgeman Images
ID: LLM1094621
Portrait of Jerome Savonarola (engraving)
French School, (19th century)
DNA3796660:
Marina de Liso as Partenope, Maria Ercolano as Arsaces and Stefa (photo) / Bridgeman Images
ID: DNA3796660
Marina de Liso as Partenope, Maria Ercolano as Arsaces and Stefa (photo)
LLM3648309:
Canada to the Rescue! or, Mother and Daughter (colour litho), Morgan, Matthew "Matt" Somerville (1839-90) / Bridgeman Images
ID: LLM3648309
Canada to the Rescue! or, Mother and Daughter (colour litho)
Morgan, Matthew "Matt" Somerville (1839-90)
ICA4865097:
Illustration in Le Rire, 17/08/12 - The pseudo-imitation of a false imitation Mona Lisa - Art, Musee Expositions, Louvre - Mona Lisa (engraving), Metivet, Lucien (1863-1930) / Bridgeman Images
ID: ICA4865097
Illustration in Le Rire, 17/08/12 - The pseudo-imitation of a false imitation Mona Lisa - Art, Musee Expositions, Louvre - Mona Lisa (engraving)
Metivet, Lucien (1863-1930)
XCC2971625:
The Holy Trinity with Saint Michael Conquering the Dragon, 1666 (pen & ink, brush and wash, lead white and chalk on paper), Cortona, Pietro da (Berrettini) (1596-1669) / Bridgeman Images
ID: XCC2971625
The Holy Trinity with Saint Michael Conquering the Dragon, 1666 (pen & ink, brush and wash, lead white and chalk on paper)
Cortona, Pietro da (Berrettini) (1596-1669)
PHL434665:
The Goddess Durga subduing the Buffalo Demon, Mahishasura (w/c on paper) / Bridgeman Images
ID: PHL434665
The Goddess Durga subduing the Buffalo Demon, Mahishasura (w/c on paper)
LLM3649846:
James Hargreaves (b/w photo), English Photographer, (19th century) / Bridgeman Images
ID: LLM3649846
James Hargreaves (b/w photo)
English Photographer, (19th century)
EVB2937284:
Cartoon of police guarding the Mona Lisa as the painting returns to France. More than two years after its theft by Vincenzo Peruggia, Leonardo painting was recovered and returned to the Louvre, in Paris. 1913 / Bridgeman Images
ID: EVB2937284
Cartoon of police guarding the Mona Lisa as the painting returns to France. More than two years after its theft by Vincenzo Peruggia, Leonardo painting was recovered and returned to the Louvre, in Paris. 1913
HLN430128:
Madonna Irlanda or The Very First Real Irish Political Picture, 1977 (acrylic on canvas), Farrell, Micheal (1940-2000) / Bridgeman Images
ID: HLN430128
Madonna Irlanda or The Very First Real Irish Political Picture, 1977 (acrylic on canvas)
Farrell, Micheal (1940-2000)
CH1197623:
Study of a Male Nude, seen from Behind, 1774 (red chalk), Suvee, Joseph Benoit (1743-1807) / Bridgeman Images
ID: CH1197623
Study of a Male Nude, seen from Behind, 1774 (red chalk)