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797732 Search Results

The Battle of Dogger Bank, 1781 (oil on canvas)
The Battle of Dogger Bank, 1781 (oil on canvas)

OJ86945: The Battle of Dogger Bank, 1781 (oil on canvas), Luny, Thomas (1759-1837) / Bridgeman Images

Botanical Lily, 1996 (w/c on paper)
Botanical Lily, 1996 (w/c on paper)

LD90607: Botanical Lily, 1996 (w/c on paper), Delevoryas, Lillian / Bridgeman Images

The Angel of the World (watercolour on paper)
The Angel of the World (watercolour on paper)

STR91502: The Angel of the World (watercolour on paper), Schreiber, Trish / Bridgeman Images

The Levee, 1892
The Levee, 1892

GG87486: The Levee, 1892, Caraud, Joseph (1821-1905) / Bridgeman Images

The Lunch Break, 1979 (gouache)
The Lunch Break, 1979 (gouache)

LWR84972: The Lunch Break, 1979 (gouache), Wright, Liz (b.1950) / Bridgeman Images

Scene from Romeo and Juliet, Royal Ballet, Covent Garden (w/c on paper)
Scene from Romeo and Juliet, Royal Ballet, Covent Garden (w/c on paper)

GAR121694: Scene from Romeo and Juliet, Royal Ballet, Covent Garden (w/c on paper), Ball, Gareth Lloyd / Bridgeman Images

An Idyllic Moment (oil on canvas)
An Idyllic Moment (oil on canvas)

WH122008: An Idyllic Moment (oil on canvas), Montigny, Jenny (1875-1937) / Bridgeman Images

Walnut Tree, 1998 (oil on board)
Walnut Tree, 1998 (oil on board)

RBH122266: Walnut Tree, 1998 (oil on board), Hobhouse, Robert / Bridgeman Images

The Birth of Henri IV, c.1827 (oil on canvas)
The Birth of Henri IV, c.1827 (oil on canvas)

SSM122723: The Birth of Henri IV, c.1827 (oil on canvas), Deveria, Eugene (1808-65) / Bridgeman Images

Josiah Wedgwood (1730-95), engraved and pub. by George Townley Stubbs (1756-1815), 1795 (stipple engraving)
Josiah Wedgwood (1730-95), engraved and pub. by George Townley Stubbs (1756-1815), 1795 (stipple engraving)

NP125593: Josiah Wedgwood (1730-95), engraved and pub. by George Townley Stubbs (1756-1815), 1795 (stipple engraving), Stubbs, George (1724-1806) (after) / Bridgeman Images

Ligurian Villa, 1997 (oil on canvas)
Ligurian Villa, 1997 (oil on canvas)

CJW123657: Ligurian Villa, 1997 (oil on canvas), Johnson Wahl, Charlotte (1942-2021) / Bridgeman Images

The Old Samois, c.1900 (oil on canvas)
The Old Samois, c.1900 (oil on canvas)

NUM120339: The Old Samois, c.1900 (oil on canvas), Guillaumin, Jean Baptiste Armand (1841-1927) / Bridgeman Images

Cascade on Sneuwberg, plate 25 from 'African Scenery and Animals', engraved by the artist, 1805 (coloured aquatint)
Cascade on Sneuwberg, plate 25 from 'African Scenery and Animals', engraved by the artist, 1805 (coloured aquatint)

NP125954: Cascade on Sneuwberg, plate 25 from 'African Scenery and Animals', engraved by the artist, 1805 (coloured aquatint), Daniell, Samuel (1775-1811) / Bridgeman Images

'Mensuren' or Student Members of the Duelling Society on a Outing (litho)
'Mensuren' or Student Members of the Duelling Society on a Outing (litho)

REY124343: 'Mensuren' or Student Members of the Duelling Society on a Outing (litho), German School, (19th century) / Bridgeman Images

Portrait of a donor kneeling by a river (oil on panel) (pair of 155175)
Portrait of a donor kneeling by a river (oil on panel) (pair of 155175)

BAC155176: Portrait of a donor kneeling by a river (oil on panel) (pair of 155175), Cleve, Joos van (c.1485-1541) / Bridgeman Images

Figures on the Ramparts at Domfront (w/c on paper)
Figures on the Ramparts at Domfront (w/c on paper)

BAC155876: Figures on the Ramparts at Domfront (w/c on paper), Cotman, John Sell (1782-1842) / Bridgeman Images

Caravan in the Desert (oil on canvas)
Caravan in the Desert (oil on canvas)

FAS151099: Caravan in the Desert (oil on canvas) , Girardet, Eugene Alexis (1853-1907) / Bridgeman Images

Poppyheads (oil on canvas)
Poppyheads (oil on canvas)

HAI151259: Poppyheads (oil on canvas), Hains, Eric (1913-2005) / Bridgeman Images

Willow wallpaper design, 1874
Willow wallpaper design, 1874

WMA152644: Willow wallpaper design, 1874, Morris, William (1834-96) / Bridgeman Images

Jummah Musjeed, Delhi, c.1840 (w/c on paper)
Jummah Musjeed, Delhi, c.1840 (w/c on paper)

MGS149650: Jummah Musjeed, Delhi, c.1840 (w/c on paper), Khan, Mazar or Mazhar Ali (fl.1840-70) / Bridgeman Images

Pasiphaé, 1944 (linocut)
Pasiphaé, 1944 (linocut)

CH5976476: Pasiphaé, 1944 (linocut), Matisse, Henri (1869-1954) / © Succession H. Matisse / DACS 2024 / Bridgeman Images

Emblema of Cleopatra Selene, c. late 1st century BC-early 1st century AD (parcel-gilt & silver)
Emblema of Cleopatra Selene, c. late 1st century BC-early 1st century AD (parcel-gilt & silver)

CH5975297: Emblema of Cleopatra Selene, c. late 1st century BC-early 1st century AD (parcel-gilt & silver), Roman / Bridgeman Images

Paul Guillaume, c.1914 (b/w photo)
Paul Guillaume, c.1914 (b/w photo)

FIA5942475: Paul Guillaume, c.1914 (b/w photo), French Photographer, (20th century) / Bridgeman Images

Self-portrait, 1899 (charcoal on paper)
Self-portrait, 1899 (charcoal on paper)

CH5972423: Self-portrait, 1899 (charcoal on paper), Modigliani, Amedeo (1884-1920) / Bridgeman Images

Martin Luther (1483-1546) hanging his 95 theses in Wittenberg, 1517 - On October 31, 1517, Martin Luther redified 95 theses against the virtue of the indulgences he made placed on the doors of the cathedral of Wittenberg - Engraving from “Allgemeine Geschichte” by Rotteck 1844
Martin Luther (1483-1546) hanging his 95 theses in Wittenberg, 1517 - On October 31, 1517, Martin Luther redified 95 theses against the virtue of the indulgences he made placed on the doors of the cathedral of Wittenberg - Engraving from “Allgemeine Geschichte” by Rotteck 1844

ELD4954777: Martin Luther (1483-1546) hanging his 95 theses in Wittenberg, 1517 - On October 31, 1517, Martin Luther redified 95 theses against the virtue of the indulgences he made placed on the doors of the cathedral of Wittenberg - Engraving from “Allgemeine Geschichte” by Rotteck 1844 / Bridgeman Images

Champagne wine making: delivery of the grapes postcard ca. 1910
Champagne wine making: delivery of the grapes postcard ca. 1910

ELD4965336: Champagne wine making: delivery of the grapes postcard ca. 1910 / Bridgeman Images

henomene paranormal: The Levitation of the Medium and Scottish Seer Daniel Dunglas Home (1833-1886) rising in the air under the eyes of stupefaits witnesses, in an apartment in London - (Daniel Dunglas Home, the famous Scots-born medium of the nineteeth century, levitates himself in front of witnesses in a house in London) Engraving of the 19th century
henomene paranormal: The Levitation of the Medium and Scottish Seer Daniel Dunglas Home (1833-1886) rising in the air under the eyes of stupefaits witnesses, in an apartment in London - (Daniel Dunglas Home, the famous Scots-born medium of the nineteeth century, levitates himself in front of witnesses in a house in London) Engraving of the 19th century

ELD4960765: henomene paranormal: The Levitation of the Medium and Scottish Seer Daniel Dunglas Home (1833-1886) rising in the air under the eyes of stupefaits witnesses, in an apartment in London - (Daniel Dunglas Home, the famous Scots-born medium of the nineteeth century, levitates himself in front of witnesses in a house in London) Engraving of the 19th century / Bridgeman Images

Jules Cesar crosses the river of Rubicon with his legions in arms on January 10, 49 BC in the footsteps of Pompee the Great (Gneo Pompeo Magno or Gnaeus Pompeius Magnus, 106-48 BC) and violates the law of the Roman Senate which prohibited a Roman general from crossing the border river of Cisalpine Gaul - Crossing the river, Jules Cesar prononca The famous formula Alea jacta est””. End of the 19th century (chromolithograph).
Jules Cesar crosses the river of Rubicon with his legions in arms on January 10, 49 BC in the footsteps of Pompee the Great (Gneo Pompeo Magno or Gnaeus Pompeius Magnus, 106-48 BC) and violates the law of the Roman Senate which prohibited a Roman general from crossing the border river of Cisalpine Gaul - Crossing the river, Jules Cesar prononca The famous formula Alea jacta est””. End of the 19th century (chromolithograph).

ELD4845340: Jules Cesar crosses the river of Rubicon with his legions in arms on January 10, 49 BC in the footsteps of Pompee the Great (Gneo Pompeo Magno or Gnaeus Pompeius Magnus, 106-48 BC) and violates the law of the Roman Senate which prohibited a Roman general from crossing the border river of Cisalpine Gaul - Crossing the river, Jules Cesar prononca The famous formula Alea jacta est””. End of the 19th century (chromolithograph). / Bridgeman Images

Nicolas Flamel (1330 - 1418) in his laboratory.
Nicolas Flamel (1330 - 1418) in his laboratory.

GIA4778946: Nicolas Flamel (1330 - 1418) in his laboratory., Unknown Artist, (19th century) / Bridgeman Images

Princess Scheherazade (Sheherazade) (tales of the thousand and one nights). Illustration by George Barbier (1882-1932). circa 1910.
Princess Scheherazade (Sheherazade) (tales of the thousand and one nights). Illustration by George Barbier (1882-1932). circa 1910.

GIA4770655: Princess Scheherazade (Sheherazade) (tales of the thousand and one nights). Illustration by George Barbier (1882-1932). circa 1910., Barbier, Georges (1882-1932) / Bridgeman Images

Representation of the interpreters of the first representation of “” La Norma”” by Vincenzo Bellini (1801 - 1835): from left to right Domenico Donzelli (Pollione), Giuditta Grisi (Adalgisa) and Giuditta Pasta (Norma). 1833.
Representation of the interpreters of the first representation of “” La Norma”” by Vincenzo Bellini (1801 - 1835): from left to right Domenico Donzelli (Pollione), Giuditta Grisi (Adalgisa) and Giuditta Pasta (Norma). 1833.

GIA4769987: Representation of the interpreters of the first representation of “” La Norma”” by Vincenzo Bellini (1801 - 1835): from left to right Domenico Donzelli (Pollione), Giuditta Grisi (Adalgisa) and Giuditta Pasta (Norma). 1833., Unknown Artist, (19th century) / Bridgeman Images

Portrait of journalist Milena Jessenk (Jesenska) Polak (1896 - 1944) with an unknown man. She was the translator of the works of Franz Kafka and his muse. They maintained an epistolar affair.
Portrait of journalist Milena Jessenk (Jesenska) Polak (1896 - 1944) with an unknown man. She was the translator of the works of Franz Kafka and his muse. They maintained an epistolar affair.

GIA4772610: Portrait of journalist Milena Jessenk (Jesenska) Polak (1896 - 1944) with an unknown man. She was the translator of the works of Franz Kafka and his muse. They maintained an epistolar affair., Unknown photographer, (20th century) / Bridgeman Images

Incipit of the manuscript of the Zibaldone (or “Pensieri”) by Giacomo Leopardi (1798 - 1837). 1817-1832
Incipit of the manuscript of the Zibaldone (or “Pensieri”) by Giacomo Leopardi (1798 - 1837). 1817-1832

GIA4796567: Incipit of the manuscript of the Zibaldone (or “Pensieri”) by Giacomo Leopardi (1798 - 1837). 1817-1832, Leopardi, Giacomo (1798-1837) / Bridgeman Images

Jeanne Chauvin (1862-1926) was sworn in on December 7, 1900. (first woman lawyer registered at the Paris Bar) Lithograph by L. Sabattier.
Jeanne Chauvin (1862-1926) was sworn in on December 7, 1900. (first woman lawyer registered at the Paris Bar) Lithograph by L. Sabattier.

GIA4791618: Jeanne Chauvin (1862-1926) was sworn in on December 7, 1900. (first woman lawyer registered at the Paris Bar) Lithograph by L. Sabattier., Sabattier, Louis Remy (1863-1935) / Bridgeman Images

0 Through 9 (Universal Limited Art Editions 3), 1960 (litho)
0 Through 9 (Universal Limited Art Editions 3), 1960 (litho)

CH5893990: 0 Through 9 (Universal Limited Art Editions 3), 1960 (litho), Johns, Jasper (b.1930) / Bridgeman Images

The Finding of King Arthur, illustration from 'Tennyson's Idylls of the King', c.1878 (engraving)
The Finding of King Arthur, illustration from 'Tennyson's Idylls of the King', c.1878 (engraving)

LLM3649305: The Finding of King Arthur, illustration from 'Tennyson's Idylls of the King', c.1878 (engraving), Dore, Gustave (1832-83) (after) / Bridgeman Images


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